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Arthur C. Danto [140]Arthur Danto [24]Arthur Coleman Danto [22]Arthurem Danto [1]
  1.  8
    The Transfiguration of the Commonplace: A Philosophy of Art.Arthur Coleman Danto - 1981 - Harvard University Press.
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  2.  9
    Science as an International System.Arthur C. Danto - 1983 - Behavioral and Brain Sciences 6 (3):359.
  3. What Art Is.Arthur C. Danto - 2013 - Yale University Press.
    What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: (...)
     
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  4. The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.
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  5.  8
    Consciousness and Motor Control.Arthur C. Danto - 1985 - Behavioral and Brain Sciences 8 (4):540.
  6.  9
    The Philosophical Disenfranchisement of Art.Arthur Coleman Danto - 1986 - Columbia University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of (...)
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  7. Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History.Arthur Coleman Danto - 1985 - Columbia University Press.
  8. Basic Actions.Arthur C. Danto - 1965 - American Philosophical Quarterly 2 (2):141 - 148.
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  9.  22
    After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 1998 - Princeton University Press.
    Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a (...)
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  10.  11
    Nietzsche as Philosopher.Arthur Coleman Danto - 1965 - Columbia University Press.
    " The essays also consider specific works by Nietzsche, including Human, All Too Humanand The Genealogy of Morals, as well as the philosopher's artistic metaphysics and semantical nihilism.
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  11.  71
    Seeing and Showing.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):1-9.
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  12.  53
    Analytical Philosophy of History.Arthur Coleman Danto - 1965 - Cambridge: Cambridge University Press.
  13.  75
    Analytical Philosophy of Action.Arthur C. Danto - 1973 - Cambridge University Press.
    A study of the philosophical problems associated with the concept of action. Professor Danto is concerned to isolate logically the notion of a 'basic action' and to examine the way in which context and intention, for example, can convert physiological movements into significant actions. He finds many suggestive parallels between the concepts - the logical architecture - of action and cognition and in developing this theme he becomes involved in and proposes new approaches to various long-standing problems connected with causality, (...)
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  14. What We Can Do.Arthur Danto - 1963 - Journal of Philosophy 60 (15):435-445.
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  15. Artworks and Real Things.Arthur C. Danto - 1973 - Theoria 39 (1-3):1-17.
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  16. Sartre.Arthur Coleman Danto - 1991 - Fontana Press.
     
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  17.  25
    The Pigeon Within Us All: A Reply to Three Critics.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):39-44.
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  18. Nietzsche as Philosopher: Expanded Edition.Arthur C. Danto - 2005 - Columbia University Press.
    Few philosophers are as widely read or as widely misunderstood as Friedrich Nietzsche. When Danto's classic study was first published in 1965, many regarded Nietzsche as a brilliant but somewhat erratic thinker. Danto, however, presented a radically different picture, arguing that Nietzsche offered a systematic and coherent philosophy that anticipated many of the questions that define contemporary philosophy. Danto's clear and insightful commentaries helped canonize Nietzsche as a philosopher and continue to illuminate subtleties in Nietzsche's work as well as his (...)
     
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  19. Methodological Individualism and Methodological Socialism.Arthur C. Danto - 1962 - Filosofia 13 (4 Supplemento):626.
  20.  90
    The End of Art: A Philosophical Defense.Arthur C. Danto - 1998 - History and Theory 37 (4):127–143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
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  21.  50
    Narration and Knowledge.Arthur C. Danto - 1982 - Philosophy and Literature 6 (1-2):17-32.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
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  22.  4
    Mysticism and Morality: Oriental Thought and Moral Philosophy.Arthur Coleman Danto - 1972 - Columbia University Press.
  23. Indiscernibility and Perception: A Reply to Joseph Margolis.Arthur C. Danto - 1999 - British Journal of Aesthetics 39 (4):321-329.
  24.  20
    Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective.Arthur Coleman Danto - 1992 - Farrar Straus Giroux.
    In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists.
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  25.  19
    Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe.Arthur C. Danto - 1997 - Journal of Aesthetics and Art Criticism 55 (1):74-77.
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  26. Freedom and Forbearance.Arthur Danto - 1966 - In Keith Lehrer (ed.), Freedom and Determinism. Random House. pp. 45--63.
     
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  27.  96
    The Transfiguration of the Commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.
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  28. Deep Interpretation.Arthur C. Danto - 1981 - Journal of Philosophy 78 (11):691-706.
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  29.  42
    Basic Actions and Basic Concepts.Arthur C. Danto - 1979 - Review of Metaphysics 32 (3):471 - 485.
  30.  27
    Democracy and Marxism. [REVIEW]Arthur C. Danto - 1955 - Journal of Philosophy 52 (23):696-698.
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  31.  43
    A Future for Aesthetics.Arthur C. Danto - 1993 - Journal of Aesthetics and Art Criticism 51 (2):271-277.
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  32.  54
    Causality, Representations, and the Explanation of Actions.Arthur C. Danto - 1979 - Tulane Studies in Philosophy 28:1-19.
  33. The Madonna of the Future: Essays in a Pluralistic Art World.Arthur C. Danto - 2003 - Journal of Aesthetics and Art Criticism 61 (2):198-201.
     
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  34.  94
    Embodied Meanings, Isotypes, and Aesthetical Ideas.Arthur C. Danto - 2007 - Journal of Aesthetics and Art Criticism 65 (1):121–129.
  35.  35
    Philosophers and the Ritual of Marriage.Arthur C. Danto - 2008 - Think 6 (17-18):7-14.
    A philosophical inquiry into whether, and, if so, why, marriage is good.
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  36.  37
    Language and the Tao: Some Reflections on Ineffability.Arthur C. Danto - 1973 - Journal of Chinese Philosophy 1 (1):45-55.
  37.  57
    From Aesthetics to Art Criticism and Back.Arthur C. Danto - 1996 - Journal of Aesthetics and Art Criticism 54 (2):105-115.
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  38.  60
    Narrative and Style.Arthur C. Danto - 1991 - Journal of Aesthetics and Art Criticism 49 (3):201-209.
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  39.  69
    Depiction and Description.Arthur C. Danto - 1982 - Philosophy and Phenomenological Research 43 (1):1-19.
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  40. The Philosophical Disenfranchisement of Art.Arthur C. Danto & Jonathan Gilmore - 2004 - Cambridge University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, (...)
     
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  41.  44
    Philosophy as/and/of Literature.Arthur C. Danto - 1984 - Proceedings and Addresses of the American Philosophical Association 58 (1):5 - 20.
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  42.  1
    After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 1998 - Journal of Aesthetics and Art Criticism 56 (3):309-311.
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  43. Moving Pictures.Arthur C. Danto - 1979 - Quarterly Review of Film Studies 4 (1):1-21.
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  44.  20
    Analytical Philosophy of Knowledge.Arthur Coleman Danto - 1968 - Cambridge University Press.
    A central theme of this book is that the main problems of philosophy and certainly the main traditional problems in the theory of knowledge, concern the space between language and the world. Professor Danto distinguishes between descriptive concepts, concerned with saying how the world is and semantic concepts, which have to do with the application of descriptions of the world. Failure to make these distinctions is responsible for a class of seemingly irresolvable disputes over the foundations of knowledge; but when (...)
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  45. What Philosophy Is.Arthur Coleman Danto - 1968 - New York: Harper & Row.
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  46. The Death of Art.Arthur Coleman Danto & Berel Lang - 1984
     
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  47.  53
    The Paradigm Case Argument and the Free-Will Problem.Arthur C. Danto - 1958 - Ethics 69 (2):120-124.
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  48.  17
    La Quarta Critica Kantiana. [REVIEW]Arthur C. Danto - 1956 - Journal of Philosophy 53 (14):450-453.
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  49.  64
    Symposium: Arthur Danto, the Abuse of Beauty.Arthur C. Danto - 2005 - Inquiry : An Interdisciplinary Journal of Philosophy 48 (2):189 – 200.
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  50. The Body/Body Problem Selected Essays.Arthur C. Danto - 1999 - University of California Press.
    The overall subject of the essays in _The Body/Body Problem_ is the traditional one of what our ultimate makeup is, as creatures with minds and bodies. The central thesis is that we are beings who represent—and misrepresent—actual and possible worlds. Addressing philosophical questions of mental representation, Danto presents his distinctive approach to some of the most enduring topics in philosophy. He is concerned with the nature of description, the status of the external world, action theory, the philosophy of history, and (...)
     
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1 — 50 / 178