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  1.  17
    Book Symposium on The Philosophy of Simondon: Between Technology and Individuation.Marc J. de Vries, Andrew Feenberg, Arne De Boever & Aud Sissel Hoel - 2015 - Philosophy and Technology 28 (2):297-322.
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  2.  51
    Individuation and Knowledge: The “Refutation of Idealism” in Simondon's Heritage in France.Jean-Hugues Barthélémy, Mark Hayward & Arne De Boever - 2012 - Substance 41 (3):60-75.
    In this essay, I want to begin a dialogue with the French philosopher Bernard Stiegler’s book Technics and Time. Stiegler is internationally known as the inheritor of another French philosopher whose work is currently being rediscovered worldwide: Gilbert Simondon. In Stiegler’s work, this Simondonian heritage plays itself out in the domain of continental philosophy. The thesis maintained here will be the following: there is another relation to Simondon that is possible, one that also takes up the major problems we’ve inherited (...)
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  3.  21
    The Allegory of the Cage: Foucault, Agamben, and the Enlightenment.Arne de Boever - 2010 - Foucault Studies 10:7-22.
    This article reconsiders the relations between Immanuel Kant and Michel Foucault’s essays on the Enlightenment and adds Giorgio Agamben’s essay “What is an Apparatus?” to this constellation. It explores, specifically, the relations between Foucault’s definition of enlightenment and the central notion of Agamben’s philosophy: potentiality. The relation between potentiality and enlightenment is then mobilized in the article in the context of a discussion of technology in Kant, Foucault, and Agamben. What might be the relevance of the relation between Foucault’s enlightenment (...)
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  4.  32
    Index to Volume 46.Deborah Barnbaum, Kyle Hunter, Sophie Bourgault, Emily Brady, Andrea Bramberger, Howard Cannatella, Carla Carmona Escalera, Arne De Boever & J. Grube - 2012 - Journal of Aesthetic Education 46 (4).
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  5.  45
    Losing Face: Francis Bacon's 25th Hour.Arne De Boever - 2012 - Film-Philosophy 16 (1):85-100.
    Spike Lee’s film 25 th Hour begins with an act of violence that it does not show: instead, the viewer hears the sounds of a dog being beaten. The dog’s menacing growl is then transformed into the growling image of Montgomery ‘Monty’ Brogan’s car speeding through New York. Monty spots the dog, and stops. It is only then that the viewer witnesses the results of the film’s ‘foundational’ act of violence: the bloody body of a dog beaten to pulp. When (...)
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  6.  26
    Overhearing Bartleby: Agamben, Melville, and Inoperative Power.Arne De Boever - 2006 - Parrhesia 1:142-162.
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  7.  4
    Poverty's Emergency.Arne De Boever - 2015 - Philosophy Today 59 (4):641-655.
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  8.  3
    Prométhée littéraire.Arne De Boever - 2011 - Multitudes 47 (4):168-173.
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  9.  6
    Gilbert Simondon: Being and Technology.Arne De Boever (ed.) - 2012 - Edinburgh University Press.
    This first collection of essays, by renowned critics and philosophers, outlines the central tenets of Simondon's thought, the implications of his work in numerous disciplines and his relationship to other thinkers such as Heidegger, Deleuze ...
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  10. Front Matter Front Matter (Pp. I-Iii).Penelope Miller, Anoop Gupta, Clint Randles, Carla Carmona Escalera, Arne de Boever, Steven Skaggs, Carl R. Hausman & Andrea Sauchelli - 2012 - Journal of Aesthetic Education 46 (3).
     
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