18 found
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  1.  35
    Tapping Into Rate Flexibility: Musical Training Facilitates Synchronization Around Spontaneous Production Rates.Rebecca Scheurich, Anna Zamm & Caroline Palmer - 2018 - Frontiers in Psychology 9.
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  2.  24
    Perceiving temporal regularity in music.Edward W. Large & Caroline Palmer - 2002 - Cognitive Science 26 (1):1-37.
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  3.  23
    Skill acquisition in music performance: relations between planning and temporal control.Carolyn Drake & Caroline Palmer - 2000 - Cognition 74 (1):1-32.
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  4.  11
    Incremental planning in sequence production.Caroline Palmer & Peter Q. Pfordresher - 2003 - Psychological Review 110 (4):683-712.
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  5.  14
    Staying Together: A Bidirectional Delay–Coupled Approach to Joint Action.Alexander P. Demos, Hamed Layeghi, Marcelo M. Wanderley & Caroline Palmer - 2019 - Cognitive Science 43 (8).
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  6.  19
    Inhibitory Control and L2 Proficiency Modulate Bilingual Language Production: Evidence from Spontaneous Monologue and Dialogue Speech.Irina Pivneva, Caroline Palmer & Debra Titone - 2012 - Frontiers in Psychology 3.
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  7.  8
    Physiological and Behavioral Factors in Musicians’ Performance Tempo.Shannon E. Wright & Caroline Palmer - 2020 - Frontiers in Human Neuroscience 14.
  8.  22
    Context and meter enhance long-range planning in music performance.Brian Mathias, Peter Q. Pfordresher & Caroline Palmer - 2014 - Frontiers in Human Neuroscience 8.
  9.  13
    Singing emotionally: a study of pre-production, production, and post-production facial expressions.Lena R. Quinto, William F. Thompson, Christian Kroos & Caroline Palmer - 2014 - Frontiers in Psychology 5.
  10.  15
    Reduced Memory Representations for Music.Edward W. Large, Caroline Palmėr & Jordan B. Pollack - 1995 - Cognitive Science 19 (1):53-96.
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  11.  7
    Auditory and motor imagery modulate learning in music performance.Rachel M. Brown & Caroline Palmer - 2013 - Frontiers in Human Neuroscience 7.
  12.  16
    Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.
    The production of complex sequences like music or speech requires the rapid and temporally precise production of events (e.g., notes and chords), often at fast rates. Memory retrieval in these circumstances may rely on the simultaneous activation of both the current event and the surrounding context (Lashley, 1951). We describe an extension to a model of incremental retrieval in sequence production (Palmer & Pfordresher, 2003) that incorporates this logic to predict overall error rates and speed—accuracy trade-offs, as well as types (...)
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  13. Eric Chown, Stephen Kaplan, and David Kortenkamp.Edward W. Large, Caroline Palmer & Jordan B. PoNack - 1995 - Cognitive Science 19 (3):582-583.
     
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  14. Spontaneous Production Rates in Music and Speech.Peter Q. Pfordresher, Emma B. Greenspon, Amy L. Friedman & Caroline Palmer - 2021 - Frontiers in Psychology 12.
    Individuals typically produce auditory sequences, such as speech or music, at a consistent spontaneous rate or tempo. We addressed whether spontaneous rates would show patterns of convergence across the domains of music and language production when the same participants spoke sentences and performed melodic phrases on a piano. Although timing plays a critical role in both domains, different communicative and motor constraints apply in each case and so it is not clear whether music and speech would display similar timing mechanisms. (...)
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  15.  12
    Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science: A Multidisciplinary Journal 30 (1):63-98.
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  16.  9
    Disease and Urbanization. Edited by E. J. Clegg & J. P. Garlick. SSHB Symposium Volume 20. (Taylor & Francis, London, 1980.) Price £8.50. [REVIEW]Caroline Palmer - 1981 - Journal of Biosocial Science 13 (3):373-376.
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  17.  7
    Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.
    The production of complex sequences like music or speech requires the rapid and temporally precise production of events (e.g., notes and chords), often at fast rates. Memory retrieval in these circumstances may rely on the simultaneous activation of both the current event and the surrounding context (Lashley, 1951). We describe an extension to a model of incremental retrieval in sequence production (Palmer & Pfordresher, 2003) that incorporates this logic to predict overall error rates and speed—accuracy trade-offs, as well as types (...)
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  18. Music cognition.Caroline Palmer & Melissa K. Jungers - 2003 - In L. Nadel (ed.), Encyclopedia of Cognitive Science. Nature Publishing Group.
     
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