Results for 'Benjamin Karp'

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  1. Walter Benjamin's Philosophy: Destruction and Experience.Andrew E. Benjamin & Peter Osborne (eds.) - 2000 - Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  2. Dialectics of Seeing Walter Benjamin and the Arcades Project.Susan Buck-Morss & Walter Benjamin - 1989 - MIT Press.
  3.  7
    Letters Pro and Con.John Alford, Benjamin Karp & George Boas - 1947 - Journal of Aesthetics and Art Criticism 6 (2):193-194.
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  4. Letters Pro and Con.John Alford, Benjamin Karp & George Boas - 1947 - Journal of Aesthetics and Art Criticism 6 (2):193-194.
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  5. Special Section on Walter Benjamin ; Special Section on Film.Walter Benjamin - 1985 - University of Wisconsin-Milwaukee.
     
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  6. Revoluci'on Conservadora y Conservaci'on Revolucionaria Pol'itica y Memoria En Walter Benjamin.Juan Mayorga & Walter Benjamin - 2003
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  7.  21
    Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV.Andrew Benjamin - 2003 - Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...)
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  8.  50
    Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World.Andrew Benjamin - 2011 - Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  9. Porosity at the Edge : Working Through Walter Benjamin's "Naples".Andrew Benjamin - 2010 - In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.
     
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  10. Sparks Will Fly: Benjamin and Heidegger.Andrew Benjamin & Dimitris Vardoulakis (eds.) - 2015 - State University of New York Press.
    _Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger._.
     
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  11.  53
    Walter Benjamin and the Architecture of Modernity.Andrew E. Benjamin & Charles Rice (eds.) - 2009 - Re.Press.
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
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  12. Walter Benjamin's Philosophy: Destruction and Experience.Andrew Benjamin & Peter Osborne (eds.) - 2013 - Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  13. Walter Benjamin's Philosophy: Destruction and Experience.Andrew Benjamin & Peter Osborne (eds.) - 1993 - Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  14. The Correspondence of Walter Benjamin, 1910-1940.Walter Benjamin, Gershom Scholem & Theodor W. Adorno - 2012 - University of Chicago Press.
     
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  15.  18
    Gesture and Expression : Interrupting Lament's Repetition Walter Benjamin and Sophocles’ Electra.Andrew Benjamin - 2017 - In .
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  16.  21
    The Absolute as Translatability: Working Through Walter Benjamin on Language.Andrew Benjamin - unknown
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  17.  18
    Benjamin and the Baroque: Posing the Question of Historical Time.Andrew Benjamin - unknown
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  18.  12
    Benjamin's Modernity.Andrew Benjamin - unknown
  19.  15
    Walter Benjamin's Critical Romanticism: An Introduction.Beatrice Hanssen & Andrew Benjamin - unknown
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  20.  7
    Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.Andrew Benjamin - unknown
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  21. The Problems of Modernity: Adorno and Benjamin.Andrew E. Benjamin (ed.) - 1991 - Routledge.
  22. Walter Benjamin 160.Walter Benjamin - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 160.
     
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  23. Walter Benjamin and Architecture.Walter Benjamin & Gevork Hartoonian (eds.) - 2010 - Routledge.
     
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  24. Wakan; the Spirit of Harold Benjamin.Harold Raymond Wayne Benjamin - 1968 - Minneapolis, Burgess Pub. Co..
     
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  25. Benjamin Franklin and the League of the Haudenosaunee.John T. Sanders - 2006 - In St Petersburg Center for the History of Ideas (ed.), The Philosophical Age, Almanac 32: Benjamin Franklin and Russia, to the Tercentenary of His Birth. St. Petersburg Center for the History of Ideas.
    Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...)
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  26.  4
    Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin.Benjamin Andrew - 2017 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 10 (1):21-40.
    The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves (...)
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  27.  16
    The Uses of Walter : Walter Benjamin and the Counterfactual Imagination.Benjamin Aldes Wurgaft - 2010 - History and Theory 49 (3):361-383.
    Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi-occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin’s “survival,” including Hannah Arendt’s influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin’s story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals (...)
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  28. Gender Myth and the Mind-City Composite: From Plato’s Atlantis to Walter Benjamin’s Philosophical Urbanism.Abraham Akkerman - 2012 - GeoJournal (in Press; Online Version Published) 78.
    In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...)
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  29.  17
    The Dialectics of Seeing: Walter Benjamin and the Arcades Project.Susan Buck-Morss - 1991 - MIT Press.
  30.  18
    Intermittency: The Differential of Time and the Integral of Space. The Intensive Spatiality of the Monad, the Apokatastasis and the Messianic World in Benjamin's Latest Thinking.Fabrizio Desideri - 2016 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):177-187.
    The main topic of my paper concerns the theological-philosophical nexus between the intensive and qualitative spatiality of the Monad and the Origenian idea of Apokatastasis as a nexus that can clarify Benjamin's latest idea of the Messianic World. The first step will be, therefore, to explain Benjamin's use of the Origenian notion of Apokatastasis in his Essay on Leskov and in the Passagenwerk. Secondly, I will discuss how and to what extent such use is relevant for Benjamin's (...)
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  31.  1
    A Small Metaphysics of Violence. A Discussion Between Arendt, Benjamin, and Sorel?Lode Lauwaert - 2015 - Tijdschrift Voor Filosofie 77 (4):785-813.
    In secondary literature one can often read that Arendt, when she writes about violence, differs from Benjamin and Sorel. Indeed, while she considers violence as something instrumental, the two others write about a kind of violence that does not serve a goal. In the present essay it is argued that this presentation of the debate is not correct, and that the relationship between the three philosophers regarding the issue of violence is more complex.
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  32.  26
    O ideal de Baudelaire por Walter Benjamin.Luciano Ferreira Gatti - 2008 - Trans/Form/Ação 31 (1):127-142.
    O artigo examina a interpretação feita por Walter Benjamin dos poemas de Charles Baudelaire marcados pela noção de ideal, a qual se opõe ao spleen. Benjamin encontra aí o esforço de rememoração de uma experiência plena, a qual constituiria, por sua vez, um elemento essencial à compreensão da modernidade como impossibilidade desta forma de experiência. Com as noções de beleza e de aura, o artigo busca ainda salientar a importância da categoria da distância para a configuração desta forma (...)
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  33.  19
    Messianica Ratio. Affinities and Differences in Cohen’s and Benjamin's Messianic Rationalism.Fabrizio Desideri - 2015 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 8 (2):133-145.
    In my paper, I intend firmly to criticize Taubes' interpretation of Benjamin's Theology as a modern form of Gnosticism. In a positive way, I sustain rather the thesis that Benjamin's Messianism is in close connection with his conception of reason and, in particularly, with the paradoxical unity of Mysticism and Enlightenment, which, according to the famous definition of Adorno, distinguishes his thought. As a radically anti-magical and anti-mythical conception of the historical time, Benjamin's Messianism has to be (...)
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  34.  11
    Benjamin, Desnos et la place d’Atget dans l'histoire de la photographie.Ricardo Ibarlucía - 2016 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):135-151.
    This paper confronts the interpretations of Eugène Atget’s photography given by Robert Desnos and Walter Benjamin. In the first part, it discusses Atget’s reception among the surrealists, particularly his relationship with Man Ray and the publication of some of his views from Paris in Littérature and La Révolution surréaliste. The second part is focused on the paragraphs that Benjamin has devoted to Atget in “Short history of photography” and "The work of art in the age of its technological (...)
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  35.  33
    Marx and God with Anarchism: On Walter Benjamin's Concepts of History and Violence. [REVIEW]Ari Hirvonen - 2012 - Continental Philosophy Review 45 (4):519-543.
    The article analyses relationships between profane and religious illumination, materialism and theology, politics and religion, Marxism and Messianism. For Walter Benjamin, every second is “the small gateway in time through which the Messiah might enter”. This is the starting point in the reading of Benjamin’s works, where we confront various liaisons and couplings of radical politics and messianic events. Through the reading of Benjamin and through the analysis of his conceptions of history and time, the article addresses (...)
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  36.  24
    The Origins of Walter Benjamin's Concept of Philosophical Critique.Alexei Procyshyn - 2013 - Metaphilosophy 44 (5):655-681.
    Focusing on Walter Benjamin's earliest pieces dedicated to school reform and the student movement, this article traces the basic critical approaches informing his mature thought back to his struggle to critically implement and transform the theory of concept formation and value presentation developed by his Freiburg teacher, Heinrich Rickert. It begins with an account of Rickert's work, specifically of the concept of Darstellung (presentation) and its central role in Rickert's postmetaphysical theory of historical research (which he characterizes as exclusively (...)
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  37.  19
    ¿Por qué el ángel de la historia mira hacia atrás? Acerca de las tesis Sobre el concepto de historia de Walter Benjamín.Stefan Gandler - 2003 - Utopía y Praxis Latinoamericana 8 (20):7-39.
    El ángel de la historia, en las tesis de Walter Benjamin, mira hacia atrás por tres razones: Primero, porque epistemológicamente es inevitable y necesario mirar hacia atrás, o sea: el ángel no puede ver adelante y tiene que mirar hacia atrás para poder entender su entorno. Segundo, porque onto..
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  38.  19
    Ur phänomen y su transposición:: Benjamin y el Idealismo goetheano.Tupac Cruz - 2007 - Ideas Y Valores 56 (135):51-76.
    Una lectura de la "Erkenntnis-kritische Vorrede" a Ursprung des deutsches Trauerspiels busca determinar en qué sentido Benjamin efectúa, en la teoría de las ideas allí esbozada, lo que él mismo llamó después una "tranposicion" del concepto goetheano de Urphänomen. El cotejo con algunos de los naturw..
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  39.  12
    La guerre civile et le dialogue Schmitt-Benjamin.Ninon Grangé - 2015 - Astérion 13.
    Dans sa critique de la démocratie libérale de Weimar, Carl Schmitt s’oppose avant tout au pluralisme. La souveraineté de l’État qu’il veut maintenir prend la forme d’un présidentialisme renforcé ; il entend ainsi sauver la substance de la Constitution allemande contre la Constitution de Weimar. Walter Benjamin, sans se placer sur le même plan, critiquant le monde de l’après-guerre avant d’envisager une essence démocratique, rencontre Schmitt sur la notion de souveraineté. Alors que tout les éloigne, et malgré l’hommage explicite (...)
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  40.  9
    Apariencia y juego. La teoría de la imitación de Walter Benjamin.José Luis Delgado Rojo - 2015 - Logos 48:57-82.
    El presente trabajo analiza la teoría de la imitación desarrollada por Walter Benjamin en el célebre ensayo sobre la obra de arte. Se pretende abordar el ensayo como una nueva muestra de la “investigación sobre el origen” ya empleada en sus obras anteriores, lo cual nos permitirá esclarecer el papel privilegiado que Benjamin asigna a la “mimesis” como el “origen” que revela la ley unitaria de toda la época. El ensayo, por tanto, supera el reducido ámbito de la (...)
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  41.  9
    Benjamin y el tiempo.Eduardo Maura Zorita - 2012 - Daimon: Revista Internacional de Filosofía 57:137-149.
    En estas páginas se trata de explicar, a partir de la reflexión de Walter Benjamin (1892-1940), en qué sentido el espacio mercantil puede comprenderse en términos epistemológicos y ontológicos. Más específicamente, constituye un dominio calculable de los objetos propio de la modernidad capitalista. Se persigue enlazar esa problemática con la cuestión filosófica del tiempo y con la teoría crítica de la industria cultural.
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  42.  10
    Une violence qui se présuppose: la question de la violence de Benjamin à Deleuze et Guattari.Vladimir Milisavljević - 2012 - Actuel Marx 52 (2):78-91.
    A Violence which Presupposes Itself: The question of Violence from Benjamin to Deleuze and Guattari This text examines some parallels between Walter Benjamin’s “critique of violence” and the theory of violence proposed by Gilles Deleuze and Félix Guattari. Whatever the differences between these two approaches, they both share an important common feature, defining the violence of state and law in terms of a “violence which presupposes itself”. This circular structure of the concept of violence renders utterly problematic the (...)
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  43.  2
    El lugar de la crítica. Sobre la identidad de método y objeto en la obra de Walter Benjamin.José Luis Delgado Rojo - 2016 - Revista de Filosofía (Madrid) 41 (2):313-334.
    This paper focuses on the problematic relationship between method and object in Walter Benjamin’s research. In order to do this, first we will try to clarify the dialectical structure of the notion of “critique”, which plays a key role in his method of historical knowledge. Benjamin’s peculiar appropriation of Goethean “dialectics” will allow us then to show the structural affinity that exists between the medium of representation and the historical object represented, paying special attention to the particular case (...)
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  44.  7
    Los oprimidos como luz. Benjamin, Kafka, teología de la liberación.Marcos Santos Gómez - 2009 - Revista de Filosofía (Madrid) 34 (2):157-174.
    This article highlights the dialect of failure and hope you can find in the oppressed, which every utopical thought should take into consideration. To justify it, we start from Walter Benjamin’s ideas on History, and in particular, we consider the perspective of the oppressed in Kafka’s literature, although he considered hope as a weak hint among catastrophe. And finally, we show this dialect as a specific and explicit place of the Liberation Theology.
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  45.  2
    Arendt and Benjamin: Tradition, Progress and Break with the Past.Gaye İlhan Demiryol - forthcoming - Journal of the Philosophy of History.
    _ Source: _Page Count 22 This essay explores the influence of Benjamin’s fragmentary historiography on Arendt’s understanding of narrative. I argue that Arendt and Benjamin shared a common understanding of the problems of modernity. For both thinkers contemporary conditions of existence were defined on the one hand, by a similar conception of history, and on the other hand, a break with the tradition of philosophy. I demonstrate that Benjamin’s fragmented history, adopted by Arendt in response to this (...)
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  46. Methodology, Metaphysics, and the History of Science in Memory of Benjamin Nelson.Robert Sonné Cohen, Marx W. Wartofsky & Benjamin Nelson - 1984
     
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  47. La alegoría absoluta en "El Criticón": un diálogo con Benjamin.Neira Tomás Z. Martínez - 2016 - Ingenium. Revista Electrónica de Pensamiento Moderno y Metodología En Historia de la Ideas 10:109-127.
    In his Trauerspiel study, Benjamin analyses the role of the baroque allegorist in an age in which his word is the expression of the melancholic gaze of an abandoned subject handed over to an absolute immanence. But the allegorist makes a move through which he achieves to go from immanence to God, allegorizing the concept of evil that he himself has produced. Even when he meets the characteristics of those allegorists, Baltasar Gracian does not make, in our judgement, this (...)
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  48. El lugar de la crítica. Sobre la identidad de método y objeto en la obra de Walter Benjamin.José Luis Delgado Rojo - 2016 - Revista de Filosofía 41 (2):313-334.
    This paper focuses on the problematic relationship between method and object in Walter Benjamin’s research. In order to do this, first we will try to clarify the dialectical structure of the notion of “critique”, which plays a key role in his method of historical knowledge. Benjamin’s peculiar appropriation of Goethean “dialectics” will allow us then to show the structural affinity that exists between the medium of representation and the historical object represented, paying special attention to the particular case (...)
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  49.  18
    Walter Benjamin’s Concept of the Image.Alison Ross - 2014 - Routledge.
    In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities ,’ and his work on The Arcades Project from (...)
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  50.  5
    Kierkegaard's Indirect Politics: Interludes with Lukács, Schmitt, Benjamin and Adorno.Bartholomew Ryan (ed.) - 2014 - Brill Rodopi.
    This book argues that a radical political gesture can be found in Søren Kierkegaard’s writings. The chapters navigate an interdisciplinary landscape by placing Kierkegaard’s passionate thought in conversation with the writings of Georg Lukács, Carl Schmitt, Walter Benjamin and Theodor Adorno. At the heart of the book’s argument is the concept of “indirect politics,” which names a negative space between methods, concepts, and intellectual acts in the work of Kierkegaard, as well as marking the dynamic relations between Kierkegaard and (...)
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