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Cain Todd [27]Cain Samuel Todd [2]Cain S. Todd [1]
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Profile: Cain Samuel Todd (Lancaster University)
  1.  16
    Knowing What To Do By Timothy Chappell.Cain Todd - 2017 - Analysis 77 (3):673-675.
    © The Author 2017. Published by Oxford University Press on behalf of The Analysis Trust. All rights reserved. For Permissions, please email: journals.permissions@oup.comResting largely upon a series of previously published papers, this book tackles a diverse range of topics – including the nature of practical reasons, impartiality, personhood, the phenomenal content of moral experience, and the notions of glory and beauty in ethics – that are unified by an overarching commitment to an anti-systematic approach to normative ethics. The presiding influences (...)
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  2.  48
    Emotion and Value.Cain Todd - 2014 - Philosophy Compass 9 (10):702-712.
    The nature of the general connection between emotion and value, and of the various connections between specific emotions and values, lies at the heart of philosophical discussion of the emotions. It is also central to some accounts of the nature of value itself, of value in general but also of the specific values studied within particular philosophical domains. These issues all form the subject matter of this article, and they in turn are all connected by two main questions: (i) How (...)
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  3. Imaginability, Morality, and Fictional Truth: Dissolving the Puzzle of 'Imaginative Resistance'.Cain Samuel Todd - 2009 - Philosophical Studies 143 (2):187-211.
    This paper argues that there is no genuine puzzle of ‘imaginative resistance’. In part 1 of the paper I argue that the imaginability of fictional propositions is relative to a range of different factors including the ‘thickness’ of certain concepts, and certain pre-theoretical and theoretical commitments. I suggest that those holding realist moral commitments may be more susceptible to resistance and inability than those holding non-realist commitments, and that it is such realist commitments that ultimately motivate the problem. However, I (...)
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  4.  77
    Quasi-Realism, Acquaintance, and the Normative Claims of Aesthetic Judgement.Todd Cain Samuel - 2004 - British Journal of Aesthetics 44 (3):277-296.
    My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account of aesthetic judgement. (...)
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  5.  57
    Unmasking the Truth Beneath the Beauty: Why the Supposed Aesthetic Judgements Made in Science May Not Be Aesthetic at All.Cain S. Todd - 2008 - International Studies in the Philosophy of Science 22 (1):61 – 79.
    In this article I examine the status of putative aesthetic judgements in science and mathematics. I argue that if the judgements at issue are taken to be genuinely aesthetic they can be divided into two types, positing either a disjunction or connection between aesthetic and epistemic criteria in theory/proof assessment. I show that both types of claim face serious difficulties in explaining the purported role of aesthetic judgements in these areas. I claim that the best current explanation of this role, (...)
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  6.  29
    Attending Emotionally to Fiction.Cain Todd - 2012 - Journal of Value Inquiry 46 (4):449-465.
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  7. The Philosophy of Wine: A Case of Truth, Beauty and Intoxication.Cain Todd - 2010 - Routledge.
    Does this Bonnes-Mares really have notes of chocolate, truffle, violets, and merde de cheval? Can wines really be feminine, profound, pretentious, or cheeky? Can they express emotion or terroir? Do the judgements of 'experts' have any objective validity? Is a great wine a work of art? Questions like these will have been entertained by anyone who has ever puzzled over the tasting notes of a wine writer, or been baffled by the response of a sommelier to an innocent question. Only (...)
     
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  8.  84
    Aesthetic, Ethical, and Cognitive Value.Cain Todd - 2007 - South African Journal of Philosophy 26 (2):216-227.
    This paper addresses two recent debates in aesthetics: the ‘moralist debate’, concerning the relationship between the ethical and aesthetic evaluations of artworks, and the ‘cognitivist debate’, concerning the relationship between the cognitive and aesthetic evaluations of artworks. Although the two debates appear to concern quite different issues, I argue that the various positions in each are marked by the same types of confusions and ambiguities. In particular, they demonstrate a persistent and unjustified conflation of aesthetic and artistic value, which in (...)
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  9. Expression and Objectivity in the Case of Wine: Defending the Aesthetic Terroir of Tastes and Smells.Cain Todd - 2012 - Rivista di Estetica 51 (1):95-115.
     
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  10.  98
    Recreative Minds: Imagination in Philosophy and Psychology.Cain Todd - 2003 - British Journal of Aesthetics 43 (4):419-422.
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  11.  30
    Matters of Taste.Cain Todd - 2012 - The Philosophers' Magazine 59 (59):95-100.
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  12.  16
    Percevoir l'Expression Émotionnelle Dans les Objets Inanimés : L'Exemple du Vin.Cain Todd - 2012 - Dialogue 51 (1):129-139.
    ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow (...)
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  13. Paul Crowther, The Transhistorical Image: Philosophizing Art and its History Reviewed By.Cain Todd - 2003 - Philosophy in Review 23 (5):329-331.
     
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  14.  10
    Fitting Attitudes And Essentially Contestable Concepts.Cain Todd - 2012 - Filosofia Unisinos 13 (2 - suppl.).
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  15.  9
    ANKER, STEVE, GERITZ, KATHY and SEID, STEVE (Eds). Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000.(Berkeley: University of California Press). 2010. Pp. 351.£ 20.95 (Pbk). [REVIEW]Marc Benamou, Todd Berliner, Margaret A. Boden, Shahar Bram, Jean Francois Lyotard, Max Paddison, Irene Deliege, Joel Rudinow & Cain Todd - 2011 - British Journal of Aesthetics 51 (1):115.
  16.  18
    Values of Beauty: Historical Essays in Aesthetics – Paul Guyer.Cain Todd - 2007 - Philosophical Quarterly 57 (227):313–316.
  17.  11
    Phylloxera, 'Big Science' and the Nature of Scientific Debate.Cain Todd - 2012 - Metascience 21 (3):759-761.
    Phylloxera, ‘big science’ and the nature of scientific debate Content Type Journal Article Category Book Review Pages 1-3 DOI 10.1007/s11016-012-9668-z Authors Cain Todd, Department of Politics, Philosophy and Religion, County South, Lancaster University, Lancaster, LA1 4YL UK Journal Metascience Online ISSN 1467-9981 Print ISSN 0815-0796.
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  18.  13
    Imagination, Attitude, and Experience.Cain Todd - unknown
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  19.  12
    Art and Intention: A Philosophical Study – Paisley Livingston.Cain Todd - 2007 - Philosophical Quarterly 57 (226):153–156.
    Do the artists intentions have anything to do with the making and appreciation of works of art? In Art and Intention, Paisley Livingston develops a broad and balanced perspective on perennial disputes between intentionalists and anti-intentionalists in philosophical aesthetics and critical theory. He surveys and assesses a wide range of rival assumptions about the nature of intentions and the status of intentionalist psychology. With detailed reference to examples from diverse media, art forms, and traditions, he demonstrates that insights into the (...)
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  20.  10
    The Transhistorical Image:Philosophizing Art and its History.Cain Todd - unknown
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  21.  3
    An Introduction to the Philosophy of Art.Cain Todd - unknown
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  22.  2
    Literatur, Aufmerksamkeit und epistemische Emotionen.Cain Todd - 2014 - In Ingrid Vendrell Ferran & Christoph Demmerling (eds.), Wahrheit, Wissen Und Erkenntnis in der Literatur: Philosophische Beiträge. De Gruyter. pp. 285-302.
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  23.  1
    Recreative Minds:Imagination in Philosophy and Psychology. [REVIEW]Cain Todd - unknown
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  24. Emotion and Value.Sabine Roeser & Cain Todd (eds.) - 2014 - Oxford University Press UK.
    This volume brings together new work by leading philosophers on the topics of emotion and value, and explores issues at their intersection. Recent work in philosophy and psychology has had important implications for topics such as the role that emotions play in practical rationality and moral psychology, the connection between imagination and emotion in the appreciation of fiction, and more generally with the ability of emotions to discern axiological saliences and to ground the objectivity of ethical or aesthetic value judgements. (...)
     
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  25. Imagination, Attention and Depiction.Cain Todd - 2013 - Rivista di Estetica 53 (1):89-108.
     
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  26. Immaginazione, attenzione e raffigurazione.Cain Todd - 2013 - Rivista di Estetica 53 (1):89-108.
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  27. Matters of Taste.Cain Todd - 2012 - The Philosophers' Magazine 59:95-100.
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  28. Percevoir L’Expression Émotionnelle Dans les Objets Inanimés : L’Exemple du Vin: Dialogue.Cain Todd - 2012 - Dialogue 51 (1):129-139.
    ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow (...)
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  29. The Philosophy of Wine: A Case of Truth, Beauty, and Intoxication.Cain Todd - 2011 - Mcgill-Queen's University Press.
    Questions like these have entertained anyone who has ever puzzled over the tasting notes of a wine "expert." Such questions can be bewildering but they also raise fascinating philosophical issues about the nature of sense perception, knowledge, beauty, and meaning. Wine appreciation can reveal important insights about ourselves, our interests, and pleasures. In a lively and engaging discussion of the philosophical significance of wine, Cain Todd brings much-needed clarity to confusions about wine characteristics and the nature of expertise, while championing (...)
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  30. The Philosophy of Wine: A Case of Truth, Beauty and Intoxication.Cain Todd - 2011 - Routledge.
    Does this Bonnes-Mares really have notes of chocolate, truffle, violets, and merde de cheval? Can wines really be feminine, profound, pretentious, or cheeky? Can they express emotion or terroir? Do the judgements of 'experts' have any objective validity? Is a great wine a work of art? Questions like these will have been entertained by anyone who has ever puzzled over the tasting notes of a wine writer, or been baffled by the response of a sommelier to an innocent question. Only (...)
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