177 found
Order:
Disambiguations
Arthur C. Danto [141]Arthur Danto [22]Arthur Coleman Danto [21]Arthurem Danto [1]
  1.  34
    The Transfiguration of the Commonplace: A Philosophy of Art.Arthur Coleman Danto - 1981 - Harvard University Press.
  2. The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   134 citations  
  3.  30
    The Philosophical Disenfranchisement of Art.Arthur Coleman Danto - 1986 - Columbia University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   45 citations  
  4. The Transfiguration of the Commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   81 citations  
  5. Basic Actions.Arthur C. Danto - 1965 - American Philosophical Quarterly 2 (2):141 - 148.
    Direct download  
     
    Export citation  
     
    Bookmark   67 citations  
  6. Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History.Arthur Coleman Danto - 1985 - Columbia University Press.
     
    Export citation  
     
    Bookmark   27 citations  
  7.  15
    The Transfiguration of the Commonplace.Warren Quinn & Arthur C. Danto - 1983 - Philosophical Review 92 (3):481.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   56 citations  
  8.  98
    Narration and Knowledge.Arthur C. Danto - 1982 - Philosophy and Literature 6 (1-2):17-32.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   36 citations  
  9. Analytical Philosophy of Action.Arthur C. Danto - 1973 - Cambridge University Press.
    A study of the philosophical problems associated with the concept of action. Professor Danto is concerned to isolate logically the notion of a 'basic action' and to examine the way in which context and intention, for example, can convert physiological movements into significant actions. He finds many suggestive parallels between the concepts - the logical architecture - of action and cognition and in developing this theme he becomes involved in and proposes new approaches to various long-standing problems connected with causality, (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   21 citations  
  10. What Art Is.Arthur C. Danto - 2013 - Yale University Press.
    What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: (...)
     
    Export citation  
     
    Bookmark   8 citations  
  11. What We Can Do.Arthur Danto - 1963 - Journal of Philosophy 60 (15):435-445.
    No categories
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   31 citations  
  12.  16
    Science as an International System.Arthur C. Danto - 1983 - Behavioral and Brain Sciences 6 (3):359.
  13.  47
    After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 1998 - Princeton University Press.
    Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a (...)
    Direct download  
     
    Export citation  
     
    Bookmark   19 citations  
  14.  30
    Nietzsche as Philosopher.Arthur Coleman Danto - 1965 - Columbia University Press.
    " The essays also consider specific works by Nietzsche, including Human, All Too Humanand The Genealogy of Morals, as well as the philosopher's artistic metaphysics and semantical nihilism.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   16 citations  
  15.  21
    Consciousness and Motor Control.Arthur C. Danto - 1985 - Behavioral and Brain Sciences 8 (4):540-541.
  16.  73
    Character and Free Will.Arthur C. Danto & Sidney Morgenbesser - 1957 - Journal of Philosophy 54 (16):493-505.
  17.  47
    Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective.Arthur Coleman Danto - 1992 - Farrar Straus Giroux.
    In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists.
    Direct download  
     
    Export citation  
     
    Bookmark   13 citations  
  18. Nietzsche as Philosopher.Arthur C. Danto - 1965 - Cambridge University Press.
    Few philosophers are as widely read or as widely misunderstood as Friedrich Nietzsche. When Danto's classic study was first published in 1965, many regarded Nietzsche as a brilliant but somewhat erratic thinker. Danto, however, presented a radically different picture, arguing that Nietzsche offered a systematic and coherent philosophy that anticipated many of the questions that define contemporary philosophy. Danto's clear and insightful commentaries helped canonize Nietzsche as a philosopher and continue to illuminate subtleties in Nietzsche's work as well as his (...)
     
    Export citation  
     
    Bookmark   13 citations  
  19. After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (2):214-215.
     
    Export citation  
     
    Bookmark   14 citations  
  20. Artworks and Real Things.Arthur C. Danto - 1973 - Theoria 39 (1-3):1-17.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   14 citations  
  21. Embodied Meanings, Isotypes, and Aesthetical Ideas.Arthur C. Danto - 2007 - Journal of Aesthetics and Art Criticism 65 (1):121–129.
  22.  43
    Narrative Sentences.Arthur C. Danto - 1962 - History and Theory 2 (2):146.
    Intelligible substitutions in "the history of x" designate temporal structures. Narrative sentences describe some event E-1 in terms of a later E-2 thereby locating both events in some x. Events located in some x of interest are historically significant. Recognizing a present event's historical significance requires predicting both future events and future historians' interests. "The future is hidden" means: historians lack the sorts of laws astronomers have. "The future is open" means: we are ignorant of future historians' statements about us-otherwise (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   12 citations  
  23. Mysticism and Morality: Oriental Thought and Moral Philosophy.Arthur Coleman Danto - 1972 - Columbia University Press.
     
    Export citation  
     
    Bookmark   8 citations  
  24.  65
    Philosophy of Science.Arthur Coleman Danto - 1960 - New York: Meridian Books.
    Now it is of the utmost importance to observe that expressions peculiar to a science will possess meanings that are fixed by its own procedures, and that are therefore intelligible in terms of its own rules of usage, whether or not the science has ...
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   8 citations  
  25. Analytical Philosophy of History.Arthur C. Danto - 1965 - Philosophy 45 (172):163-164.
    No categories
     
    Export citation  
     
    Bookmark   12 citations  
  26.  97
    Seeing and Showing.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):1-9.
    Direct download (8 more)  
     
    Export citation  
     
    Bookmark   10 citations  
  27. Sartre.Arthur Coleman Danto - 1991 - Fontana Press.
     
    Export citation  
     
    Bookmark   7 citations  
  28. The End of Art: A Philosophical Defense.Arthur C. Danto - 1998 - History and Theory 37 (4):127–143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   9 citations  
  29.  66
    Basic Actions and Basic Concepts.Arthur C. Danto - 1979 - Review of Metaphysics 32 (3):471 - 485.
    THE CONCEPT of basic action rests upon a not especially controversial observation and a standard sort of philosophical argument. The observation is that there occur a great many actions in which what is said to be done—say a—is not done directly but rather through the agent doing something b, distinct from a, which causes a to happen. Thus I move a stone by pushing against it, and the pushing, itself an action, causes the locomotion of the stone when all relevant (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   10 citations  
  30.  19
    Arthur C. Danto, Beyond The Brillo Box: The Visual Arts in A Post-Historical Perspective, Mark Tansey: Visions and Revisions.David Carrier & Arthur C. Danto - 1993 - Journal of Aesthetics and Art Criticism 51 (3):513.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   9 citations  
  31.  24
    Book Review:Laws and Explanation in History. William Dray. [REVIEW]Arthur C. Danto - 1957 - Ethics 68 (4):297-.
  32.  35
    Reference and Generality: An Examination of Some Medieval and Modern Theories.Arthur Danto - 1964 - Journal of Philosophy 61 (3):119-126.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   8 citations  
  33.  57
    Connections to the World: The Basic Concepts of Philosophy.Arthur Coleman Danto - 1997 - University of California Press.
    Arthur C. Danto's lucid introduction to the central topics of Western philosophical thought remains an unparalleled guide to problems in metaphysics and epistemology that have engaged philosophers for several millennia. Examining the work of Plato, Berkeley, Descartes, Hume, and Wittgenstein, Danto explores debates about empiricism, the mind/body problem, the nature of matter, and the status of language, consciousness, and scientific explanation. In a new preface to this edition he considers the current relationship between philosophy and the humanities.
    Direct download  
     
    Export citation  
     
    Bookmark   6 citations  
  34. Freedom and Forbearance.Arthur Danto - 1966 - In Keith Lehrer (ed.), Freedom and Determinism. Random House. pp. 45--63.
     
    Export citation  
     
    Bookmark   9 citations  
  35. On Consciousness in Machines.Arthur C. Danto - 1960 - In Sidney Hook (ed.), Dimensions of Mind. New York University Press.
     
    Export citation  
     
    Bookmark   9 citations  
  36.  79
    Analytical Philosophy of Knowledge.Arthur Coleman Danto - 1968 - Cambridge University Press.
    A central theme of this book is that the main problems of philosophy and certainly the main traditional problems in the theory of knowledge, concern the space between language and the world. Professor Danto distinguishes between descriptive concepts, concerned with saying how the world is and semantic concepts, which have to do with the application of descriptions of the world. Failure to make these distinctions is responsible for a class of seemingly irresolvable disputes over the foundations of knowledge; but when (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  37.  76
    Philosophy as/and/of Literature.Arthur C. Danto - 1984 - Proceedings and Addresses of the American Philosophical Association 58 (1):5 - 20.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  38.  86
    Narration and Knowledge.Arthur C. Danto, Lydia Goehr & Frank Ankersmit - 2007 - Cambridge University Press.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  39.  6
    Laws and Explanation in History.Arthur C. Danto - 1957 - Ethics 68 (4):297-299.
    Direct download  
     
    Export citation  
     
    Bookmark   8 citations  
  40.  27
    The End of Art: A Philosophical Defense.Arthur C. Danto - 1998 - History and Theory 37 (4):127-143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question “But is it art?”; the difference between the end of art and “the death of painting”; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   5 citations  
  41. Responses and Replies.Arthur C. Danto - 1993 - In Mark Rollins (ed.), Danto and His Critics. Blackwell. pp. 193--216.
     
    Export citation  
     
    Bookmark   5 citations  
  42.  42
    Ii. Causation and Basic Actions.Arthur C. Danto - 1970 - Inquiry: An Interdisciplinary Journal of Philosophy 13 (1-4):108 – 125.
  43.  83
    From Aesthetics to Art Criticism and Back.Arthur C. Danto - 1996 - Journal of Aesthetics and Art Criticism 54 (2):105-115.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  44.  75
    A Future for Aesthetics.Arthur C. Danto - 1993 - Journal of Aesthetics and Art Criticism 51 (2):271-277.
  45. The Madonna of the Future: Essays in a Pluralistic Art World.Arthur C. Danto - 2003 - Journal of Aesthetics and Art Criticism 61 (2):198-201.
     
    Export citation  
     
    Bookmark   4 citations  
  46.  2
    Symbolic Logic.Arthur C. Danto - 1956 - Journal of Philosophy 53 (15):479-481.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   7 citations  
  47.  47
    Language and the Tao: Some Reflections on Ineffability.Arthur C. Danto - 1973 - Journal of Chinese Philosophy 1 (1):45-55.
  48.  9
    Jean-Paul Sartre.Arthur Coleman Danto - 1975 - Viking Press.
  49. The Death of Art.Arthur Coleman Danto & Berel Lang - 1984
     
    Export citation  
     
    Bookmark   3 citations  
  50.  68
    Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe.Arthur C. Danto - 1997 - Journal of Aesthetics and Art Criticism 55 (1):74-77.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
1 — 50 / 177