Results for 'Art Philosophy'

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  1.  61
    Art, Philosophy, and Creativity.Said Mikki - manuscript
    We reflect on the nature of art, the creative process, and the connection between art and philosophy.
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  2. The Ethics of Narrative Art: Philosophy in Schools, Compassion and Learning From Stories.Laura D’Olimpio & Andrew Peterson - 2018 - Journal of Philosophy in Schools 5 (1):92-110.
    Following neo-Aristotelians Alasdair MacIntyre and Martha Nussbaum, we claim that humans are story-telling animals who learn from the stories of diverse others. Moral agents use rational emotions, such as compassion which is our focus here, to imaginatively reconstruct others’ thoughts, feelings and goals. In turn, this imaginative reconstruction plays a crucial role in deliberating and discerning how to act. A body of literature has developed in support of the role narrative artworks (i.e. novels and films) can play in allowing us (...)
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  3.  26
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2012 - MIT Press.
    With _Relationscapes_, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity--the incipiency at the heart of movement--Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take (...)
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  4.  55
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2009 - MIT Press.
    Prelude -- What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Perceptions in folding -- Grace taking form : Marey's movement machines -- Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves (...)
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  5.  29
    The End of Art? (Philosophy of Art History).Noel Carroll - 1998 - History and Theory 37 (4):17-29.
    This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed. The author also contends that Danto's end-of-art thesis is better construed as a specimen of art criticism than as an example of the speculative philosophy of art history.
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  6.  1
    Art & Philosophy.Timothy Taubes - 1993 - Prometheus Books.
    Explores painting as a form of communication through a language of aesthetics. Concludes that successful paintings teach viewers something about their own world, rather than about the ideas or the techniques of the artist, and that such learning should be effortless and intuitive. Annotation copyright by Book News, Inc., Portland, OR.
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  7.  37
    Philosophies of Art and Beauty: Selected Readings in Aesthetics From Plato to Heidegger.Albert Hofstadter & Richard Kuhns - 1976 - University of Chicago Press.
    This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays for each selection, which make this volume an invaluable aid to the study of the powerful, recurrent ideas concerning art, beauty, critical method, and the nature of representation. Because this collection makes clear the ways in which the philosophy of art relates to and is (...)
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  8.  20
    Art, Philosophy and the Connectivity of Concepts: Ricoeur and Deleuze and Guattari.Clive Cazeaux - 2019 - Journal of Aesthetics and Phenomenology 6 (1):21-40.
    ABSTRACTConcepts are traditionally pictured as discrete containers that bring together objects or qualities based on the possession of shared, uniform properties. This paper focuses on a contrasting notion of the concept which holds that concepts are defined by their capacity to reach out and connect with other concepts. Two theories in recent continental philosophy maintain this view: one from Ricoeur, the other from Deleuze and Guattari. Both are offered as attempts to bring art and philosophy into relation, but (...)
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  9.  3
    Postmodern Arts, Philosophy of Language and Phenomenology.Caroline Guibet Lafaye - 2006 - Studia Phaenomenologica 6:407-424.
    The identification of a post-modern art requires the determination of its implicit patterns of signification, as is the case with the modern art’s patterns of signification. In fact, the mere formal and stylistic analyses are not able to distinguish the post-modern art from the modern art. Actually, the specificity of minimalist and post-minimalist sculpture is founded on a phenomenological interpretation of subjective aesthetic experience and on a phenomenological interpretation of significance. In other words, this phenomenological interpretation gives a positive content (...)
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  10.  49
    Art, Philosophy and Concreteness in Hegel.William Desmond - 1985 - The Owl of Minerva 16 (2):131-146.
    It is a philosophical commonplace to juxtapose logic and imagination, reason and sensibility, the concept and intuition, philosophy itself and art. Frequently these pairs are thought of as opposites, one mediated through abstract reflection, the other a more intimate participant in the given of concrete existence. Philosophy does not always come off uncriticized in this opposition. Its reflective, analytical impulse is often thought to abstract us, remove us from the concretely real. Art, by contrast, it is said, serves (...)
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  11.  22
    Border Arte Philosophy: Altogether Beyond Philosophy.Nancy Tuana & Charles Scott - 2018 - Journal of Speculative Philosophy 32 (1):70.
    Only what has no history is definable.He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you.We enter the silence, go inward, attend to feelings and to the inner cenote, the creative reservoir where earth, female, and water energies merge. Through our artworks we cross the border into other subjective levels of awareness, shift into different and new terrains of Mestizaje.Some (...)
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  12.  70
    A Philosophy of Computer Art.Dominic Lopes - 2009 - Routledge.
    What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? _A Philosophy of Computer Art_ is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’. Drawing on a (...)
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  13.  11
    The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century Germany.Adam S. Cohen - 2000 - Pennsylvania State University Press.
    Created at the behest of the abbess Uta, it is not only one of the most beautiful of Ottonian manuscripts but also one of the most complex. The collection of liturgical readings is preceded by four full-page frontispieces illustrating the Hand of God, Uta dedicating the codex to the Virgin and Child, a Crucifixion, and Saint Erhard celebrating Mass. Four evangelist portraits accompany the readings from each Gospel. In this groundbreaking study, Adam Cohen provides comprehensive explications of the codex’s renowned (...)
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  14.  16
    Art, Philosophy, and Life.Horace Meyer Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
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  15.  1
    Art, Philosophy, and Life.Horace M. Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
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  16.  10
    Art & Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse, Langer, Reid.Sushil Kumar Saxena - 1996 - Journal of Aesthetics and Art Criticism 54 (2):188-189.
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  17. Expérience, Art, Philosophie.Guido Morpurgo-Tagliabue - 1964 - Revue Internationale de Philosophie 18 (68/69):209.
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  18.  94
    The Philosophy of Art: An Introduction.Theodore Gracyk - 2013 - Polity.
    The Philosophy of Art is a highly accessible introduction to current key issues and debates in aesthetics and philosophy of art.
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  19.  96
    The Philosophy of the Visual Arts.Philip Alperson (ed.) - 1992 - Oxford University Press.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts " and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, and other forms (...)
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  20.  97
    Philosophy of the Performing Arts.David Davies - 2011 - Wiley-Blackwell.
    This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts.
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  21. Imagination, Philosophy and the Arts.Matthew Kieran & Dominic Lopes (eds.) - 2003 - Routledge.
    _Imagination, Philosophy and the Arts_ is the first comprehensive collection of papers by philosophers examining the nature of imagination and its role in understanding and making art. Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. This collection of seventeen brand new essays critically examines just how and in what form the (...)
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  22.  2
    Art and Philosophy: Readings in Aesthetics.W. E. Kennick - 1964 - New York: St. Martin's Press.
  23.  2
    Complexity: Architecture, Art, Philosophy.Andrew E. Benjamin (ed.) - 1995 - Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. (...)
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  24.  85
    Philosophies of Arts: An Essay in Differences.Peter Kivy - 1997 - Cambridge University Press.
    Since the beginning of the eighteenth century the philosophy of art has been engaged on the project of trying to find out what the fine arts have in common and, thus, how they might be defined. Peter Kivy's purpose in this accessible and lucid book is to trace the history of that enterprise and argue that the definitional project has been unsuccessful. He offers a fruitful change of strategy: instead of engaging in an obsessive quest for sameness, let us (...)
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  25. L'art, la Science Et la M'etaphysique 'Etudes Offertes Áa Andr'e Mercier Áa l'Occasion de Son Quatre-Vingtiáeme Anniversaire Et Recueillies au Nom de l'Acad'emie Internationale de Philosophie de L'Art.Luz Garcâia Alonso, E. Moutsopoulos, Gerhard Seel, Andrâe Mercier & Acadâemie Internationale de Philosophie de L'art - 1993
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  26. Philosophy of Art: A Contemporary Introduction.Noël Carroll - 1999 - Routledge.
    _Philosophy of Art_ is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art. Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way (...)
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  27. Jhoon Rhee Martial Arts: Philosophy & Life Skills.Jhoon Rhee - 2000 - Jhoon Rhee Foundation for International Leadership.
     
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  28. Samarasya: Studies in Indian Art, Philosophy, and Interreligious Dialogue: In Honour of Bettina Bäumer.Bettina Bäumer, Sadananda Das & Ernst Fürlinger (eds.) - 2005 - D.K. Printworld.
    This Inspirational Guide To An Open, Critical Exchange Between India And The West Is Framed As A Tribute To Dr. Bettina Baumer, An Eminent Scholar Of Indology. Comprising 32 Essays, Segregated Into Three Sections Indian Philosophy And Spirituality, Indian Arts And Aesthetics, And Interreligious And Intercultural Dialogue.
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  29.  1
    Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2019 - Estetika 56 (2):263-272.
    A review of Stephen Snyder’s End-of-Art Philosophy in Hegel, Nietzsche and Danto.
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  30.  32
    Art and Philosophy.Joseph Margolis - 1980 - Humanities Press.
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  31. A Philosophy of Mass Art.Noel Carroll - 1997 - Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
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  32.  29
    End-of-Art Philosophy in Hegel, Nietzsche and Danto.Stephen Snyder - 2018 - Palgrave Macmillan.
    This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels (...)
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  33.  72
    A Philosophy of Cinematic Art.Berys Gaut - 2010 - Cambridge: Cambridge University Press.
    A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
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  34. The Philosophy of Modern Art.Herbert Edward Read - 1969 - Freeport, N.Y., Books for Libraries Press.
  35. Practicing Mortality: Art, Philosophy, and Contemplative Seeing.Christopher A. Dustin - 2005 - Palgrave-Macmillan.
    A collaborative undertaking between an artist and a philosopher, this monograph attempts to deepen our understanding of "contemplative seeing" by addressing the works of Plato, Thoreau, Heidegger, and more. The authors explore what it means to "see" reality and contemplate how viewing reality philosophically and artfully is a form of spirituality. In this way, by developing a new conception of active visual engagement, the authors propose a way of seeing that unites both critical scrutiny and spiritual involvement, as opposed to (...)
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  36.  16
    Cerebral Drawings Between Art and Science: On Gilles Deleuze’s Philosophy of Concepts.Henning Schmidgen - 2015 - Theory, Culture and Society 32 (7-8):123-149.
    In What Is Philosophy?, Gilles Deleuze and Félix Guattari distinguish the functions of philosophy, art and science. According to this distinction, the primary purpose of philosophy is to invent concepts, the purpose of art to bring forth percepts, or sensorial aggregates, and that of science to delineate functions. This article aims to show that these distinctions are not as clear-cut as they appear. Using Deleuze and Guattari’s proposition that ‘philosophy is the art of forming, inventing, and (...)
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  37.  15
    Introducing Philosophy of Art: In Eight Case Studies.Derek Matravers - 2012 - Routledge.
    Derek Matravers introduces students to the philosophy of art through a close examination of eight famous works of twentieth-century art. Each work has been selected in order to best illustrate and illuminate a particular problem in aesthetics. Each artwork forms a basis for a single chapter and readers are introduced to such issues as artistic value, intention, interpretation, and expression through a careful analysis of the artwork. Questions considered include what does art mean in contemporary art practice? Is the (...)
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  38.  50
    Philosophy of Art.Virgil C. Aldrich - 1963 - Englewood Cliffs, N.J., Prentice-Hall.
  39.  47
    A Philosophy of Mass Art. [REVIEW]Dominic M. McIver Lopes - 2000 - Philosophical Review 109 (4):614.
    The chief sources of aesthetic experience for most people around the world are now the mass broadcasting and recording technologies. Yet analytic aesthetics has had little to say about mass art. Recent accounts of art and the aesthetic, while accommodating the consensus concerning central cases, are largely propelled by problem cases drawn from the avant-garde, and one wonders what the effect will be of adding works of mass art to the equation. One also wonders whether making room for mass art (...)
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  40.  81
    Practices of Form: Art – Philosophy – Life – History.Alison Ross - 2017 - Critical Horizons 18 (4):289-294.
    This article canvases some of the issues involved in the idea of form as a practice in Kant, Blumenberg and Foucault, and it also outlines the different contexts and approaches the individual papers collected in this Special Issue use to explore this idea.
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  41.  13
    George Grant and the Subversion of Modernity: Art, Philosophy, Politics, Religion, and Education.Arthur Davis (ed.) - 1996 - University of Toronto Press.
    This is a bold and vigorous Grant, writing on a topic about which he is passionate and deeply informed.
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  42.  9
    Ecophilosophy as Liberal Arts Philosophy.Hiromasa Mase - 1989 - Philosophical Inquiry 11 (1-2):28-36.
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  43.  88
    The Art of Living: The Stoics on the Nature and Function of Philosophy.John Sellars - 2003 - Ashgate.
    Questioning the premise that philosophy can only be conceived as a rational discourse, Sellars presents it instead as an art (techne) that combines both 'logos' ...
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  44. The Philosophy of Art History.Arnold Hauser - 1958 - New York: Knopf.
    First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in (...)
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  45.  95
    Philosophy of Animal-Made Art | فلسفه هنرِ جانور-ساخت.Pouya Lotfi Yazdi - manuscript
    In this article, first of all, I (hereafter: the writer) have presented an interpretation of aesthetic universality and it is argued that each definition of art has to admit the aesthetic universality. Next, the writer has argued that there is a relation between creativity and aesthetic universality, and it is claimed that there is the same aesthetic universality by the creative processes, products, and persons, both scientifically and philosophically; and so, the relation represents that aesthetic universality is true. Moreover, the (...)
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  46.  27
    Analytische Philosophie Peter Bieris Frage nach der richtigen Art, Philosophie zu betreiben.Ansgar Beckermann - 2008 - Deutsche Zeitschrift für Philosophie 56 (4):599-613.
    In seinem Beitrag Was bleibt von der Analytischen Philosophie? hat Peter Bieri all das aufgelistet, was ihm an der gegenwärtigen Analytischen Philosophie missfällt. In dieser Replik wird erstens die Geschichte der Analytischen Philosophie in Erinnerung gerufen. Zweitens wird in Auseinandersetzung mit Bieris Kritik folgendes Bild von Philosophie entworfen: Es gibt überdauernde philosophische Fragen, und Philosophie sollte nicht als ein essayistisches Unternehmen, sondern als der systematische Versuch verstanden werden, Antworten auf diese Fragen zu finden. Allerdings lassen sich philosophische Fragen niemals definitiv (...)
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  47.  2
    A Philosophy of the Art School.Michael Newall - 2019 - New York: Routledge.
    *Winner of the American Society for Aesthetics 2019 Outstanding Monograph Prize* Until now, research on art schools has been largely occupied with the facts of particular schools and teachers. This book presents a philosophical account of the underlying practices and ideas that have come to shape contemporary art school teaching in the UK, US and Europe. It analyses two models that, hidden beneath the diversity of contemporary artist training, have come to dominate art schools. The first of these is essentially (...)
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  48.  16
    The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century GermanyAdam S. Cohen.Karen Blough - 2003 - Speculum 78 (3):856-858.
  49.  11
    Blanchot's Communism: Art, Philosophy and the Political, by Lars Iyer.William Large - 2006 - Journal of the British Society for Phenomenology 37 (2):219-221.
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  50.  13
    The Philosophy of Food. Recipes Between Arts and Algorithms.Andrea Borghini & Nicola Piras - 2020 - Humana Mente 13 (38).
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