Results for 'Arts Philosophy'

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  1. Jhoon Rhee Martial Arts: Philosophy & Life Skills.Jhoon Rhee - 2000 - Jhoon Rhee Foundation for International Leadership.
     
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  2. Imagination, Philosophy, and the Arts.Matthew Kieran & Dominic Lopes (eds.) - 2003 - Routledge.
    Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. Imagination, Philosophy and the Arts represents the work of fifteen young yet distinguished philosophers of art, who critically examine just how and in what form the notion of imagination illuminates fundamental problems in the philosophy of art. All new papers, a (...)
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  3.  36
    The Question of Style in Philosophy and the Arts.van Eck Caroline, McAllister James & van de Vall Renée (eds.) - 1995 - Cambridge University Press.
    The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy. In the arts this transition occurred around 1800, with, for instance, the breakdown of Vitruvianism in architecture, while in philosophy the foundationalism of which Descartes and Spinoza were paradigmatic representatives, which presumed that philosophy and the sciences possessed a method of ensuring the demonstration of truths, was undermined by the idea, asserted by Nietzsche and Wittgenstein, that there exist (...)
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  4. Postmodernism: Philosophy and the Arts.Hugh J. Silverman (ed.) - 1990 - Routledge.
    The essays collected here present a cross section of the debates on postmodernism being waged in philosophy and the arts. Some contributors raise general questions about postmodernism, for example, its language and its politics. Others offer specific readings of architecture, painting, literature, theatre, photography, film, and television.
     
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  5.  8
    Intermedialities: Philosophy, Arts, Politics.Henk Oosterling & Ewa Plonowska Ziarek (eds.) - 2010 - Lexington Books.
    As an alternative to universalism and particularism, Intermedialities: Philosophy, Arts, Politics proposes "intermedialities" as a new model of social relations and intercultural dialogue. The concept of "intermedialities" stresses the necessity of situating debates concerning social relations in the divergent contexts of new media and avant-garde artistic practices as well as feminist, political, and philosophical analyses.
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  6.  50
    Philosophy of the Performing Arts.David Davies - 2011 - Wiley-Blackwell.
    This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts.
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  7.  33
    For an Audience: A Philosophy of the Performing Arts.Paul Thom - 1993 - Temple University Press.
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  8. The Martial Spirit: An Introduction to the Origin, Philosophy, and Psychology of the Martial Arts.Herman Kauz - 1977 - Overlook Press.
     
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  9. Philosophy and the Arts in Central Europe, 1500-1700 Teaching and Texts at Schools and Universities.Joseph S. Freedman - 1999
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  10.  12
    Philosophy and Arts in the Islamic World: Proceedings of the Eighteenth Congress of the Union Européenne des Arabisants Et Islamisants Held at the Katholieke Universiteit Leuven, September 3-September 9, 1996. [REVIEW]Urbain Vermeulen & D. Smedet (eds.) - 1998 - Uitgeverij Peeters.
    The volume contains 26 contributions to literature, philosophy, linguistics and epigraphy in Islamic culture, ranging from pre-Islamic poetry to contemporary ...
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  11.  5
    Ecophilosophy as Liberal Arts Philosophy.Hiromasa Mase - 1989 - Philosophical Inquiry 11 (1-2):28-36.
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  12.  17
    Semblance and Event: Activist Philosophy and the Occurrent Arts.Brian Massumi - 2011 - MIT Press.
    Introduction. Activist philosophy and the occurrent arts -- The ether and your anger toward a speculative pragmatism -- The thinking-feeling of what happens putting the radical back in empiricism -- The diagram as technique of existence ovum of the universe segmented -- Arts of experience, politics of expression In four movements. First movement. To dance a storm -- Second movement. Life unlimited -- Third movement. The paradox of content -- Fourth movement. Composing the political.
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  13.  26
    Philosophy of the Performing Arts. A Book Review. [REVIEW]Jakub Ryszard Matyja - 2015 - Avant: Trends in Interdisciplinary Studies (3):164-166.
    A book review of 'Philosophy of the Performing Arts'.
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  14.  30
    The Philosophy of the Visual Arts.Philip Alperson (ed.) - 1992 - Oxford University Press.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts " and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, (...)
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  15. The Ideas That Change the World: The Essential Guide to Modern Philosophy, Science, Math, and the Arts.Kathleen Kuiper (ed.) - 2010 - Fall River Press/Britannica Educational Pub. In Association with Rosen Educational Services.
    The biological sciences -- Mathematics and the physical sciences -- The arts -- The social sciences, philosophy, and religion -- Politics and the law.
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  16. Postmodern Arts, Philosophy of Language and Phenomenology.Caroline Guibet Lafaye - 2006 - Studia Phaenomenologica 6:407-424.
     
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  17.  24
    "Professionalization" and "Confessionalization": The Place of Physics, Philosophy, and Arts Instruction At Central European Academic Institutions During the Reformation Era.Joseph S. Freedman - 2001 - Early Science and Medicine 6 (4):334-352.
    During the sixteenth and early seventeenth centuries, physics was regularly taught as part of instruction in philosophy and the arts at Central European schools and universities. However, physics did not have a special or privileged status within that instruction. Three general indicators of this lack of special status are suggested in this article. First, teachers of physics usually were paid less than teachers of most other university-level subject-matters. Second, very few Central European academics during this period appear to (...)
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  18.  16
    Theory and Philosophy in the Psychology of the Arts.Dean Keith Simonton - 1986 - Theoretical and Philosophical Psychology 6 (2):122-123.
    Philosophy, historically at least, has played a large role in aesthetics, for philosophical aesthetics dates back to Aristotle's Poetics, and has attracted the attention of such notable thinkers as Kant, Dewey, Santayana, and Croce. Nonetheless, if I had to identify the philosophical foundation of most empirical astheticians, hedonism emerges as the clear winner. That is, researchers who study why people appreciate art subscribe to the pleasure theory of aesthetics. On the theoretical side, psychology of the arts is also (...)
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  19. The Philosophy of the Visual Arts.Philip A. Alperson (ed.) - 1992 - Oxford University Press USA.
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts" and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, (...)
     
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  20. Black Aesthetics: Beauty and Culture: An Introduction to African and African Diaspora Philosophy of Arts.John Ayotunde Isola Bewaji - 2012 - Africa World Press.
    Introduction -- Biographical details -- The nature of the philosophic enterprise: initial issues -- Contemporary scholarship on arts -- Artistic expression in Africa -- Philosophy and artistic expression in Africa -- Arts, memory and identity -- Conclusion.
     
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  21. The Question of Style in Philosophy and the Arts.Eck Caroline, McAllister James & Vall Renée van de (eds.) - 1995 - Cambridge University Press.
    The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy. In the arts this transition occurred around 1800, with, for instance, the breakdown of Vitruvianism in architecture, while in philosophy the foundationalism of which Descartes and Spinoza were paradigmatic representatives, which presumed that philosophy and the sciences possessed a method of ensuring the demonstration of truths, was undermined by the idea, asserted by Nietzsche and Wittgenstein, that there exist (...)
     
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  22. "Professionalization" And "Confessionalization": The Place Of Physics, Philosophy, And Arts Instruction At Central European Academic Institutions During The Reformation Era.Joseph Freedman - 2001 - Early Science and Medicine 6 (4):334-352.
    During the sixteenth and early seventeenth centuries, physics was regularly taught as part of instruction in philosophy and the arts at Central European schools and universities. However, physics did not have a special or privileged status within that instruction. Three general indicators of this lack of special status are suggested in this article. First, teachers of physics usually were paid less than teachers of most other university-level subject-matters. Second, very few Central European academics during this period appear to (...)
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  23.  42
    Philosophy of the Arts: An Introduction to Aesthetics.Gordon Graham - 2000 - Routledge.
    Most books on aesthetics tend to be either too theoretical for the arts or not theoretical enough for philosophy. This book strikes a new and better balance between these competing interests. By taking a normative question--why should we value the arts?--it manages to develop a genuinely philosophical understanding of art and its value while never losing sight of the poems, pictures and music which draw and sustain interest in the arts. In this new second edition, chapters (...)
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  24. Philosophy of the Arts: An Introduction to Aesthetics.Gordon Graham - 1997 - Routledge.
    _Philosophy of the Arts_ presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced with new chapters on art and beauty, the performing arts and modern art, and there are new sections on Aristotle, Hegel and Nietzsche. The remaining chapters have been thoroughly revised and extended. This new edition: is jargon-free and will appeal to students of music, art history, literature and theatre (...)
     
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  25. Philosophy of the Arts: An Introduction to Aesthetics.Gordon Graham - 2003 - Routledge.
    _Philosophy of the Arts_ presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced with new chapters on art and beauty, the performing arts and modern art, and there are new sections on Aristotle, Hegel and Nietzsche. The remaining chapters have been thoroughly revised and extended. This new edition: is jargon-free and will appeal to students of music, art history, literature and theatre (...)
     
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  26. Imagination, Philosophy and the Arts.Matthew Kieran & Dominic Lopes (eds.) - 2003 - Routledge.
    _Imagination, Philosophy and the Arts_ is the first comprehensive collection of papers by philosophers examining the nature of imagination and its role in understanding and making art. Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. This collection of seventeen brand new essays critically examines just how and in what form the (...)
     
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  27. Imagination, Philosophy and the Arts.Matthew Kieran & Dominic Lopes (eds.) - 2012 - Routledge.
    _Imagination, Philosophy and the Arts_ is the first comprehensive collection of papers by philosophers examining the nature of imagination and its role in understanding and making art. Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. This collection of seventeen brand new essays critically examines just how and in what form the (...)
     
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  28. Intermedialities: Philosophy, Arts, Politics.Hugh J. Silverman, Louise Burchill, Jean-Luc Nancy, Laurens ten Kate, Luce Irigaray, Elaine P. Miller, George Smith, Peter Schwenger, Bernadette Wegenstein, Rosi Braidotti, Rosalyn Diprose, Dorota Glowacka, Heinz Kimmerle, Purushottama Bilimoria, Sally Percival Wood & Slavoj Z.¡ iz¡ek - 2010 - Lexington Books.
    As an alternative to universalism and particularism, Intermedialities: Philosophy, Arts, Politics proposes "intermedialities" as a new model of social relations and intercultural dialogue. The concept of "intermedialities" stresses the necessity of situating debates concerning social relations in the divergent contexts of new media and avant-garde artistic practices as well as feminist, political, and philosophical analyses.
     
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  29. The Challenge of the Arts to Philosophy.Irwin Edman - 1947 - Journal of Philosophy 44 (15):407-412.
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  30.  61
    A Theory of Health Science and the Healing Arts Based on the Philosophy of Bernard Lonergan.Patrick R. Daly - 2009 - Theoretical Medicine and Bioethics 30 (2):147-160.
    This paper represents a preliminary investigation relating Bernard Lonergan’s thought to health science and the healing arts. First, I provide background for basic elements of Lonergan’s theoretical terminology that I employ. As inquiry is the engine of Lonergan’s method, next I specify two questions that underlie medical insights and define several terms, including health, disease, and illness, in relation to these questions. Then I expand the frame of reference to include all disciplines involved in the cycle of clinical interaction (...)
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  31.  61
    The Arts of Schooling and the Role of Philosophy: Response to Colin Wringe. [REVIEW]Donald Arnstine - 1997 - Studies in Philosophy and Education 16 (4):423-427.
  32.  10
    Philosophy of the Arts[REVIEW]D. A. H. - 1951 - Journal of Philosophy 48 (14):447-450.
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  33.  11
    Reconceptions in Philosophy and Other Arts and Sciences by Nelson Goodman and Catherine Z. Elgin. [REVIEW]Jonathan Adler - 1990 - Journal of Philosophy 87 (12):711-716.
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  34.  20
    Philosophy of the Arts.Elaine P. Miller - 2000 - Teaching Philosophy 23 (2):222-226.
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  35.  17
    Philosophy Looks at the Arts.Jane Cauvel - 1988 - Teaching Philosophy 11 (4):355-356.
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  36.  8
    Platonic Studies of Greek Philosophy: Form, Arts, Gadgets, and Hemlock.Peter J. Vernezze - 1994 - Ancient Philosophy 14 (2):406-409.
  37.  19
    The Liberal Arts Function of Philosophy.C. W. Berenda - 1957 - Journal of Philosophy 54 (1):19-20.
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  38.  9
    Reconceptions In Philosophy and Other Arts and Sciences, by Nelson Goodman and Catherine Z. Elgin.Harvey Siegel - 1991 - Philosophy and Phenomenological Research 51 (3):710-713.
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  39.  7
    David Davies, Philosophy of the Performing Arts.Iris Vidmar - 2012 - Croatian Journal of Philosophy 12 (1):97-105.
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  40.  3
    Schopenhauer, Philosophy, and the Arts.Patrick Gardiner - 1999 - International Studies in Philosophy 31 (3):145-147.
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  41.  26
    Philosophy and the Arts: Collected Essays.Bert Olivier - 2009 - Peter Lang.
    This collection of philosophical essays addresses important issues in the arts, encompassing painting, sculpture, photography, film and architecture.
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  42. Philosophy of the Arts.Morris Weitz - 1950 - Cambridge: Harvard University Press.
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  43.  5
    Iconology and Formal Aesthetics: A New Harmony. A Contribution to the Current Debate in Art Theory and Philosophy of Arts on the (Picture-)Action-Theories of Susanne K. Langer and John M. Krois.Sauer Martina - 2016 - Sztuka I Filozofia (Art and Philosophy), Warschau 48:12-29.
    From the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...)
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  44. Aesthetics: A Reader in Philosophy of the Arts.David Goldblatt & Lee Brown (eds.) - 2011 - Pearson Education.
    Painting -- Photography and film -- Architecture and the third dimension -- Music -- Literature -- Performance -- Popular art and everyday aesthetics -- Classic sources -- Contemporary sources.
     
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  45.  26
    Classifications of Philosophy, the Sciences, and the Arts in Sixteenth- and Seventeenth-Century Europe.Joseph S. Freedman - 1994 - Modern Schoolman 72 (1):37-65.
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  46.  4
    The Quest for Meaning: A Journey Through Philosophy, the Arts, and Creative Genius.William Cooney - 1999 - Upa.
    The Quest for Meaning explores the deep-seated human need to create a life that is meaningful. In an effort to understand this need, author William Cooney examines the works of philosophers from Plato to Sartre as well as the insights of artists, poets, writers, psychologists, and film-makers. He discusses the nature of humanness, creation, freedom, and choice, all of which are facets of a meaningful life. Cooney also addresses postmodernism, arguing that it does not offer real guidance for those seeking (...)
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  47.  29
    The Martial Arts and Buddhist Philosophy.Graham Priest - 2013 - Royal Institute of Philosophy Supplement 73:17-28.
    My topic concerns the martial arts – or at least the East Asian martial arts, such as karatedo, taekwondo, kendo, wushu. To what extent what I have to say applies to other martial arts, such as boxing, silat, capoeira, I leave as an open question. I will illustrate much of what I have to say with reference to karatedo, since that is the art with which I am most familiar; but I am sure that matters are much (...)
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  48.  6
    Platonic Studies of Greek Philosophy: Form, Arts, Gadgets, and Hemlock.Robert S. Brumbaugh - 1989 - State University of New York Press.
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  49.  21
    Martial Arts and Philosophy: Beating and Nothingness.Robert Anderson - 2012 - Australasian Journal of Philosophy 90 (4):820 - 820.
    Australasian Journal of Philosophy, Volume 90, Issue 4, Page 820, December 2012.
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  50. Philosophy and the Civilizing Arts: Essays Presented to Herbert W. Schneider.Herbert Wallace Schneider, Craig Walton & John Peter Anton (eds.) - 1974 - Ohio University Press.
     
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