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  1.  16
    Terentius Orator an Poeta: The Endings of Eunuchus and Adelphoe.Benjamin Victor - 2012 - Classical Quarterly 62 (2):671-691.
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  2.  11
    A Syntactical Hellenism at Horace, Satires 1.3.120–1, and a Possible Imitation in Livy.Benjamin Victor - 2013 - Classical Quarterly 63 (1):430-433.
    Horace, Satires 1.3.117–23, as transmitted: adsit regula, peccatis quae poenas inroget aequas, ne scutica dignum horribili sectere flagello. nam ut ferula caedas meritum maiora subire 120 uerbera non uereor, cum dicas esse paris res furta latrociniis et magnis parua mineris falce recisurum simili te, si tibi regnum permittant homines. Let there be a rule to impose fair penalties for transgressions, lest you pursue with terrible scourge one deserving but the stick. You see, I don't fear that you will strike with (...)
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    Horace, Odes 3.5.7.Benjamin Victor - 2012 - Classical Quarterly 62 (2):873-874.
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  4.  14
    Indoor and Outdoor: Observations on the Originals of Terence's Andria and Hecyra.Benjamin Victor - 2017 - Classical Quarterly 67 (1).
    Inquiry will be made here into a specific challenge facing writers offabulae palliatae, namely the interior scene, which they had not always the same means to display as did the poets of the νέα they adapted. One of them, Terence, will be seen to have reacted by eliminating the interior scenes that he found in his models.
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  5.  14
    Linguistic Interaction in Roman Comedy by Peter Barrios-Lech.Benjamin Victor - 2017 - Classical World: A Quarterly Journal on Antiquity 110 (3):423-424.
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  6.  11
    Plautus, Miles Gloriosus 1367.Benjamin Victor - 2008 - Classical Quarterly 58 (2):681-.
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  7.  18
    Terentiana.Benjamin Victor - 2007 - Classical Quarterly 57 (01):117-.
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