Results for 'Artspeak, Art Theory, Evocative Bullshit, International Art English'

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  1. Kitsch and the Social Pretense Theory of Bullshit Art.Lucas Scripter - 2021 - Polish Journal of Aesthetics 4 (63):47-67.
    This essay argues that bullshit art is a meaningful concept that differs from bullshitting about art, although the two may occur in tandem. I defend what I call the social pretense theory of bullshit art. On this view, calling a work of art ‘bullshit’ highlights a discrepancy between the prestige accorded a work of art and its nonsense character. This category of aesthetic criticism plays a unique role that cannot be identified with kitsch but bears only a contingent connection to (...)
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  2.  62
    Dewey on art as evocative communication.Scott R. Stroud - 2007 - Education and Culture 23 (2):pp. 6-26.
    In his work on aesthetics, John Dewey provocatively (and enigmatically) called art the "most universal and freest form of communication," and tied his reading of aesthetic experience to such an employment. I will explore how art, a seemingly obscure and indirect means of communication, can be used as the most effective and moving means of communication in certain circumstances. Dewey's theory of art will be shown to hold that art can be purposively employed to communicatively evoke a certain experience through (...)
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  3.  6
    Are Art Criticism, Art Theory, Art Instruction, and the Novel Global Phenomena?James Elkins - 2018 - Journal of World Philosophies 3 (1):79-92.
    As visual art becomes more international, ways of writing about art become more uniform. This essay proposes that two disciplines concerned with contemporary visual art, art criticism and art theory, are on the verge of being effectively homogeneous around the world. They share concepts, artists, artworks, institutions, and bibliographic references. For comparison, I consider two other fields that may also be increasingly uniform: studio art instruction and the novel. The last, in particular, is the subject of a large literature; (...)
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  4.  32
    The international political thought of Martin Wight.Brian Porter - manuscript
    The different responses in Great Britain and the United States to Martin Wight as a thinker of international relations reveal something about the contrasting academic cultures of the two countries. Wight was pre-eminently an arts man, regarding history and philosophy as essential prerequisites for understanding the world. Above all he was concerned with the moral dimension in politics, whether domestic or international. His pacifism in the Second World War, curiously linked to his profound sense of realism, reflected deep (...)
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  5.  5
    Facing forward: art & theory from a future perspective.Hendrik Folkerts, Christoph Lindner & Margriet Schavemaker (eds.) - 2015 - Amsterdam: Amsterdam University Press.
    The project 'Facing Forward' started with a collaboration between five institutions: the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel arts centre, W139, the Stedelijk Museum Bureau Amsterdam and the art magazine Metroplis M. Having previously organized the lecture series and publications 'Right About Now: Art & Theory in the 1990s' (2005/2006) and 'Now is the Time: Art & Theory in the 21st Century' (2008/2009), the organizing committee decided to take the final (...)
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  6.  7
    Reframing consciousness (review article).Glenn English - 2000 - Journal of Consciousness Studies 7 (8-9):8-9.
    Reframing Consciousness is a collection of sixty-three papers that were presented at the Second International CAiiA Research Conference, ‘Consciousness Reframed: Art and Consciousness in the Post-biological Era', at the University of Wales College, Newport, in August 1998. CAiiA stands for the Center for Advanced Inquiry in the Interactive Arts. Many of the presenters in this book are among the foremost people in their fields and several are current or former PhD candidates of the CAiiA programme. Roy Ascott, the editor (...)
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  7.  17
    John Dewey and the Role of the Teacher in a Globalized World: Imagination, empathy, and ‘third voice’.Andrea R. English - 2016 - Educational Philosophy and Theory 48 (10):1046-1064.
    Reforms surrounding the teacher’s role in fostering students’ social competences, especially those associated with empathy, have moved to the forefront of global higher education policy discourse. In this context, reform in higher education teaching has been focused on shifting teachers’ practices away from traditional lecture-style teaching—historically associated with higher education teaching—towards student-centred pedagogical approaches, largely because of how the latter facilitate students’ social learning, including the development of students’ abilities connected to empathy, such as intercultural understanding. These developments towards learner-oriented (...)
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  8. Transactions of the Third International Congress on the Enlightenment.Theodore Besterman & Institut et musée Voltaire - 1972 - The Voltaire Foundation.
    The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or (...)
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  9.  6
    More-Than-Life. Mario Perniola’s Early Writings on Art Theory.Enea Bianchi - 2020 - Ágalma: Rivista di studi culturali e di estetica 39.
    The objective of this paper is to explore Mario Perniola’s perspective on art between the years 1966 and 1972. During this six-year period Perniola elaborates – mainly influenced by his closeness to revolutionary and protest movements such as the Situationist International and Ludd – a political and militant theory based on the dialectic overcoming of art. The year 1972, with the last issue of the journal Agar-Agar, marks the beginning of a theoretical rearrangement regarding art theory for the Italian (...)
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  10.  7
    From International to World Society: English School Theory and the Social Structure of Globalisation.Ewan Harrison - 2005 - Contemporary Political Theory 4 (3):351-353.
  11.  3
    From International to World Society: English School Theory and the Social Structure of Globalisation.Barbara Hudson - 2005 - Contemporary Political Theory 4 (3):351-353.
  12.  2
    L’ ars pour l’ ars. Difficultés d’une théorie néothomiste des beaux-arts dans Art et Scolastique de Jacques Maritain.Maud Pouradier - 2023 - Nouvelle Revue d'Esthétique 31 (1):87-98.
    Dans Art et Scolastique, Maritain ne pense pas seulement l’art comme une technique, mais comme une vertu intellectuelle. Pour mieux saisir l’originalité de cette thèse, il faut la resituer dans le moment artistique et philosophique des années 1920. Maritain n’était pas hostile à la modernité artistique : la gageure d’ Art et Scolastique consiste à penser l’art du présent grâce aux concepts thomasiens pour construire une théorie néothomiste originale du bel art. Mais peut-on rigoureusement penser la création artistique avec les (...)
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  13.  38
    Ethics in practice: the state of the debate on promoting the social value of global health research in resource poor settings particularly Africa.Geoffrey M. Lairumbi, Michael Parker, Raymond Fitzpatrick & Michael C. English - 2011 - BMC Medical Ethics 12 (1):22.
    BackgroundPromoting the social value of global health research undertaken in resource poor settings has become a key concern in global research ethics. The consideration for benefit sharing, which concerns the elucidation of what if anything, is owed to participants, their communities and host nations that take part in such research, and the obligations of researchers involved, is one of the main strategies used for promoting social value of research. In the last decade however, there has been intense debate within academic (...)
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  14.  36
    Between Science and Art: Questionable International Relations Theories.Yiwei Wang - 2007 - Japanese Journal of Political Science 8 (2):191-208.
    International relations (IR) is both a science and an art, i.e. the unity of object and subject. Traditional international relations theories (IRT) have probed the laws of IR, in an attempt to become the universal science. IRT have developed into a class doctrine that defends the legitimacy of the western international system as a result of proceeding from the reality of IR, while neglecting its evolving process, and overlooking the meaning of art and the presence of multi- (...) systems. In other words, IRT have turned into what Karl Marx might have deemed as the vulgar international relations theories (VIRT). For this reason, we declare the end of international relations theories. This phenomenon can only be negated by the so-called Chinese School, which will set the sustainable and harmonious relations among nations, between state and non-state actors, and within states and non-state actors (in one word ) in five life-forces of economy, politics, military, culture, and religion. Consequently, this will bring about a real regression of nationality and compatible development of various international systems. (shrink)
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  15.  22
    Stakeholders understanding of the concept of benefit sharing in health research in Kenya: a qualitative study.Geoffrey M. Lairumbi, Michael Parker, Raymond Fitzpatrick & Mike C. English - 2011 - BMC Medical Ethics 12 (1):20.
    BackgroundThe concept of benefit sharing to enhance the social value of global health research in resource poor settings is now a key strategy for addressing moral issues of relevance to individuals, communities and host countries in resource poor settings when they participate in international collaborative health research.The influence of benefit sharing framework on the conduct of collaborative health research is for instance evidenced by the number of publications and research ethics guidelines that require prior engagement between stakeholders to determine (...)
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  16.  6
    Nothing Left to See.Thorn-R. Kray - 2015 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 60 (2):67-85.
    Why does the language of art commentary often seem so theoretically sophisticated while jargonistically empty? Introducing the puzzle of a computer generated artistic biography, this essay uses the sociological aesthetics of German theorist Arnold Gehlen to answer this question and account for the ‘algorithmic example.’ Since art commentary deals with the translation of images into words, the first section discusses the tradition of ekphrasis and isolates three developments – professionalization, marketization, abstraction – in its conditions of production. Emphasizing the ‘crisis (...)
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  17. The Aesthetics of Theory Selection and the Logics of Art.Ian O’Loughlin & Kate McCallum - 2018 - Philosophy of Science (2):325-343.
    Philosophers of science discuss whether theory selection depends on aesthetic judgments or criteria, and whether these putatively aesthetic features are genuinely extra-epistemic. As examples, judgments involving criteria such as simplicity and symmetry are often cited. However, other theory selection criteria, such as fecundity, coherence, internal consistency, and fertility, more closely match those criteria used in art contexts and by scholars working in aesthetics. Paying closer attention to the way these criteria are used in art contexts allows us to understand some (...)
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  18.  3
    The Art of Law in the International Community.Mary Ellen O'Connell - 2019 - Cambridge University Press.
    International law evolved to end and prevent armed conflict as much as for any other reason. Yet, the law against war appears weaker today than ever in its long history, evidenced by raging armed conflicts in which people are killed, injured, and forcibly displaced. The environment is devastated, and the planet impoverished. These consequences can be traced to the dominant ideology of realism. In 1946, Hersch Lauterpacht challenged that ideology by contrasting it with the idea of international law, (...)
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  19. Weber, Art, and Social Theory.Lawrence Scaff - 2005 - Etica E Politica 7 (2):1-26.
    Max Weber’s contribution to cultural sociology has received insufficient attention, due to the unfinished character of his work and its reception. This paper investigates aspects of his contribution in relation to the field of art, broadly conceived, and in terms of the uses of his ideas by historians of art and design, such as T. J. Clark. Weber’s social theory considers art from two perspectives: the relative autonomy of cultural and artistic forms and modes of expression, and the social construction (...)
     
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  20. The science of art: A neurological theory of aesthetic experience.Vilayanur Ramachandran & William Hirstein - 1999 - Journal of Consciousness Studies 6 (6-7):15-41.
    We present a theory of human artistic experience and the neural mechanisms that mediate it. Any theory of art has to ideally have three components. The logic of art: whether there are universal rules or principles; The evolutionary rationale: why did these rules evolve and why do they have the form that they do; What is the brain circuitry involved? Our paper begins with a quest for artistic universals and proposes a list of ‘Eight laws of artistic experience’ -- a (...)
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  21.  12
    Bourbaki Nicolas . Theory of sets. Elements of mathematics. English translation of XXXVII 636, XL 289. Hermann, Publishers in Arts and Science, Paris, and Addison-Wesley Publishing Company, Reading, Mass., Menlo Park, Calif., London, Don Mills, Ontario, 1968, VIII + 414 pp. [REVIEW]Perry Smith - 1975 - Journal of Symbolic Logic 40 (4):630-631.
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  22.  8
    To “Face the Powder” or “Powder the Face”? Contemporary Metaphor Theory and the Art of Chinese to English Translation.L. David Ritchie & Xuede Zhao - 2020 - Metaphor and Symbol 35 (2):122-135.
    In this article, we examine how cognitive metaphor theories might contribute to the theory and practice of poetry translation. We focus on translations from Chinese to English by Xu Yuanchong, both...
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  23. History, theory and methodological pluralism in the English school.Richard Little - 2009 - In Cornelia Navari (ed.), Theorising International Society: English School Methods. Palgrave-Macmillan.
  24.  61
    The International Encyclopedia of Communication Theory and Philosophy.Robert T. Craig (ed.) - 2016 - Wiley-Blackwell.
    The International Encyclopedia of Communication Theory and Philosophy is the definitive single-source reference work on the subject, with state-of-the-art and in-depth scholarly reflection on key issues from leading international experts. It is available both online and in print. A state-of-the-art and in-depth scholarly reflection on the key issues raised by communication, covering the history, systematics, and practical potential of communication theory Articles by leading experts offer an unprecedented level of accuracy and balance Provides comprehensive, clear entries which are (...)
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  25.  10
    Art, Objectivity, and Idea: Bruno Bauer's Critique of Kant and the Theory of Infinite Self-consciousness.Douglas Moggach - 2001 - Hegel Bulletin 22 (1-2):52-71.
    Students of the Hegelian school must acknowledge an abiding debt to Ernst Barnikol. Upon his death in 1968, he left uncompleted a voluminous manuscript on Bruno Bauer, representing over forty years of research. Of this manuscript, conserved at the International Institute for Social History, Amsterdam, only a fraction has been published, but even this fraction, in its almost six hundred pages, continues to set standards in the field for meticulous scholarship, rigorous analysis, and balanced criticism. Barnikol's interests were primarily (...)
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  26.  5
    Alterity in Art: Towards a Theory and Practice of Infra-thin Critique.Siobhán Shilton - 2014 - Paragraph 37 (3):356-371.
    This article explores distinctively visual presentations and performances of alterity from the perspective of art theory and practice. It gives particular attention to Marcel Duchamp's notion and practice of the infra-mince. The ‘infra-thin’ is not usually related to postcolonial questions. However, numerous evocations of alterity in contemporary art, this article argues, resonate with Duchamp's infra-thin — not only in their practices but also in the ways in which they present the relationship between different cultures and views of ‘difference’. Focusing on (...)
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  27.  20
    The Literary Work of Art: An Investigation of the Borderlines of Ontology, Logic, and Theory of Language.Roman Ingarden - 1973 - Evanston,: Northwestern University Press.
    This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the (...)
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  28.  11
    Kant and the Theory and Practice of International Right.Georg Cavallar - 1999 - University of Wales Press.
    This innovative study focuses on the Kantian theory of international relations, a subject which has frequently been either ignored or misunderstood. Kant was criticized by contemporaries who asserted that his political ideas were idealistic and impractical. He countered this accusation by evolving a political philosophy which formed a link between the theoretical doctrine of pure law and the actualities of the real world. The author argues that Kant’s theory of international relations can be read as an attempt to (...)
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  29.  10
    Philosophical issues in the English School of international relations.Ian Hall & Mark Bevir - 2023 - Journal of International Political Theory 19 (2):242-250.
    This article responds to Charlotta Friedner Parrat’s critique of our argument that the English School of international relations should embrace a more thoroughgoing interpretivism. We address four of Friedner Parrat’s objections to our argument: that our distinction between structuralism and interpretivism is too stark; that our understanding of the relationship between agency and structure is problematic; that our approach would confine the English School to the study of intellectual history; and that the English School should eschew (...)
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  30.  10
    “The Theory of Art is its own History”: Herder and the Schlegel Brothers.Ernst Behler - 1990 - In Kurt Mueller-Vollmer (ed.), Herder Today: Contributions From the International Herder Conference, November 5–8, 1987, Stanford, California. De Gruyter. pp. 246-267.
  31.  11
    Agents versus structures in English School theory: Is co-constitution the answer?Cornelia Navari - 2020 - Journal of International Political Theory 16 (2):249-267.
    While generally accepted as an interpretive theory, Bull’s emblematic text demonstrates strong structural characteristics. Subsequent attributions move between the interpretive or ‘reflexive’ and t...
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  32. The Substitution Theory of Art.Barry Smith - 1985 - Grazer Philosophische Studien 25-25 (1):533-557.
    In perceptual experience we are directed towards objects in a way which establishes a real relation between a mental act and its target. In reading works of fiction we enjoy experiences which manifest certain internal similarities to such relational acts, but which lack objects. The substitution theory of art attempts to provide a reason why we seek out such experiences and the artifacts which they generate. Briefly, we seek out works of art because we enjoy the physiology and the phenomenology (...)
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  33.  25
    Art, Nature and Purposiveness in Kant's Aesthetic Theory.Theodore Gracyk - 1995 - Proceedings of the Eighth International Kant Congress 2:499-507.
  34.  37
    Rethinking Criminal Law Theory: New Canadian Perspectives in the Philosophy of Domestic, Transnational, and International Criminal Law.Francois Tanguay-Renaud & James Stribopoulos (eds.) - 2012 - Hart Publishing.
    In the last two decades, the philosophy of criminal law has undergone a vibrant revival in Canada. The adoption of the Charter of Rights and Freedoms has given the Supreme Court of Canada unprecedented latitude to engage with principles of legal, moral, and political philosophy when elaborating its criminal law jurisprudence. Canadian scholars have followed suit by paying increased attention to the philosophical foundations of domestic criminal law. Because of Canada's leadership in international criminal law, both at the level (...)
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  35.  2
    The Literary Work of Art: An Investigation of the Borderlines of Ontology, Logic, and Theory of Language.George G. Grabowicz (ed.) - 1973 - Northwestern University Press.
    This long-awaited translation of _Das literarische Kunstwerk_ makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. _The Literary Word of Art _establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the (...)
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  36.  5
    The Manifold in Perception. Theories of Art from Kant to Hildebrand (review).Jean G. Harrell - 1974 - Journal of the History of Philosophy 12 (4):537-538.
    In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 537 tion of his three dialogues, and of course there are several references to Hume's intern= parable Dialogues. The bibliographic essay is useful with respect to general works and period pieces but unfortunately does little to help those who are seeking further help in understanding an individual writer. Professor France's work is an invaluable guide nevertheless for those who realize that authors, even philosophers, do not write (...)
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  37.  23
    B. Dunham, R. Fridshal, and G. L. Sward. A non-heuristic program for proving elementary logical theorems. English, with French, German, Russian, and Spanish summaries. Information processing, Proceedings of the International Conference on Information Processing, Unesco, Paris 15–20 June 1959, Unesco, Paris, R. Oldenbourg, Munich, and Butterworths, London, 1960, pp. 282–285. - B. Dunham, R. Fridshal, and J. H. North. Exploratory mathematics by machine. Recent developments in information and decision processes, edited by Robert E. Machol and Paul Gray, The Macmillan Company, New York1962, pp. 149–160. - B. Dunham and J. H. North. Theorem testing by computer. Proceedings of the Symposium on Mathematical Theory of Automata, New York, N. Y., April 24, 25, 26, 1962, Microwave Research Symposia series vol. 12, Polytechnic Press of the Polytechnic Institute of Brooklyn, Brooklyn, N.Y., 1963, pp. 173–177. [REVIEW]Joyce Friedman - 1967 - Journal of Symbolic Logic 32 (2):266-266.
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  38.  39
    P. C. Gilmore. A program for the production from axioms, of proofs for theorems derivable within the first order predicate calculus. English, with English, French, German, Russian, and Spanish summaries. Information processing, Proceedings of the International Conference on Information Processing, Unesco, Paris 15–20 June 1959, Unesco, Paris, R. Oldenbourg, Munich, Butterworths, London, 1960, pp. 265–273. - J. Porte, P. C. Gilmore, Dag H. Prawitz, Håkon Prawitz, and Neri Voghera. Discussion. Information processing, Proceedings of the International Conference on Information Processing, Unesco, Paris 15–20 June 1959, Unesco, Paris, R. Oldenbourg, Munich, Butterworths, London, 1960, p. 273. - P. C. Gilmore. A proof method for quantification theory: Its justification and realization. IBM journal of research and development, vol. 4 , pp. 28–35. [REVIEW]J. A. Robinson - 1996 - Journal of Symbolic Logic 31 (1):124-125.
  39.  64
    Andrzej Mostowski. Recent results in set theory. Problems in the philosophy of mathematics, Proceedings of the International Colloquium in the Philosophy of Science, London, 1965, volume 1, edited by Imre Lakatos, Studies in logic and the foundations of mathematics, North-Holland Publishing Company, Amsterdam1967, pp. 82–96. - G. Kreisel, A. Robinson, L. Kalmár, and A. Mostowski. Discussion. Problems in the philosophy of mathematics, Proceedings of the International Colloquium in the Philosophy of Science, London, 1965, volume 1, edited by Imre Lakatos, Studies in logic and the foundations of mathematics, North-Holland Publishing Company, Amsterdam1967, pp. 97–108. - Andrzej Mostowski. O niektórych nowych wynikach meta-matematycznych dotyczących teorii mnogości . Polish with Russian and English summaries. Studia logica, vol. 20 , pp. 99–116. [REVIEW]T. Jech - 1972 - Journal of Symbolic Logic 37 (4):765-766.
  40.  13
    Natural Law and the Theory of International Society: Otto von Gierke and the Three Traditions of International Theory.Ben Holland - 2012 - Journal of International Political Theory 8 (1-2):48-73.
    Hedley Bull, in the passage in The Anarchical Society which introduces the ‘three competing traditions of thought’ associated with the articulation of the modern states-system, cited Otto von Gierke as the originator of this influential way of organising international theory. This article examines Gierke's work in order to assess the extent of the influence on the English School that can be ascribed to him. It argues that in fact Gierke's version of the three traditions bears little resemblance to (...)
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  41.  9
    Imagination and Art: Explorations in Contemporary Theory.Keith A. Moser & Ananta Charana Sukla (eds.) - 2020 - Brill | Rodopi.
    This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise _Imagination and Art_ propose bold and innovative theoretical frameworks for conceptualizing imagination in all of its divergent forms.
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  42.  6
    Reproductive Technologies and the Global Bioethics Debate: A Philosophical Analysis of the Report on ART and Parenthood of the International Bioethics Committee of Unesco.Laura Palazzani - 2020 - Phenomenology and Mind 19 (19):138.
    Over the last few decades an increasingly pressing social demand for access to assisted reproductive technologies (ART) has emerged. Alongside the use of reproductive technologies, relevant bioethical and biolegal issues arise, such as the claim of a “right” to have a child, the so-called “reproductive rights”, of the prospective parents and the rights of children. This paper explores these and further challenges, both old and new, calling for a transformation of parenthood and filiation, from the perspective of the different theories (...)
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  43.  2
    The Art of Today.Brandon Taylor - 1995 - Weidenfeld & Nicolson.
    This is an international survey of contemporary art, taking a critical look at the work of established artists and exploring broad international trends and movements. The book takes the impact of feminist, structuralist and postmodern theories on the visual arts as a central theme. The dominance of New York as a centre of the art market is discussed and the work of lesser-known artists from around the world is acknowledged. In addition, there are features on contemporary art in (...)
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  44. Arthur Danto’s Andy Warhol: the Embodiment of Theory in Art and the Pragmatic Turn.Stephen Snyder - forthcoming - Leitmotiv:135-151.
    Arthur Danto’s recent book, Andy Warhol, leads the reader through the story of the iconic American’s artistic life highlighted by a philosophical commentary, a commentary that merges Danto’s aesthetic theory with the artist himself. Inspired by Warhol’s Brillo Box installation, art that in Danto’s eyes was indiscernible from the everyday boxes it represented, Danto developed a theory that is able to differentiate art from non-art by employing the body of conceptual art theory manifest in what he termed the ‘artworld’. The (...)
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  45.  9
    Art's Claim to Truth.Santiago Zabala & Luca D'Isanto (eds.) - 2008 - Cambridge University Press.
    First collected in Italy in 1985, _Art's Claim to Truth_ is considered by many philosophers to be one of Gianni Vattimo's most important works. Newly revised for English readers, the book begins with a challenge to Plato, Aristotle, Kant, and Hegel, who viewed art as a metaphysical aspect of reality rather than a futuristic anticipation of it. Following Martin Heidegger's interpretation of the history of philosophy, Vattimo outlines the existential ontological conditions of aesthetics, paying particular attention to the works (...)
  46.  11
    Theory and applications of satisfiability testing-- SAT 2010: 13th international conference, SAT 2010 Edinburgh, UK, July 2010: proceedings.Ofer Strichman & Stefan Szeider (eds.) - 2010 - Berlin: Springer.
    The LNCS series reports state-of-the-art results in computer science research, development, and education, at a high level and in both printed and electronic form.
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  47.  1
    L’esthétisation marchande au prisme de la théorie de l’art (et vice versa).Laurent Buffet - 2021 - Nouvelle Revue d'Esthétique 28 (2):41-50.
    L’article entend confronter la théorie moderne de l’art au phénomène d’esthétisation de la sphère marchande mis en évidence par la sociologie, en prenant pour cadre de référence l’esthétique de la réception de Hans Robert Jauss. Bien que s’appliquant surtout à la littérature, la théorie de Jauss n’est pas sans concerner aussi les arts plastiques. La synthèse qu’elle opère entre, d’un côté, le formalisme russe du début du xx e siècle, qui, le premier, s’employa à isoler les propriétés internes des œuvres (...)
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  48.  17
    Harry Frankfurt, On Bullshit.Mark Evans - 2005 - Journal of International Political Theory 1:219-223.
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  49.  2
    György Márkus, 75% mensch: On the occasion of the publication of the English version of How Is Critical Economic Theory Possible?.John Grumley - 2023 - Thesis Eleven 178 (1):7-16.
    In this article I give an overall interpretation of the development of the Budapest School in Australia as political emigres, who initially worked and wrote in Melbourne and Sydney until the final years when Heller and Feher moved on to New York in the mid-1980s and then back to Budapest in 1993. The translation of How Is Critical Economic Theory Possible? has allowed us to better grasp the motivations and theoretical innovations of the Budapest School, to appreciate their internal disputes (...)
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  50.  9
    Notes on the Moralistic Theory of Art: Plato and Tolstoy.Israel Knox - 1930 - International Journal of Ethics 41 (4):507.
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