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  1.  35
    The Time of Drama in Nietzsche and Deleuze: A Life as Performative Interaction.Arno Böhler - 2010 - Deleuze Studies 4 (1):70-82.
    Nietzsche's model of eternal return triggers a drama of affirmation, the overcoming of a simple miming of our ancestors in favour of an active participation in the counter-actualisation of hidden potentials in recurrent events. Based on a close study of Zarathustra's struggle to free himself from a suffocating nihilism, the paper focuses on the revelatory caesura that ushers in what Deleuze calls the third synthesis of time, a time of ‘doing’ rather than reflection.
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  2.  26
    Forum Introduction: Sense, Sensation and Deleuze's Transcendental Empiricism.Arno Böhler, Leyla Haferkamp & Peter Hertz-Ohmes - 2010 - Deleuze Studies 4 (2):60-61.
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  3.  5
    Meditation Im Kontext der Indischen Philosophie.Arno Böhler - 2013 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 22 (2):29-40.
  4. Filozofia ako výskům využívajúci umenie filozofia na scéně.Arno Böhler - 2013 - Filozofia 68 (5).
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  5. Film Noir: Fatalismus „im Zeichen des Bösen“.Arno Böhler - 2016 - In Waldemar Zacharasiewicz & Ludwig Nagl (eds.), Ein Filmphilosophie-Symposium Mit Robert B. Pippin: Western, Film Noir Und Das Kino der Brüder Dardenne. De Gruyter. pp. 185-202.
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  6. Open Bodies.Arno Böhler - 2009 - Paragrana 18 (1).
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  7. Unterwegs Zu Einer Sprache der Freundschaft Distanzen: Nietzsche, Deleuze, Derrida.Arno Böhler, Friedrich Wilhelm Nietzsche, Gilles Deleuze & Jacques Derrida - 2000
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