Presently we are experiencing a world where distributed information reshapes human modes of expression and being. The avalanche of images presented to us daily shifts our attention between numerous contexts and systems of meaning. Faced with the intensity of this broadcast, one tends to turn to abbreviations and flattening of the message. Jacques Rancier talks about aesthetics as a form of disconnected experience, which operates as a disinterested gaze. The disconnection serves as a coping mechanism allowing one to function within (...) the informational deluge. On the other hand, this flattening of an image does not represent the whole truth. Behind every image one senses a depth of meanings, which gives rise to a particular manifestation. In this article, I propose that image hides a being, which through that image individuates itself. While the acquisition of specific qualities constitutes this process of individuation, the being is the motion and agency enabling the process. Culture can be seen as technology and prosthesis, which facilitates memory of our mortality and forces us to individuate. Following this logic, image as part of culture is a technology of being. (shrink)

Day to day, we are used to living in a world of beings with well-defined edges. This world is ruled by dialectical modes of engagement that reinforce the individual being in the context of other beings. Concepts like the Freudian Other serve to confirm the place and the boundaries of a subject. Congruently, reaching beyond the reality, myths negotiate the relationship of the individual with the sublime. The dialectically conceived world does not provide a sufficiently complex conceptualization of our existence (...) today. In searching for an alternative ontology, I am looking at structures that place human and informational multiplicity at their core. The type of individuation arising from a complex system does not form a subject, but instead crystallizes as an entity akin to a demon. In order to interact with such forces, one turns to sorcerous methodologies, which facilitate the transgression into many. In exchanging the vertically conceived subject for a horizontally defined multiplicity, one enters into a pact with the demon. I am interested in artistic expressions of such alliance and the role of a network user as a sorcerer dealing with the demon. (shrink)