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Carl R. Hausman [60]Carl Ransdell Hausman [1]
  1.  60
    Charles S. Peirce's evolutionary philosophy.Carl R. Hausman - 1993 - New York: Cambridge University Press.
    In this systematic introduction to the philosophy of Charles S. Peirce, the author focuses on four of Peirce's fundamental conceptions: pragmatism and Peirce's development of it into what he called 'pragmaticism'; his theory of signs; his phenomenology; and his theory that continuity is of prime importance for philosophy. He argues that at the centre of Peirce's philosophical project is a unique form of metaphysical realism, whereby continuity and evolutionary change are both necessary for our understanding of experience. In his final (...)
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  2.  7
    Charles S. Peirce's Evolutionary Philosophy.Carl R. Hausman - 1993 - New York, NY, USA: Cambridge University Press.
    In this systematic introduction to the philosophy of Charles S. Peirce, the author focuses on four of Peirce's fundamental conceptions: pragmatism and Peirce's development of it into what he called 'pragmaticism'; his theory of signs; his phenomenology; and his theory that continuity is of prime importance for philosophy. He argues that at the centre of Peirce's philosophical project is a unique form of metaphysical realism, whereby continuity and evolutionary change are both necessary for our understanding of experience. In his final (...)
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  3. Charles S. Peirce's Evolutionary Philosophy.Charles S. Peirce & Carl R. Hausman - 1994 - Transactions of the Charles S. Peirce Society 30 (2):401-413.
     
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  4. Charles S. Peirce's Evolutionary Philosophy.Carl R. Hausman - 1998 - Journal of Speculative Philosophy 12 (1):74-76.
  5.  5
    Metaphor and Art: Interactionism and Reference in the Verbal and Nonverbal Arts.Carl R. Hausman - 1989 - Cambridge University Press.
  6.  47
    Eros and Agape in Creative Evolution.Carl R. Hausman - 1974 - Process Studies 4 (1):11-25.
  7.  11
    Classical American Pragmatism: Its Contemporary Vitality.Sandra B. Rosenthal, Carl R. Hausman & Douglas R. Anderson (eds.) - 1999 - University of Illinois Press.
    This collection provides a thorough grounding in the philosophy of American pragmatism by examining the views of four principal thinkers - Charles S. Peirce, William James, John Dewey, and George Herbert Mead - on issues of central and enduring importance to life in human society. Pragmatism emerged as a characteristically American response to an inheritance of British empiricism. Presenting a radical reconception of the nature of experience, pragmatism represents a belief that ideas are not merely to be contemplated but must (...)
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  8.  21
    In and out of Peirce's Percepts.Carl R. Hausman - 1990 - Transactions of the Charles S. Peirce Society 26 (3):271 - 308.
  9. Criteria of creativity.Carl R. Hausman - 1979 - Philosophy and Phenomenological Research 40 (2):237-249.
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  10.  34
    Charles Peirce’s Categories and the Growth of Reason.Carl R. Hausman - 2008 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 21 (3):209-222.
    Charles Peirce’s semeiotic is inseparable from his account of the three categories of experience and his metaphysics. The discussion summarizes his account of the categories and considers the way they have ontological implications. These implications are then focused on Peirce’s Apapism, which is his way of referring to a theory of evolution. Finally, some suggestions are offered for a way the semeiotic with the metaphysical implications, especially their relevance for a theory of evolution, propose how Peirce might apply them for (...)
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  11.  46
    Charles Peirce's Evolutionary Realism as a Process Philosophy.Carl R. Hausman - 2002 - Transactions of the Charles S. Peirce Society 38 (1/2):13 - 27.
  12.  17
    Metaphorical Reference and Peirce's Dynamical Object.Carl R. Hausman - 1987 - Transactions of the Charles S. Peirce Society 23 (3):381 - 409.
  13.  50
    Creativity and self-deception.Carl R. Hausman - 1967 - Journal of Existentialism 7:295-308.
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  14.  13
    On Wittgenstein’s Extension of the Domain of Aesthetic Education: Intransitive Knowledge and Ethics.Penelope Miller, Anoop Gupta, Clint Randles, Carla Carmona Escalera, Arne de Boever, Steven Skaggs, Carl R. Hausman & Andrea Sauchelli - 2012 - The Journal of Aesthetic Education 46 (3):53-68.
    Ludwig Wittgenstein gave priority to aesthetics over other disciplines due to its invaluable capacities for revealing certain aspects of the nature of human understanding and for guiding our actions toward an ethical life. Although Wittgenstein did not focus on these issues in a systematic way, these worries were present in his philosophy during his lifetime. That is why I use a very wide range of his writings, from the Tractatus to letters and diaries. Aesthetic inquiries can throw light upon the (...)
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  15. Intradiction: An interpretation of aesthetic understanding.Carl R. Hausman - 1964 - Journal of Aesthetics and Art Criticism 22 (3):249-261.
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  16. Metaphors, referents, and individuality.Carl R. Hausman - 1983 - Journal of Aesthetics and Art Criticism 42 (2):181-195.
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  17. Originality as a criterion of creativity.Carl R. Hausman - 1985 - In Michael H. Mitias (ed.), Creativity in Art, Religion, and Culture. Distributed in the U.S.A. By Humanities Press.
  18. The role of aesthetic emotion in R. G. Collingwood's conception of creative activity.Douglas R. Anderson & Carl R. Hausman - 1992 - Journal of Aesthetics and Art Criticism 50 (4):299-305.
  19.  19
    Art and Contextually Implied Truths.Carl R. Hausman - 1967 - Southern Journal of Philosophy 5 (1):9-25.
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  20.  18
    Art and Symbol.Carl R. Hausman - 1961 - Review of Metaphysics 15 (2):256 - 270.
    Today we discuss in our own special vocabulary the assumption underlying the quarrel between poetry and philosophy. We speak of propositions, implications, signs, icons, symbols, etc., in connection with fine art. But in so far as we dispute over the assumption at all, the central question remains: Does poetry or art reveal something which is also revealed by philosophy?
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  21.  5
    Afterwords Criticism and Countertheses.Carl R. Hausman - 1981 - Journal of Aesthetics and Art Criticism 40 (1):81-84.
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  22.  11
    AFTERWORDS Criticism and Countertheses: Creativity Studies: Where Can They Go?Carl R. Hausman - 1986 - Journal of Aesthetics and Art Criticism 45 (1):87-88.
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  23.  45
    Aaron Ridley's defense of Collingwood pursued.Carl R. Hausman - 1998 - Journal of Aesthetics and Art Criticism 56 (4):391-393.
  24.  14
    A Semiótica de Peirce Aplicada à Percepção–O Papel dos Objetos Dinâmicos e dos Perceptos na Interpretação Perceptiva.Carl R. Hausman - 2006 - Cognitio 7 (2):231-246.
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  25.  42
    Bergson, Peirce, and Reflective Intuition.Carl R. Hausman - 1999 - Process Studies 28 (3):289-300.
  26.  17
    Creativity in Henry Nelson Wieman.Carl R. Hausman - 1977 - Process Studies 7 (4):274-275.
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  27.  16
    Charles Peirce and the Future of Philosophy.Carl R. Hausman - 1998 - Journal of Speculative Philosophy 12 (2):83 - 97.
  28. Charles Peirce and the Origin of Interpretation.Carl R. Hausman - 1997 - In Paul Forster & Jacqueline Brunning (eds.), The Rule of Reason: The Philosophy of C.S. Peirce. University of Toronto Press. pp. 185-200.
     
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  29.  28
    Charles Peirce's Pragmatic Pluralism.Carl R. Hausman - 1996 - Journal of the History of Philosophy 34 (3):472-473.
    479 JOURNAL OF THE HISTORY OF PHILOSOPHY 34:3 JULY 1996 Sandra B. Rosenthal. Charles Peirce's Pragmatic Pluralism. Albany: State University of New York Press, 1994. Pp. xi + 177. Board, $16.95. Sandra Rosenthal's Charles Peirce's Pragmatic Pluralism represents a sustained discus- sion of those aspects of Peirce's philosophy that suggest that he was a philosophical pluralist. The book contains a complex, intricate, and extremely well documented exhibition of how the uniqueness of Peirce's thought places him beyond traditional views labeled as (...)
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  30.  45
    Creativity studies: Where can they go?Carl R. Hausman - 1986 - Journal of Aesthetics and Art Criticism 45 (1):87-88.
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  31.  38
    Fourthness: Carl Vaught on Peirce's Categories.Carl R. Hausman - 1988 - Transactions of the Charles S. Peirce Society 24 (2):265 - 278.
  32.  24
    Symposium on Determinism Freedom, Indeterminism, and Necessity in the Origination of Novelty.Carl R. Hausman - 1971 - Southern Journal of Philosophy 9 (2):163-178.
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  33.  49
    Göetz on creativity.Carl R. Hausman - 1981 - Journal of Aesthetics and Art Criticism 40 (1):81.
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  34.  4
    Introduction: American Philosophy in Transition.Carl R. Hausman - 1997 - In Richard E. Hart & Douglas R. Anderson (eds.), Philosophy in experience: American philosophy in transition. New York: Fordham University Press. pp. 1-12.
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  35.  38
    Insight in the arts.Carl R. Hausman - 1986 - Journal of Aesthetics and Art Criticism 45 (2):163-173.
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  36.  30
    Ii mystery, paradox, and the creative act.Carl R. Hausman - 1969 - Southern Journal of Philosophy 7 (3):289-296.
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  37.  37
    Language and Metaphysics: The Ontology of Metaphor.Carl R. Hausman - 1991 - Philosophy and Rhetoric 24 (1):25 - 42.
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  38.  45
    Maritain's interpretation of creativity in art.Carl R. Hausman - 1960 - Journal of Aesthetics and Art Criticism 19 (2):215-219.
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  39. Mechanism or teleology in the creative process.Carl R. Hausman - 1961 - Journal of Philosophy 58 (20):577-584.
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  40.  6
    Ii Mystery, Paradox, and the Creative Act.Carl R. Hausman - 1969 - Southern Journal of Philosophy 7 (3):289-296.
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  41. Metaphorical semeiotic referents: Dyadic objects.Carl R. Hausman - 2007 - Transactions of the Charles S. Peirce Society 43 (2):276-287.
    : When language is expressed metaphorically, metaphors seem to "say" something that has never seen said before. Some of them seem to express insights. What then are the constraints on their interpretations? Charles Peirce's semeiotic suggests a way to answer the question. Crucial to the answer is Peirce's account of semeiotic objects as two-fold, one side, the dynamic or "real" object to be interpreted, the other side, the immediate object, which is the dynamic object that has been interpreted. The interaction (...)
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  42.  21
    Metaphorical Semeiotic Referents: Dyadic Objects.Carl R. Hausman - 2007 - Transactions of the Charles S. Peirce Society 43 (2):276-287.
    When language is expressed metaphorically, metaphors seem to "say" something that has never seen said before. Some of them seem to express insights. What then are the constraints on their interpretations? Charles Peirce's semeiotic suggests a way to answer the question. Crucial to the answer is Peirce's account of semeiotic objects as two-fold, one side, the dynamic or "real" object to be interpreted, the other side, the immediate object, which is the dynamic object that has been interpreted. The interaction account (...)
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  43.  19
    Philosophical Creativity and Metaphorical Philosophy.Carl R. Hausman - 1981 - Philosophical Topics 12 (3):193-211.
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  44.  7
    Philosophical Creativity and Metaphorical Philosophy.Carl R. Hausman - 1981 - Philosophical Topics 12 (3):193-211.
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  45.  17
    Peirce's Evolutionary Realism.Carl R. Hausman - 1991 - Transactions of the Charles S. Peirce Society 27 (4):475 - 500.
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  46. Philosophy of Creativity.Carl R. Hausman - 1979 - Ultimate Reality and Meaning 2 (2):143-162.
     
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  47.  23
    Spontaneity: Its Arationality and Its Reality.Carl R. Hausman - 1964 - International Philosophical Quarterly 4 (1):20-47.
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  48. Sophocles and the Metaphysical Question of Tragedy.Carl R. Hausman - 1966 - Pacific Philosophical Quarterly 47 (4):509.
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  49.  26
    Some further suggestions on novelty and creation.Carl R. Hausman - 1976 - Journal of Aesthetics and Art Criticism 35 (2):222-225.
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  50.  10
    Spontaneity: Its Arationality and Its Reality.Carl R. Hausman - 1964 - International Philosophical Quarterly 4 (1):20-47.
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