98 found
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  1.  26
    Marxism and Literature.Berel Lang - 1978 - Philosophical Review 87 (4):642-644.
  2.  38
    Forgiveness.Berel Lang - 1994 - American Philosophical Quarterly 31 (2):105 - 117.
  3.  23
    Act and Idea in the Nazi Genocide.Berel Lang - 1990 - University of Chicago Press.
  4.  2
    The Anatomy of Philosophical Style: Literary Philosophy and the Philosophy of Literature.Berel LANG - 1990 - Blackwell.
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  5.  15
    Heidegger’s Silence.Berel Lang - 1996 - Cornell University Press.
    UP. Berel Lang shows in this penetrating book how Heideggeer's own silence on the 'Jewish Question' --how (or if) the Jews were to live among the nations- ...
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  6. The Concept of Genocide.Berel Lang - 1984 - Philosophical Forum 16 (1):1.
     
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  7. The Death of Art.Arthur Coleman Danto & Berel Lang - 1984
     
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  8.  48
    Civil Disobedience and Nonviolence: A Distinction with a Difference.Berel Lang - 1970 - Ethics 80 (2):156-159.
  9. The Intentional Fallacy Revisited.Berel Lang - 1974 - British Journal of Aesthetics 14 (4):306-314.
  10. Nuclear Weapons and the Future of Humanity: The Fundamental Questions.John P. Holdren, Paul R. Ehrlich, Anne Ehrlich, Gary Stahl, Berel Lang, Richard H. Popkin, Joseph Margolis, Patrick Morgan, John Hare, Russell Hardin, Richard A. Watson, Gregory S. Kavka, Jean Bethke Elshtain, Sidney Axinn, Terry Nardin, Douglas P. Lackey, Jefferson McMahan, Edmund Pellegrino, Stephen Toulmin, Dietrich Fischer, Edward F. McClennen, Louis Rene Beres, Arne Naess, Richard Falk & Milton Fisk - 1986 - Rowman & Littlefield Publishers.
    The excellent quality and depth of the various essays make [the book] an invaluable resource....It is likely to become essential reading in its field.—CHOICE.
     
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  11.  75
    The Concept of Style.Berel Lang (ed.) - 1987 - Cornell University Press.
    ILLUSTRATIONS Chapter 2 1. Roy Lichtenstein, Little Big Painting 83 2. Luis Buriuel, Viridiana (Last Supper scene) 86 3. ...
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  12.  40
    Between Genocide and “Genocide”.Berel Lang - 2011 - History and Theory 50 (2):285-294.
  13. The Style of Method: Repression and Representation in the Genealogy of Philosophy.Berel Lang - 1995 - In Caroline van Eck, James McAllister & Renée van de Vall (eds.), The Question of Style in Philosophy and the Arts. Cambridge University Press. pp. 18--36.
     
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  14.  25
    Bosanquet' S Aesthetic: A History and Philosophy of The Symbol.Berel Lang - 1968 - Journal of Aesthetics and Art Criticism 26 (3):377-387.
  15.  42
    Reconciliation.Berel Lang - 2009 - The Monist 92 (4):604-619.
  16.  11
    Between Genocide and "Genocide". [REVIEW]Berel Lang - 2011 - History and Theory 50 (2):285-294.
    The two books discussed here join a current pushback against the concept of genocide. Nichanian focuses on the Armenian “Aghed” , inferring from his view of that event’s undeniability that “genocide is not a fact” . May’s critique assumes that groups don’t really—“objectively”—exist, as individuals do; thus, genocide—group murder—also has an “as if” quality so far as concerns the group victimized. On the one hand, then, uniqueness and sacralization; on the other hand, reductionism and diffusion. Alas, the historical and moral (...)
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  17.  14
    The Holocaust in Historical Context. Vol. 1: The Holocaust and Mass Death Before the Modern Age.Berel Lang & Steven T. Katz - 1996 - History and Theory 35 (3):375.
  18.  16
    Looking for the Styleme.Berel Lang - 1982 - Critical Inquiry 9 (2):405-413.
    Nature did not equip any of its creatures with wheels, but that means of locomotion was discovered anyway; an even swifter vehicle for the mind has been found in the atom—that irreducible unit which by virtue of its ubiquity provides reason with immediate access to alien objects, naturalizes nature, and urges an essential likeness beneath appearances so diverse that only an improbable imagination would even have placed them in a single world. The goal of atomism is to find one entity, (...)
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  19.  9
    Structuralism and Hermeneutics.Berel Lang - 1982 - Journal of Aesthetics and Art Criticism 41 (3):348-350.
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  20.  9
    On Art and the Mind.Berel Lang - 1974 - Journal of Aesthetics and Art Criticism 33 (4):459-462.
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  21.  7
    Philosophy and the Art of Writing.Berel Lang - 1985 - Journal of Aesthetics and Art Criticism 44 (1):88-89.
  22.  45
    Moral Clichés (or, How Not to Teach Ethics).Berel Lang - 2002 - Teaching Philosophy 25 (3):247-250.
    This paper describes one form of not-knowing the good that interferes with teaching ethics, namely the use of moral clichés to justify one’s moral behavior. After identifying some of the key problems with an uncritical acceptance of moral clichés , two common features of moral clichés are articulated.
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  23.  10
    Mind's Bodies: Thought in the Act.Berel Lang - 1995 - State University of New York Press.
    Subverting the boundaries between philosophy and literature, this book addresses such topics as aesthetics, criticism, epistemology, and ethics and social theory.
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  24. Philosophy and the Art of Writing Studies in Philosophical and Literary Style.Berel Lang - 1983
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  25. Philosophical Style an Anthology About the Writing and Reading of Philosophy.Berel Lang - 1980
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  26.  3
    The Concept of Style.Leonard B. Meyer & Berel Lang (eds.) - 1979 - University of Pennsylvania Press.
    A groundbreaking attempt at a prolegomenon to the study of style, this collection brings together eleven essays by distinguished philosophers, literary theorists, art historians, and musicologists, all addressing the role played by style in the arts and literature.
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  27.  40
    Kant and the Subjective Objects of Taste.Berel Lang - 1967 - Journal of Aesthetics and Art Criticism 25 (3):247-253.
  28.  37
    Uniqueness and Explanation.Berel Lang - 1985 - Journal of Philosophy 82 (10):514-515.
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  29.  26
    Langer's Arabesque and the Collapse of the Symbol.Berel Lang - 1962 - Review of Metaphysics 16 (2):349 - 365.
    Langer's first book, The Practice of Philosophy, is relevant to a discussion of the theory of the art work as symbol for the apparently perverse reason that it refers to the art work only tangentially. Where symbolism is mentioned, it is described in general terms that are largely indifferent to its consequences for the theory of art. It seems from this that Langer's consideration of the connection between the art work and the symbol is propagated by an early interest in (...)
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  30.  22
    Descartes and the Art of Meditation.Berel Lang - 1988 - Philosophy and Rhetoric 21 (1):19 - 37.
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  31.  16
    The Politics of Interpretation: Spinoza's Modernist Turn.Berel Lang - 1989 - Review of Metaphysics 43 (2):327 - 356.
    ALTHOUGH THE LABEL of modernism is well-known for its elasticity, the usage may still seem stretched by the claims I shall be making here for that remarkable seventeenth-century modernist, Spinoza. But the connection can be demonstrated, I believe, at least with respect to the concept of interpretation which, whether at the level of theory or as it is applied to the "texts" of culture and experience, is an identifying mark of modernism in almost all the diverse accounts given of that (...)
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  32.  5
    Moral Clichés.Berel Lang - 2002 - Teaching Philosophy 25 (3):247-250.
    This paper describes one form of not-knowing the good that interferes with teaching ethics, namely the use of moral clichés to justify one’s moral behavior. After identifying some of the key problems with an uncritical acceptance of moral clichés, two common features of moral clichés are articulated.
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  33.  6
    Tolerance and Evil: Teaching the Holocaust.Berel Lang - 1984 - Teaching Philosophy 7 (3):199-203.
  34.  3
    Uniqueness and Explanation.Berel Lang - 1985 - Journal of Philosophy 82 (10):514.
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  35.  2
    The Aesthetics of Gyorgy Lukacs.Berel Lang - 1977 - Philosophical Review 86 (1):109.
  36.  1
    Intuition in Bloomsbury.Berel Lang - 1964 - Journal of the History of Ideas 25 (2):295.
  37.  25
    Intentions, Concepts of Intention, and the "Final Solution".Berel Lang - 1992 - Journal of Social Philosophy 23 (3):105-117.
  38. Art & Inquiry.Berel Lang - 1975 - Detroit: Wayne State University Press.
  39.  14
    Aesthetic Inquiry and Art's Body. [REVIEW]Berel Lang - 1970 - Journal of Philosophy 67 (23):986-994.
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  40.  9
    A Note on the Location of Paintings.Berel Lang - 1972 - Journal of Aesthetics and Art Criticism 31 (1):115-116.
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  41.  21
    Achieving Our Country.Berel Lang - 2005 - International Studies in Philosophy 37 (4):161-162.
  42.  1
    Achieving Our Country: Leftist Thought in Twentieth Century America. [REVIEW]Berel Lang - 2005 - International Studies in Philosophy 37 (4):161-162.
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  43.  27
    Aesthetic Proximity.Berel Lang - 1971 - International Philosophical Quarterly 11 (4):546-560.
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  44.  1
    Aesthetic Proximity: An Agency of Belief.Berel Lang - 1971 - International Philosophical Quarterly 11 (4):546-560.
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  45.  22
    Book Review - Aesthetic Inquiry and Art's Body. [REVIEW]Berel Lang - 1970 - Journal of Philosophy 67 (23):986 - 994.
  46.  43
    Denotation and Aesthetic Inference.Berel Lang - 1970 - British Journal of Aesthetics 10 (3):248-260.
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  47.  30
    Die Schuldfrage Sixty Years After.Berel Lang - 2006 - Review of Metaphysics 60 (1):101-119.
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  48.  17
    Ethical Emotivism and the Burden of Prima Facie Evidence.Berel Lang - 1969 - Man and World 2 (4):574-579.
  49.  21
    Earthquake Prediction: Testing the Ground.Berel Lang - 1983 - Environmental Ethics 5 (1):3-19.
    The occurrence of earthquakes is usually ignored or discounted as an environmental issue, but the environmental relevance of the science of earthquake prediction is demonstrable. The social consequences of such predictions, when they are accurate, and even when they fail, have implications of such varied environmental issues as land-use control, building codes, social and economic costs. Lay members of the public are more directly involved in programs of earthquake prediction than in almost all other instances of scientific prediction, if only (...)
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  50. Holocaust Representation: Art Within the Limits of History and Ethics.Berel Lang - 2002 - Journal of Aesthetics and Art Criticism 60 (4):367-369.
     
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1 — 50 / 98