Contra Jackendoff, we argue that within the parallel architecture framework, the generality of language does not require a rich conceptual structure. To show this, we put forward a delegation model of specialization. We find Jackendoff's alternative, the subdivision model, insufficiently supported. In particular, the computational consequences of his representational notion of modularity need to be clarified.
This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...) a politics. Moreover, the link between fashion and utopianism allows for the development of a critique of the utopian dimension of Benjamin’s thought. The basis of that critique is the inherent politics of time in his own writings. (shrink)
Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
Consider van Fraassen's ( 1981) Judy Benjamin (JB) problem. Judy is dropped in an area that is divided vertically in Blue (B) and Red (R) and horizontally in Headquarters (Q) and Second Company (S). These divisions define four quadrants, as in Figure 1 (roman script headings). Judy initially believes that there is an equal chance of being in each quadrant. She is then told by a fully reliable source that if she is in R, then there is a chance (...) of q > 0.50 that she is in Q. Now ask yourself: what should Judy's credence be that she is in B on the basis of this information? I am interested here in the limiting case of this problem in which q = 1. Let us call this limiting case the JB′ problem. (shrink)
Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...) is offered in this essay. (shrink)
Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi-occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin’s “survival,” including Hannah Arendt’s influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin’s story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals (...) have proven invaluable for scholars in diplomatic, military, and economic history, those writing about the history of ideas often seem less concerned with chains of events and contingency than some of their colleagues are—or they attend to contingency in a selective fashion. Thus this essay attends to the ambivalence about the category of contingency that runs through much work in intellectual history. Returning to the case of Walter Benjamin, this essay explores his own tendency to pose “what if?” questions, and then concludes with an attempt to ask a serious counterfactual question about his story. The effort to ask this question reveals one methodological advantage of counterfactual inquiry: the effort to ask such questions often serves as an excellent guide to the prejudices and interests of the historian asking them. By engaging in counterfactual thought experiments, intellectual historians could restore an awareness of sheer contingency to the stories we tell about the major texts and debates of intellectual history. (shrink)
The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves (...) decisive. Indeed, it is by insisting on the object's materiality that it then becomes possible to locate the effective presence of the gesture as integral to the work of art. The contention is that gesture is the intersection of art's material presence and the concerns of meaning. The paper us develop via an engagement with works by Edgar Degas and Luca Signorelli. (shrink)
In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...) can be detected in western perceptions linking natural and built environments, commencing with Plato’s Atlantis and his Myth of Er, and later as a likely import of the Chinese yin-yang mythology. Culminating with the Age of Discovery, alongside advances in experiential awareness of the Earth’s sphericity, respective feminine and masculine earmarks can be detected in early modern perspicacity of the Earth’s southern and northern hemispheres. Our conceptions of natural and built environments inherently continue to contain gender traits. Yet urban voids, as the feminine face of city-form, have been severely understated in the built environment. Through design and configuration of urban voids, allegories of femininity in city-form ought to be celebrated, not discarded. (shrink)
The main topic of my paper concerns the theological-philosophical nexus between the intensive and qualitative spatiality of the Monad and the Origenian idea of Apokatastasis as a nexus that can clarify Benjamin's latest idea of the Messianic World. The first step will be, therefore, to explain Benjamin's use of the Origenian notion of Apokatastasis in his Essay on Leskov and in the Passagenwerk. Secondly, I will discuss how and to what extent such use is relevant for Benjamin's (...) idea of Messianism. Thirdly, I will propose the thesis that, for Benjamin, a messianic idea of time implies a monadological idea of space. In this regard, the relationship between continuity and discontinuity, which is crucial to understand the late Benjamin's idea of history, must be understood precisely as a dialectical relationship that involves not only time but also space. The figure of intermittence – as we shall see – expresses in the most suitable way the intertwining of space and time as dialectically and messianicaly oriented. This sequence of logical steps and critical considerations will shed light on the true nature of Benjamin's idea of dialectics and on its relationship to the idea of the totality. The real term of confrontation of Benjamin's late philosophy does not concern, therefore, Heidegger, but Hegel. In the light of this confrontation, Heidegger's Being and Time is already in pieces. It is as it were – we can say – behind Benjamin's movement of thought. (shrink)
Q-valued sets are non-classical models of the formalized theory of identity with existence predicate based on the axioms of a non-commutative and non-idempotent logic. The singleton monad on the category of Q-valued sets is constructed, and elementary properties of T-algebras of the singleton monad are investigated.
In my paper, I intend firmly to criticize Taubes' interpretation of Benjamin's Theology as a modern form of Gnosticism. In a positive way, I sustain rather the thesis that Benjamin's Messianism is in close connection with his conception of reason and, in particularly, with the paradoxical unity of Mysticism and Enlightenment, which, according to the famous definition of Adorno, distinguishes his thought. As a radically anti-magical and anti-mythical conception of the historical time, Benjamin's Messianism has to be (...) considered as an original synthesis between motifs of the mystical tradition of the Jewish Kabbalah and motifs belonging to the rationalist tradition of the Jewish philosophy. Moving from Cohen's standpoint of a continuity between Maimonides and Kant, I consider therefore the affinity between his messianic conception of history and that of Benjamin. Both, Benjamin and Cohen, share, together with the reference to the a priori of the idea of justice, the reference to the Kantian connection between rationality and hope. Hence originates the non-eschatological Messianism of both. Motives of difference between Cohen and Benjamin’s messianic idea are to be found, conversely, in their different way to consider the idea of "the infinite task" and of its infinite fulfillment in the context of the historical time. Unlike the fundamentally ethical interpretation that Cohen gives of this relationship, Benjamin understands it ontologically in a monadological sense. This explains the constitutive relationship that exists, in Benjamin's philosophy, between Origin, Fragment and Revelation. In the light of this connection, Benjamin's messianic understanding of the historical time exceeds the Scholemian alternative between a restorative and a utopian conception of Messianism. Consequently, the Krausian motto “Ursprung ist das Ziel” displays its truth in the idea of the messianic fragment or spark. (shrink)
This paper confronts the interpretations of Eugène Atget’s photography given by Robert Desnos and Walter Benjamin. In the first part, it discusses Atget’s reception among the surrealists, particularly his relationship with Man Ray and the publication of some of his views from Paris in Littérature and La Révolution surréaliste. The second part is focused on the paragraphs that Benjamin has devoted to Atget in “Short history of photography” and "The work of art in the age of its technological (...) reproductibility”. Finally, it introduces, establishes and comments two texts by Desnos to highlight his idea of a history of photography, the place he attributes to Atget in it, and the presence of topical and figures of fundamental significance for Benjamin’s own perspective. (shrink)
A two-stage sequential choice model is studied, the first stage being defined by q-Pareto multicriterial choice rule, and the second stage being defined by scalar extremization model. In this model, at the first stage the q-Pareto rule choses alternatives which are not only undominated in terms of Pareto comparison, but also includes into choice the alternatives which are dominated by no more than q alternatives. Since the choice set of the first-stage usually contains too many elements, obtained set is used (...) as a presentation for the second stage constructed by a scalar extremization model. The properties of the model are studied as well as its representability to one-stage scalar extremization model. (shrink)
q-derivatives are part of so called quantum calculus. In this paper we investigate how such derivatives can possibly be used in Itô’s lemma. This leads us to consider how such derivatives can be used in a social science setting. We conclude that in a Itô Lemma setting we cannot use a macroscopic version of the Heisenberg uncertainty principle with q-derivatives.
We introduce a system PSI for a strict implication operator called Priorean strict implication. The semantics for PSI is based on partial Kripke models without accessibility relations. PSI is proved sound and complete with respect to that semantics, and Prior's system Q and related systems are shown to be fragments of PSI or of a mild extension of it.
O artigo examina a interpretação feita por Walter Benjamin dos poemas de Charles Baudelaire marcados pela noção de ideal, a qual se opõe ao spleen. Benjamin encontra aí o esforço de rememoração de uma experiência plena, a qual constituiria, por sua vez, um elemento essencial à compreensão da modernidade como impossibilidade desta forma de experiência. Com as noções de beleza e de aura, o artigo busca ainda salientar a importância da categoria da distância para a configuração desta forma (...) de experiência. (shrink)
_ Source: _Page Count 22 This essay explores the influence of Benjamin’s fragmentary historiography on Arendt’s understanding of narrative. I argue that Arendt and Benjamin shared a common understanding of the problems of modernity. For both thinkers contemporary conditions of existence were defined on the one hand, by a similar conception of history, and on the other hand, a break with the tradition of philosophy. I demonstrate that Benjamin’s fragmented history, adopted by Arendt in response to this (...) contemporary politico-philosophical crisis, allowed her to redeem the past as a basis of a future-oriented philosophy by creating a space for arresting the continuum of history and asserting the importance of human agency. (shrink)
The article analyses relationships between profane and religious illumination, materialism and theology, politics and religion, Marxism and Messianism. For Walter Benjamin, every second is “the small gateway in time through which the Messiah might enter”. This is the starting point in the reading of Benjamin’s works, where we confront various liaisons and couplings of radical politics and messianic events. Through the reading of Benjamin and through the analysis of his conceptions of history and time, the article addresses (...) the question what is possible in the world. (shrink)
El ángel de la historia, en las tesis de Walter Benjamin, mira hacia atrás por tres razones: Primero, porque epistemológicamente es inevitable y necesario mirar hacia atrás, o sea: el ángel no puede ver adelante y tiene que mirar hacia atrás para poder entender su entorno. Segundo, porque onto..
Focusing on Walter Benjamin's earliest pieces dedicated to school reform and the student movement, this article traces the basic critical approaches informing his mature thought back to his struggle to critically implement and transform the theory of concept formation and value presentation developed by his Freiburg teacher, Heinrich Rickert. It begins with an account of Rickert's work, specifically of the concept of Darstellung (presentation) and its central role in Rickert's postmetaphysical theory of historical research (which he characterizes as exclusively (...) concerned with the Kantian quid juris). It shows that Rickert develops a speculative but practical theory of value recognition, which nevertheless leaves the status of value itself undetermined. Contra Rickert, Benjamin returns to the ignored quid facti, or origin of value, and shows that a metacritical, postmetaphysical approach such as Rickert's ultimately limits possible experience rather than grounding it. This basic insight, it is argued, is the cornerstone of Benjamin's concept of critique. (shrink)
Dans sa critique de la démocratie libérale de Weimar, Carl Schmitt s’oppose avant tout au pluralisme. La souveraineté de l’État qu’il veut maintenir prend la forme d’un présidentialisme renforcé ; il entend ainsi sauver la substance de la Constitution allemande contre la Constitution de Weimar. Walter Benjamin, sans se placer sur le même plan, critiquant le monde de l’après-guerre avant d’envisager une essence démocratique, rencontre Schmitt sur la notion de souveraineté. Alors que tout les éloigne, et malgré l’hommage explicite (...) de Benjamin à la Théologie politique, l’hommage plus discret de Schmitt à Benjamin, l’impression qu’ils ne raisonnent pas avec la même définition de la souveraineté doit au moins être une hypothèse appelée à être démentie. Sur quoi véritablement se rencontrent-ils? Le diagnostic du conflit et le constat sur une époque ne sont qu’une réponse partielle et à bien des égards insatisfaisante. En s’appuyant sur les analyses de Giorgio Agamben, on partira de la rencontre fugace entre Schmitt et Benjamin pour étudier un concept qui a le rôle de pivot chez l’un et chez l’autre : l’état d’exception, concrétisé par la guerre civile mondiale chez Schmitt, par la guerre civile muée en terreur chez Benjamin. Dans le jeu des concepts, le point de rencontre focalisant deux pensées très différentes est aussi un point de divergence. Cela nous amènera dans un premier temps à déterminer la guerre civile mondiale comme une signature, semi-concept ou illustration de concept, et dans un deuxième temps à redéfinir ce qui sous-tend ces deux conceptions : la temporalité politique en temps de crise de la démocratie. (shrink)
Una lectura de la "Erkenntnis-kritische Vorrede" a Ursprung des deutsches Trauerspiels busca determinar en qué sentido Benjamin efectúa, en la teoría de las ideas allí esbozada, lo que él mismo llamó después una "tranposicion" del concepto goetheano de Urphänomen. El cotejo con algunos de los naturw..
This paper focuses on the problematic relationship between method and object in Walter Benjamin’s research. In order to do this, first we will try to clarify the dialectical structure of the notion of “critique”, which plays a key role in his method of historical knowledge. Benjamin’s peculiar appropriation of Goethean “dialectics” will allow us then to show the structural affinity that exists between the medium of representation and the historical object represented, paying special attention to the particular case (...) of the object called “Baroque”. (shrink)
El presente trabajo analiza la teoría de la imitación desarrollada por Walter Benjamin en el célebre ensayo sobre la obra de arte. Se pretende abordar el ensayo como una nueva muestra de la “investigación sobre el origen” ya empleada en sus obras anteriores, lo cual nos permitirá esclarecer el papel privilegiado que Benjamin asigna a la “mimesis” como el “origen” que revela la ley unitaria de toda la época. El ensayo, por tanto, supera el reducido ámbito de la (...) estética en el que ha sido tradicionalmente enmarcado y apunta a una reflexión más amplia sobre las contradicciones internas de la modernidad, respecto de la cual la mimesis señala a la vez el problema y una posible vía de salida. (shrink)
En estas páginas se trata de explicar, a partir de la reflexión de Walter Benjamin (1892-1940), en qué sentido el espacio mercantil puede comprenderse en términos epistemológicos y ontológicos. Más específicamente, constituye un dominio calculable de los objetos propio de la modernidad capitalista. Se persigue enlazar esa problemática con la cuestión filosófica del tiempo y con la teoría crítica de la industria cultural.
A Violence which Presupposes Itself: The question of Violence from Benjamin to Deleuze and Guattari This text examines some parallels between Walter Benjamin’s “critique of violence” and the theory of violence proposed by Gilles Deleuze and Félix Guattari. Whatever the differences between these two approaches, they both share an important common feature, defining the violence of state and law in terms of a “violence which presupposes itself”. This circular structure of the concept of violence renders utterly problematic the (...) attempts to envisage a wholly other, revolutionary form of violence, which could be opposed to that of the state or its law. Benjamin’s hypothesis of a divine violence which breaks the circle of the mythical one, as well as the Deleuzo-Guattarian concept of the war machine, have been devised in order to come to terms with this situation. However, these concepts are not intended to serve as a basis for the legitimation of possible acts of counter-violence. What they assert is rather the fundamental and irreducible unavailability of the event in the sphere of social struggles, where our actions can neither be calculated in advance as to their results nor be ultimately justified. (shrink)
This article highlights the dialect of failure and hope you can find in the oppressed, which every utopical thought should take into consideration. To justify it, we start from Walter Benjamin’s ideas on History, and in particular, we consider the perspective of the oppressed in Kafka’s literature, although he considered hope as a weak hint among catastrophe. And finally, we show this dialect as a specific and explicit place of the Liberation Theology.
