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  1.  3
    Pierre Bourdieu on Social Transformation, with Particular Reference to Political and Symbolic Revolutions.Bridget Fowler - 2020 - Theory and Society 49 (3):439-463.
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  2.  9
    Simon Susen's “Bourdieusian Reflections on Language: Unavoidable Conditions of the Real Speech Situation”—A Rejoinder.Bridget Fowler - 2013 - Social Epistemology 27 (3-4):250-260.
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  3.  10
    Pierre Bourdieu: Unorthodox Marxist?Bridget Fowler - 2011 - In Simon Susen & Bryan S. Turner (eds.), The Legacy of Pierre Bourdieu: Critical Essays. Anthem Press. pp. 33.
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  4.  9
    An Introduction to Pierre Bourdieu's `Understanding'.Bridget Fowler - 1996 - Theory, Culture and Society 13 (2):1-16.
  5.  10
    Autonomy, Reciprocity and Science in the Thought of Pierre Bourdieu.Bridget Fowler - 2006 - Theory, Culture and Society 23 (6):99-117.
    This article addresses the increasingly widespread view that Bourdieu's sociological analysis is flawed by excessive determinism and thus is anti-rationalist in its socio-political implications. Against this contention, it argues that works such as Distinction should be viewed as critiques of an absolutist universalism rather than of universalism as such. Moreover, Bourdieu's logic of practice, it is claimed, caters not only for a degree of autonomy at the level of the individual, but also identifies two key intellectual fields as pivotal cultural (...)
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  6.  18
    A Note on Nick Zangwill's `Against the Sociology of Art'.Bridget Fowler - 2003 - Philosophy of the Social Sciences 33 (3):363-374.
    Zangwill's recent article offers a provocative and compelling account of the alleged deficiencies of the sociology of art. However, his main targets—christened, respectively, `production and skepticism' and `consumption skepticism'—are, in fact, only decontextualised and one-sided caricatures of the leading theories in this area. Zangwill has misrepresented some of the discipline's leading theorists including Bourdieu, Eagleton, Pollock and Wolff. His own `aesthetic' explanation of artistic acts appears, at first glance, attractive, not least for its repudiation of radical sociological reductionism. But it (...)
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  7.  3
    The Hegemonic Work of Art in the Age of Electronic Reproduction: An Assessment of Pierre Bourdieu.Bridget Fowler - 1994 - Theory, Culture and Society 11 (1):129-154.
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  8.  17
    The Obituary as Collective Memory.Bridget Fowler - 2007 - Routledge Advances in Sociology.
    The first serious academic study of obituaries, this book focuses on how societies remember.
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