72 found
Order:
Disambiguations
Carl R. Hausman [59]Carl Hausman [14]Carl B. Hausman [1]Carl Ransdell Hausman [1]
  1.  50
    Charles S. Peirce's Evolutionary Philosophy.Carl R. Hausman - 1993 - Cambridge University Press.
    In this systematic introduction to the philosophy of Charles S. Peirce, the author focuses on four of Peirce's fundamental conceptions: pragmatism and Peirce's development of it into what he called 'pragmaticism'; his theory of signs; his phenomenology; and his theory that continuity is of prime importance for philosophy. He argues that at the centre of Peirce's philosophical project is a unique form of metaphysical realism, whereby continuity and evolutionary change are both necessary for our understanding of experience. In his final (...)
    Direct download  
     
    Export citation  
     
    Bookmark   48 citations  
  2.  10
    A Discourse on Novelty and Creation.Carl Hausman - 1975 - State University of New York Press.
    Carl Hausman presents here a sustained and systematic examination of the problems of constructing a framework for understanding the concept of creativity. His discussion is unique in focusing systematically on problems of understanding creativity, examining our assumptions about what we take to be creative, and the possibility of seeing how creativity fits into a world that we expect to behave in rational patterns. In a careful examination of this complex phenomena, Hausman suggests a way of approaching creativity in terms of (...)
    Direct download  
     
    Export citation  
     
    Bookmark   9 citations  
  3.  11
    The Creative Imagination: Enlightenment to Romanticism.Carl B. Hausman - 1982 - Journal of Aesthetics and Art Criticism 40 (4):437-439.
  4.  39
    Eros and Agape in Creative Evolution: A Peircean Insight.Carl R. Hausman - 1974 - Process Studies 4 (1):11-25.
  5.  17
    The Creativity Question.Albert Rothenberg & Carl Hausman - 1977 - Journal of Aesthetics and Art Criticism 36 (1):100-101.
  6.  21
    Charles Peirce’s Categories and the Growth of Reason.Carl R. Hausman - 2008 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 21 (3):209-222.
    Charles Peirce’s semeiotic is inseparable from his account of the three categories of experience and his metaphysics. The discussion summarizes his account of the categories and considers the way they have ontological implications. These implications are then focused on Peirce’s Apapism, which is his way of referring to a theory of evolution. Finally, some suggestions are offered for a way the semeiotic with the metaphysical implications, especially their relevance for a theory of evolution, propose how Peirce might apply them for (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  7.  11
    A Review of Prominent Theories of Metaphor and Metaphorical Reference Revisited. [REVIEW]Carl Hausman - 2006 - Semiotica 2006 (161):213-230.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  8.  16
    In and Out of Peirce's Percepts.Carl R. Hausman - 1990 - Transactions of the Charles S. Peirce Society 26 (3):271 - 308.
  9.  14
    Metaphorical Reference and Peirce's Dynamical Object.Carl R. Hausman - 1987 - Transactions of the Charles S. Peirce Society 23 (3):381 - 409.
  10.  85
    Criteria of Creativity.Carl R. Hausman - 1979 - Philosophy and Phenomenological Research 40 (2):237-249.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  11.  37
    Charles Peirce's Evolutionary Realism as a Process Philosophy.Carl R. Hausman - 2002 - Transactions of the Charles S. Peirce Society 38 (1/2):13 - 27.
  12.  15
    Information Age Ethics: Privacy Ground Rules for Navigating in Cyberspace.Carl Hausman - 1994 - Journal of Mass Media Ethics 9 (3):135 – 144.
    This article examines implications of computer-sifted information: What happens when that information is reshuffled and used for other purposes than originally intended? Historical concepts of the philosophy of privacy are examined, essentially to demonstrate that a lack of clear precedent further confuses a fast-changing situation. The author argues that, a 100-odd years ago, advancing media technology prompted Louis Brandeis to proclaim a right to be let alone - but in the intervening years we have not been particularly effective in developing (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  13.  98
    The Role of Aesthetic Emotion in R. G. Collingwood's Conception of Creative Activity.Douglas R. Anderson & Carl R. Hausman - 1992 - Journal of Aesthetics and Art Criticism 50 (4):299-305.
  14.  86
    Mechanism or Teleology in the Creative Process.Carl R. Hausman - 1961 - Journal of Philosophy 58 (20):577-584.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  15.  30
    Fourthness: Carl Vaught on Peirce's Categories.Carl R. Hausman - 1988 - Transactions of the Charles S. Peirce Society 24 (2):265 - 278.
  16.  23
    Bergson, Peirce, and Reflective Intuition.Carl R. Hausman - 1999 - Process Studies 28 (3/4):289-300.
  17.  13
    Value and the Peircean Categories.Carl R. Hausman - 1979 - Transactions of the Charles S. Peirce Society 15 (3):203 - 223.
  18.  13
    Pragmatism Considers Phenomenology: Current Continental Research.Robert S. Corrington, Carl Hausman & Thomas M. Seebohm (eds.) - 1987 - University Press of America.
    A collection of papers from a conference held in 1984.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  19. Pragmatism Considers Phenomenology.Robert S. Corrington, Carl Hausman & Thomas M. Seebohm - 1989 - Transactions of the Charles S. Peirce Society 25 (2):203-206.
     
    Export citation  
     
    Bookmark  
  20.  13
    Art and Contextually Implied Truths.Carl R. Hausman - 1967 - Southern Journal of Philosophy 5 (1):9-25.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  21.  13
    Art and Symbol.Carl R. Hausman - 1961 - Review of Metaphysics 15 (2):256 - 270.
    Today we discuss in our own special vocabulary the assumption underlying the quarrel between poetry and philosophy. We speak of propositions, implications, signs, icons, symbols, etc., in connection with fine art. But in so far as we dispute over the assumption at all, the central question remains: Does poetry or art reveal something which is also revealed by philosophy?
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  22. Afterwords Criticism and Countertheses.Carl R. Hausman - 1981 - Journal of Aesthetics and Art Criticism 40 (1):81-84.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  23. AFTERWORDS Criticism and Countertheses: Creativity Studies: Where Can They Go?Carl R. Hausman - 1986 - Journal of Aesthetics and Art Criticism 45 (1):87-88.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  24.  21
    Aaron Ridley's Defense of Collingwood Pursued.Carl R. Hausman - 1998 - Journal of Aesthetics and Art Criticism 56 (4):391-393.
  25.  12
    A Semiótica de Peirce Aplicada à Percepção–O Papel dos Objetos Dinâmicos e dos Perceptos na Interpretação Perceptiva.Carl R. Hausman - 2006 - Cognitio 7 (2):231-246.
    No categories
    Direct download (2 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  26.  41
    Creativity and Self-Deception.Carl R. Hausman - 1967 - Journal of Existentialism 7:295-308.
    Direct download  
     
    Export citation  
     
    Bookmark  
  27.  10
    Creativity in Henry Nelson Wieman.Carl R. Hausman - 1977 - Process Studies 7 (4):274-275.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  28.  9
    Charles Peirce and the Future of Philosophy.Carl R. Hausman - 1998 - Journal of Speculative Philosophy 12 (2):83 - 97.
  29. Charles Peirce and the Origin of Interpretation.Carl R. Hausman - 1997 - In Paul Forster & Jacqueline Brunning (eds.), The Rule of Reason: The Philosophy of C.S. Peirce. University of Toronto Press. pp. 185-200.
     
    Export citation  
     
    Bookmark  
  30.  18
    Charles Peirce's Pragmatic Pluralism.Carl R. Hausman - 1996 - Journal of the History of Philosophy 34 (3):472-473.
    479 JOURNAL OF THE HISTORY OF PHILOSOPHY 34:3 JULY 1996 Sandra B. Rosenthal. Charles Peirce's Pragmatic Pluralism. Albany: State University of New York Press, 1994. Pp. xi + 177. Board, $16.95. Sandra Rosenthal's Charles Peirce's Pragmatic Pluralism represents a sustained discus- sion of those aspects of Peirce's philosophy that suggest that he was a philosophical pluralist. The book contains a complex, intricate, and extremely well documented exhibition of how the uniqueness of Peirce's thought places him beyond traditional views labeled as (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  31. Charles S. Peirce's Evolutionary Philosophy.Carl R. Hausman - 1997 - Cambridge University Press.
    In this systematic introduction to the philosophy of Charles S. Peirce, the author focuses on four of Peirce's fundamental conceptions: pragmatism and Peirce's development of it into what he called 'pragmaticism'; his theory of signs; his phenomenology; and his theory that continuity is of prime importance for philosophy. He argues that at the centre of Peirce's philosophical project is a unique form of metaphysical realism, whereby continuity and evolutionary change are both necessary for our understanding of experience. In his final (...)
    Direct download  
     
    Export citation  
     
    Bookmark   5 citations  
  32. Charles S. Peirce's Evolutionary Philosophy.Carl R. Hausman - 1998 - Journal of Speculative Philosophy 12 (1):74-76.
     
    Export citation  
     
    Bookmark   13 citations  
  33.  24
    Creativity Studies: Where Can They Go?Carl R. Hausman - 1986 - Journal of Aesthetics and Art Criticism 45 (1):87-88.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  34.  29
    Countertheses: The Phenomenon of Originative Speech.Carl Hausman - 1969 - World Futures 7 (4):43-55.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  35.  11
    Freedom, Indeterminism, and Necessity in the Origination of Novelty.Carl R. Hausman - 1971 - Southern Journal of Philosophy 9 (2):163-178.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  36.  30
    Göetz on Creativity.Carl R. Hausman - 1981 - Journal of Aesthetics and Art Criticism 40 (1):81.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  37. Intradiction: An Interpretation of Aesthetic Understanding.Carl R. Hausman - 1964 - Journal of Aesthetics and Art Criticism 22 (3):249-261.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  38.  24
    Infinitesimals as Origins of Evolution: Comments Prompted by Timothy Herron and Hilary Putnam on Peirce's Synechism and Infinitesimals.Carl Hausman - 1998 - Transactions of the Charles S. Peirce Society 34 (3):627 - 640.
    Direct download  
     
    Export citation  
     
    Bookmark  
  39.  24
    Insight in the Arts.Carl R. Hausman - 1986 - Journal of Aesthetics and Art Criticism 45 (2):163-173.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  40.  23
    Ii Mystery, Paradox, and the Creative Act.Carl R. Hausman - 1969 - Southern Journal of Philosophy 7 (3):289-296.
    No categories
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  41.  27
    Language and Metaphysics: The Ontology of Metaphor.Carl R. Hausman - 1991 - Philosophy and Rhetoric 24 (1):25 - 42.
    Direct download  
     
    Export citation  
     
    Bookmark  
  42.  17
    Metaphor: Review and Reflections.Carl Hausman - 2010 - Semiotics:31-42.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  43. Metaphor and Art: Interactionism and Reference in the Verbal and Nonverbal Arts.Carl R. Hausman - 1989 - Cambridge University Press.
    Direct download  
     
    Export citation  
     
    Bookmark   5 citations  
  44.  27
    Maritain's Interpretation of Creativity in Art.Carl R. Hausman - 1960 - Journal of Aesthetics and Art Criticism 19 (2):215-219.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  45.  4
    Mystery, Paradox, and the Creative Act.Carl R. Hausman - 1969 - Southern Journal of Philosophy 7 (3):289-296.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  46. Metaphors, Referents, and Individuality.Carl R. Hausman - 1983 - Journal of Aesthetics and Art Criticism 42 (2):181-195.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  47.  82
    Metaphorical Semeiotic Referents: Dyadic Objects.Carl R. Hausman - 2007 - Transactions of the Charles S. Peirce Society 43 (2):276-287.
    : When language is expressed metaphorically, metaphors seem to "say" something that has never seen said before. Some of them seem to express insights. What then are the constraints on their interpretations? Charles Peirce's semeiotic suggests a way to answer the question. Crucial to the answer is Peirce's account of semeiotic objects as two-fold, one side, the dynamic or "real" object to be interpreted, the other side, the immediate object, which is the dynamic object that has been interpreted. The interaction (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  48.  9
    Metaphorical Semeiotic Referents: Dyadic Objects.Carl R. Hausman - 2007 - Transactions of the Charles S. Peirce Society 43 (2):276-287.
    When language is expressed metaphorically, metaphors seem to "say" something that has never seen said before. Some of them seem to express insights. What then are the constraints on their interpretations? Charles Peirce's semeiotic suggests a way to answer the question. Crucial to the answer is Peirce's account of semeiotic objects as two-fold, one side, the dynamic or "real" object to be interpreted, the other side, the immediate object, which is the dynamic object that has been interpreted. The interaction account (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  49. Originality as a Criterion of Creativity.Carl R. Hausman - 1985 - In Michael H. Mitias (ed.), Creativity in Art, Religion, and Culture. Distributed in the U.S.A. By Humanities Press.
     
    Export citation  
     
    Bookmark  
  50.  12
    Philosophical Creativity and Metaphorical Philosophy.Carl R. Hausman - 1981 - Philosophical Topics 12 (3):193-211.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
1 — 50 / 72