Results for 'Benjamin Stumpf'

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  1.  49
    Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin.Andrew Benjamin - 2017 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 10 (1):21-40.
    The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves (...)
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  2. Walter Benjamin's Philosophy: Destruction and Experience.Andrew Benjamin & Peter Osborne (eds.) - 1993 - Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  3. Dialectics of Seeing Walter Benjamin and the Arcades Project.Susan Buck-Morss & Walter Benjamin - 1989 - MIT Press.
  4.  3
    The Whiteness of Watching.Benjamin Stumpf - 2020 - Radical Philosophy Review 23 (1):117-136.
    This article seeks to develop a concept I term surveillant citizenship, referring to a historically-emergent civic national and moral discourse that prescribes citizen participation in surveillance, policing, and law enforcement. Drawing on philosophy of race, surveillance studies, critical prison studies, and cultural theory, I argue that the ideological projects attached to the ‘War on Crime’ and the ‘War on Drugs’ sought to choreograph white social life around surveillant citizenship—manufacturing consent to police militarization, prison expansion, and mass incarceration, with consequences relevant (...)
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  5. Special Section on Walter Benjamin ; Special Section on Film.Walter Benjamin - 1985 - University of Wisconsin-Milwaukee.
     
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  6. Revoluci'on Conservadora y Conservaci'on Revolucionaria Pol'itica y Memoria En Walter Benjamin.Juan Mayorga & Walter Benjamin - 2003
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  7. Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World.Andrew Benjamin - 2011 - Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  8. Stumpf’s “Einleitung Zu Brentanos Briefen an Mich”, Followed by Selected Letters From Brentano and Stumpf.Carl Stumpf - 2015 - In D. Fisette & R. Martinelli (eds.), Philosophy from an Empirical Standpoint: Essays on Carl Stumpf. Rodopi. pp. 491-530.
  9.  53
    Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV.Andrew Benjamin - 2003 - Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...)
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  10. Porosity at the Edge : Working Through Walter Benjamin's "Naples".Andrew Benjamin - 2010 - In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.
     
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  11. Walter Benjamin's Philosophy: Destruction and Experience.Andrew Benjamin & Peter Osborne (eds.) - 1993 - Routledge.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  12. Sparks Will Fly: Benjamin and Heidegger.Andrew Benjamin & Dimitris Vardoulakis (eds.) - 2015 - State University of New York Press.
    _Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger._.
     
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  13.  84
    Walter Benjamin and the Architecture of Modernity.Andrew E. Benjamin & Charles Rice (eds.) - 2009 - Re.Press.
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
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  14. The Correspondence of Walter Benjamin, 1910-1940.Walter Benjamin, Gershom Scholem & Theodor W. Adorno - 2012 - University of Chicago Press.
     
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  15.  47
    Gesture and Expression: Interrupting Lament's Repetition: Walter Benjamin and Sophocles' Electra.Andrew Benjamin - 2017 - In .
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  16. Benjamin's Modernity.Andrew Benjamin - unknown
  17. The Absolute as Translatability: Working Through Walter Benjamin on Language.Andrew Benjamin - unknown
     
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  18. The Problems of Modernity: Adorno and Benjamin.Andrew E. Benjamin (ed.) - 1991 - Routledge.
  19. Walter Benjamin's Critical Romanticism: An Introduction.Beatrice Hanssen & Andrew Benjamin - unknown
     
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  20.  33
    Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.Andrew Benjamin - unknown
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  21. Benjamin and the Baroque: Posing the Question of Historical Time.Andrew Benjamin - unknown
     
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  22.  2
    A Gem From the Past: Pleikart Stumpf's (1911) Anticipation of the Aperture Problem, Reichardt Detectors, and Perceived Motion Loss at Equiluminance.P. Stumpf - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview. pp. 25--10.
  23. Walter Benjamin 160.Walter Benjamin - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. pp. 160.
     
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  24. Walter Benjamin and Architecture.Walter Benjamin & Gevork Hartoonian (eds.) - 2010 - Routledge.
     
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  25. Wakan; the Spirit of Harold Benjamin.Harold Raymond Wayne Benjamin - 1968 - Minneapolis, Burgess Pub. Co..
     
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  26. Philosophy History and Problems / Samuel Enoch Stumpf. --.Samuel Enoch Stumpf - 1971
     
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  27. Intentionality and God’s Mind. Stumpf on Spinoza.R. Martinelli - 2011 - In G.-J. Boudewijnse & S. Bonacchi (eds.), Carl Stumpf: From philosophical reflection to interdisciplinary scientific investigation. Krammer. pp. 51-67.
    In his Spinozastudien Stumpf dismisses the commonplace interpretation of Spinoza’s parallelism in psychophysical terms. Rather, he suggests to read Ethics, II, Prop. 7, as the heritage of the scholastic doctrine of intentionality. Accordingly, things are the intentional objects of God’s ideas. On this basis, Stumpf also tries to make sense of the puzzling spinozian doctrine of the infinity of God’s attributes. In support of this exegesis, Stumpf offers an interesting reconstruction of the history of intentionality from Plato (...)
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  28. A Phenomenology Without Phenomena? Carl Stumpf’s Critical Remarks on Husserl’s Phenomenology.Denis Fisette - 2015 - In D. Fisette and R. Martinelli (ed.), Philosophy from an empirical Standpoint. Essays on Carl Stumpf. Amsterdam: Rodopi. pp. 321-358.
    This study is a commentary on Carl Stumpf's evaluation of Husserl's phenomenology as presented in the Logical Investigations and the first book of Ideas. I first examine Stumpf's reception of the version of phenomenology that Husserl presented in the Logical Investigations and I then look at §§ 85-86 of Ideas I, in which Husserl seeks to demarcate his "pure" phenomenology from that of Stumpf. In the third section, I analyze the criticism that Stumpf, in § 13 (...)
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  29. Carl Stumpf’s Debt to Hermann Lotze.Nikolay Milkov - 2015 - In Denis Fisette & Riccardo Martinelli (eds.), Philosophy from an Empirical Standpoint: Essays on Carl Stumpf. Brill. pp. 101-122.
    Carl Stumpf (1848–1937) is a key figure in the fin de siècle germanophone philosophy. Unfortunately, after the World War One, the interest towards Stumpf as a philosopher waned. One of the reasons was that already in the 1920s the attention of the mainstream philosophers shifted in direction of the rising rivalry between analytic and continental philosophy. The interest towards Carl Stumpf’s philosophy was revived only in the last twenty years or so. Great service in this provided the (...)
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  30. Benjamin Franklin and the League of the Haudenosaunee.John T. Sanders - 2006 - In St Petersburg Center for the History of Ideas (ed.), The Philosophical Age, Almanac 32: Benjamin Franklin and Russia, to the Tercentenary of His Birth. St. Petersburg Center for the History of Ideas.
    Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...)
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  31.  6
    Introduction to Carl Stumpf’s Correspondence with Franz Brentano.Denis Fisette - 2015 - In D. Fisette & R. Martinelli (eds.), Philosophy from an Empirical Standpoint: Essays on Carl Stumpf. Amsterdam: Rodopi. pp. 473-490.
    Introduction to a series of unpublished letters from Brentano and Stumpf.
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  32. Stumpf on Categories.R. Martinelli - 2015 - In Denis Fisette & Riccardo Martinelli (eds.), Philosophy form an Empirical Standpoint. Essays on Carl Stumpf. Brill. pp. 203-227.
    Stumpf’s doctrine of the categories is of great importance for our understanding of his philosophy. This theme had been widely discussed among German thinkers after Kant; Brentano himself had repeatedly dealt with it since his early works. However, Stumpf considerably diverges from Brentano on this crucial philosophical topic. Although a systematic discussion can be found only in Stumpf’s posthumous Erkenntnislehre, his core ideas on the categories can be traced to his early work on space of 1873. In (...)
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  33.  9
    La philosophie de Carl Stumpf, ses origines et sa postérité.Denis Fisette - 2006 - In Carl Stumpf, Renaissance de la philosophie. Paris: Vrin. pp. 7-112.
    A substantial introduction to Stumpf's work in philosophy and science.
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  34.  10
    Reception and Actuality of Carl Stumpf's Philosophy.Denis Fisette - 2015 - In D. Fisette & R. Martinelli (ed.), Philosophy from an Empirical Standpoint: Essays on Carl Stumpf. Amsterdam: Rodopi. pp. 11-53.
    This study aims to account for the reception of the philosophy of Carl Stumpf since the turn of the twenty-first century and to emphasize the actuality of some of the aspects of his philosophy. The present text is subdivided into several sections, each corresponding to one of the main topics discussed in the recent literature on the work of Stumpf. In the first section, I try to show, using his classification of sciences, that Stumpf's empirical work is (...)
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  35.  42
    The Uses of Walter : Walter Benjamin and the Counterfactual Imagination.Benjamin Aldes Wurgaft - 2010 - History and Theory 49 (3):361-383.
    Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi-occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin’s “survival,” including Hannah Arendt’s influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin’s story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals (...)
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  36. La filosofia di un outsider. Carl Stumpf.Riccardo Martinelli - 2009 - In C. Stumpf, La rinascita della filosofia. Saggi e conferenze. Quodlibet.
    Allievo di Brentano e Lotze, maestro di Husserl e Halle e dei Gestaltisti a Berlino dove fu voluto da Dilthey, Carl Stumpf fu per oltre mezzo secolo un protagonista della filosofia accademica tedesca. Ciò nonostante, il suo ruolo nella storia della filosofia tra Ottocento e Novecento è ancora sottovalutato dalla critica. Il saggio ricostruisce le linee generali del pensiero di Stumpf sottolinenandone il costante impegno in favore di una «Rinascita della filosofia» – come recita il titolo della sua (...)
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  37. Stumpf and Husserl on Phenomenology and Descriptive Psychology.Denis Fisette - 2009 - Gestalt Theory 32 (2):175-190.
    The purpose of this study is to examine the meaning and value of the criticism that Stumpf address to Husserl's phenomenology in Ideas I. My presentation is divided into four parts: I briefly describe the relationship between Stumpf and the young Husserl during his stay in Halle (1886-1901); then I will comment Stumpf's remarks on the definition of Husserl's phenomenology as descriptive psychology in his Logical Investigations; in the third part, I examine Husserl's notice in section 86 (...)
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  38. Melting Musics, Fusing Sounds. Stumpf, Hornbostel and Comparative Musicology in Berlin.R. Martinelli - 2014 - In R. Bod, J. Maat & T. Weststeijn (eds.), The Making of the Humanities. Vol. III: The Modern Humanities. Amsterdam University Press. pp. 391-401.
    The ancient Greeks already used to give ethnic names to their different scales, and observations on differences in music of the various nations always raised the interest of musicians and philosophers. Yet, it was only in the late nineteenth century that “comparative musicology” became an institutional science. An important role in this process was played by Carl Stumpf, a former pupil of Brentano’s who pioneered these researches in Berlin. Stumpf founded the Phonogrammarchiv to collect recordings of folk and (...)
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  39. Monty Hall Drives a Wedge Between Judy Benjamin and the Sleeping Beauty: A Reply to Bovens.Luc Bovens & Jose-Luis Ferreira - 2010 - Analysis 70 (3):473 - 481.
    In “Judy Benjamin is a Sleeping Beauty” (2010) Bovens recognises a certain similarity between the Sleeping Beauty (SB) and the Judy Benjamin (JB). But he does not recognise the dissimilarity between underlying protocols (as spelled out in Shafer (1985). Protocols are expressed in conditional probability tables that spell out the probability of coming to learn various propositions conditional on the actual state of the world. The principle of total evidence requires that we not update on the content of (...)
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  40. Thoughts on Film: Critically Engaging with Both Adorno and Benjamin.Laura D'Olimpio - 2016 - Educational Philosophy and Theory 48 (6):622-637.
    There is a traditional debate in analytic aesthetics that surrounds the classification of film as Art. While much philosophy devoted to considering film has now moved beyond this debate and accepts film as a mass art, a sub-category of Art proper, it is worth re-considering the criticism of film pre-Deleuze. Much of the criticism of film as pseudo-art is expressed in moral terms. T. W. Adorno, for example, critiques film as ‘mass-cult’; mass produced culture which presents a ‘flattened’ version of (...)
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  41.  60
    The Dialectics of Seeing: Walter Benjamin and the Arcades Project.Susan Buck-Morss - 1991 - MIT Press.
  42. Judy Benjamin is a Sleeping Beauty.Luc Bovens - 2010 - Analysis 70 (1):23-26.
    I argue that van Fraassen's Judy Benjamin Problem and Elga's Sleeping Beauty Problem have the same structure.
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  43. Regression to the Mean and Judy Benjamin.Randall G. McCutcheon - 2020 - Synthese 197 (3):1343-1355.
    Van Fraassen's Judy Benjamin problem asks how one ought to update one's credence in A upon receiving evidence of the sort ``A may or may not obtain, but B is k times likelier than C'', where {A,B,C} is a partition. Van Fraassen's solution, in the limiting case of increasing k, recommends a posterior converging to the probability of A conditional on A union B, where P is one's prior probability function. Grove and Halpern, and more recently Douven and Romeijn, (...)
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  44.  92
    Mixed Feelings. Carl Stumpf's Criticism of James and Brentano on Emotions.Denis Fisette - 2013 - In D. Fisette & G. Frechette (eds.), Themes from Brentano. Amsterdam: Rodopi. pp. 281-306.
    This study attempts to situate Carl Stumpf's theory of emotions with regard to that of his teacher, Franz Brentano, and to the sensualist theory of William James. We will argue that Stumpf's theory can be considered an attempt to reconcile James's sensualism, which emphasizes the role of bodily feelings, with what we will call, for the purposes of this study, Brentano's intentionalism, which conceives of emotions as intentional states. Stumpf claims that James's sensory feelings and Brentano's affective (...)
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  45. The Problem of the Image: Sacred and Profane Spaces in Walter Benjamin’s Early Writing.Alison Ross - 2013 - Critical Horizons 14 (3):355-379.
    From the comparative framework of writing on the meaning of ritual in the field of the history of religions, this essay argues that one of the major problems in Benjamin’s thinking is how to make certain forms of materiality stand out against other forms. In his early work, the way that Benjamin deals with this problem is to call degraded forms “symbolic”, and those forms of materiality with positive value, “allegorical”. The article shows how there is more than (...)
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  46. Brentano and Stumpf on Tonal Fusion.Riccardo Martinelli - 2013 - In D. Fisette & G. Frechette (eds.), Themes from Brentano. Rodopi.
    This essay illustrates the main aspects of the discussion between Brentano and Stumpf about «tonal fusion». In his Tonpsychologie, Stumpf essentially moved from a Brentanian standpoint. Yet, he did not adopt Brentano’s subsequently developed new theory of «sensible qualities», so that a polemic eventually arouse between them. Far from representing a marginal issue, the episode is relevant to our understanding of their relationship. The discussion as to the mechanism of tonal fusion reveals a general divergence between Brentano and (...)
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  47. Carl Stumpf lecteur de Husserl.Denis Fisette - manuscript
    Cette étude porte sur l’évaluation par Carl Stumpf de la phénoménologie de Husserl dans ses Recherches logiques et dans le premier livre des Idées directrices. J’examine, dans un premier temps, la réception par Stumpf de la phénoménologie des Recherches logiques. Je me penche ensuite sur les §§ 85-86 des Idées directrices dans lesquels Husserl cherche à démarquer sa phénoménologie « pure » de la phénoménologie de Stumpf. Dans la troisième partie, j’examine la critique que Stumpf adresse, (...)
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  48. La Dottrina Delle Categorie Nella Erkenntnislehre di Stumpf.R. Martinelli - 2015 - Giornale Critico Della Filosofia Italiana 7 (2):355-372.
    This essay aims at an analysis of Stumpf’s doctrine of categories. In Erkenntnislehre Stumpf argues that all categories empirically stem from outer and inner perception. Although Stumpf champions an empiricist explanation of the matter, he firmly rejects associationism. In his conception of the origin of categories, including substance, Stumpf builds on the assumption that human perception behaves dynamically. Sensory experience consists indeed essentially of perceptual wholes. The analysis of Stumpf’s theses is of great importance for (...)
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  49. Gender Myth and the Mind-City Composite: From Plato’s Atlantis to Walter Benjamin’s Philosophical Urbanism.Abraham Akkerman - 2012 - GeoJournal (in Press; Online Version Published) 78.
    In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...)
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  50.  17
    La estructura mística de la crítica al concepto de progreso en la filosofía de Walter Benjamin.Facundo Bey - 2019 - Revista SAAP 13 (2):421-435.
    El objetivo general de este artículo es interrogar el lugar de la crítica a la idea de progreso en la filosofía de Walter Benjamin, argumentando que las raíces de su pensamiento político podrían encontrarse en el misticismo cabalista. La intención principal es determinar, siguiendo a Benjamin, algunas de las principales características de la creencia en el progreso como problema y su relación con una determinada normatividad histórica. Este recorrido permitirá elucidar la relación que, según el autor, mantendría una (...)
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