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Bradford Vivian [8]Bradford J. Vivian [1]
  1.  27
    The Threshold of the Self.Bradford Vivian - 2000 - Philosophy and Rhetoric 33 (4):303-318.
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  2.  6
    Public Forgetting: The Rhetoric and Politics of Beginning Again.Bradford Vivian - 2010 - Pennsylvania State University Press.
    Using examples ranging from classical rhetoric to contemporary crises like 9/11, Public Forgetting demonstrates how communities may adopt idioms of forgetting in order to create new and beneficial standards of public judgment.
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  3.  11
    On the Erosion of Democracy by Truth.Bradford Vivian - 2018 - Philosophy and Rhetoric 51 (4):416-440.
    [N]othing is more dangerous than a political system that claims to lay down the truth.We have allegedly entered a post-truth era. Oxford Dictionaries selected the previously "peripheral term" post-truth "as 2016's international word of the year" because it had quickly become "a mainstay in political commentary" with demonstrable "impact on the national and international consciousness." The very idea of a post-truth condition, as discussed in ongoing public discourse,1 relies upon various assumptions about the nature and status of truth itself as (...)
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  4.  45
    Freedom, Naming, Nobility: The Convergence of Rhetorical and Political Theory in Nietzsche's Philosophy.Bradford Vivian - 2007 - Philosophy and Rhetoric 40 (4):372 - 393.
  5.  37
    "Always a Third Party Who Says 'Me'": Rhetoric and Alterity.Bradford Vivian - 2001 - Philosophy and Rhetoric 34 (4):343-354.
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  6.  39
    Style, Rhetoric, and Postmodern Culture.Bradford Vivian - 2002 - Philosophy and Rhetoric 35 (3):223-243.
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  7.  24
    The Question of the Cinema.Bradford Vivian - 2005 - Journal of Speculative Philosophy 19 (3):250-266.
    Terrance Malick's film _The Thin Red Line is notable for its inexorable tendency to undermine the ontological status of the very times, places, and people it portrays. The film consists in an unrelenting questioning of cinematic reality. Such questioning does not lead to definitive truth or thematic resolution but only to more questions, more incredulousness at the continual disclosure and withdrawal of difference and multiplicity in their own accord. The film thus adopts what one might call a Heideggerian posture of (...)
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  8.  5
    Up From Memory.Bradford J. Vivian - 2012 - Philosophy and Rhetoric 45 (2):189.
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