Results for 'Art Philosophy.'

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  1. Art, philosophy, and ideology: writings on aesthetics and visual culture from the avantgarde to postsocialism.Aleš Erjavec - 2024 - Boston: Brill. Edited by Tyrus Miller.
    This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in global art and culture networks. The diverse contexts and artists with which (...)
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  2. Art as Performance.Dave Davies - 2003 - Wiley-Blackwell.
    In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines. Elaborates and defends a broad conceptual framework for thinking about the arts. Offers a provocative view about the kinds of things that artworks are and how they are to be understood. Reveals important continuities and discontinuities between traditional and modern art. Highlights core topics (...)
     
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  3.  44
    Art, Philosophy and the Connectivity of Concepts: Ricoeur and Deleuze and Guattari.Clive Cazeaux - 2019 - Journal of Aesthetics and Phenomenology 6 (1):21-40.
    Concepts are traditionally pictured as discrete containers that bring together objects or qualities based on the possession of shared, uniform properties. This paper focuses on a contrasting notion of the concept which holds that concepts are defined by their capacity to reach out and connect with other concepts. Two theories in recent continental philosophy maintain this view: one from Ricoeur, the other from Deleuze and Guattari. Both are offered as attempts to bring art and philosophy into relation, but they differ (...)
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  4.  13
    Art & philosophy.Timothy Taubes - 1993 - Buffalo, N.Y.: Prometheus Books.
    Explores painting as a form of communication through a language of aesthetics. Concludes that successful paintings teach viewers something about their own world, rather than about the ideas or the techniques of the artist, and that such learning should be effortless and intuitive. Annotation copyright by Book News, Inc., Portland, OR.
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  5. Contemplating art: essays in aesthetics.Jerrold Levinson - 2006 - New York: Oxford University Press.
    Contemplating Art is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. The twenty-four essays range over issues in general aesthetics and those relating to specific arts--in particular music, film, and literature. It will appeal not only to philosophers but also to musicologists, literary theorists, art critics, and reflective lovers of the arts.
  6.  7
    Art, Philosophy, and Ideology: Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism.Tyrus Miller (ed.) - 2024 - Boston: BRILL.
    This volume consists of selected essays on the art and aesthetics of the avantgarde, contemporary art, and postsocialist culture by the internationally renowned Slovenian philosopher and art theorist Aleš Erjavec.
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  7.  19
    Between art, philosophy of design and philosophical-hermeneutical design.Leonardo Kussler - 2023 - Filosofia Unisinos 24 (2):1-15.
    At first glance, relating philosophy and design does not seem trivial, but there are several elements that make it possible to develop such a hypothesis beyond the context of the philosophy of technology. In this article, the main objective is to explore some aspects of design in the world and in Brazil, emphasizing how much its bases dialogue with the principles of Gadamer’s philosophical hermeneutics. To do so, in the first section, I develop a bibliographical analysis of the history of (...)
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  8.  43
    Border Arte Philosophy: Altogether Beyond Philosophy.Nancy Tuana & Charles Scott - 2018 - Journal of Speculative Philosophy 32 (1):70-91.
    ABSTRACT We are concerned with borders and their crucial importance in people's lives. Throughout we place emphasis on liberatory critique and knowledge and on the importance of the forces lineages exercise in the ways we live. How might we speak of whatever is bordered and allow that of which we speak its manifest differences? How are we able to engage differences and maintain our own differences? How might we, as philosophers, speak philosophically about what is beyond philosophy? Such speaking would (...)
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  9. Art, Philosophy, and Creativity.Said Mikki - manuscript
    We reflect on the nature of art, the creative process, and the connection between art and philosophy.
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  10. Works and worlds of art.Nicholas Wolterstorff - 1980 - New York: Oxford University Press.
    In this book the author treats art as an action performed by the artist as agent, rather than examining it from the point of view of its audience as ...
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  11.  8
    Kʻartʻvel pʻilosopʻostʻa lekʻsikoni: personalia.Tamaz Buachidze & Sak°Art°Velos P.°Ilosop°Iuri Sazogadoeba (eds.) - 2000 - Tʻbilisi: Gamomcʻemloba "Oazisi".
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  12. Kant and fine art: an essay on Kant and the philosophy of fine art and culture.Salim Kemal - 1986 - New York: Oxford University Press.
    Integrating Kant's ideas on aesthetics and morality, Dr. Kemal explains how Kant's theories emphasize that art is critical to the development of culture and community goals. He clarifies Kant's often obscure efforts to justify artistic judgements and demonstrates Kant's claim that they have their own necessity. Containing explanations of many difficult terms present in Kant's Critique of Judgment, this study is a valuable guide to understanding Kant's association of beauty and morality.
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  13.  24
    Complexity: Architecture, Art, Philosophy.Andrew Benjamin (ed.) - 1995 - Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, (...)
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  14.  8
    An explosive geneAlogy: theAtre, philosophy And the Art of presentAtion.Oliver Feltham - 2006 - Cosmos and History 2 (1-2):226-240.
    Not only in its conceptual reconstruction but also in the straightforward application of Badioursquo;s thought its problems and tensions come to light. This paper thus sets out to identify a generic truth procedure in the domain of art; specifically within theatre starting out from the Meyerhold-event and tracing enquiries in the work of Artaud and Brecht. It turns out once one follows the lines of further enquiries one ends up sketching an explosive genealogy that gives rise to the concept of (...)
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  15. The principles of art.R. G. Collingwood - 1938 - New York,: Oxford University Press.
    This treatise on aesthetics criticizes various psychological theories of art, offers new theories and interpretations, and draws important inferences concerning ...
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  16. Defining art, creating the canon: artistic value in an era of doubt.Paul Crowther - 2007 - New York: Oxford University Press.
    Introduction : normative aesthetics and artistic value -- Culture and artistic value -- Cultural exclusion and the definition of art -- Defining art, defending the canon, contesting culture -- The aesthetic and the artistic -- From beauty to art : developing Kant's aesthetics -- The scope and value of the artistic image -- Distinctive modes of imaging -- Twofoldness : pictorial art and the imagination -- Between language and perception : literary metaphor -- Musical meaning and value -- Eternalizing the (...)
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  17.  75
    Nietzsche's Philosophy of Science: Reflecting Science on the Ground of Art and Life.Babette E. Babich - 1994 - State University of New York Press.
  18.  66
    The philosophical disenfranchisement of art.Arthur Coleman Danto - 1986 - New York: Columbia University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of (...)
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  19.  50
    Art Rethought: The Social Practices of Art.Nicholas Wolterstorff - 2015 - Oxford, GB: Oxford University Press UK.
    Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterested attention. Nicholas Wolterstorff asks why this might be, and proposes that almost all philosophers have accepted the grand narrative concerning art in the modern world. It is generally agreed that in the (...)
  20.  67
    Scruton's philosophy of culture: Elitism, populism, and classic art.Andy Hamilton - 2009 - British Journal of Aesthetics 49 (4):389-404.
    Scruton is a self-confessed elitist for whom culture is ‘the creation and creator of elites’, though its meaning ‘lies in emotions and aspirations that are common to all’. This article argues that one can uphold his humane conception of the value of high culture without endorsing elitism. It develops a surprisingly unelitist strand in Scruton's thinking into a meritocratic middle way between elitism and populism, in order to explain why art is in some sense an elite product, but with communal (...)
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  21.  42
    Art without borders: a philosophical exploration of art and humanity.Ben-Ami Scharfstein - 2009 - Chicago: University of Chicago Press.
    Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements ...
  22.  13
    The Bloomsbury research handbook of Chinese aesthetics and philosophy of art.Marcello Ghilardi & Hans-Georg Moeller (eds.) - 2021 - New York: Bloomsbury Academic.
    For anyone working in aesthetics interested in understanding the richness of the Chinese aesthetic tradition this handbook is the place to start. Comprised of general introductory overviews, critical reflections and contextual analysis, it covers everything from the origins of aesthetics in China to the role of aesthetics in philosophy today. Beginning in early China (1st millennium BCE), it traces the Chinese aesthetic tradition, exploring the import of the term aesthetics into Chinese thought via Japan around the end of the 19th (...)
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  23.  9
    Stanley Cavell and the arts: philosophy and popular culture.Rex Butler - 2021 - New York: Bloomsbury Academic.
    In the late 1990s, Rosalind Krauss, one of the principal theorists of post-modernism in the arts, began using the term "post-medium" in her work. It was a nod to the American "ordinary language" philosopher Stanley Cavell, who had been thinking through a concept of medium in art for 30 years. Today with the decline of post-modernism, Stanley Cavell has emerged as one of the most important figures for thinking again about the visual arts, film and theatre. Stanley Cavell and the (...)
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  24.  31
    Art and Truth After Plato.Tom Rockmore - 2013 - Chicago: University of Chicago Press.
    In Art and Truth after Plato, Tom Rockmore argues that Plato has in fact never been satisfactorily answered—and to demonstrate that, he offers a comprehensive account of Plato’s influence through nearly the whole history of Western ...
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  25.  15
    World Philosophy. [REVIEW]Brad Art - 1996 - Teaching Philosophy 19 (4):399-403.
  26.  25
    R.G. Collingwood: a philosophy of art.Aaron Ridley (ed.) - 1998 - London: Phoenix.
    Many philosophers have been interested in aesthetics, but Collingwood was passionate about art. His theories were never merely theoretical: aesthetics for him was a vivid, vibrant thing, to be experienced immediately in worked paint and in sculptured stones, in poetry and music. Art and life were no dichotomy for Collingwood - for how could you have one without the other? Works of art were created in and for the real world, to be enjoyed by real people, to enchant to enhance. (...)
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  27.  24
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  28. Zhi zao yi shu: lun Gudeman de yi shu zhe xue = Artmaking: a study on Nelson Goodman's philosophy of art.Shenghua Zheng - 2013 - Taibei Shi: Zheng da chu ban she.
     
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  29.  44
    The Art of Theater.James R. Hamilton (ed.) - 2007 - Wiley-Blackwell.
    _The Art of Theater_ argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater.
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  30.  29
    According to what: Art and the philosophy of the "end of art".Robert Kudielka - 1998 - History and Theory 37 (4):87–101.
    In 1964, when Danto first encountered Warhol's Brillo Box, Jasper Johns made a painting titled According to What. Danto's new book After the End of Art also provokes this question because in his restatement of Hegel's verdict on art's historical role he drops an essential part of the implied definition of art: the issue of adequacy between content and presentation. Why dispense with this crucial point of quality judgment? My critique falls into three parts. The first part shows how the (...)
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  31.  79
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2009 - MIT Press.
    Prelude -- What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Perceptions in folding -- Grace taking form : Marey's movement machines -- Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves (...)
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  32.  10
    Paintings and the Past: Philosophy, History, Art.Ivan Gaskell - 2019 - Routledge.
    Some chapters revisions of works previously issued 2004-2016.
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  33.  13
    Samarasya: studies in Indian arts, philosophy, and interreligious dialogue: in honour of Bettina Bäumer.Bettina Bäumer, Sadananda Das & Ernst Fürlinger (eds.) - 2005 - New Delhi: D.K. Printworld.
    This Inspirational Guide To An Open, Critical Exchange Between India And The West Is Framed As A Tribute To Dr. Bettina Baumer, An Eminent Scholar Of Indology. Comprising 32 Essays, Segregated Into Three Sections Indian Philosophy And Spirituality, Indian Arts And Aesthetics, And Interreligious And Intercultural Dialogue.
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  34. Entitled Art: What Makes Titles Names?Michel-Antoine Xhignesse - 2019 - Australasian Journal of Philosophy 97 (3):437-450.
    Art historians and philosophers often talk about the interpretive significance of titles, but few have bothered with their historical origins. This omission has led to the assumption that an artwork's title is its proper name, since names and titles share the essential function of facilitating reference to their bearers. But a closer look at the development of our titling practices shows a significant point of divergence from standard analyses of proper names: the semantic content of a title is often crucial (...)
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  35. Expérience, Art, Philosophie.Guido Morpurgo-Tagliabue - 1964 - Revue Internationale de Philosophie 18 (68/69):209.
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  36.  6
    Art, truth & time: essays in art.Anselma Scollard - 2019 - Edinburgh: Luath Press.
    Art, Truth, and Time is a book which endeavours to show that artistic creation depends as much upon the body, as it does the soul, and the soul's intelligent use of the body's way of understanding. When there occurs a complete disjunction between the two, as occurs in much of contemporary art, art is stripped of its inherent beauty, its wholeness. In this book the author considers the nature of art from its earliest manifestations to the present day, endeavouring to (...)
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  37.  20
    Art, Philosophy, and Life.Horace M. Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
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  38.  8
    Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2019 - Estetika: The European Journal of Aesthetics 56 (2):263-272.
    A review of Stephen Snyder’s End-of-Art Philosophy in Hegel, Nietzsche and Danto.
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  39. Plato on the Value of Philosophy: The Art of Argument in the Gorgias and Phaedrus.Tushar Irani - 2017 - New York: Cambridge University Press.
    Plato was the first philosopher in the Western tradition to reflect systematically on rhetoric. In this book, Tushar Irani presents a comprehensive and innovative reading of the Gorgias and the Phaedrus, the only two Platonic dialogues to focus on what an art of argument should look like, treating each of the texts individually, yet ultimately demonstrating how each can best be understood in light of the other. For Plato, the way in which we approach argument typically reveals something about our (...)
  40.  44
    Relationscapes: Movement, Art, Philosophy.Erin Manning - 2012 - MIT Press.
    With _Relationscapes_, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity--the incipiency at the heart of movement--Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. (...)
  41.  51
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  42.  63
    Art, Philosophy and Concreteness in Hegel.William Desmond - 1985 - The Owl of Minerva 16 (2):131-146.
    It is a philosophical commonplace to juxtapose logic and imagination, reason and sensibility, the concept and intuition, philosophy itself and art. Frequently these pairs are thought of as opposites, one mediated through abstract reflection, the other a more intimate participant in the given of concrete existence. Philosophy does not always come off uncriticized in this opposition. Its reflective, analytical impulse is often thought to abstract us, remove us from the concretely real. Art, by contrast, it is said, serves to keep (...)
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  43.  26
    Art & Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse, Langer, Reid.Sushil Kumar Saxena - 1996 - Journal of Aesthetics and Art Criticism 54 (2):188-189.
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  44.  5
    Art and instinct.Samuel Alexander - 1927 - Philadelphia: R. West.
  45.  20
    Acta Pauli et Petri Apocrypha y Patrística griega.José Antonio Artés Hernández - 2004 - Augustinianum 44 (2):321-336.
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  46.  4
    Art: den institutionella konstteorin, konstnärlig kvalitet, den internationella samtidskonsten.Lars Vilks - 2011 - Nora: Nya Doxa.
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  47.  10
    The Enigma of Art: On the Provenance of Artistic Creation.Gino Zaccaria - 2021 - Boston: Brill | Rodopi.
    In _The Enigma of Art. On the provenance of Artistic Creation_ Gino Zaccaria offers a meditation on art in light of its ancient Greek sense and of its task inaugurated by “artist-thinkers” like Cézanne, Boccioni and van Gogh.
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  48.  25
    Zen and the Art of Postmodern Philosophy: Two Paths of Liberation From the Representational Mode of Thinking.Carl Olson - 2000 - State University of New York Press.
    Carl Olson is Professor of Religious Studies at Allegheny College in Pennsylvania. His previous books include The Indian Renouncer and Postmodern Poison: A Cross-Cultural Encounter and The Theology and Philosophy of Eliade: A Search for the Centre.
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  49. On art.Nandalāla Basu - 1956 - Madras, India: Kalakshetra Publications.
     
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  50.  33
    Anywhere or not at all: philosophy of contemporary art.Peter Osborne - 2013 - New York: Verso.
    A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” (...)
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