6 found
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  1.  18
    Sartre and Camus: Les Mouches and le Malentendu Parallel Plays.Benedict O'Donohoe - 2007 - Sartre Studies International 13 (2):113-125.
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  2.  7
    L'Étranger and the Messianic Myth, or Meursault Unmasked.Benedict O'Donohoe - 2007 - PhaenEx 2 (1):1-18.
    This paper attacks received ideas about Camus’s iconic hero as honest, modest, innocent, and even messianic. Reviewing these notions, first, as collated in Édouard Morot-Sir’s critical conspectus, ‘Actualité de L’Étranger’ (1996), I trace them back to Sartre’s seminal critique (1943), then to Camus’s characterisation of Meursault as ‘the only Christ we deserve’, in 1955. By close reading of the text, I show that, far from being the modern messiah of authenticity, Meursault is in fact a monster of male chauvinism and (...)
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  3.  5
    Revolution or Revolt? Les Mains Sales and Les Justes.Benedict O'Donohoe - 2012 - Sartre Studies International 18 (2):72-88.
    Sartre's evocation of ideological socialism in Dirty Hands ' protagonist Hugo, as opposed to the pragmatism of the realist, Hoederer, found an attentive audience in April 1948. The means are justified by the ends, Hoederer insists, although that means “getting one's hands dirty.“ Eighteen months later, Camus produced Les Justes , which offers an implicit rebuttal of Sartre's position. Kaliayev-like Hugo, an idealist and an intellectual-is rebuked by his hard-line colleague, Fedorov, for failing to throw his grenade at the Archduke's (...)
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  4.  6
    The Anonymous Hero in Sartre's Theatre.Benedict O'Donohoe - 1999 - Sartre Studies International 5 (1):64-73.
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  5.  1
    Sartre and Camus: Les Mouches and Le Malentendu Parallel Plays.Benedict O'Donohoe - 2007 - Sartre Studies International 13 (2).
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  6.  3
    Book Review. [REVIEW]Benedict O'Donohoe - 2007 - Sartre Studies International 13 (1):74-76.
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