Results for 'Annunciation'

26 found
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  1.  12
    Remembering the Annunciation in Medieval Polyphony.Anne Walters Robertson - 1995 - Speculum 70 (2):275-304.
    It is difficult to piece together the repertory of polyphonic music for the feast of the Annunciation to Mary in the thirteenth and fourteenth centuries. On the face of it, this seems a paradox: the celebration is one of the most important in Western Christendom, and, generally speaking, the more prominent a service in the Middle Ages, the more composers wrote for it. Dating from the fifth century in the Eastern Church and from the seventh century in the West, (...)
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  2.  24
    The Origins and Development of the Virgin Mary's Book at the Annunciation.Laura Saetveit Miles - 2014 - Speculum 89 (3):632-669.
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  3.  43
    The Annunciation: Study of a Plastic Theme and its Variations in Painting and Sculpture.Lucien Rudrauf - 1949 - Journal of Aesthetics and Art Criticism 7 (4):325-348.
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  4.  12
    A Cultural Study of Mary and the Annunciation: From Luke to the Enlightenment by Gary Waller, Pickering & Chatto, London, 2015, Pp. XI + 219, £60.00, Hbk. [REVIEW]Keith Tester - 2016 - New Blackfriars 97 (1072):740-742.
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  5.  9
    Leonardo's Annunciation Hortus Conclusus and its Reflexive Intent.Matthew Landrus - 2003 - Analecta Husserliana 78:25-46.
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  6.  5
    J. Folda, The Nazareth Capitals and the Crusader Shrine of the Annunciation.E. Alliata - 1988 - Byzantinische Zeitschrift 81 (2).
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  7.  3
    The Annunciation.E. Hamilton Moore - 1923 - New Blackfriars 4 (40):959-959.
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  8.  1
    Porta Coeli: The Annunciation as Threshold of Salvation.Francesca Dell’Acqua - 2015 - Convivium 2 (1):102-125.
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  9. “Behold the Maidservant of the Lord” Reading the Annunciation in Terms of Abundance and Absence in Marion’s Witness.Bryne Lewis Allport - 2010 - Quaestiones Disputatae 1 (1):99-113.
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  10. Annunciation.Jacqueline A. Laing - 2012 - In George Kurian (ed.), Encyclopaedia of Christian Civilisation. Blackwell.
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  11.  13
    Annunciazione e trasformazione Fenomenologia dell'annuncio.Guido Cusinato - 2015 - Giornale di Metafisica 37.
    In the Greek mythology the concept of annunciation has been often associated with the figure of “winged messenger”, in Greek “anghelos”, while in the Christian tradition it usually recalls the archangel Gabriel in his announcing to Mary the generative act per excellence: the birth. In this paper I take into consideration Botticelli’s Cestello Annunciation: the image represented in this painting suggests the interpretation of the annunciation from the viewpoint of transformation, i. e., of the crisis and the (...)
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  12.  17
    "O Virgo, templum Dei sanctum". Simbolismo del templo en imágenes de la Virgen María en los siglos XIV-XV según exégesis patrísticas y teológicas.José María Salvador González - 2017 - 'Ilu. Revista de Ciencias de Las Religiones 22:359-398.
    Among the elements which have gradually been complicating the countless representations of the Virgin Mary throughout history, this paper seeks to highlight and interpret conceptually one of special doctrinal significance in some Marian images during the fourteenth and fifteenth centuries: the temple, in whose interior some artists place some actual or symbolic episodes of Mary, from her birth or her Annunciation to the Sacra Conversazione, to give a few examples. Even though at first sight it looks as a mere (...)
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  13.  43
    "Per aurem intrat Christus in Mariam". Aproximación iconográfica a la "conceptio per aurem" en la pintura italiana del Trecento desde fuentes patrísticas y teológicas.José María Salvador González - 2015 - 'Ilu. Revista de Ciencias de Las Religiones 20:193-230.
    La tesis mariológica de la conceptio per aurem, según la cual la Virgen María habría concebido a Jesucristo por el oído en el momento de escuchar del ángel el mensaje celestial anunciándole que, sin perder su virginidad, sería madre del Hijo de Dios encarnado, ha merecido hasta ahora muy pocos estudios académicos rigurosamente fundados en fuentes primarias. De hecho, en la literatura especializada son muy escasas las referencias a tal teoría y, cuando algún estudioso la evoca, casi siempre se contenta (...)
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  14.  16
    Perspective and Spatiality in the Modern Age.Fausto Fraisopi - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):115-133.
    the domain of Art critique and becoming a philosophical argument. How can we think of Perspective as symbolic Form? Is Perspective really a symbolic form? Why is Perspective so important? Because at the beginning of the Modern Age, Perspective as spiritual figure grounds many symbolic or even many scientific constructions. We could we say that perspective open the foundation of modern science as such. The “Geometrization” of Vision, beginning with perspective, will be for us the interpretative key in order to (...)
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  15.  18
    Periagoge. Teoria della singolarità e filosofia come esercizio di trasformazione (II ed.).Guido Cusinato - 2017 - Verona, Italy: QuiEdit.
    Botticelli and Tizian depict the Annunciation in two very different ways. Botticelli portrays a kneeling angel in an act of guiding from below, while Tizian represents an angel imposing himself from above with an authoritarian forefinger. Botticelli's painting suggests an intention of orientation that is not authoritarian yet able to bring about a transformation (Umbildung). It also suggests that an individual's transformation cannot be achieved in a closed solipsistic dimension, but requires a disclosure from otherness. My theory is that (...)
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  16.  25
    Traditional Christian Norms and the Shaping of Public Moral Life: How Should Christians Engage in Bioethical Debate Within the Public Forum?Mark J. Cherry - 2007 - Christian Bioethics 13 (2):129-138.
    The TRUTH is announced to creation by the Holy Spirit, the Spirit of Truth. Here, when the consciousness rises above “the double bound of space and time” and enters into eternity, here at this moment of annunciation, the One Who announces the Truth and the Truth Announced coincide completely. In the appearance of the Spirit of Truth, i.e., in the light of Tabor, the form and the content of the Truth are one (Florensky, 1997, p. 106).
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  17.  26
    Antonello da Messina: L’ Opera Completa Exhibition Curated by Mauro Lucco, with the Technical Cooperation of Giovanni Carlo Federico Villa: Catalogue with Essays by Various Hands Published by Silvana Editoriale, Milano, 2006.Patrick Hutchings - 2009 - Sophia 48 (1):59-76.
    Antonello da Messina’s Annunciation with the Blessèd Virgin sola breaks with iconic convention, so inviting new interpretations of the theme. The Rome exhibition of 2006 allowed one to compare Antonello with van Eyck: Antonello seemed pre-modern. This review discusses three important essays on the Annunciation. All three perceptive essays raise theological and phenomenological issues directly related to the almost unique iconic representation which Antonello gives us.
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  18.  19
    An Illuminated English Guide to Pilgrimage in the Holy Land: Oxford, Queen's College, MS 357.Kathryn M. Rudy - 2012 - In Imagining Jerusalem in the Medieval West. pp. 219.
    Few medieval pilgrims' guides were written in English; even fewer were illuminated. This chapter examines Oxford, Queen's College, MS 357, a manuscript made in England in the late fifteenth century, which possesses both qualities. The manuscript contains a variety of texts written in Latin and English including pilgrims' guides, prayers to be said at holy sites in Palestine, travellers' tales, and descriptions of miracles that have taken place at shrines. It is also exuberantly illuminated. The miniatures begin with an (...) and end with Christ in Judgment. These two images form the parentheses around the others in the manuscript, which depict sites in the Holy Land. The miniatures and decoration unite the disparate texts, turning them into a scale model of salvation history and providing a prompt to virtual pilgrimage. (shrink)
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  19.  41
    Annunciazioni, rotazioni e samurai mancini. Il verso di lettura delle immagini e la scrittura.Daniele Barbieri - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (2).
    Not only the vertical direction of images – perceptually subject to the law of gravity and its consequences – plays an important role in their interpretation; the horizontal direction left-right too seems to foster different interpretations from its converse. For this reason there are subjects and genres of painting, such as the Annunciation or the portrait, revealing some constants from this point of view, in their representation conventions. And for this same reason there are languages​​, like comics, where the (...)
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  20.  17
    Reflections on the Readings of Sundays and Feasts: December 2014-February 2015.Barry M. Craig - 2014 - The Australasian Catholic Record 91 (4):496.
    Craig, Barry M The season of Advent is not well-defined as it flows almost seamlessly from the end-time themes of the Sundays late in Ordinary Time and turns to the approaching Nativity of Christ. Lacking an event-defining start, Advent in the Roman Rite is named as the four Sundays before Christmas, thus lasting twentyone to twenty-eight days, while in the Ambrosian Rite of Milan it is six Sundays. The elements common to each Sunday's gospel reading in the Roman Rite's three-year (...)
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  21.  14
    St. Clare of Assisi: Charity and Miracles in Early Modern Italy.Nirit Ben-Aryeh Debby - 2013 - Franciscan Studies 71:237-262.
    While preaching in Siena in 1427, the Franciscan preacher, Bernardino of Siena referred to a celebrated painting by Simone Martini. The specific painting was the Annunciation now in the Uffizi Gallery in Florence and originally located in Siena’s Cathedral. Bernardino referred to it in connection with schooling young girls in the virtue of modesty:You see she [the Virgin] does not gaze at the angel, but sits with that almost frightened pose. She knew well it was an angel, so why (...)
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  22.  9
    The Robust Joy of the Christian Life.Henry Novello - 2014 - The Australasian Catholic Record 91 (3):323.
    Novello, Henry The New Testament is undoubtedly a book of joy. The verb chairein, which means to rejoice, occurs seventy-two times in the New Testament and the noun chara, which means joy, occurs sixty times. The word chairein is found both at the beginning of the gospel story and at the end: at the annunciation the angel greets Mary by saying, 'Joy be with you', and on the resurrection morning the risen Jesus greets the women who had come to (...)
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  23.  8
    Can Holiness Be a Nota Ecclesiae?Robert W. Jenson - 2006 - Bijdragen 67 (3):245-252.
    Over the last years the association ‘the Christian articles of faith’ in which protestant and catholic dogmatic theologians working at various Dutch universities participate has organized a autumn-conference. The theme of the 2005 conference was: the notae ecclesiae especially the holiness. One of the guest speakers was Robert Jenson, who read his paper Can holiness be a nota ecclesiae?. He starts with a critical examination of the qualifications ‘proprietas’ and ‘nota’, but the main burden of the paper is a discussion (...)
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  24.  5
    Franciscan Scientific Efforts in Ljubljana.Stanislav Južnič - 2011 - Franciscan Studies 69:491-507.
    In lieu of an abstract, here is a brief excerpt of the content:1. IntroductionThe scientific efforts of Jesuits were the hot topics of the history of science. It was said that you could find a Jesuit behind most of the scientific accomplishments of the seventeenth or eighteenth centuries. The idea was not far from the truth because Athanasius Kircher of Rudjer Josip Bošković proved to be among the best. But Jesuit studies seem to have passed their peak and it is (...)
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  25.  2
    Illocutionary Force and Romanian Orthodox Sermons: An Application of Speech Act Theory to Some Romanian Orthodox Sermons.Alina Gioroceanu - 2010 - Lodz Papers in Pragmatics 6 (2):341-359.
    Illocutionary Force and Romanian Orthodox Sermons: An Application of Speech Act Theory to Some Romanian Orthodox Sermons The aim of the paper is to analyze religious discourse with the use of the instruments of semantics and pragmatics. Essentially, it sets out to identify the linguistic elements which enable the illocutionary force in the Romanian orthodox sermons, especially in the discourse of some important figures which have influenced and still influence the Romanian orthodox theology and the religious life in Romania: Father (...)
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  26.  3
    Religija u filozofskom i socio-kulturnom kontekstu.Ivan Karlić - 2008 - Filozofska Istrazivanja 28 (4):793-804.
    Što se može očekivati od susreta i dijaloga između kulture i Crkve ? Polazna točka u ovoj raspravi je novum kojega je iznjedrio Drugi vatikanski sabor; kulturalno gledano, on predstavlja događaj kojim su srušene umjetne prepreke između kulture i Crkve . Upravo taj događaj čini se da je širom otvorio vrata susretu i dijalogu između Crkve i kulturalnog ambijenta u kojemu se i Crkva nalazi.Crkveno-teološko zauzimanje za dijalog sa suvremenom kulturom moralo bi, prema autorovu mišljenju, ispuniti neke zahtjeve ili pretpostavke, (...)
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