Results for 'Anelise Lopes Rodrigues'

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  1.  66
    Bem-estar pessoal de pais e filhos e seus valores aspirados.Jorge Castellá Sarriera, Verônica Morais Ximenes, Lívia Bedin, Anelise Lopes Rodrigues, Fabiane Friedrich Schütz, Carme Montserrat & Caroline Lima Silva - 2012 - Revista Aletheia 37:91-104.
    O bem-estar pessoal de adolescentes é um tema de crescente interesse na literatura científica, especialmente quando se considera a escassez de artigos que considerem o ponto de vista dos adolescentes. Este estudo busca analisar relações entre bem-estar pessoal de pais e filhos e seus valores aspirad..
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  2.  9
    O Abade Frutuoso E a Virgem Benedita: Um Exercício de Comparação Diacrônica.Andreia Cristina Lopes Frazão da Silva & Leila Rodrigues da Silva - 2016 - Diálogos (Maringa) 20 (3):57.
    Este artigo discute aspectos da vida religiosa feminina medieval, comparando a Vita Sancti Frutuosi, redigida em latim no século VII, e a versão deste texto em português arcaico, contida no Flos Sanctorum da UNB, transmitido por um único manuscrito datado do século XIV. Nosso objetivo é, a partir da análise dos trechos que relatam a relação de Frutuoso com a monja Benedita, identificar e discutir as semelhanças e particularidades entre as narrativas. A despeito de apresentarem a mesma trama, a VSF (...)
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  3. Entrevista: Marilena Chauí.João Paulo Rodrigues Lopes - 2011 - Trans/Form/Ação 34 (s1).
    Bom, Marilena, a gente queria que, inicialmente, você falasse da sua formação intelectual.Tomando como ponto de partida o curso colegial ou tomando como ponto de partida a Faculdade?
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  4. Política contemporânea e sociedade unidimensional.Sinésio Ferraz Rodrigues Lopes, Bueno - 2004 - Trans/Form/Ação 27 (1).
    O tema principal deste trabalho é a análise de contradições da política brasileira contemporânea à luz da Teoria Crítica.
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  5. A produção da ordem comum da natureza através da imaginação.Juarez Lopes Rodrigues - 2020 - Cadernos Espinosanos 42:237-252.
    Spinoza distinguishes two orders of knowledge: an order conceived by the intellect, that is, the necessary order of nature and another order conceived by the imagination, that is, the common order of nature in which the contingent and the possible dwell. However, the common order is not only a deprivation of knowledge, but also a reality for the finite mode. Because we cannot exclude the existence of the common order, this paper attempts to understand how we can reconcile it with (...)
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  6. A Ética Como Componente Estratégico Para as Seguradoras.Ana Tércia Lopes Rodrigues - 2004 - Funenseg.
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  7.  41
    Entre a essência E a existência: A correspondência de espinosa a hudde.Juarez Lopes Rodrigues - 2016 - Cadernos Espinosanos 35:373-399.
    O objetivo deste artigo é analisar o conteúdo das Cartas 34, 35 e 36 da Correspondência de Espinosa a Hudde. Nele podemos perceber o esforço e engenhosidade do filósofo em conduzir o seu interlocutor a assentir à primeira definição da Ética, a definição de causa sui. Hudde, matemático de formação, se esforça em compreender como o filósofo pode demonstrar que a unicidade de Deus possa ser deduzida exclusivamente do fato de que sua natureza ou essência envolve existência necessária. É através (...)
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  8.  4
    Espinosa Como Educador.Juarez Lopes Rodrigues - 2018 - Cadernos Espinosanos 38:263-268.
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  9. Identidade Entre Ideia E Volição Na Ética de Espinosa.Juarez Lopes Rodrigues - 2015 - Cadernos Espinosanos 31:89.
    O objetivo desse artigo é explicitar, na medida do possível, as críticas formuladas por Espinosa em relação a Descartes, notadamente em sua doutrina do livre-arbítrio. As críticas são fundamentadas nas proposições 48 e 49 da parte II da Ética, além das objeções que a complementam. Essa análise se deterá especialmente na identificação que Espinosa realiza entre ideia e volição, sendo a ideia concebida como um ato de afirmação ou negação, de modo que a volição é constitutiva da ideia. Com essa (...)
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  10.  16
    Recensão A: Rodrigues, Ália Rosa; Jesus, C. Martins; Lopes, Rodolfo - Intervenientes, Discussão E Entretenimento No Banquete de Plutarco.Adriana Freire Nogueira - 2010 - Humanitas 62:470-473.
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  11.  3
    A Presença de Martinho de Braga No Mosteiro de San Millan de la Cogolla.Leila Rodrigues Roedel & Andréia Cristina Lopes Frazão da Silva - 1997 - Veritas – Revista de Filosofia da Pucrs 42 (3):515.
    No presente artigo, interessa-nos apontar algumas possibilidades acerca da presença, no século X, da obra Formula Vitae Honestae, escrita por Martinho de Braga, que viveu na Galiza no século VI, na biblioteca de San Millán de la Cogolla, mosteiro localizado em La Rioja. De acordo com nossas conclusões, ainda parciais, vinculamos tal presença à identificação dos dois momentos históricos, o da Galiza no século VI e por La Rioja no X, marcados pela reorganização eclesiástica e monárquica.
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  12.  19
    Effects of Nicotine Gum Administration on Vision (ENIGMA-Vis): Study Protocol of a Double-Blind, Randomized, and Controlled Clinical Trial.Thiago P. Fernandes, Jeffery K. Hovis, Natalia Almeida, Jandirlly J. S. Souto, Thiago Augusto Bonifacio, Stephanye Rodrigues, Gabriella Medeiros Silva, Michael Oliveira Andrade, Jessica Bruna Silva, Giulliana H. Gomes, Milena Edite Oliveira, Eveline Holanda Lima, Maria Eduarda Gomes, Marcos V. A. Junior, Mariana Lopes Martins & Natanael A. Santos - 2020 - Frontiers in Human Neuroscience 14.
  13. Understanding Pictures.Dominic Lopes - 1996 - Oxford University Press.
    There is not one but many ways to picture the world--Australian "x-ray" pictures, cubish collages, Amerindian split-style figures, and pictures in two-point perspective each draw attention to different features of what they represent. Understanding Pictures argues that this diversity is the central fact with which a theory of figurative pictures must reckon. Lopes advances the theory that identifying pictures' subjects is akin to recognizing objects whose appearances have changed over time. He develops a schema for categorizing the different ways (...)
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  14.  73
    Sight and Sensibility: Evaluating Pictures.Dominic McIver Lopes - 2005 - Clarendon Press.
    Images have power - for good or ill. They may challenge us to see things anew and, in widening our experience, profoundly change who we are. The change can be ugly, as with propaganda, or enriching, as with many works of art. Sight and Sensibility explores the impact of images on what we know, how we see, and the moral assessments we make. Dominic Lopes shows how these are part of, not separate from, the aesthetic appeal of images. His (...)
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  15. Being for Beauty: Aesthetic Agency and Value.Dominic McIver Lopes - 2018 - Oxford University Press.
    For centuries, philosophers have identified beauty with what brings pleasure. Dominic McIver Lopes challenges this interpretation by offering an entirely new theory of beauty - that beauty engages us in action, in concert with others, in the context of social networks - and sheds light on why aesthetic engagement is crucial for quality of life.
     
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  16.  43
    Beyond Art.Dominic McIver Lopes - 2014 - Oxford University Press.
    This book offers a bold new approach to the philosophy of art. General theories of art don't work: they can't deal with problem cases. Instead of trying to define art, we should accept that a work of art is nothing but a work in one of the arts. Lopes's buck passing theory works well for the avant garde, illuminating its radical provocations.
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  17. Les Arts et les images: Dialogues avec Dominic McIver Lopes.Dominic McIver Lopes & Laure Blanc-Benon - 2019 - Paris, France: Sorbonne Université Presses.
    Les Arts et les Images se veut une introduction aux principaux terrains d’investigation de Dominic McIver Lopes, philosophe canadien contemporain, figure incontournable de l’esthétique et de la philosophie de l’art en langue anglaise au cours des vingt dernières années. Il ouvre une réflexion sur les méthodes employées en esthétique et philosophie de l’art aujourd’hui, qu’on soit un philosophe dit « analytique » ou bien « continental », Lopes cherchant à penser le lien entre les deux traditions. -/- À (...)
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  18.  29
    A percepção do paciente quanto ao processo de mudança psicoterápica.Anelise Hauschild Mondardo, Laís Piovesan & Paulina Cecilia Mantovani - 2009 - Revista Aletheia 30:158-171.
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  19.  70
    Beyond the Pleasure Principle: A Kantian Aesthetics of Autonomy.Dominic McIver Lopes - forthcoming - Estetika.
    Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant's third critique contains resources for a non-hedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant's because it ties his aesthetics into a key theme of his larger philosophy.
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  20. ‘Half Victim, Half Accomplice’: Cat Person and Narcissism.Filipa Melo Lopes - forthcoming - Ergo: An Open Access Journal of Philosophy.
    At the end of 2017, Kristen Roupenian’s short story, Cat Person, went viral. Published at the height of the #MeToo movement, it depicted a ‘toxic date’ and a disturbing sexual encounter between Margot, a college student, and Robert, an older man she meets at work. The story was widely viewed as a relatable denunciation of women’s powerlessness and routine victimization. In this paper, I push against this common reading. I propose an alternative feminist interpretation through the lens of Simone de (...)
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  21.  54
    Mindsight: Image, Dream, Meaning.Dominic Mclver Lopes - 2006 - Philosophical Review 115 (4):543-545.
  22.  65
    A Philosophy of Computer Art.Dominic Lopes - 2009 - Routledge.
    What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? _A Philosophy of Computer Art_ is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’. Drawing on a (...)
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  23. Chapter Six Recognising Non-Western Thought in Human Rights Theory Maria Rodrigues.Maria Rodrigues - 2007 - In Julie Connolly, Michael Leach & Lucas Walsh (eds.), Recognition in Politics: Theory, Policy and Practice. Cambridge Scholars Press. pp. 101.
  24.  17
    Ethical Awareness, Ethical Judgment and Whistleblowing: A Moderated Mediation Analysis.Ana Lopes de Sousa Jabbour, Charbel Chiappetta Jabbour & Hengky Latan - 2019 - Journal of Business Ethics 155 (1):289-304.
    This study aims to examine the ethical decision-making model proposed by Schwartz, where we consider the factors of non-rationality and aspects that affect ethical judgments of auditors to make the decision to blow the whistle. In this paper, we argue that the intention of whistleblowing depends on ethical awareness and ethical judgment as well as there is a mediation–moderation due to emotion and perceived moral intensity of auditors. Data were collected using an online survey with 162 external auditors who worked (...)
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  25.  68
    Aesthetic Experts, Guides to Value.Dominic Mciver Lopes - 2015 - Journal of Aesthetics and Art Criticism 73 (3):235-246.
    A theory of aesthetic value should explain the performance of aesthetic experts, for aesthetic experts are agents who track aesthetic value. Aesthetic empiricism, the theory that an item's aesthetic value is its power to yield aesthetic pleasure, suggests that aesthetic experts are best at locating aesthetic pleasure, especially given aesthetic internalism, the view that aesthetic reasons always have motivating force. Problems with empiricism and internalism open the door to an alternative. Aesthetic experts perform a range of actions not aimed at (...)
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  26. There Are No Good Objections to Substance Dualism.Jos’E. Gusmão Rodrigues - 2014 - Philosophy 89 (2):199-222.
    This article aims to review the standard objections to dualism and to argue that will either fail to convince someone committed to dualism or are flawed on independent grounds. I begin by presenting the taxonomy of metaphysical positions on concrete particulars as they relate to the dispute between materialists and dualists, and in particular substance dualism is defined. In the first section, several kinds of substance dualism are distinguished and the relevant varieties of this kind of dualism are selected. The (...)
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  27.  5
    Environmental Manifestoes.Soledade Rodrigues, Marcin Lewiński & Mehmet Ali Üzelgün - 2019 - Journal of Argumentation in Context 8 (1):12-39.
    In this paper, we analyze the argumentative strategies deployed in the Ecomodernist Manifesto, published in 2015 by a group of leading environmental thinkers. We draw on pragma-dialectics and Perelman’s rhetoric to characterize manifesto as a genre of practical argumentation. Our goal is to explore the relation of manifesto as a discursive genre to the argumentative structures and techniques used in the Ecomodernist Manifesto. We therefore take into scrutiny the elements of practical argumentation employed in the manifesto and describe the polylogical (...)
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  28. What Is It Like to See with Your Ears? The Representational Theory of Mind.Dominic M. McIver Lopes - 2000 - Philosophy and Phenomenological Research 60 (2):439-453.
    Representational theories of mind cannot individuate the sense modalities in a principled manner. According to representationalism, the phenomenal character of experiences is determined by their contents. The usual objection is that inverted qualia are possible, so the phenomenal character of experiences may vary independently of their contents. But the objection is inconclusive. It raises difficult questions about the metaphysics of secondary qualities and it is difficult to see whether or not inverted qualia are possible. This paper proposes an alternative test (...)
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  29.  6
    .Rogério Lopes - 2013 - Kriterion: Journal of Philosophy 54 (128):281-285.
  30. The Myth of (Non-Aesthetic) Artistic Value.Dominic McIver Lopes - 2011 - Philosophical Quarterly 61 (244):518-536.
    Art works realize many values. According to tradition, not all of these values are characteristic of art: art works characteristically bear aesthetic value. Breaking with tradition, some now say that art works bear artistic value, as distinct from aesthetic value. I argue that there is no characteristic artistic value distinct from aesthetic value. The argument for this thesis suggests a new way to think about aesthetic value as it is characteristically realized by works of art.
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  31.  45
    A Philosophy of Mass Art. [REVIEW]Dominic M. McIver Lopes - 2000 - Philosophical Review 109 (4):614.
    The chief sources of aesthetic experience for most people around the world are now the mass broadcasting and recording technologies. Yet analytic aesthetics has had little to say about mass art. Recent accounts of art and the aesthetic, while accommodating the consensus concerning central cases, are largely propelled by problem cases drawn from the avant-garde, and one wonders what the effect will be of adding works of mass art to the equation. One also wonders whether making room for mass art (...)
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  32.  47
    Feeling for Freedom: K. C. Bhattacharyya on Rasa.Dominic McIver Lopes - 2019 - British Journal of Aesthetics 59 (4):465-477.
    Aesthetic hedonists agree that an aesthetic value is a property of an item that stands in some constitutive relation to pleasure. Surprisingly, however, aesthetic hedonists need not reduce aesthetic normativity to hedonic normativity. They might demarcate aesthetic value as a species of hedonic value, but deny that the reason we have to appreciate an item is simply that it pleases. Such is the approach taken by an important strand of South Asian rasa theory that is represented with great clarity and (...)
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  33.  34
    Normative Theories of Rationality: Occam's Razor, Procrustes' Bed?Lola L. Lopes - 1983 - Behavioral and Brain Sciences 6 (2):255-256.
  34.  6
    Measuring Evidence: A Probabilistic Approach to an Extension of Belnap–Dunn Logic.Abilio Rodrigues, Juliana Bueno-Soler & Walter Carnielli - forthcoming - Synthese:1-30.
    This paper introduces the logic of evidence and truth \ as an extension of the Belnap–Dunn four-valued logic \. \ is a slightly modified version of the logic \, presented in Carnielli and Rodrigues. While \ is equipped only with a classicality operator \, \ is equipped with a non-classicality operator \ as well, dual to \. Both \ and \ are logics of formal inconsistency and undeterminedness in which the operator \ recovers classical logic for propositions in its (...)
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  35.  13
    Model-Based Decision and Inference in Stud Poker.Lola L. Lopes - 1976 - Journal of Experimental Psychology: General 105 (3):217-239.
  36. The Aesthetics of Photographic Transparency.Dominic McIver Lopes - 2003 - Mind 112 (447):434--48.
    When we look at photographs we literally see the objects that they are of. But seeing photographs as photographs engages aesthetic interests that are not engaged by seeing the objects that they are of. These claims appear incompatible. Sceptics about photography as an art form have endorsed the first claim in order to show that there is no photographic aesthetic. Proponents of photography as an art form have insisted that seeing things in photographs is quite unlike seeing things face-to-face. This (...)
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  37.  56
    An Epistemic Approach to Paraconsistency: A Logic of Evidence and Truth.Walter Carnielli & Abilio Rodrigues - 2019 - Synthese 196 (9):3789-3813.
    The purpose of this paper is to present a paraconsistent formal system and a corresponding intended interpretation according to which true contradictions are not tolerated. Contradictions are, instead, epistemically understood as conflicting evidence, where evidence for a proposition A is understood as reasons for believing that A is true. The paper defines a paraconsistent and paracomplete natural deduction system, called the Basic Logic of Evidence, and extends it to the Logic of Evidence and Truth. The latter is a logic of (...)
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  38.  37
    Animal Abolitionism and ‘Racism Without Racists’.Luis Cordeiro-Rodrigues - 2017 - Journal of Agricultural and Environmental Ethics 30 (6):745-764.
    Abolitionism is an animal rights' philosophy and social movement which has recently begun to grow. It has been largely contested but the criticisms directed at it have usually been articulated outside academia. In this article, I wish to contend that one of the criticisms directed at abolitionism—that it contains racist implications—is correct. I do this by defending the idea that abolitionism engages in what Eduardo Bonilla-Silva classifies as ‘racism without racists’—an unintentional and subtle form of racism. I present three ways (...)
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  39.  5
    Toward a Decolonized Healthcare Ethics: Colonial Legacies and the Siamese Crocodile.Luis Cordeiro‐Rodrigues - 2020 - Developing World Bioethics 20 (3):118-119.
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  40. Nobody Needs a Theory of Art.Dominic McIver Lopes - 2008 - Journal of Philosophy 105 (3):109-127.
    The question "what is art?" is often said to be venerable and vexing. In fact, the following answer to the question should be obvious: (R) item x is a work of art if and only if x is a work in practice P and P is one of the arts. Yet (R) has appeared so far from obvious that nobody has given it a moment's thought. The trouble is not that anyone might seriously deny the truth of (R), but rather (...)
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  41. Virtues of Art: Good Taste.Dominic McIver Lopes - 2008 - Aristotelian Society Supplementary Volume 82 (1):197-211.
    If good taste is a virtue, then an account of good taste might be modelled on existing accounts of moral or epistemic virtue. One good reason to develop such an account is that it helps solve otherwise intractable problems in aesthetics. This paper proposes an alternative to neo-Aristotelian models of good taste. It then contrasts the neo-Aristotelian models with the proposed model, assessing them for their potential to contend with otherwise intractable problems in aesthetics.
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  42. Directive Pictures.Dominic Mciver Lopes - 2004 - Journal of Aesthetics and Art Criticism 62 (2):189–196.
    Pictures are principally descriptive. Advertising images highlight features of potential purchases; cartoons open portals to scenes in fictional worlds; snapshots in the family photo album remind us of our past selves and landmark events in our personal histories; works of pictorial art express thoughts or feelings about depicted scenes. In addition, pictures serve a directive or action-guiding function that, though not taken into account by theorists, deserves no less attention than their descriptive one. Theories of depiction and the appreciation of (...)
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  43. Corporate Social Responsibility and Resource-Based Perspectives.Manuel Castelo Branco & Lúcia Lima Rodrigues - 2006 - Journal of Business Ethics 69 (2):111-132.
    Firms engage in corporate social responsibility (CSR) because they consider that some kind of competitive advantage accrues to them. We contend that resource-based perspectives (RBP) are useful to understand why firms engage in CSR activities and disclosure. From a resource-based perspective CSR is seen as providing internal or external benefits, or both. Investments in socially responsible activities may have internal benefits by helping a firm to develop new resources and capabilities which are related namely to know-how and corporate culture. In (...)
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  44.  22
    Performing Competently.Lola L. Lopes - 1981 - Behavioral and Brain Sciences 4 (3):343-344.
  45.  3
    ‘Whistleblowing Triangle’: Framework and Empirical Evidence.Ana Lopes de Sousa Jabbour, Charbel Chiappetta Jabbour & Hengky Latan - 2019 - Journal of Business Ethics 160 (1):189-204.
    This work empirically tests the concept of the ‘whistleblowing triangle,’ which is modeled on the three factors encapsulated by the fraud triangle, in the Indonesian context. Anchored in the proposition of an original research framework on the whistleblowing triangle and derived hypotheses, this work aims to expand the body of knowledge on this topic by providing empirical evidence. The sample used is taken from audit firms affiliated with both the big 4 and non-big 4 companies operating in Indonesia. The results (...)
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  46.  15
    What to Consider About Events: A Survey on the Ontology of Occurrents.Fabrício Henrique Rodrigues & Mara Abel - 2019 - Applied Ontology 14 (4):343-378.
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  47.  60
    Pictorial Realism.Dominic Lopes - 1995 - Journal of Aesthetics and Art Criticism 53 (3):277-285.
    This paper examines a form of pictorial realism that has epistemic import. Gombrich and Schier claim that some pictures are realistic because they convey accurate information. The difficulty is that judgments of realism vary across cultural and historical contexts. Goodman counters that pictures belong to different systems and realistic pictures belong to familiar systems. However, this does not explain the revelatory realism' of pictures in novel systems. I propose that two views can be combined: a realistic picture is one which (...)
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  48.  21
    Emotional Intelligence in Organizations: Bridging Research and Practice.Paulo N. Lopes - 2016 - Emotion Review 8 (4):316-321.
    Although theory and research on emotional intelligence in the workplace has generated high expectations and promising findings, the gap between research and practice looms large. Several lines of inquiry point to the potential benefits of EI for leaders, teams, and organizations. Yet, assessing EI remains challenging, and research focusing on group and organizational levels of analysis is still scarce. In this review, I seek to bridge the gap between research and practice by considering a broader view of EI and discussing (...)
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  49.  70
    The Ontology of Interactive Art.Dominic McIver Lopes - 2001 - Journal of Aesthetic Education 35 (4):65-81.
  50. Art Media and the Sense Modalities: Tactile Pictures.Dominic M. M. Lopes - 1997 - Philosophical Quarterly 47 (189):425-440.
    It is widely assumed that the art media can be individuated with reference to the sense modalities. Different art media are perceived by means of different sense modalities, and this tells us what properties of each medium are aesthetically relevant. The case of pictures appears to fit this principle well, for pictures are deemed purely and paradigmatically visual representations. However, recent psychological studies show that congenitally and early blind people have the ability to interpret and make raised‐line drawings through touch. (...)
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