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Anthony Savile
King's College London
  1.  38
    Aesthetic Reconstructions: The Seminal Writings of Lessing, Kant, and Schiller.Anthony SAVILE - 1987 - Blackwell.
  2. Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment.Anthony Savile - 2002 - Mind 111 (442):355-360.
  3.  60
    The Concept of Expression: A Study in Philosophical Psychology and Aesthetics.Anthony Savile - 1972 - Philosophical Quarterly 22 (89):378.
  4. Nelson Goodman's ‘Languages of Art’: A Study.Anthony Savile - 1971 - British Journal of Aesthetics 11 (1):3-27.
    Reviews goodman's claims about representation, Expression and identity of works of art. Claims that the underlying nominalist logic effectively prohibits our understanding of these notions (pace goodman) and leaves everything which is of specific artistic and aesthetic interest out of account.
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  5.  82
    VIII—The Place of Intention in the Concept of Art.Anthony Savile - 1969 - Proceedings of the Aristotelian Society 69 (1):101-124.
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  6.  14
    Kantian Aesthetics Pursued.Colin Lyas & Anthony Savile - 1994 - Philosophical Quarterly 44 (175):270.
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  7.  70
    The Test of Time: An Essay in Philosophical Aesthetics.Anthony Savile - 1982 - Oxford University Press.
  8. Imagination and the Content of Fiction.Anthony Savile - 1998 - British Journal of Aesthetics 38 (2):136-149.
  9.  94
    Objectivity in Aesthetic Judgement: Eva Schaper on Kant.Anthony Savile - 1981 - British Journal of Aesthetics 21 (4):363-369.
  10.  33
    The Test of Time.Anthony Savile - 1983 - Philosophy 58 (225):411-412.
  11. Leibniz and the Monadology.Anthony Savile - 2002 - Philosophical Quarterly 52 (208):392-393.
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  12.  49
    Leibniz's Contribution to the Theory of Innate Ideas.Anthony Savile - 1972 - Philosophy 47 (180):113 - 124.
    Does Leibniz really worst Locke in respect of innate ideas, as is frequently supposed, or does Locke emerge more or less whole from their epistemological dispute? I shall here argue that Leibniz does far less well than we might like to believe and that his substantive proposals, where not entirely innocuous, contain little that would appeal to anyone interested in a modern form of the innateness thesis.
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  13. Kantian Aesthetics Pursued.Anthony Savile - 1994 - Philosophy 69 (268):248-251.
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  14. The Rationale of Restoration.Anthony Savile - 1993 - Journal of Aesthetics and Art Criticism 51 (3):463-474.
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  15.  46
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19 - 60.
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  16. On Passing the Test of Time.Anthony Savile - 1977 - British Journal of Aesthetics 17 (3):195-209.
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  17.  45
    Critical Notice: The Objective Eye.Anthony Savile - 2007 - British Journal of Aesthetics 47 (4):432-440.
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  18.  9
    Aesthetic Experience in Shaftesbury: Anthony Savile.Anthony Savile - 2002 - Supplement to the Proceedings of the Aristotelian Society 76 (1):55-74.
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  19.  6
    Aesthetic Experience in Shaftesbury.Anthony Savile - 2002 - Proceedings of the Aristotelian Society, Supplementary Volumes( 76:25-74.
    [Richard Glauser] Shaftesbury's theory of aesthetic experience is based on his conception of a natural disposition to apprehend beauty, a real 'form' of things. I examine the implications of the disposition's naturalness. I argue that the disposition is not an extra faculty or a sixth sense, and attempt to situate Shaftesbury's position on this issue between those of Locke and Hutcheson. I argue that the natural disposition is to be perfected in many different ways in order to be exercised in (...)
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  20.  62
    New Books. [REVIEW]Anthony Savile - 1973 - Mind 82 (328):618-619.
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  21.  20
    Narrative Theory: Ancient or Modern?Anthony Savile - 1989 - Philosophical Papers 18 (1):27-51.
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  22. The Art of Apelles.William Charlton & Anthony Savile - 1979 - Proceedings of the Aristotelian Society, Supplementary Volumes( 53:167-206.
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  23.  15
    The Art of Apelles.William Charlton & Anthony Savile - 1979 - Aristotelian Society Supplementary Volume 53 (1):167 - 206.
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  24.  50
    Aesthetic Experience in Shaftesbury: Anthony Savile.Anthony Savile - 2002 - Aristotelian Society Supplementary Volume 76 (1):55–74.
    [Richard Glauser] Shaftesbury's theory of aesthetic experience is based on his conception of a natural disposition to apprehend beauty, a real 'form' of things. I examine the implications of the disposition's naturalness. I argue that the disposition is not an extra faculty or a sixth sense, and attempt to situate Shaftesbury's position on this issue between those of Locke and Hutcheson. I argue that the natural disposition is to be perfected in many different ways in order to be exercised in (...)
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  25.  28
    A History of Modern Aesthetics.Anthony Savile - 2015 - British Journal of Aesthetics 55 (3):406-409.
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  26.  6
    Book Reviews. [REVIEW]Anthony Savile - 1967 - British Journal of Aesthetics 7 (4):458-459.
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  27.  3
    Book Reviews. [REVIEW]Anthony Savile - 1989 - British Journal of Aesthetics 29 (2):458-459.
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  28.  23
    Beauty, Ugliness and the Free Play of Imagination.Anthony Savile - 2020 - British Journal of Aesthetics 60 (1):106-110.
    Beauty, Ugliness and the Free Play of Imagination Mojca Küplen Springer. 2015. pp. 152. £74.99.
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  29.  8
    Critical Notice: The Objective Eye: Articles.Anthony Savile - 2007 - British Journal of Aesthetics 47 (4):432-440.
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  30. "Desconocida Raiz Común: ": Felipe Martínez Marzoa. [REVIEW]Anthony Savile - 1989 - British Journal of Aesthetics 29 (2):181.
     
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  31.  72
    Imagination and Aesthetic Value.Anthony Savile - 2006 - British Journal of Aesthetics 46 (3):248-258.
    One issue for theory is to account convincingly for the value of art and the significance of its specifically aesthetic character. Appeal to imagination, understood along Kantian lines as functioning to construct ‘a second nature from the material supplied by actual nature’, generates suggestive answers to both aspects of the task. The second nature that the artist inventively constructs in fine representation is one in which themes central to the inner life are revealed in ways as unestranging to us as (...)
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  32. Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Proceedings of the Aristotelian Society, Supplementary Volumes( 60:19-60.
     
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  33.  50
    Instrumentalism and the Interpretation of Narrative.Anthony Savile - 1996 - Mind 105 (420):553-576.
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  34. "I Problemi Dell' Estetica": Luigi Pareyson. [REVIEW]Anthony Savile - 1967 - British Journal of Aesthetics 7 (4):389.
     
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  35.  7
    II—Anthony Savile.Anthony Savile - 2002 - Aristotelian Society Supplementary Volume 76 (1):55-74.
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  36.  28
    Is There Still Life in Still Life?Anthony Savile - 2012 - Royal Institute of Philosophy Supplement 71:67-84.
    In his literary autobiography, Le vent Paraclet , Michel Tournier records how during his time at the Lycée Pasteur in Neuilly he and his fellow classmates found a source of great hilarity in their favourite bêtisier , a volume called Pensées de Pascal , in which one learns that painting is a frivolous exercise that consists in imperfectly reproducing objects that are themselves quite worthless. Fairness to Pascal – far from Tournier's mind in those early days – demands that that (...)
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  37. Kant's Critique of Pure Reason: An Orientation to the Central Theme.Anthony Savile - 2005 - Wiley-Blackwell.
    This fresh orientation to Kant's _Critique of Pure Reason_ presents his central theme, the development of his Transcendental Idealism, as a ground-breaking response to perceived weaknesses in his predecessors' accounts of experiential knowledge. Traces the central theme of the Critique, the development of Kant's Transcendental Idealism. Offers new and original readings of the central arguments in both the Transcendental Aesthetic and the Transcendental Analytic. Appraises the success and failure of Kant's project in the _Critique_.
     
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  38. Kant, Truth, and Affinity.Anthony Savile - 1974 - In Gerhard Funke (ed.), Akten des 4. Internationalen Kant-Kongresses. Walter de Gruyter. pp. 2:336-343.
     
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  39.  1
    Kant, Truth and Affinity.Anthony Savile - 1974 - In Gerhard Funke (ed.), Akten des 4. Internationalen Kant-Kongresses: Mainz, 6.–10. April 1974, Teil 2: Sektionen 1,2. De Gruyter. pp. 336-344.
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  40.  65
    Mr. Wheatley on Virtue.Anthony Savile - 1963 - Analysis 23 (4):93 - 95.
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  41. Mr. Wheatley on virtue.Anthony Savile - 1963 - Analysis 23 (4):93.
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  42.  14
    Natural Beauty, Reflective Judgment and Kant’s Aesthetic Humanism.Anthony Savile - 2021 - British Journal of Aesthetics 61 (2):199-211.
    Kant’s concern for the universal validity of aesthetic judgment turns on its providing a needed bridge between our understanding of the world as governed by mechanical laws and our ability freely to realize our true humanity. That obliges us to find beauty in nature that is expressive of our ethical and moral values. It shapes the way we should understand aesthetic judgment itself.
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  43.  11
    Note on Taylor's "Fatalism".Anthony Savile - 1963 - Analysis 23 (4):96.
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  44.  27
    Progress and Common Sense: Two Approaches to a Problem in Criticism.Anthony Savile - 1977 - British Journal of Aesthetics 17 (4):305-319.
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  45.  10
    Philosophy and the Arts. Royal Institute of Philosophy Lectures Vol. VI, 1971-72.Anthony Savile & Godfrey Vesey - 1974 - Philosophical Quarterly 24 (96):284.
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  46. René Descartes: Grandeur et Misère.Anthony Savile - 1978 - Canadian Journal of Philosophy, Supplementary Volume 4:13.
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  47.  10
    René Descartes: Grandeur Et Misère.Anthony Savile - 1978 - Canadian Journal of Philosophy 8 (sup1):13-36.
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  48.  37
    Routledge Philosophy Guidebook to Leibniz and the Monadology.Anthony Savile - 2000 - Routledge.
    Leibniz is a major figure in western philosophy and, with Descartes and Spinoza, one of the most influential philosophers of the Rationalist School. The _Monadology_ is his most famous work and one of the most important works of modern philosophy. _Leibniz and the Monadology_ introduces and assesses: *Leibniz's life and the background to the _Monadology_ *the ideas and text of the _Monadology_*Leibniz's continuing importance to philosophy Leibniz and the Monadology is ideal for anyone coming to Leibniz for the first time. (...)
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  49.  83
    Sentimentality.Anthony Savile - 2008 - In Alex Neill & Aaron Ridley (eds.), Arguing About Art: Contemporary Philosophical Debates. Routledge. pp. 223--227.
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  50.  50
    Spinoza, Medea, and Irrationality in Action.Anthony Savile - 2003 - Dialogue 42 (4):767.
    Nous ecartons ici deux tentatives visant a rendre compte de l’irrationalite de l’action akratique au sein du systeme de Spinoza: celle contenue dans Spinoza meme et une seconde toute recente, due a della Rocca, qui pretend parler au nom de Spinoza. Nous tracons a larges traits une troisieme voie, laquelle n’est pas manifestement en porte-a-faux avec les principes de la psychologie morale de Spinoza. Cette tentative tourne autour d’une conception du conatus integrant un element normatif et subjectif, soit le besoin (...)
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