Results for 'Anselm Kiefer'

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  1.  6
    BREDIN Hugh and Liberato Santoro-Brienza: Philosophies of Art And.Biro Matthew & Anselm Kiefer - 2000 - British Journal for the History of Philosophy 8 (3):571-575.
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  2. Anselm of Canterbury: The Major Works.St Anselm - 2008 - Oxford University Press UK.
    After Aquinas, Anselm is the most significant medieval thinker. Utterly convinced of the truth of the Christian religion, he was none the less determined to try to make sense of his Christian faith, and the result is a rigorous engagement with problems of logic which remain relevant for philosophers and theologians even today. This translation provides the first opportunity to read all of Anselm's most important works in one volume.
     
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  3.  26
    Fire on the Earth: Anselm Kiefer and the Postmodern World.John C. Gilmour - 1992 - Journal of Aesthetics and Art Criticism 50 (2):164-165.
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  4. Ein Neues Unvollendetes Werk des Hl. Anselm von Canterbury.Franciscus Salesius Anselm & Schmitt - 1936 - Aschendorff.
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  5. St. Anselm's Proslogion: With a Reply on Behalf of the Fool by Gaunilo and the Author's Reply to Gaunilo.Saint Anselm - 1992 - University of Notre Dame Press.
     
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  6.  26
    Original Representation and Anselm Kiefer's Postmodernism.John C. Gilmour - 1988 - Journal of Aesthetics and Art Criticism 46 (3):341-350.
  7.  11
    Reflections on the Work of Anselm Kiefer.Daglind Sonolet - 1999 - Cultural Values 3 (1):28-53.
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  8. John C. Gilmour, Fire on the Earth: Anselm Kiefer and the Postmodern World Reviewed By.Gregg M. Horowitz - 1991 - Philosophy in Review 11 (3):191-193.
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  9. Faszination - Schrecken. Zur Handlungsrelevanz Ästhetischer Erfahrung Anhand Anselm Kiefers Deutschlandbilder.Martina Sauer - 2018 - Heidelberg, Germany: arthistoricum.
    How do we perceive the world and pictures? The book is based around the hypothesis that we initially perceive the world as well as pictures by feelings and that there is a direct connection between the two. By debating fascination and horror, such as can be triggered by Anselm Kiefer´s Deutschlandbilder, the author discusses their consequences and conclusions for our cultural self-perception. The author develops a comprehensive theory on image and culture which is new in this field of (...)
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  10.  3
    Ruines à l’œuvre.Filippo Fimiani - 2018 - Nouvelle Revue D’Esthétique 21 (1):121.
    The Seven Heavenly Palaces were created by Anselm Kiefer to inaugurate the HangarBicocca in Milan in 2004, and, after an intervention on the site in 2008, were transferred, preserved and repaired, finally relocated differently for a new and definitive exhibition, with some paintings, in 2015. Erected around prefabricated containers, these monumental ruins in reinforced concrete, are in fact assembled, reconstructed and restored ruins, nonarchitectural and metaphorical buildings with a mass of complementary materials considered an integral part of the (...)
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  11.  99
    Art as "Night": An Art-Theological Treatise.Gavin Keeney - 2010 - Cambridge Scholars Press.
    Written over the course of two months in early 2008, Art as "Night" is a series of essays in part inspired by a January 2007 visit to the Velázquez exhibition at the National Gallery of Art, London, with subsequent forays into related themes and art-historical judgments for and against theories of meta-painting. Art as "Night" proposes a type of a-historical dark knowledge crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a form of formalism, (...)
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  12.  16
    The Representation of Violence as Evil in Contemporary Art: The Power of the Image in Kiefer, Richter, and Bin Laden.Wessel Stoker - 2017 - International Journal of Philosophy and Theology 78 (4-5):432-443.
    ABSTRACTHow can violence as evil be represented in art and what do works of art evoke in the viewer? Two closely related questions on the representation of violence as evil are discussed. The first is whether there is an ethical limit to the representation of evil, that is, the issue posed with respect to the possibility of Holocaust art. Works by Anselm Kiefer are compared to Holocaust art in the exhibition Mirroring Evil: Nazi Imagery /Recent Art. The second (...)
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  13. Three Philosophical Dialogues: On Truth, on Freedom of Choice, on the Fall of the Devil.Thomas Anselm & Williams - 2002 - Hackett Publishing Company.
    In these three dialogues, renowned for their dialectical structure and linguistic precision, Anselm sets out his classic account of the relationship between freedom and sin--its linchpin his definition of freedom of choice as the power to preserve rectitude of will for its own sake. In doing so, Anselm explores the fascinating implications for God, human beings, and angels of his conclusion that freedom of choice neither is nor entails the power to sin. In addition to an Introduction, notes, (...)
     
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  14.  49
    A Holistic Account of the Own-Race Effect in Face Recognition: Evidence From a Cross-Cultural Study.James W. Tanaka, Markus Kiefer & Cindy M. Bukach - 2004 - Cognition 93 (1):B1-B9.
  15. Attentional Modulation of Unconscious "Automatic" Processes: Evidence From Event-Related Potentials in a Masked Priming Paradigm.Markus Kiefer & Doreen Brendel - 2006 - Journal of Cognitive Neuroscience 18 (2):184-198.
  16.  44
    Time Course of Conscious and Unconscious Semantic Brain Activation.Markus Kiefer & Manfred Spitzer - 2000 - Neuroreport 11 (11):2401-2407.
  17. Proslogion.Saint Anselm - 2009 - In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. Oxford University Press.
     
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  18. Some Semantic Relations in Natural Language.Ferenc Kiefer - 1966 - Foundations of Language 2 (3):228-240.
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  19.  37
    Testing the Theory of Embodied Cognition with Subliminal Words.Ulrich Ansorge, Markus Kiefer, Shah Khalid, Sylvia Grassl & Peter König - 2010 - Cognition 116 (3):303-320.
  20.  22
    Patientenverfügungen aus Patientensicht.Birgitt van Oorschot, Christopher Hausmann, Norbert Köhler, Karena Leppert, Susanne Schweitzer, Kerstin Steinbach & Reiner Anselm - 2004 - Ethik in der Medizin 16 (2):112-122.
    Im Rahmen des Modellvorhabens „Patienten als Partner—Tumorpatienten und ihr Mitwirken bei medizinischen Entscheidungen“ wurden zwischen März 2002 und August 2003 272 palliativ behandelte Tumorpatienten nach ihrer Einstellung zur Patientenverfügung und zur gewünschten Beteiligung an medizinischen Entscheidungen befragt. Von den Befragten kannten 30% Patientenverfügungen nicht, darunter signifikant mehr Befragte mit formal niedrigerem Bildungsabschluss. Es hatten bereits 11% eine Patientenverfügung abgeschlossen, 22% wollten wahrscheinlich eine abschließen, und 30% wollten keine abschließen. Es fand sich ein statistisch signifikanter Zusammenhang zwischen dem Abschluss einer Patientenverfügung (...)
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  21.  31
    The Intentional Model in Interpretation.Alex Kiefer - 2005 - Journal of Aesthetics and Art Criticism 63 (3):271–281.
  22.  37
    Can Quantum Theory Be Applied to the Universe as a Whole?Claus Kiefer - 2010 - Foundations of Physics 40 (9-10):1410-1418.
    I argue that quantum theory can, and in fact must, be applied to the Universe as a whole. After a general introduction, I discuss two concepts that are essential for my chain of arguments: the universality of quantum theory and the emergence of classical behaviors by decoherence. A further motivation is given by the open problem of quantum gravity. I then present the main ingredients of quantum cosmology and discuss their relevance for the interpretation of quantum theory. I end with (...)
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  23.  35
    Strata/Sedimenta/Lamina: In Ruin 1.Stephen Barker - 2008 - Derrida Today 1 (1):42-58.
    Ruins, their evocations and enigmas, have been a source of fascination since the advent of civilization. Both coordinating and distressing the relations of space and time, ruins are unparalleled catalysts of cultural analysis, as both history and adumbration. Ruins, and the concept of ruin on which they ‘rest’ and through which they decay, can be regarded in space, as strata, in time, as sedimenta, and in dynamic terms, as lamina. This essay works down through each focusing on the forceof ruin (...)
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  24.  18
    The Limits of a Distributed Account of Conceptual Knowledge.Markus Kiefer & Manfred Spitzer - 2001 - Trends in Cognitive Sciences 5 (11):469-471.
  25. Time in Quantum Gravity.C. Kiefer - 2011 - In Craig Callender (ed.), The Oxford Handbook of Philosophy of Time. Oxford University Press. pp. 667.
     
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  26.  90
    The Arguments of Time, Jeremy Butterfield (Ed.).Claus Kiefer - 2001 - Erkenntnis 54 (3):407-411.
  27.  3
    Something We Need to Discuss-Advance Directives as Communicative Devices.Reiner Anselm - 2008 - Ethik in der Medizin 20 (3):191-200.
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  28.  47
    The Foundations of Statistics—Are There Any?J. Kiefer - 1977 - Synthese 36 (1):161 - 176.
  29.  62
    Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference.Andrew E. Benjamin - 1991 - Routledge.
    Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon 's use of mirrors, (...)
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  30.  26
    Perspectivism and Postmodern Criticism.John C. Gilmour - 1990 - The Monist 73 (2):233-246.
    A painting by Anselm Kiefer provides the starting point for the problem to be addressed in this essay. In Sulamith we encounter a haunting image of a cavernous brick room, its ceiling blackened from some earlier fire. Except for seven flames visible in the distant reaches of the room, no light is showing. The windows have been covered over by fragments of woodcuts, stapled to the surface, and the flaming torches lining the walls of this memorial space have (...)
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  31.  21
    "In the Beginning"… an Intermedial Babel.Karin Littau - 2015 - Substance 44 (3):112-127.
    I think in images. Poems help me to do this.1 In the Beginning was a major exhibition of Anselm Kiefer’s work at the Bundeskunsthalle in Bonn in 2012. The exhibition included, among other works, several large-scale lead book sculptures, and featured Bavel Balal Mabul,2 an installation filling an entire room and bringing together many of Kiefer’s key themes: mythology, memory, and history; apocalypse, regeneration, and transformation. It shows the tower of Babel in the shape of a spiral (...)
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  32.  29
    Time for Aristotle.Thomas Kiefer - 2007 - Ancient Philosophy 27 (1):223-227.
  33.  5
    13. On the Pragmatics of Answers.Ferenc Kiefer - 1988 - In Michel Meyer (ed.), Questions and Questioning. W. De Gruyter. pp. 255.
  34. Language, Belief, and Metaphysics.Howard Evans Kiefer & Milton Karl Munitz (eds.) - 1970 - Albany, State University of New York Press.
     
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  35.  19
    Content, Context and Cognitive Style in Mood–Memory Interactions.Henrik Walter, Markus Kiefer & Susanne Erk - 2003 - Trends in Cognitive Sciences 7 (10):433-434.
  36.  16
    Terminal Sedation: Ethically Problematic or Justifiable?Reiner Anselm - 2004 - Ethik in der Medizin 16:342-348.
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  37.  10
    Introduction: Daring to Dream.John Hallmark Neff - 1990 - Critical Inquiry 16 (4):857-859.
    In the absence of shared beliefs and even common interests, it should not be surprising that so much of the well-intentioned art acquired for public spaces has failed—failed as art and as art for a civic site. The conventional wisdom of simply choosing “the best artist” and then turning him or her loose to create a work within time and budget guidelines lost much credibility with the drama of Richard Serra’s Tilted Arc commission: the process of selection, erection, litigation, rejection, (...)
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  38.  11
    Wir müssen darüber reden.Reiner Anselm - 2008 - Ethik in der Medizin 20 (3):191-200.
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  39.  11
    Patientenverfgungen aus PatientensichtErgebnisse einer Befragung von palliativ behandelten Tumorpatienten.Christopher Hausmann, Norbert Khler, Karena Leppert, Susanne Schweitzer, Kerstin Steinbach & Reiner Anselm - 2004 - Ethik in der Medizin 2.
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  40.  16
    The Syntax of Time.Thomas Kiefer - 2008 - Ancient Philosophy 28 (2):466-470.
  41.  8
    Preexposure to Conditioned and Unconditioned Stimuli in Taste-Aversion Learning.Stephen W. Kiefer, Janice A. Phillips & J. Jay Braun - 1977 - Bulletin of the Psychonomic Society 10 (3):226-228.
  42.  9
    Wir müssen darüber reden.Prof Dr Reiner Anselm - 2008 - Ethik in der Medizin 20 (3):191-200.
    In der gegenwärtigen Diskussion um Patientenverfügungen dominieren die Fragen nach deren Reichweite und Verbindlichkeit. Diese bilden, ebenso wie die Kontroverse um diese beiden Themen, die professionsspezifische Sichtweise von Ärzten und Juristen ab. Aus Patientenperspektive jedoch, so die Ergebnisse einer Studie mit 272 Tumorpatienten, stellt sich die Situation anders dar: Hier fungieren Patientenverfügungen vielmehr als Türöffner für eine intensivere Kommunikation mit Ärzten, aber auch mit Angehörigen und mit sich selbst. Die Frage nach der Verbindlichkeit spielt demgegenüber nur eine nachgeordnete Rolle.
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  43. The Role of Action Affordances in Visual Object Recognition.H. Helbig, M. Graf & M. Kiefer - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 75-76.
  44.  14
    Time for Aristotle: Physics IV.10-14, by Ursula Coope.Thomas Kiefer - 2007 - Ancient Philosophy 27 (1):223-227.
  45.  5
    Exploring Touch Communication Between Coaches and Athletes.Michael J. Miller, Noah Franken & Kit Kiefer - 2007 - Indo-Pacific Journal of Phenomenology 7 (2):1-13.
    In athletics, coaches and athletes share a unique and important relationship. Recently Jowett and her colleagues (Jowett & Cockerill, 2003; Jowett & Meek, 2000; Jowett & Ntoumanis, 2003, 2004; Jowett & Timson-Katchis, 2005) utilized relationship research (focusing on, for example, marital, familial and workplace relationships) from conjoining fields, and in particular social and cognitive psychology, to develop and test a four-component model (4 C’s) that depicts the most influential relational and emotional components (closeness, commitment, complementarity and co-orientation) of coach-athlete relationships. (...)
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  46.  4
    Questions and Attitudes.Ferenc Kiefer - 1981 - In W. Klein & W. Levelt (eds.), Crossing the Boundaries in Linguistics. Reidel. pp. 159--176.
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  47.  5
    Embodied Concepts.Christina Bermeitinger & Markus Kiefer - 2012 - In Sabine C. Koch, Thomas Fuchs, Michela Summa & Cornelia Müller (eds.), Body Memory, Metaphor and Movement. John Benjamins. pp. 84--121.
  48.  2
    Aspectual Language If Aspect is Conceived of as Belonging to the Overall Structure of Sentences.Ferenc Kiefer - 1982 - In Hungarian General Linguistics. Benjamins. pp. 4--293.
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  49. The Madness of Vision: On Baroque Aesthetics.Dorothy Z. Baker (ed.) - 2013 - Ohio University Press.
    Christine Buci-Glucksmann’s__ _The Madness of Vision_ is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, (...)
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  50. The Madness of Vision: On Baroque Aesthetics.Dorothy Z. Baker (ed.) - 2014 - Ohio University Press.
    Christine Buci-Glucksmann’s__ _The Madness of Vision_ is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, (...)
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