21 found
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Aron Edidin [21]Aron Zalman Edidin [1]
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Aron Edidin
New College of Florida
  1.  5
    Socio-Musical Performing Artistry.Aron Edidin - 2017 - Contemporary Aesthetics 15 (1).
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  2.  31
    A Priori Knowledge for Fallibilists.Aron Edidin - 1984 - Philosophical Studies 46 (2):189 - 197.
  3. Three Kinds of Recording and the Metaphysics of Music.Aron Edidin - 1999 - British Journal of Aesthetics 39 (1):24-39.
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  4. Glymour on Confirmation.Aron Edidin - 1981 - Philosophy of Science 48 (2):292-307.
    Glymour has developed an account of the confirmation of scientific hypotheses which he advocates as an alternative to the hypothetico-deductive and Bayesian accounts. This account is subject to a counter-example which may be accomodated by a slight modification. So modified it describes an important dimension of confirmation. If the modification of Glymour's account is slightly extended, both the resulting account and the hypothetico-deductive account may be seen as special cases of a Bayesian theory which is immune to Glymour's criticisms.
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  5.  30
    Temporal Neutrality and Past Pains.Aron Edidin - 1982 - Southern Journal of Philosophy 20 (4):423-431.
  6.  25
    From Relative Confirmation to Real Confirmation.Aron Edidin - 1988 - Philosophy of Science 55 (2):265-271.
    Recent work on the logical theory of confirmation has centered on accounts of the confirmation of hypotheses relative to auxiliary assumptions or background theory. Whether such relative confirmation actually increases the credibility of the (relatively) confirmed hypothesis will depend in various ways on the epistemic status of the auxiliaries involved. Most obviously, if the auxiliaries are not themselves credible, confirmation relative to them will not increase the credibility of the hypothesis thus confirmed. A complete theory of confirmation must thus combine (...)
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  7.  50
    Inductive Reasoning and the Uniformity of Nature.Aron Edidin - 1984 - Journal of Philosophical Logic 13 (3):285 - 302.
  8.  15
    Philosophy: Just Like Science Only Different.Aron Edidin - 1985 - Philosophy and Phenomenological Research 45 (4):537-552.
  9.  13
    Playing Bach His Way: Historical Authenticity, Personal Authenticity, and the Performance of Classical Music.Aron Edidin - 1998 - Journal of Aesthetic Education 32 (4):79.
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  10.  30
    What Mathematics is About.Aron Edidin - 1995 - Philosophical Studies 78 (1):1 - 31.
  11.  4
    Listening to Musical Performers.Aron Edidin - 2015 - Contemporary Aesthetics 13.
    In the philosophy of music and in musicology, apart from ethnomusicology, there is a long tradition of focus on musical compositions as objects of inquiry. But in both disciplines, a body of recent work focuses on the place of performance in the making of music. Most of this work, however, still takes for granted that compositions, at least in Western art music, are the primary objects of aesthetic attention. In this paper I focus on aesthetic attention to the performing activity (...)
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  12.  18
    Look What They've Done to My Song: "Historical Authenticity" and the Aesthetics of Musical Performance.Aron Edidin - 1991 - Midwest Studies in Philosophy 16 (1):394-420.
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  13.  4
    Temporal Neutrality and Past Pains.Aron Edidin - 1982 - Southern Journal of Philosophy 20 (4):423-431.
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  14.  15
    What's an Epistemologist to Do?Aron Edidin - 1994 - American Philosophical Quarterly 31 (4):285 - 296.
  15.  11
    Language-Learning and a Priori Knowledge.Aron Edidin - 1986 - American Philosophical Quarterly 23 (4):383 - 391.
  16.  8
    Eternal Verities: Timeless Truth, Ahistorical Standards, and the One True Story.Aron Edidin - 1997 - American Philosophical Quarterly 34 (2):259 - 271.
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  17.  8
    Fearing for Our Mental Lives.Aron Edidin - 1988 - Midwest Studies in Philosophy 12 (1):335-360.
  18.  7
    The Tragic View of Philosophy.Aron Edidin - 1991 - Metaphilosophy 22 (1-2):50-62.
  19.  7
    Performing Compositions.Aron Edidin - 1997 - British Journal of Aesthetics 37 (4):323-335.
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  20. Presidential Address to the 46th Annual Meeting of the Florida Philosophical Association: "A Little Philosophy is a Dangerous Thing".Aron Edidin - 2001 - Florida Philosophical Review 1 (1):6-15.
    Mostly in blank verse, I consider the question "What value can a student receive from a single course in philosophy?" More specifically, in line with my own teaching duties, I focus on the value to students of a single course in, say, epistemology, metaphysics, or philosophy of science or mind. I consider and reject answers based on the examples of introductory instruction in science or in art, finally concluding that even just a bit of this sort of philosophy can communicate (...)
     
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  21. Performing Compositions.Aron Edidin - 1997 - British Journal of Aesthetics 37 (4):323-335.
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