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Arthur C. Danto [142]Arthur Coleman Danto [21]
  1.  25
    The Transfiguration of the Commonplace: A Philosophy of Art.Arthur Coleman Danto - 1981 - Harvard University Press.
  2. The Abuse of Beauty: Aesthetics and the Concept of Art.Arthur C. Danto - 2003
     
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  3.  23
    The Philosophical Disenfranchisement of Art.Arthur Coleman Danto - 1986 - Columbia University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of (...)
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  4. The Transfiguration of the Commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.
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  5. What Art Is.Arthur C. Danto - 2013 - Yale University Press.
    What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: (...)
     
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  6.  12
    The Transfiguration of the Commonplace.Warren Quinn & Arthur C. Danto - 1983 - Philosophical Review 92 (3):481.
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  7. Basic Actions.Arthur C. Danto - 1965 - American Philosophical Quarterly 2 (2):141 - 148.
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  8.  13
    Science as an International System.Arthur C. Danto - 1983 - Behavioral and Brain Sciences 6 (3):359.
  9. Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History.Arthur Coleman Danto - 1985 - Columbia University Press.
     
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  10.  45
    After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 1998 - Princeton University Press.
    Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a (...)
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  11.  92
    Narration and Knowledge.Arthur C. Danto - 1982 - Philosophy and Literature 6 (1-2):17-32.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
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  12.  19
    Consciousness and Motor Control.Arthur C. Danto - 1985 - Behavioral and Brain Sciences 8 (4):540-541.
  13. What Art Is.Arthur C. Danto - 2013 - Yale University Press.
    _A lively meditation on the nature of art by one of America's most celebrated art critics_ What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by (...)
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  14.  39
    Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective.Arthur Coleman Danto - 1992 - Farrar Straus Giroux.
    In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists.
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  15. After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (2):214-215.
     
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  16. Embodied Meanings, Isotypes, and Aesthetical Ideas.Arthur C. Danto - 2007 - Journal of Aesthetics and Art Criticism 65 (1):121–129.
  17.  96
    Analytical Philosophy of Action.Arthur C. Danto - 1973 - Cambridge University Press.
    A study of the philosophical problems associated with the concept of action. Professor Danto is concerned to isolate logically the notion of a 'basic action' and to examine the way in which context and intention, for example, can convert physiological movements into significant actions. He finds many suggestive parallels between the concepts - the logical architecture - of action and cognition and in developing this theme he becomes involved in and proposes new approaches to various long-standing problems connected with causality, (...)
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  18.  94
    Seeing and Showing.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):1-9.
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  19. Artworks and Real Things.Arthur C. Danto - 1973 - Theoria 39 (1-3):1-17.
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  20.  26
    Nietzsche as Philosopher.Arthur Coleman Danto - 1965 - Columbia University Press.
    " The essays also consider specific works by Nietzsche, including Human, All Too Humanand The Genealogy of Morals, as well as the philosopher's artistic metaphysics and semantical nihilism.
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  21.  67
    Character and Free Will.Arthur C. Danto & Sidney Morgenbesser - 1957 - Journal of Philosophy 54 (16):493-505.
  22. Analytical Philosophy of Action.Arthur C. Danto - 1973 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 7 (1):187-191.
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  23.  14
    Beyond the Brillo Box: The Visual Arts in a Post-Historical PerspectiveMark Tansey: Visions and Revisions.David Carrier & Arthur C. Danto - 1993 - Journal of Aesthetics and Art Criticism 51 (3):513.
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  24. The End of Art: A Philosophical Defense.Arthur C. Danto - 1998 - History and Theory 37 (4):127–143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
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  25.  70
    Narration and Knowledge.Arthur C. Danto, Lydia Goehr & Frank Ankersmit - 2007 - Cambridge University Press.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
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  26. Nietzsche as Philosopher.Arthur C. Danto - 1965 - Cambridge University Press.
    Few philosophers are as widely read or as widely misunderstood as Friedrich Nietzsche. When Danto's classic study was first published in 1965, many regarded Nietzsche as a brilliant but somewhat erratic thinker. Danto, however, presented a radically different picture, arguing that Nietzsche offered a systematic and coherent philosophy that anticipated many of the questions that define contemporary philosophy. Danto's clear and insightful commentaries helped canonize Nietzsche as a philosopher and continue to illuminate subtleties in Nietzsche's work as well as his (...)
     
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  27.  56
    Connections to the World: The Basic Concepts of Philosophy.Arthur Coleman Danto - 1997 - University of California Press.
    Arthur C. Danto's lucid introduction to the central topics of Western philosophical thought remains an unparalleled guide to problems in metaphysics and epistemology that have engaged philosophers for several millennia. Examining the work of Plato, Berkeley, Descartes, Hume, and Wittgenstein, Danto explores debates about empiricism, the mind/body problem, the nature of matter, and the status of language, consciousness, and scientific explanation. In a new preface to this edition he considers the current relationship between philosophy and the humanities.
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  28. Sartre.Arthur Coleman Danto - 1991 - Fontana Press.
     
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  29.  61
    Basic Actions and Basic Concepts.Arthur C. Danto - 1979 - Review of Metaphysics 32 (3):471 - 485.
    THE CONCEPT of basic action rests upon a not especially controversial observation and a standard sort of philosophical argument. The observation is that there occur a great many actions in which what is said to be done—say a—is not done directly but rather through the agent doing something b, distinct from a, which causes a to happen. Thus I move a stone by pushing against it, and the pushing, itself an action, causes the locomotion of the stone when all relevant (...)
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  30. Nietzsche as Philosopher.Arthur C. Danto - 1965 - Science and Society 32 (1):89-91.
     
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  31.  34
    Narrative Sentences.Arthur C. Danto - 1962 - History and Theory 2 (2):146.
    Intelligible substitutions in "the history of x" designate temporal structures. Narrative sentences describe some event E-1 in terms of a later E-2 thereby locating both events in some x. Events located in some x of interest are historically significant. Recognizing a present event's historical significance requires predicting both future events and future historians' interests. "The future is hidden" means: historians lack the sorts of laws astronomers have. "The future is open" means: we are ignorant of future historians' statements about us-otherwise (...)
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  32.  61
    Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe.Arthur C. Danto - 1997 - Journal of Aesthetics and Art Criticism 55 (1):74-77.
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  33.  71
    Philosophy as/and/of Literature.Arthur C. Danto - 1984 - Proceedings and Addresses of the American Philosophical Association 58 (1):5 - 20.
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  34.  22
    The End of Art: A Philosophical Defense.Arthur C. Danto - 1998 - History and Theory 37 (4):127-143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question “But is it art?”; the difference between the end of art and “the death of painting”; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
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  35. Methodological Individualism and Methodological Socialism.Arthur C. Danto - 1962 - Filosofia 13 (4 Supplemento):626.
  36.  82
    From Aesthetics to Art Criticism and Back.Arthur C. Danto - 1996 - Journal of Aesthetics and Art Criticism 54 (2):105-115.
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  37.  13
    Unnatural Wonders: Essays From the Gap Between Art and Life.Arthur C. Danto - 2007 - Columbia University Press.
    Danto considers the work of such young artists as John Currin and Renee Cox and older living masters including Gerhard Richter and Sol LeWitt.
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  38. Deep Interpretation.Arthur C. Danto - 1981 - Journal of Philosophy 78 (11):691-706.
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  39.  35
    The Pigeon Within Us All: A Reply to Three Critics.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):39-44.
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  40. Naturalism.Arthur C. Danto - 1967 - In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York: Macmillan. pp. 5--448.
     
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  41.  73
    A Future for Aesthetics.Arthur C. Danto - 1993 - Journal of Aesthetics and Art Criticism 51 (2):271-277.
  42. On Consciousness in Machines.Arthur C. Danto - 1960 - In Sidney Hook (ed.), Dimensions of Mind. New York University Press.
     
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  43. Nietzsche as Philosopher: Expanded Edition.Arthur C. Danto - 2005 - Columbia University Press.
    Few philosophers are as widely read or as widely misunderstood as Friedrich Nietzsche. When Danto's classic study was first published in 1965, many regarded Nietzsche as a brilliant but somewhat erratic thinker. Danto, however, presented a radically different picture, arguing that Nietzsche offered a systematic and coherent philosophy that anticipated many of the questions that define contemporary philosophy. Danto's clear and insightful commentaries helped canonize Nietzsche as a philosopher and continue to illuminate subtleties in Nietzsche's work as well as his (...)
     
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  44.  57
    Philosophy of Science.Arthur Coleman Danto - 1960 - New York: Meridian Books.
    Now it is of the utmost importance to observe that expressions peculiar to a science will possess meanings that are fixed by its own procedures, and that are therefore intelligible in terms of its own rules of usage, whether or not the science has ...
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  45.  24
    Book Review:Laws and Explanation in History. William Dray. [REVIEW]Arthur C. Danto - 1957 - Ethics 68 (4):297-.
  46.  71
    Introduction to Symbolic Logic.Arthur C. Danto - 1954 - Journal of Philosophy 51 (8):250-252.
  47. Art of the Modern Age: Philosophy of Art from Kant to Heidegger.Jean-Marie Schaeffer, Steven Rendall & Arthur C. Danto - 2000 - Tijdschrift Voor Filosofie 64 (1):203-204.
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  48. The Madonna of the Future: Essays in a Pluralistic Art World.Arthur C. Danto - 2003 - Journal of Aesthetics and Art Criticism 61 (2):198-201.
     
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  49.  13
    El Mundo Del Arte.Arthur C. Danto - 2013 - Disputatio. Philosophical Research Bulletin 2 (3):53--71.
    [ES] Este famoso ensayo de Arthur Danto, que se presenta aquí traducido al español, fue el primer desarrollo de su concepto de «mundo del arte» como un marco contextual que da sentido, por medio de sus usos teóricos-lingüísticos, a toda forma de arte reconocible en el mundo. Este concepto tendría una influencia enorme en todo el mundo, y fue la base de todo el pensamiento posterior de Danto acerca del arte, y su principal herramienta filosófica para vender en todas partes (...)
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  50. Responses and Replies.Arthur C. Danto - 1993 - In Mark Rollins (ed.), Danto and His Critics. Blackwell. pp. 193--216.
     
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