This study seeks to contribute to the current debate in literary studies, philosophy, and the history of science about knowledge’s forms of representation and the “knowledge of literature,” while in two respects also going beyond the debate. First, it shows how and why the demand for an alternative non-scientific form of knowledge mediated by literature becomes widespread within a particular constellation in the history of ideas. In particular, it situates this phenomenon within the philosophy of life (Lebensphilosophie) and the so-called (...) philosophy of world views (Weltanschauungsphilosophie) from 1870 to 1930, as well as in the works of Robert Musil. Second, the study shifts the focus of the debate. In this thesis, the focus is not on the question, often discussed with unsatisfactory results, as to whether or not literature in general can convey knowledge. Instead, it asks in which concrete circumstances a specific work of literature conveys knowledge. The conditions in which this is the case — formulated using concepts and insights from analytic philosophy — in amalgamate allow for a clear analysis of Musil's attempts to communicate a “living knowledge” by means of his literary works. (shrink)

Wie andere aufgeschlossene Fachvertreter seiner Generation hat der kanadische Jesuit Bernard Lonergan dazu beigetragen, die katholische Theologie umfassend zu erneuern. Angesichts der offenkundigen Grenzen der Neuscholastik, die sich im Laufe des 19. Jahrhunderts als das Modell durchgesetzt hatte, suchte er schon früh nach einer Alternative. Bei aller Skepsis gegenüber dem herrschenden Thomismus schätzte er Thomas von Aquin in hohem Maß. Das betraf insbesondere dessen Bemühen, die damals aktuellen wissenschaftlichen und methodischen Erkenntnisse einzubeziehen. Lonergan wollte dies ebenso tun. Es ging ihm (...) darum, der katholischen Theologie eine neue Richtung zu geben, also von der Neuscholastik abzurücken. Denn diese berücksichtigte weder das erkennende Subjekt noch das zu erkennende Objekt hinreichend. (shrink)

This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.

Called “the most important critic of his time” by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A “natural and extraordinary talent for letter writing was one of the most captivating facets of his nature,” writes Gershom Scholem in his Foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful (...) ideas, while also offering an intimate picture of Benjamin himself and the times in which he lived. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin’s work, The Correspondence of Walter Benjamin, 1910–1940 is a revelatory look at the man behind much of the twentieth century’s most significant criticism. (shrink)

Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi-occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin’s “survival,” including Hannah Arendt’s influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin’s story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals (...) have proven invaluable for scholars in diplomatic, military, and economic history, those writing about the history of ideas often seem less concerned with chains of events and contingency than some of their colleagues are—or they attend to contingency in a selective fashion. Thus this essay attends to the ambivalence about the category of contingency that runs through much work in intellectual history. Returning to the case of Walter Benjamin, this essay explores his own tendency to pose “what if?” questions, and then concludes with an attempt to ask a serious counterfactual question about his story. The effort to ask this question reveals one methodological advantage of counterfactual inquiry: the effort to ask such questions often serves as an excellent guide to the prejudices and interests of the historian asking them. By engaging in counterfactual thought experiments, intellectual historians could restore an awareness of sheer contingency to the stories we tell about the major texts and debates of intellectual history. (shrink)

Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...

This is the first work to apply complex systems science to the psychological interplay of order and chaos. The author draws on thought from a wide range of disciplines-both conventional and unorthodox-to address such questions as the nature of consciousness, the relation between mind and reality, and the justification of belief systems. The material should provoke thought among systems scientists, theoretical psychologists, artificial intelligence researchers, and philosophers.

The essays compiled in this book explore aspects of Walter Benjamin's discourse that have contributed to the formation of contemporary architectural theories. Issues such as technology and history have been considered central to the very modernity of architecture, but Benjamin's reflection on these subjects has elevated the discussion to a critical level. The contributors in this book consider Walter Benjamin's ideas in the context of digitalization of architecture where it is the very technique itself that determines the (...) processes of design and the final form. This book was published as a special issue of Architectural Theory Review. (shrink)

Benjamin Pradel, Forum Vies Mobiles, « Temps, loisirs et mobilités », Notes de recherches, Début : Mars 2022 - Fin : Mars 2022 Le Forum Vies Mobiles est un institut de recherche sur la mobilité qui prépare la transition vers des modes de vies plus désirés et durables. Cette note a pour objectif d'alimenter la réflexion portée par le Forum Vies Mobiles sur les mobilités et les rythmes de vie abordés par le prisme des loisirs et d'ouvrir des perspectives (...) de recherche. À la croisée d'un travail de - Brèves. (shrink)

This book provides a highly original approach to the writings of the twentieth-century German philosopher Walter Benjamin by one of his most distinguished readers. It develops the idea of "working with" Benjamin, seeking both to read his corpus and to put it to work - to show how a reading ofBenjamin can open up issues that may not themselves be immediately at stake in his texts.The defining elements in Benjamin's writings that Andrew Benjamin isolates - history, (...) experience, translation, technical reproducibility and politics - are put to work; that is, their utility is established in engaging the works of others. The question is how utility is understood. As AndrewBenjamin argues, utility involves demonstrating the different ways in which Benjamin is a central thinker within the project of understanding the nature of modernity. This is best achieved by noting connections and points of differentiation between his work and the writings of Adorno and Heidegger.However, the more demanding project is that "working with" Benjamin necessitates deploying the implicit assumptions within his writings as well as demanding of his formulations more than is provided by their initial presentation. What is at stake is not the application of Benjamin's thought. Ratherwhat counts is its use.Working with Benjamin engages with the themes central to Benjamin's work with deftness, daring and critical insight while at the same time situating those themes within current academic and cultural debates. (shrink)

This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.

Until the eighteenth century, Latin was the uncontested language of academic discourse, including theology. Regardless of their denominational affiliation, scholars all across Europe made use of Latin in both their publications and lectures. Then, due to the influence of various strands of post-Kantian philosophy, a change took place, at least in the German-speaking area. With recourse to classical German philosophy, many Catholic systematic theologians switched to their mother-tounge and adopted the newly coined terms in order to express the same faith. (...) In reaction to this transformative work the neo-scholastic movement came into existence. Its adherents stressed the Church’s tradition and, especially its indebtedness to medieval thought. From the mid-nineteenth century onwards, partly supported by the Magisterium, various attempts were made to re-introduce Latin into dogmatics. This project was unsuccessful, however, because of changes to the Catholic world ushered in by the Second Vatican Council and also because of developments in German educational policy, which served to lower the status of Latin in schools. (shrink)

This article addresses rabbi and philosopher of religion Jacob Taubes’s claim that he had “presented the apocalypse of the revolution, although free from the illusions of messianic Marxists like Ernst Bloch and Walter Benjamin.” Detailing the shape of Taubes’s thought in relation to Bloch and Benjamin, it explores the manner in which Taubes embraces their respective messianisms while also charting an interiorized departure predicated upon a history of messianic crisis in Sabbateanism and early Christianity. Further, it frames this (...) in terms of their respective historical contexts. Contrary to the Weimar-era messianism of Bloch and Benjamin inflected by an open futurity despite catastrophe, Taubes's messianism takes shape in response to a foreclosed future brought on by the events of the postwar era. (shrink)

Worship is a topic that is rarely considered by philosophers of religion. In a recent paper, Tim Bayne and Yujin Nagasawa challenge this trend by offering an analysis of worship and by considering some difficulties attendant on the claim that worship is obligatory. I argue that their case for there being these difficulties is insufficiently supported. I offer two reasons that a theist might provide for the claim that worship is obligatory: a divine command, and the demands of justice with (...) respect to God's redemption of humanity. I also challenge the soundness of some of the analogies they employ in their argument. (shrink)

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

The aim of this article is to show how philosopher and critic Walter Benjamin related to the hermeneutical tradition — and tried to move beyond it by ‘redeeming’ human experience, while avoiding the pitfalls of the philosophy of ‘authenticity’. Though convinced that questions relating to historicity were central to any understanding of modern human experience, Benjamin explicitly rejected the Heideggerian alternative, and chose a path closer to Hans-Georg Gadamer’s. He attempted to combine theological interpretation with dialectical materialism, always (...) grounding hermeneutics in the concrete manifestations of social life, inaugurating a method which I suggest could be called ‘hermeneutical materialism’. At stake was a politically motivated defence of the ‘mimetic faculty’ — understood as (re)interpretation — in the modern, technologically organized world. (shrink)

This interview was conducted with one of the closest friends of the visual artist Ray Johnson, the late photographer and writer William S. Wilson. Johnson was a fixture of the New York downtown art scene in the late 1940, 1950s, and 1960s. He was influenced by Abstract Expressionists and Pop artists alike, but was a true original, widely considered to be the founder of “mail art” and also an important collagist and performance artist. Wilson helped Johnson to formulate the idea (...) of “mail art” as they exchanged correspondence, thoughts, ideas, experiences, and much else besides. In this interview, Wilson discusses Johnson's sexuality, sadomasochistic practice, and philosophy of friendship. He provides hitherto unknown details about Johnson's intimate relations with the artist Richard Lippold and life at Black Mountain College. Wilson also recounts details of Johnson's relation to women in terms of art, friendship, love, and sex. But more than anything, this interview captures the atmosphere of queer life in the middle decades of the twentieth century and Johnson's particular experiences of that era. (shrink)

Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger. Despite being contemporaries, Walter Benjamin and Martin Heidegger never directly engaged with one another. Yet, Hannah Arendt, who knew both men, pointed out common ground between the two. Both were concerned with the destruction of metaphysics, the development of a new way of reading and understanding literature and art, and the formulation of radical theories about time and history. On the other hand, their life (...) trajectories and political commitments were radically different. In a 1930 letter, Benjamin told a friend that he had been reading Heidegger and that if the two were to engage with one another, “sparks will fly.” Acknowledging both their affinities and points of conflict, this volume stages that confrontation, focusing in particular on temporality, Romanticism, and politics in their work. (shrink)

Translated by Jordan Stump, introduction by Caleb Carr and original illustrations by Jules Ferat.

Redesigning humans -- Engaging with transhumanism -- Living "forever" : transhumanism and mortality -- "Unlimited" intelligence and well-being -- The role of the philosopher in transhumanism -- Transhumanism and Buddhist philosophy : two approaches to suffering -- Conclusion : Contesting and considering.

F. H. Jacobi , a key figure in the philosophical debates at the close of the eighteenth century in Germany, has long been regarded as an irrationalist for allegedly advocating a blind ‘leap of faith’. The central claim of this essay is that this venerable charge is misplaced. Following a reconstruction of what a charge of irrationalism might amount to, two of Jacobi's most important works, the Spinoza Letters and David Hume , are scrutinized for traces of irrationalism. Far from (...) being an irrationalist, Jacobi is best read as questioning the analytical-geometrical model of rationality popular among his contemporaries, and of proposing a more naturalistic theory of rationality that situates it more firmly in human psychology, the ultimate import of which lies in a reconceptualization of the relation between faith and reason. (shrink)

While the theses that human beings are primarily passional creatures and that religion is fundamentally a product of our sensible nature are both closely linked to David Hume, Hume's contemporary Henry Home, Lord Kames , also defended them and explored their implications. Importantly, Kames does not draw the same sceptical conclusions as does Hume. Employing a sophisticated account of the rationality of what he calls the ‘sensitive branch’ of human nature, Kames argues that religion plays a central role in the (...) development and perfection of human life. (shrink)

Benjamin Jowett's translations of Plato have long been classics in their own right. In this volume, Professor Hayden Pelliccia has revised Jowett's renderings of five key dialogues, giving us a modern Plato faithful to both Jowett's best features and Plato's own masterly style. Gathered here are many of Plato's liveliest and richest texts. Ion takes up the question of poetry and introduces the Socratic method. Protagoras discusses poetic interpretation and shows why cross-examination is the best way to get at (...) the truth. Phaedrus takes on the nature of rhetoric, psychology, and love, as does the famous Symposium. Finally, Apology gives us Socrates' art of persuasion put to the ultimate test--defending his own life. Pelliccia's new Introduction to this volume clarifies its contents and addresses the challenges of translating Plato freshly and accurately. In its combination of accessibility and depth, Selected Dialogues of Plato is the ideal introduction to one of the key thinkers of all time. (shrink)

Theodor Adorno and Walter Benjamin have emerged as figures of great importance in the current debates about modernity. The central and privileged place of the philosophical problem of modernity has been threatened by the possibility advanced by Jean-François Lyotard that modernity as a project is over and the new concern is the postmodern. The work of Adorno and Benjamin is the background against which the problems of modernity and postmodernity are addressed in this volume. This collection brings together (...) some of the most innovative academics working in the area of European radical philosophy. Issues covered range from art, literature and music to feminism and Judaism. (shrink)

The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves (...) decisive. Indeed, it is by insisting on the object's materiality that it then becomes possible to locate the effective presence of the gesture as integral to the work of art. The contention is that gesture is the intersection of art's material presence and the concerns of meaning. The paper us develop via an engagement with works by Edgar Degas and Luca Signorelli. (shrink)

Pei Wang, Ben Goertzel. [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [ 18] [19] [20] [21] [22] [23] [24] [25] [26] [27] Bach, J. (2009). Principles ofSynthetic Intelligence PSI: An Architecture ofMotivated Cognition (Oxford University Press,  ...

Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.

Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...) a politics. Moreover, the link between fashion and utopianism allows for the development of a critique of the utopian dimension of Benjamin’s thought. The basis of that critique is the inherent politics of time in his own writings. (shrink)

Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...) a politics. Moreover, the link between fashion and utopianism allows for the development of a critique of the utopian dimension of Benjamin’s thought. The basis of that critique is the inherent politics of time in his own writings. (shrink)