13 found
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  1.  11
    Homer's Iliad. A Commentary on the Translation of Richmond Lattimore. [REVIEW]Barbara Graziosi & N. Postlethwaite - 2002 - Journal of Hellenic Studies 122:160-161.
  2.  24
    (D.) Clay Archilochos Heros. The Cult of Poets in the Greek Polis. Washington, DC: Center for Hellenic Studies; Cambridge, MA: Harvard UP, 2004. $39.95. 0674014553.(M.) Schmidt The First Poets. Lives of the Ancient Greek Poets. London: Weidenfeld and Nicolson, 2004. Pp. Ix + 449. £20. 0297643940. [REVIEW]Barbara Graziosi - 2006 - Journal of Hellenic Studies 126:153-154.
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  3.  4
    El autor en la crítica homérica antigua y moderna: Algunas consideraciones.Barbara Graziosi - 2016 - Synthesis 23.
    En este artículo discuto las conexiones entre el poeta, los personajes y los lectores. Mi enfoque se funda en lo siguiente: ¿Cómo se imaginan los lectores al autor, cómo imagina el autor a los personajes y de qué modo los lectores son inspirados por los personajes? He seleccionado ejemplos de la tradición homérica y, más específicamente, de algunas estrategias de interpretación en la exégesis antigua, particularmente lo que se ha dado en denominar “soluciones desde el personaje”, para proponer vinculaciones con (...)
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  4.  4
    Futuro Del Classico.Barbara Graziosi - 2005 - Journal of Hellenic Studies 125:206-208.
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  5.  6
    Homer: Iliad Book One. With an Introduction, Translation, and Commentary. [REVIEW]Barbara Graziosi & S. Pulleyn - 2002 - Journal of Hellenic Studies 122:161-162.
  6. Hesiod in Classical Athens: Rhapsodes, Orators, and Platonic Discourse.Barbara Graziosi - 2009 - In G. R. Boys-Stones & J. H. Haubold (eds.), Plato and Hesiod. Oxford University Press.
  7.  9
    Homeric Masculinity: ΗΝΟΡΕΗ and ΑΓΗΝΟΡΙΗHomeric Masculinity: HNOREH and AGHNORIH.Barbara Graziosi & Johannes Haubold - 2003 - Journal of Hellenic Studies 123:60-76.
  8.  11
    Homeric Masculinity: Ἠνορέη and Ἀγηνορίη.Barbara Graziosi & Johannes Haubold - 2003 - Journal of Hellenic Studies 123:60-76.
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  9.  10
    Homeric Masculinity: "Énorén" and "Ágenorín".Barbara Graziosi & Johannes Haubold - 2003 - Journal of Hellenic Studies 123:60-76.
    This article investigates concepts of masculinity in the Homeric poems by focusing on two words: "énorén" and "ágenorín". We argue that whereas "énorén" is a positive quality best understood as 'manliness', "agenorín" denotes 'excessive manliness' in a pejorative sense. By comparing the use of these two terms we c1aim that it is possible to explore what constitutes proper, as opposed to excessive, masculinity in the Homeric poems. Our analysis of "énorén" and "ágenorín" suggests that some current views of Homeric masculinity (...)
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  10.  22
    Literature (R.) Bittlestone Odysseus Unbound. The Search for Homer's Ithaca. With J. Diggle and J. Underhill. Cambridge UP, 2005. Pp. Xx + 598. £25. 9780521853576. (G.) Le Noan The Ithaca of the Sunset. Essay About the Location of Ulysses' Country. (Collection 'Commentaires'). Paris: Editions Tremen, 2005. Pp. 126, Illus. €21. 9782913559448. (C.I.) Tzakos Ithaca and Homer (The Truth). The Renowned Island as Described in the Odyssey. Translated by G. Cox. Athens: Unknown Publisher, 2005. Pp. 271, Illus. 9789607103383. [REVIEW]Barbara Graziosi - 2008 - Journal of Hellenic Studies 128:178-.
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  11.  15
    Pelling and Wyke Twelve Voices From Greece and Rome: Ancient Ideas for Modern Times. Oxford: University Press, 2014. Pp. 274, Illus. £18.99. 9780199597369. [REVIEW]Barbara Graziosi - 2015 - Journal of Hellenic Studies 135:206-207.
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  12.  17
    (S.) Settis Futuro del classico. Turin: Einaudi editore, 2004. Pp. 127. 7. 8806143808.Barbara Graziosi - 2005 - Journal of Hellenic Studies 125:206-208.
  13.  16
    The Poet in the Iliad.Barbara Graziosi - 2013 - In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 9.
    This chapter seeks to characterize the voice of the poet within the Iliad, and to show that a better understanding of the poet’s voice helps to explain several distinctive and puzzling features of Iliadic narrative. The chapter looks at the poet’s relationship to the Muses, and his temporal and spatial self-positioning within the world of the Trojan war, all of which illustrate the divine perspective he offers on that war.
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