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Carol Jacobs [12]Caroll Thomas Jacobs [1]
  1.  11
    Improbable Veracities.Heinrich Von Kleist & Carol Jacobs - 1979 - Diacritics 9 (4):45.
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  2.  10
    Benjamin's Tessera: "Myslowitz-Braunschweig-Marseille".Carol Jacobs - 1992 - Diacritics 22 (3/4):35.
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  3.  9
    The Assimilating Harmony: A Reading of Antonin Artaud's Heliogabale.Carol Jacobs - 1977 - Substance 6 (17):115.
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    I, the Juggler"Rastelli Erzahlt...".Carol Jacobs & Walter Benjamin - 1975 - Diacritics 5 (2):2.
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  5.  11
    The Dissimulating Harmony: The Image of Interpretation in Nietzsche, Rilke, Artaud and Benjamin.Ann Smock & Carol Jacobs - 1979 - Substance 8 (1):116.
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    I, the Juggler. [REVIEW]Carol Jacobs - 1975 - Diacritics 5 (2):2.
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  7. Skirting the Ethical.Carol Jacobs - 2008 - Stanford University Press.
    Skirting the Ethical offers highly original readings of six works, each noted for its politico-ethical stance. The first four (Sophocles' Antigone , Plato's Symposium and Republic and Hamann's "Aesthetica in nuce") have a recognized and honored place in the canon. The last two, Sebald's The Emigrants and Jane Campion's film The Piano , are exemplary for our contemporary scene. Nevertheless, the straightforward assumptions about justice, divine and state power, the good, and identity politics that every reader or viewer inevitably comes (...)
     
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  8. Sebald's Vision.Carol Jacobs - 2015 - Cambridge University Press.
    W. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma. In _Sebald's Vision_, Carol Jacobs examines the author's prose, novels, and poems, illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through (...)
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  9. The Style of Kleist.Carol Jacobs - 1979 - Diacritics 9 (4):47.
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