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  1.  41
    ‘Even the Ghost Was More Than One Person’: Hauntology and Authenticity in Todd Haynes' I'm Not There.Carolyn D'Cruz & Glenn D'Cruz - 2013 - Film-Philosophy 17 (1):315-330.
    If the opening sequence of a film is a microscopic 'event' that achieves far more than setting the tone and whetting the appetite for what we are about to see, then Todd Haynes' I'm Not There is exemplary. This paper works its way through the conceptually dense and intricately woven textual layers of the film's opening to stage a three-way dialogue between Haynes, Bob Dylan and Jacques Derrida: three mavericks who defy simple categorisation, by transgressing the boundaries of their respective (...)
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  2.  14
    Europe After Derrida: Crisis and Potentiality.Carolyn D'Cruz - 2016 - Contemporary Political Theory 15 (1):e25-e28.