Results for 'Buster Keaton'

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  1.  59
    Buster Keaton and the Puzzle of Love.Timothy Yenter - 2015 - In Ken Morefield & Nick Olson (eds.), Masters of World Cinema, Vol. 3. Cambridge Scholars Press. pp. 31-43.
    Despite the notable lack of Chaplinesque romantic flourishes, Buster Keaton has a sophisticated approach to romantic love in his films. Love in Keaton’s films is a mutual recognition and admiration for the physical and mental competence necessary to deal with an absurd, cruel, or indifferent social and physical environment and an agreement to face the world together. There are two ways in which this claim might seem surprising to someone familiar with Keaton’s films. Keaton’s famously (...)
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  2.  7
    Beckett's Film, “Which Could Only Have Been Played by Buster Keaton”.Paul Ardoin - 2015 - Angelaki 20 (4):5-21.
    This article uses Deleuze's three-part theory of the movement-image as a way to investigate the potential importance of his unexplored claim about the casting of Beckett's Film. In “The Greatest Irish Film” Deleuze writes that the starring role in Film “could only have been played by Buster Keaton” 23), but he does not explain why. Here, I return to the Bergsonian basis of Deleuze's film theory, as well as to early responses to Beckett's Film, in order to complicate (...)
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  3.  18
    Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Noël Carroll - 2008 - Wiley-Blackwell.
    In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
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  4. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Noël Carroll - 2007 - Wiley-Blackwell.
    In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
     
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  5. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Noël Carroll - 2008 - Wiley-Blackwell.
    In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
     
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  6.  16
    Reconsidering Buster Keaton's Heroines.Barbara E. Savedoff - 1997 - Philosophy and Literature 21 (1):77-90.
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  7. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.NoË Carroll & L. - 2007 - Wiley-Blackwell.
     
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  8. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.NoË Carroll & L. - 2009 - Wiley-Blackwell.
     
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  9. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.NoË Carroll & L. - 2008 - Wiley-Blackwell.
     
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  10. Buster Keaton's" Sherlock Jr.". Edited by Andrew Horton.A. M. Vickers - 2000 - The European Legacy 5 (5):763-763.
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  11.  56
    Exclusion, Still Not Tracted.Douglas Keaton & Thomas W. Polger - 2014 - Philosophical Studies 171 (1):135-148.
    Karen Bennett has recently articulated and defended a “compatibilist” solution to the causal exclusion problem. Bennett’s solution works by rejecting the exclusion principle on the grounds that even though physical realizers are distinct from the mental states or properties that they realize, they necessarily co-occur such that they fail to satisfy standard accounts of causal over-determination. This is the case, Bennett argues, because the causal background conditions for core realizers being sufficient causes of their effects are identical to the “surround” (...)
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  12.  54
    Kim's Supervenience Argument and the Nature of Total Realizers.Douglas Keaton - 2012 - European Journal of Philosophy 20 (2):243-259.
    Abstract: I offer a novel objection to Jaegwon Kim's Supervenience Argument. I argue that the Supervenience Argument relies upon an untenable conception of the base physical properties upon which mental properties are supposed to supervene: the base properties are required to be both ordinary physical/causal properties and also unconditionally sufficient for the properties that they subvene. But these requirements are mutually exclusive; as a result, at least two premises in the Supervenience Argument are false. I argue that this has disruptive (...)
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  13.  53
    The Essential Role of Improvisation in Musical Performance.Carol S. Gould & Kenneth Keaton - 2000 - Journal of Aesthetics and Art Criticism 58 (2):143-148.
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  14.  20
    Beyond Percept and Affect: Beckett's Film and Non-Human Becoming.Colin Gardner - 2012 - Deleuze and Guatarri Studies 6 (4):589-600.
    Film, Samuel Beckett's 1964 short starring Buster Keaton, dubbed by Deleuze as ‘The Greatest Irish Film’, is a seminal text in the latter's cinematic canon as it helps us to extrapolate the transition from the Bergson-based movement-image of Cinema 1 to the Nietzschean time-image of Cinema 2. Film is unique insofar as its narrative traverses and progressively destroys the action-, perception- and affection-images that constitute the movement-image as a whole, using Keaton's body, and more importantly his face, (...)
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  15.  29
    The Black Box and Philosophy.Alvin E. Keaton - 1970 - Southwestern Journal of Philosophy 1 (1/2):207-214.
  16.  1
    Nature, Nurture and First Sexual Intercourse in the Usa: Fitting Behavioural Genetic Models to Nlsy Kinship Data.Joseph Lee Rodgers, David C. Rowe & Maury Buster - 1999 - Journal of Biosocial Science 31 (1):29-41.
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  17. Faculty.Michael Bishop - unknown
    J.D. Trout and I started this project in 2000. Our goal was to write a book that was interesting, opinionated, accessible, and fun to read. Here are some excerpts from the first two pages of chapter 1: Excerpts [pdf] . The cover photo is a still of the great Buster Keaton from his movie, The General.
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  18.  12
    Descartes' Method.A. E. Keaton - 1974 - Southwestern Journal of Philosophy 5 (1):89-95.
  19.  21
    Two Kinds of Role Property.Douglas Keaton - 2010 - Philosophia 38 (4):773-788.
    The realization relation is commonly explicated via, or identified with, the causal role playing relation. However, the realization relation does not formally match the causal role playing relation. While realization is a relation between a base realizer property and a single higher level realized property, I argue that the causal role playing relation as typically defined is a relation between a base property and two higher-level role properties. Advocates of using causal role playing to explicate realization must therefore decide which (...)
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  20.  4
    Erwin Wurm, ou le « ground-zero » de la sculpture.Éric Alliez - 2003 - Multitudes 3 (3):131-134.
    A cross between a Do It Yourself and a primer of political anatomy, ErwinWurm’s « politically incorrect » drawings present, one by one, the sculptures of a present dreamed up by a post-post-minimalist Buster Keaton. Wurm sculpts bodies that are both outlandish and Austrian; there is nothing to prevent us from thinking of both Austria and the outlandish when we look at these drawings produced for Multitudes, together with the photographs that accompany them.
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  21.  1
    Genetic and Environmental Influences on Alcohol Use: Df Analysis of Nlsy Kinship Data.Maury A. Buster & Joseph Lee Rodgers - 2000 - Journal of Biosocial Science 32 (2):177-189.
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  22. Accident: A Philosophical and Literary History.Ross Hamilton - 2008 - University of Chicago Press.
    An accidental glance at a newspaper notice causes Rousseau to collapse under the force of a vision. A car accidentally hits Giacometti, and he experiences an epiphany. Darwin introduces accident to the basic process of life, and Freud looks to accident as the expression of unconscious desire. Accident, Ross Hamilton claims, is the force that makes us modern. Tracing the story of accident from Aristotle to Buster Keaton and beyond, Hamilton’s daring book revives the tradition of the grand (...)
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  23. Force of Nietsches Criticism of Christianity.Ae Keaton - 1973 - Journal of Thought 8 (1):78-81.
     
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  24. Memorie a Rotta di Collo. Milano.B. Keaton - forthcoming - Theoria.
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  25.  10
    Ghost Buster: The Reality of One's Own Body.Frédérique De Vignemont - unknown
    What are the epistemic bases of the knowledge of the reality of our own body? Proprioception plays a primordial role in body representation and more particularly at the level of body schema. Without proprioception people can feel amputated and the mislocalization of proprioceptive information through the remapping of the Penfield Homonculus induces illusions of phantom limbs, illusions that contradictory visual feedback cannot erase. However, it turns out that it is not as simple as that and that vision also intervenes in (...)
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  26.  14
    The Enthymeme Buster: A Heuristic Procedure for Position Exploration in Dialogic Dispute.Michael A. Gilbert - 1991 - Informal Logic 13 (3).
    Positions in dialogic dispute are presented enthymematically. It is important to explore the position the disputant holds. A model is offered which relies on the presentation of a counter-example to an inferred missing premiss. The example may be: [A+J embraced as falling under the rule; [A-] rejected as basically changing the position; or, [R] rejected as changing the proffered missing premiss. In each case the offered model indicates the next appropriate action. The focus of the model is on uncovering the (...)
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  27.  12
    Dewey: The First Ghost-Buster?L. Marsh - 2006 - Trends in Cognitive Sciences 10 (6):242-243.
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  28.  5
    Martyrdom's Would-Be Myth Buster.Scott Atran - 2014 - Behavioral and Brain Sciences 37 (4):362-363.
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  29. Cinematic Style and the Places of Modernity. From Venice to the Valley : California Slapstick and the Keaton Comedy Short.Charles Wolfe - 2011 - In John David Rhodes & Elena Gorfinkel (eds.), Taking Place: Location and the Moving Image. University of Minnesota Press.
     
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  30.  24
    Themes Out of School: Effects and Causes.Stanley Cavell - 1984 - University of Chicago Press.
    In the first essay of this book, Stanley Cavell characterizes philosophy as a "willingness to think not about something other than what ordinary human beings think about, but rather to learn to think undistractedly about things that ordinary human beings cannot help thinking about, or anyway cannot help having occur to them, sometimes in fantasy, sometimes as a flash across a landscape." Fantasies of film and television and literature, flashes across the landscape of literary theory, philosophical discourse, and French historiography (...)
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  31. Intelligent Design Coming Clean.William Dembski - manuscript
    In the movie Dream Team starring Michael Keaton, Keaton plays a psychiatric patient who must feign sanity to save his psychiatrist from being murdered. In protesting his sanity, Keaton informs two New York City policemen that he doesn’t wear women’s clothing, that he’s never danced around Times Square naked, and that he doesn’t talk to Elvis. The two police officers are much relieved. Likewise, I hope with this essay to reassure our culture’s guardians of scientific correctness that (...)
     
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  32.  3
    The Tangled Web of Buddhism: An Internet Analysis of Religious Doctrinal Differences.Buster G. Smith - 2012 - Contemporary Buddhism 13 (2):301-319.
    This article looks at the ways in which globalization and modernization have led to a number of changes in Buddhism. These include both the cultures in which it is practiced as well as the form that this practice takes. One consequence of existing within new cultures is that a religion that has been the majority faith for over 1000 years in many Asian countries is now a minority faith in the West. This study tests the hypothesis that religious doctrinal differences (...)
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  33.  3
    Buddhism in America.Buster Smith - 2006 - Contemporary Buddhism 7 (2):149-164.
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  34. I Watch, Therefore I Am: From Socrates to Sartre, the Great Mysteries of Life as Explained Through Howdy Doody, Marcia Brady, Homer Simpson, Don Draper, and Other Tv Icons.Gregory Bergman - 2011 - Adams Media.
    What's the world made of? Donuts! and Beer! -- Protagoras, Gorgias, Captain Kirk, and Denny Crane -- Socrates : The Sergeant Schultz of Ancient Greece -- Plato is the new American Idol -- Aristotle loves Lucy -- Charlie Harper's Non-Epicurean lifestyle -- St. Augustine's Highway to Heaven -- Scully shaves Mulder with Ockham's Razor -- Larry Hagman dreams of Descartes -- Locke versus Hobbes, or The Brady Bunch takes on Survivor -- Can or can't Kant like vampires? -- Reading Hegel (...)
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  35.  23
    The Material Ghost: Films and Their Medium.Gilberto Perez - 1998 - Johns Hopkins University Press.
    "Tough, smart, superbly engaging, The Material Ghost is a terrific book." -- Edward W. Said In The Material Ghost , Gilberto Perez draws on his lifelong love of the movies as well as his work as a film scholar to write a lively, wide-ranging, penetrating study of films and filmmakers and the nature of the art form. For Perez, film is complex and richly contradictory, lifelike and dreamlike at once, a peculiar mix of reality and imagination. "The images on the (...)
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  36.  33
    Kinesthetic Understanding and Appreciation in Dance.William P. Seeley NoËl Carroll - 2013 - Journal of Aesthetics and Art Criticism 71 (2):177-186.
    The idea that choreographic movements communicate to audiences by kinetic transfer is a commonplace among choreographers, dancers, and dance educators.1 Moreover, most dance lovers can cite their own favorite examples—the bounciness of the Royal Danish Ballet, the stomping of Bharata Natyam performers, the stag leaps in the thundering Greek chorus in Martha Graham’s Night Journey, or the contagious rhythmic transfer that takes over our feet when we watch classic tap dancers like Buster Brown. The perceptual capacity for kinetic transfer (...)
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