Results for 'Art Philosophy'

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  1. L'Art, la science et la métaphysique: études offertes à André Mercier à l'occasion de son quatre-vingtième anniversaire et recueillies au nom de l'Académie internationale de philosophie de l'art.Luz Garcâia Alonso, E. Moutsopoulos, Gerhard Seel, Andrâe Mercier & Acadâemie Internationale de Philosophie de L'art (eds.) - 1993 - New York: P. Lang.
     
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  2. Art, Philosophy, and Creativity.Said Mikki - manuscript
    We reflect on the nature of art, the creative process, and the connection between art and philosophy.
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  3.  8
    Art & philosophy.Timothy Taubes - 1993 - Buffalo, N.Y.: Prometheus Books.
    Explores painting as a form of communication through a language of aesthetics. Concludes that successful paintings teach viewers something about their own world, rather than about the ideas or the techniques of the artist, and that such learning should be effortless and intuitive. Annotation copyright by Book News, Inc., Portland, OR.
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  4. Art, Philosophy, and Ideology: Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism.Tyrus Miller (ed.) - 2024 - BRILL.
    This volume consists of selected essays on the art and aesthetics of the avantgarde, contemporary art, and postsocialist culture by the internationally renowned Slovenian philosopher and art theorist Aleš Erjavec.
     
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  5. Expérience, Art, Philosophie.Guido Morpurgo-Tagliabue - 1964 - Revue Internationale de Philosophie 18 (68/69):209.
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  6.  74
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2009 - MIT Press.
    Prelude -- What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Perceptions in folding -- Grace taking form : Marey's movement machines -- Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves (...)
  7.  41
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2012 - MIT Press.
    With _Relationscapes_, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity--the incipiency at the heart of movement--Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take (...)
  8.  35
    Border Arte Philosophy: Altogether Beyond Philosophy.Nancy Tuana & Charles Scott - 2018 - Journal of Speculative Philosophy 32 (1):70-91.
    ABSTRACT We are concerned with borders and their crucial importance in people's lives. Throughout we place emphasis on liberatory critique and knowledge and on the importance of the forces lineages exercise in the ways we live. How might we speak of whatever is bordered and allow that of which we speak its manifest differences? How are we able to engage differences and maintain our own differences? How might we, as philosophers, speak philosophically about what is beyond philosophy? Such speaking (...)
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  9.  4
    Between art, philosophy of design and philosophical-hermeneutical design.Leonardo Kussler - 2023 - Filosofia Unisinos 24 (2):1-15.
    At first glance, relating philosophy and design does not seem trivial, but there are several elements that make it possible to develop such a hypothesis beyond the context of the philosophy of technology. In this article, the main objective is to explore some aspects of design in the world and in Brazil, emphasizing how much its bases dialogue with the principles of Gadamer’s philosophical hermeneutics. To do so, in the first section, I develop a bibliographical analysis of the (...)
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  10.  52
    Art, Philosophy and Concreteness in Hegel.William Desmond - 1985 - The Owl of Minerva 16 (2):131-146.
    It is a philosophical commonplace to juxtapose logic and imagination, reason and sensibility, the concept and intuition, philosophy itself and art. Frequently these pairs are thought of as opposites, one mediated through abstract reflection, the other a more intimate participant in the given of concrete existence. Philosophy does not always come off uncriticized in this opposition. Its reflective, analytical impulse is often thought to abstract us, remove us from the concretely real. Art, by contrast, it is said, serves (...)
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  11.  2
    Kʻartʻvel pʻilosopʻostʻa lekʻsikoni: personalia.Tamaz Buachidze & Sak°Art°Velos P.°Ilosop°Iuri Sazogadoeba (eds.) - 2000 - Tʻbilisi: Gamomcʻemloba "Oazisi".
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  12.  42
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that (...)
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  13.  14
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that (...)
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  14.  27
    Art, Philosophy and the Connectivity of Concepts: Ricoeur and Deleuze and Guattari.Clive Cazeaux - 2019 - Journal of Aesthetics and Phenomenology 6 (1):21-40.
    Concepts are traditionally pictured as discrete containers that bring together objects or qualities based on the possession of shared, uniform properties. This paper focuses on a contrasting notion of the concept which holds that concepts are defined by their capacity to reach out and connect with other concepts. Two theories in recent continental philosophy maintain this view: one from Ricoeur, the other from Deleuze and Guattari. Both are offered as attempts to bring art and philosophy into relation, but (...)
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  15.  17
    Art, philosophy, and life.Horace Meyer Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
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  16.  5
    Art, Philosophy, and Life.Horace M. Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
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  17.  16
    Art & Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse, Langer, Reid.Sushil Kumar Saxena - 1996 - Journal of Aesthetics and Art Criticism 54 (2):188-189.
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  18. Mishnato ha-hagutit shel Rabi Yehudah ha-Leṿi.Ḥayah Shṿarts (ed.) - 1977 - Yerushalayim: Miśrad ha-ḥinukh ṿeha-tarbut, ha-Maḥlaḳah le-tarbut Toranit.
     
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  19.  4
    Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2019 - Estetika: The European Journal of Aesthetics 56 (2):263-272.
    A review of Stephen Snyder’s End-of-Art Philosophy in Hegel, Nietzsche and Danto.
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  20. The Ethics of Narrative Art: philosophy in schools, compassion and learning from stories.Laura D’Olimpio & Andrew Peterson - 2018 - Journal of Philosophy in Schools 5 (1):92-110.
    Following neo-Aristotelians Alasdair MacIntyre and Martha Nussbaum, we claim that humans are story-telling animals who learn from the stories of diverse others. Moral agents use rational emotions, such as compassion which is our focus here, to imaginatively reconstruct others’ thoughts, feelings and goals. In turn, this imaginative reconstruction plays a crucial role in deliberating and discerning how to act. A body of literature has developed in support of the role narrative artworks (i.e. novels and films) can play in allowing us (...)
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  21.  9
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to what extent (...)
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  22.  50
    On Sartwell’s Thesis That Knowledge is Merely True Belief.Art Skidmore - 1997 - Southwest Philosophy Review 13 (1):123-127.
  23.  9
    Philosophy and the Art of Writing.has Published Papers on Imagination Epistemology, Self-Knowledge Desire, Pacific Philosophical Quarterly Aesthetic Appreciation in Journals Like Australasian Journal of Philosophy, European Journal of Philosophy Synthese & etc Journal of Aesthetic Education - 2023 - Journal of Aesthetics and Phenomenology 10 (1):89-93.
    As the editors of the series, New Literary Theory, proclaim in the preface of the book, the purpose of the series is to make more room in literary theory for playful and accessible approaches to li...
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  24.  16
    A Reply to Robert Allan Cooke.Art Wolfe - 1993 - Business Ethics Quarterly 3 (1):65-67.
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  25. Jhoon Rhee Martial Arts: Philosophy & Life Skills.Jhoon Rhee - 2000 - Jhoon Rhee Foundation for International Leadership.
     
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  26.  16
    On Peirce's Denial of the Law of Contradiction.Art Skidmore - 1982 - Philosophical Topics 13 (9999):101-107.
  27.  31
    Acta Pauli et Petri Apocrypha y Patrística griega.José Antonio Artés Hernández - 2004 - Augustinianum 44 (2):321-336.
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  28.  20
    Truth in Myth and Science.Art Stawinski - 2005 - Dialogue and Universalism 15 (1-2):71-78.
    We humans are a curious species. Of all the life forms that inhabit the earth, we alone strive to make sense of the world in which we find ourselves. For thousands of years we understood the world through stories. Our ancestors told stories of how the world began, how our people originated and came to be at this place, and how those people across the river or beyond the mountains came to be where they are. Some stories were of animals (...)
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  29.  18
    Complexity: Architecture, Art, Philosophy.Andrew Benjamin (ed.) - 1995 - Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. (...)
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  30.  20
    On Moral Dilemmas.Art Skidmore - 1999 - Southwest Philosophy Review 15 (1):81-85.
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  31.  24
    World Philosophy[REVIEW]Brad Art - 1996 - Teaching Philosophy 19 (4):399-403.
  32.  5
    World Philosophy[REVIEW]Brad Art - 1996 - Teaching Philosophy 19 (4):399-403.
  33.  61
    Stain removal: On race and ethics.Art Massara - 2007 - Philosophy and Social Criticism 33 (4):498-528.
    What role does race play in the moral judgment of character? None, ideally, philosophers insist, contending that the proper assessment of an action requires that we disregard any social values associated with the body performing it. What rightly comes under evaluation, they assert, is the neutral, abstract deed irrespective of the race of the agent. Only under these conditions, presumably, can we gauge true moral worth. Reading together Immanuel Kant and Frantz Fanon on ethics and race, I propose instead that (...)
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  34.  3
    Practicing mortality: art, philosophy, and contemplative seeing.Christopher A. Dustin - 2005 - New York: Palgrave-Macmillan. Edited by Joanna E. Ziegler.
    A collaborative undertaking between an artist and a philosopher, this monograph attempts to deepen our understanding of "contemplative seeing" by addressing the works of Plato, Thoreau, Heidegger, and more. The authors explore what it means to "see" reality and contemplate how viewing reality philosophically and artfully is a form of spirituality. In this way, by developing a new conception of active visual engagement, the authors propose a way of seeing that unites both critical scrutiny and spiritual involvement, as opposed to (...)
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  35.  3
    Stanley Cavell and the arts: philosophy and popular culture.Rex Butler - 2021 - New York: Bloomsbury Academic.
    In the late 1990s, Rosalind Krauss, one of the principal theorists of post-modernism in the arts, began using the term "post-medium" in her work. It was a nod to the American "ordinary language" philosopher Stanley Cavell, who had been thinking through a concept of medium in art for 30 years. Today with the decline of post-modernism, Stanley Cavell has emerged as one of the most important figures for thinking again about the visual arts, film and theatre. Stanley Cavell and the (...)
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  36.  33
    End-of-Art Philosophy in Hegel, Nietzsche and Danto.Stephen Snyder - 2018 - Cham: Palgrave Macmillan.
    This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels (...)
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  37. Practices of Form: Art – Philosophy – Life – History.Alison Ross - 2017 - Critical Horizons 18 (4):289-294.
    This article canvases some of the issues involved in the idea of form as a practice in Kant, Blumenberg and Foucault, and it also outlines the different contexts and approaches the individual papers collected in this Special Issue use to explore this idea.
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  38.  1
    Distances dans les arts plastiques.Dominique Berthet & Martinique) Centre D'âetudes Et de Recherches En Esthâetique Et Arts Plastiques (eds.) - 1997 - Fort-de-France: Centre régional de documentation pédagogique des Antilles et de la Guyane.
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  39.  2
    Ėстетические категории и искусство.Viktor Pigulevskiæi & Institutul Moldovenesk de Stat de Arte (eds.) - 1989 - Kishinev: "Shtiint︠s︡a".
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  40.  9
    Samarasya: studies in Indian arts, philosophy, and interreligious dialogue: in honour of Bettina Bäumer.Bettina Bäumer, Sadananda Das & Ernst Fürlinger (eds.) - 2005 - New Delhi: D.K. Printworld.
    This Inspirational Guide To An Open, Critical Exchange Between India And The West Is Framed As A Tribute To Dr. Bettina Baumer, An Eminent Scholar Of Indology. Comprising 32 Essays, Segregated Into Three Sections Indian Philosophy And Spirituality, Indian Arts And Aesthetics, And Interreligious And Intercultural Dialogue.
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  41. Filosofii︠a︡ i pravo: monografii︠a︡.V. M. Artëmov - 2017 - Moskva: Prospekt.
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  42.  58
    Isolation, Loneliness and the Falsification of Reality.Brad Art - 1992 - International Journal of Applied Philosophy 7 (1):31-36.
  43.  2
    Het Verschijnsel Religie.Herwig Arts - 1997 - Leuven: Davidsfonds.
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  44.  10
    Ecophilosophy as Liberal Arts Philosophy.Hiromasa Mase - 1989 - Philosophical Inquiry 11 (1-2):28-36.
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  45.  5
    Nauchno-tekhnologicheskie transformat︠s︡ii v sovremennom obshchestve: nravstvenno-filosofskoe osmyslenie i osobennosti pravovogo regulirovanii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
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  46. Against the sociology of art.Aesthetic Versus Sociological & Explanations of Art Activities - 2002 - Philosophy of the Social Sciences 32 (2):206-218.
  47.  7
    Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2020 - Estetika: The European Journal of Aesthetics 56 (2):263.
  48.  16
    The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century Germany.Adam S. Cohen - 2000 - Pennsylvania State University Press.
    Created at the behest of the abbess Uta, it is not only one of the most beautiful of Ottonian manuscripts but also one of the most complex. The collection of liturgical readings is preceded by four full-page frontispieces illustrating the Hand of God, Uta dedicating the codex to the Virgin and Child, a Crucifixion, and Saint Erhard celebrating Mass. Four evangelist portraits accompany the readings from each Gospel. In this groundbreaking study, Adam Cohen provides comprehensive explications of the codex’s renowned (...)
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  49.  29
    The end of art? (Philosophy of art history).Noel Carroll - 1998 - History and Theory 37 (4):17-29.
    This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed. The author also contends that Danto's end-of-art thesis is better construed as a specimen of art criticism than as an example of the speculative philosophy of art history.
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  50.  1
    Bill Viola’s video art philosophy.N. N. Rostova - forthcoming - Liberal Arts in Russia.
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