The unfolding of the task -- Freedom, pantheism, and idealism -- The account of the possibility of evil -- The account of the actuality of freedom -- The description of the manifestation of evil in man -- God as moral beingthe nature of the whole with respect to freedom -- Indifference and the birth of love.
Part I. Phenomenology -- Phenomenology and the return to beginnings -- Delimitations: phenomenology and the end of metaphysics -- Part II. Sallis's Plato interpretation -- Being and logos: reading the Platonic dialogues -- Chorology: on beginning in Plato's Timaeus -- Platonic legacies -- Part III. Art/Sallis -- Stone -- Shades-of painting at the limit -- Topographies -- Part IV. Sallis and other thinkers -- The gathering of reason -- Spacings-of reason and imagination in texts of Kant, Fichte, Hegel -- Echoes: (...) after Heidegger -- Crossings: Nietzsche and the space of tragedy -- Part V. Sallis speaks directly -- Double truth -- Force of imagination: the sense of the elemental -- On translation -- The Sallis/Derrida dialogue -- Derrida's "Tense" and Sallis's The verge of philosophy. (shrink)
Recently, the philosophical significance of comedy has attracted a great deal of attention from Continental philosophers, including this author. After venturing an account for this sudden interest, this paper surveys six contemporary books that take different views of this phenomenon. This fertile field will surely benefit from the contributions and responses of Philosophy Compass' readers.
With particular focus on imagination, Bernard Freydberg presents a close reading of Kant’s second critique, The Critique of Practical Reason. In an interpretation that is daring as well as rigorous, Freydberg reveals imagination as both its central force and the bridge that links Kant’s three critiques. Freydberg’s reading offers a powerful challenge to the widespread view that Kant’s ethics calls for rigid, self-denying obedience. Here, to the contrary, the search for self-fulfillment becomes an enormously creative endeavor once imagination is understood (...) as the heart of Kantian ethics. Seasoned scholars and newer students will find a surprising and provocative view of Kant’s ethics in this straightforward and accessible book. (shrink)
Often, respectable scholars attack the soundness of Heidegger's "violent" interpretations of Hölderlin (and others). In this case, Dieter Henrich offers a particularly harsh assessment of Heidegger's interpretation of " Andenken." Hans-Georg Gadamer, student of Heidegger and teacher of Henrich, attempts to bring harmony where none seems possible. A study of the three interpretations indicates that scholarship alone is sufficient to reach a decision on the strength of the interpretations.
This paper discloses and furthers the rebirth of comedy in Continental philosophy in three stages. The first treats Greek comedy, bringing forth the comic contours in Plato and exploring the philosophical content of Aristophanic comedy. The second examines certain German encounters with comedy, from the staid Wieland translations of Aristophanes through the thoughtful discussions of Schiller, Hegel, and Nietzsche. The third investigates twentieth-century American comedy and its connection to American Continental philosophy, and includes a close analysis of the Marx Brothers' (...) Horsefeathers . The latter serves as a bridge to some surprising developments regarding comedy, poetry, and philosophy. (shrink)
A recent issue of Research in Phenomenology contains a section on "The Future of Phenomenology," but none of the articles contained therein deals with a future engagement of phenomenology with science, especially mathematical natural science. In this paper, I discuss this engagement that was once so central to phenomenology and suggest lines along which its revival can fruitfully occur. Toward this end, I trace the contours of the Heisenberg-Heidegger exchange and show how recent readings of the Platonic , such as (...) those of Sallis and Derrida, can extend this Auseinandersetzung into new regions. (shrink)
Among Platonic images that have engaged John Sallis’s thought on Plato, the second voyage of Socrates, his deuteros plous, recurs often and provocatively. It is not too much to suggest that deuteros plous has occasioned many of Sallis’s own voyages, as well as suggesting a fruitful image of the philosopher as voyager that may be gleaned from these peculiar journeys. This essay will consist of four brief sections. The first will focus upon Sallis’s earliest reading of deuteros plous in Being (...) and Logos: The Way of Platonic Dialogue (the title of its first edition, to me the best title), in which he provides a sustained reading of Phaedo 95e–102a, in the heart of which Socrates’s second voyage is brought .. (shrink)
The vastly underrated Plutus receives at least some of its due in this paper. At its beginning, I attempt to locate Plutus within both the Hegelian discourse on comedy and within Hume's poetical and philosophical fictions. Employing the same method of close textual analysis that I employed in Philosophy and Comedy: Aristophanes, Logos, and Eros, I focus upon the thoroughgoing materialism of the poor farmer Chremylus who laments the unjust distribution of wealth, and who seeks to restore the god's sight (...) so as to obtain a large amount of the wealth he lacks. The critical section of the play occurs in an exchange with Poverty or Need, who is depicted as an ugly hag but who speaks beautifully. Aristophanic music subtly sings the glory of need as the spur to all that is good in human actions, as it mocks wealth as a standard of human worth. (shrink)
In a letter written to Gadamer after receiving a copy of Truth and Method, Leo Strauss offered many criticisms with which Gadamer took issue. However, he acknowledged the important hint cited in the title. Perhaps strangely, Gadamer never took up this hint and showed very little interest in comedy throughout his Gesammelte Schriften. In this essay, I show that there are ample resources within Gadamerian hermeneutics to answer Strauss positively, also for a rich philosophy of comedy along Gadamerian lines. Toward (...) that end, I use Gadamer’s Aristotelian view of tragedy as a clue; interpretations of play, excess and delight (Ergötzen) also weave into the analyses. (shrink)
"Heidegger" and "comedy" are words that one seldom finds conjoined. However, in his 1943 Summer Freiburg lecture course entitled " Der Anfang des abendländischen Denkens. Heraklit ," the word " komisch " occurs significantly, it is regarded as superior to " das Tragische ," and thus can open up a new vista onto Heideggerian thought. In this paper, I discuss Heidegger's interpretive translation of Heraclitus' Fragment 123: Φυσιζ κρυπτ∊σθαι φιλ∊ι. I attempt to show how Heidegger distinguishes his translation and interpretation (...) from other great thinkers and other ways of thought, and how this distinction ultimately unfolds into that unlikeliest and untimeliest of beings, a uniquely comic Heidegger. (shrink)
Abstract The paper is divided into four brief but related sections: (I) a description of Figal's resuscitation and reinterpretation of the word that informs the title of his book, the word “ Gegenstand ,“ and his Heidegger-critique regarding this resuscitation; (II) an examination of an important strain of the aforementioned lineage, namely, the role of Wilhelm von Humboldt as source for Heidegger's and his own Sprachdenken ; (III) an account of the Figal-Heidegger encounter with respect to the speaking of language; (...) and (IV) the culmination of the “ Sprache “ chapter and some comments upon the outcome with regard to philosophy of language. (shrink)
In a sustained and protracted meditation on imagination and art, John Sallis has more than challenged the traditional metaphysical distinction between sensible and intelligible that has governed much of aesthetic discourse. In his Sense of Imagination , he excised that philosophical marker altogether in favor of a language of sense in which intelligibility occurs as a secondary function—if at all. Praising Hegel’s celebration of color, he disputes the latter’s declaration that “art is dead” in favor of the Nietzschean hearkening to (...) art as the movement toward the future. (shrink)
The fundamental task of philosophy since the seventeenth century has been to determine whether the essential principles of both knowledge and action can be discovered by human beings unaided by an external agency. No one philosopher contributed more to this enterprise than Kant, whose Critique of Pure Reason (1781) shook the very foundations of the intellectual world. Kant argued that the basic principles of the natural science are imposed on reality by human sensibility and understanding, and thus that human beings (...) are also free to impose their own free and rational agency on the world. This volume is the only systematic and comprehensive account of the full range of Kant's writings available, and the first major overview of his work to be published in more than a dozen years. An internationally recognised team of Kant scholars explore Kant's conceptual revolution in epistemology, metaphysics, philosophy of science, moral and political philosophy, aesthetics, and the philosophy of religion. (shrink)
In the first book of its kind, Bernard Freydberg places David Hume firmly in the tradition of the Platonic dialogues, and regards him as a proper ancestor of contemporary continental philosophy. Although Hume is largely confined to his historical context within British Empiricism, his skepticism resonates with the Socratic Ignorance expressed by Plato, and his account of experience points toward very contemporary concerns in continental thought. Through close readings of An Enquiry Concerning the Human Understanding, An Enquiry Concerning the Principles (...) of Morals, and the essay “On the Standard of Taste,” Freydberg traces a philosophy of imagination that will set the stage for wider consideration of Hume within continental thought. (shrink)