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  1. Anna Maria van Schurman's verhouding tot wetenschap in haar vroege en haar late werk.Angela Roothaan & Caroline van Eck - 1990 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 82:194.
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  2.  11
    The agency of display: objects, framings and parerga.Johannes Grave, Christiane Holm, Valérie Kobi & Caroline van Eck (eds.) - 2018 - Dresden: Sandstein Verlag.
    The display of artefacts always implies an external mediation that influences, and often codifies, the reception of the exhibits. Objects are manipulated, restored, appropriated, staged, in short displayed, through various representational strategies that include pedestals, labels, and showcases. These elements, that we could define as parerga, are often ignored because of their utilitarian function. Yet, they play an important role in the history of the artefacts and define the setting in which the objects can exert their agency. They not only (...)
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  3.  71
    Piero della Francesca's Giants.Caroline Van Eck & Paul Taylor - 1997 - Journal of the Warburg and Courtauld Institutes 60 (1):243 - 247.
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  4.  3
    British Architectural Theory, 1540-1750: An Anthology of Texts.Caroline Alexandra van Eck, Caroline van Eck & Christy Anderson - 2003 - Ashgate Publishing.
    The nature of architecture Building Architecture and Religion The sense of the past Following the example of antiquity.
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  5.  32
    Dealing With The Visual: Art History, Aesthetics And Visual Culture.Caroline Van Eck & Edward Winter - 2006 - British Journal of Aesthetics 46 (1).
    "Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting."--BOOK JACKET.
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  6.  94
    Organicism in Nineteenth-Century Architecture: An Inquiry Into its Theoretical and Philosophical Background.Caroline van Eck - 1994 - Architectura & Natura Press.
  7.  57
    Organicism in Nineteenth-Century Architecture: An Inquiry into Its Theoretical and Philosophical Background.Caroline van Eck - 1997 - Journal of Aesthetics and Art Criticism 55 (3):346-347.
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  8.  6
    Praesidium libertatis: lezingen gehouden op de Filosofiedag 1985 te Leiden.Caroline van Eck & Herman Philipse (eds.) - 1985 - Delft: Eburon.
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  9. The Question of Style in Philosophy and the Arts.Caroline A. van Eck, James W. Mcallister & Renee van de Vall - 1997 - Philosophical Quarterly 47 (187):244-246.
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  10.  53
    The warburg institute and architectural history.Caroline van Eck - 2012 - Common Knowledge 18 (1):134-148.
    At first sight, classical architecture, with its continuous revivals and reworking of the forms of Greek and Roman building, would appear to offer a privileged field in which to apply Warburg's central notion of the survival of classical forms and his view of art history's unfolding as a process of remembrance. Yet Warburg himself did not write on architecture. The topic has also largely vanished from the pages of the Journal of the Warburg and Courtauld Institutes, though in the past (...)
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  11.  19
    Book review: The question of style in philosophy and the arts. [REVIEW]ed van Eck, Caroline, ed McAllister, James & Renée deed Valvanl - 1997 - Philosophy and Literature 21 (1).
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