11 found
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  1. Music and Language Perception: Expectations, Structural Integration, and Cognitive Sequencing.Barbara Tillmann - 2012 - Topics in Cognitive Science 4 (4):568-584.
    Music can be described as sequences of events that are structured in pitch and time. Studying music processing provides insight into how complex event sequences are learned, perceived, and represented by the brain. Given the temporal nature of sound, expectations, structural integration, and cognitive sequencing are central in music perception (i.e., which sounds are most likely to come next and at what moment should they occur?). This paper focuses on similarities in music and language cognition research, showing that music cognition (...)
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  2.  9
    Implicit learning of tonality: A self-organizing approach.Barbara Tillmann, Jamshed J. Bharucha & Emmanuel Bigand - 2000 - Psychological Review 107 (4):885-913.
  3.  14
    A combined model of sensory and cognitive representations underlying tonal expectations in music: From audio signals to behavior.Tom Collins, Barbara Tillmann, Frederick S. Barrett, Charles Delbé & Petr Janata - 2014 - Psychological Review 121 (1):33-65.
  4.  24
    Promoting the use of personally relevant stimuli for investigating patients with disorders of consciousness.Fabien Perrin, Maïté Castro, Barbara Tillmann & Jacques Luauté - 2015 - Frontiers in Psychology 6.
  5.  94
    The relative importance of local and global structures in music perception.Barbara Tillmann & Emmanuel Bigand - 2004 - Journal of Aesthetics and Art Criticism 62 (2):211–222.
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  6.  22
    Exploiting Multiple Sources of Information in Learning an Artificial Language: Human Data and Modeling.Pierre Perruchet & Barbara Tillmann - 2010 - Cognitive Science 34 (2):255-285.
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  7.  10
    Response: A commentary on: “Neural overlap in processing music and speech”.Barbara Tillmann & Emmanuel Bigand - 2015 - Frontiers in Human Neuroscience 9.
  8.  18
    Exploration of Functional Connectivity During Preferred Music Stimulation in Patients with Disorders of Consciousness.Lizette Heine, Maïté Castro, Charlotte Martial, Barbara Tillmann, Steven Laureys & Fabien Perrin - 2015 - Frontiers in Psychology 6.
  9.  8
    Discontinuity in the enumeration of sequentially presented auditory and visual stimuli.Valérie Camos & Barbara Tillmann - 2008 - Cognition 107 (3):1135-1143.
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  10. When Visual Cues Do Not Help the Beat: Evidence for a Detrimental Effect of Moving Point-Light Figures on Rhythmic Priming.Anna Fiveash, Birgitta Burger, Laure-Hélène Canette, Nathalie Bedoin & Barbara Tillmann - 2022 - Frontiers in Psychology 13.
    Rhythm perception involves strong auditory-motor connections that can be enhanced with movement. However, it is unclear whether just seeing someone moving to a rhythm can enhance auditory-motor coupling, resulting in stronger entrainment. Rhythmic priming studies show that presenting regular rhythms before naturally spoken sentences can enhance grammaticality judgments compared to irregular rhythms or other baseline conditions. The current study investigated whether introducing a point-light figure moving in time with regular rhythms could enhance the rhythmic priming effect. Three experiments revealed that (...)
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  11.  17
    Editorial: Music and Disorders of Consciousness: Emerging Research, Practice and Theory.Wendy L. Magee, Barbara Tillmann, Fabien Perrin & Caroline Schnakers - 2016 - Frontiers in Psychology 7.
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