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  1.  17
    European Vision and the South Pacific.Bernard Smith - 1950 - Journal of the Warburg and Courtauld Institutes 13 (1/2):65-100.
  2.  20
    Farewell to an Idea: Episodes From a History of ModernismModernism's History: A Study in Twentieth-Century Art.Elizabeth Mansfield, T. J. Clark & Bernard Smith - 2000 - Journal of Aesthetics and Art Criticism 58 (4):411.
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  3.  10
    Imagining the Pacific: In the Wake of the Cook Voyages.G. H. R. Tillotson & Bernard Smith - 1996 - Journal of the American Oriental Society 116 (1):178.
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  4.  34
    On Writing Art History in Australia.Bernard Smith - 2005 - Thesis Eleven 82 (1):5-15.
    In this article, presented as the Second Annual Thesis Eleven Centre Lecture in 2003, Bernard Smith discusses the practice of writing art history in, and about, Australia and Europe. Smith defends periodization, and argues for the necessity of henceforth viewing what is typically called modernism as what he calls the formalesque. Further discussion includes problems of classification, the role of theory, and the place of Aboriginal art in white art history. The article thus surveys the condition of art history in (...)
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  5. Modernism and Post-Modernism: Neo-Colonial Viewpoint—Concerning the Sources of Modernism and Post-Modernism in the Visual Arts.Bernard Smith - 1994 - Thesis Eleven 38 (1):104-117.
  6.  2
    The Death of the Artist as Hero: Essays in History and Culture.Bernard Smith - 1988 - Oxford University Press, Usa.
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  7.  36
    The Last Days of the Post Mode.Bernard Smith - 1998 - Thesis Eleven 54 (1):1-23.
    Evidence evinced primarily from the visual arts suggests that the term `postmodernism' is unlikely to survive as a general description of contemporary culture beyond the year 2000. The concepts of both post-industrialism and postmodernism are examined as presented by six major writers. None makes a convincing case for the establishment of an historical disjunction that separates modernism from postmodernism either during the 1960s or at any other time. There is a need to recognize that the modernism of the late 19th (...)
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  8.  33
    Coleridge's Ancient Mariner and Cook's Second Voyage.Bernard Smith - 1956 - Journal of the Warburg and Courtauld Institutes 19 (1/2):117-154.
  9.  6
    Forces in American Criticism: A Study in the History of American Literary Thought.Morris R. Cohen & Bernard Smith - 1940 - Journal of the History of Ideas 1 (2):241.
  10. Books That Hanged Our Minds, a Symposium.Malcolm Cowley & Bernard Smith - 1940 - Science and Society 4 (2):240-242.
  11. Books Received. [REVIEW]Bernard Smith - 1940 - Journal of the History of Ideas 1 (3):375.
     
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  12. European Vision and the South Pacific, 1768-1850 a Study in the History of Art and Ideas.Bernard Smith - 1969
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  13. Forces in American Criticism.Bernard Smith - 1941 - Science and Society 5 (1):85-87.
     
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  14.  20
    Heilsplan und natürliche Entwicklung: Formen der Gegenwartsbestimmung im Geschichtsdenken des hohen Mittelalters. Amos Funkenstein.Bernard Smith - 1968 - Speculum 43 (3):509-511.
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  15. Modernism and Post-Modernism a Neo-Colonial Viewpoint.Bernard Smith - 1992
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  16.  4
    On Forces in American Criticism.Bernard Smith - 1940 - Journal of the History of Ideas 1 (3):369.
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  17.  11
    On "Forces in American Criticism".Bernard Smith & Morris R. Cohen - 1940 - Journal of the History of Ideas 1 (3):369.
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  18. Periodicals And Reprints Received.Bernard Smith - 1940 - Journal of the History of Ideas 1 (3):378.
     
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  19.  11
    Reviews. [REVIEW]Bernard Smith - 1997 - Thesis Eleven 50 (1):126-128.
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  20. Two Meanings of Art.Bernard Smith - 1996 - Thesis Eleven 44 (1):47-56.