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Casey Haskins [27]Casey Reed Haskins [1]
  1.  95
    Kant and the Autonomy of Art.Casey Haskins - 1989 - Journal of Aesthetics and Art Criticism 47 (1):43-54.
  2.  9
    Enlivened Bodies, Authenticity, and Romanticism.Casey Haskins - 2002 - Journal of Aesthetic Education 36 (4):92.
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  3.  5
    Dewey Reconfigured: Essays on Deweyan Pragmatism.Casey Haskins & David I. Seiple (eds.) - 1999 - State University of New York Press.
    Addresses recent perspectives central to the interpretation and criticism of Dewey’s philosophy.
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  4.  34
    Paradoxes of Autonomy; or, Why Won't the Problem of Artistic Justification Go Away?Casey Haskins - 2000 - Journal of Aesthetics and Art Criticism 58 (1):1-22.
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  5.  64
    Aesthetics as an Intellectual Network.Casey Haskins - 2011 - Journal of Aesthetics and Art Criticism 69 (3):297-308.
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  6. Autonomy: Historical Overview.Casey Haskins & Michael Kelly - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 170--174.
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  7. Art, Morality, and the Holocaust: The Aesthetic Riddle of Benigni's Life is Beautiful.Casey Haskins - 2001 - Journal of Aesthetics and Art Criticism 59 (4):373–384.
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  8.  25
    BOGOST, IAN. Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games. New York: Basic Books, 2016, Xiv + 267 Pp., $26.99 Cloth. [REVIEW]Casey Haskins - 2018 - Journal of Aesthetics and Art Criticism 76 (1):123-126.
  9.  34
    Dewey's "Art as Experience": The Tension Between Aesthetics and Aestheticism.Casey Haskins - 1992 - Transactions of the Charles S. Peirce Society 28 (2):217 - 259.
    Dewey's "Art as Experience" defends the view that art and life are a y. But his version of this view exhibits an ambiguity, arising from his ency to move back and forth in the text between two usages of "art". These usages allow for two different interpretations of the theme of the unity and life: an "aesthetic" interpretation emphasizing the uniqueness of the arts as instrumentally valuable sources of aesthetic and ummatoryexperience, and an "aestheticist" interpretation emphasizing the ence of such (...)
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  10. G. L. Hagberg, Art As Language: Wittgenstein, Meaning, and Aesthetic Theory.Casey Haskins - 1996 - Journal of Aesthetics and Art Criticism 54 (4):388-388.
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  11. John Dewey: Survey of Thought.Casey Haskins - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 2.
     
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  12.  79
    Kant, Autonomy, and Art for Art's Sake.Casey Haskins - 1990 - Journal of Aesthetics and Art Criticism 48 (3):235-237.
  13. Kenneth F. Rogerson, Kant's Aesthetics: The Roles of Form and Expression.Casey Haskins - 1989 - Journal of Aesthetics and Art Criticism 47 (4):387-389.
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  14.  2
    Lewis, Eric. Intents and Purposes: Philosophy and the Aesthetics of Improvisation. University of Michigan Press, 2019, 280 Pp., 3 B&;W Illus., $80.00 Cloth. [REVIEW]Casey Haskins - 2020 - Journal of Aesthetics and Art Criticism 78 (3):379-383.
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  15. Michael Brint and William Weaver, Eds., Pragmatism in Law & Society Reviewed By.Casey Haskins - 1992 - Philosophy in Review 12 (5):314-317.
     
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  16.  25
    NOË, ALVA. Strange Tools: Art and Human Nature. New York: Hill and Wang, 2015, Xiii + 285 Pp., $28.00 Cloth. [REVIEW]Casey Haskins - 2016 - Journal of Aesthetics and Art Criticism 74 (3):303-305.
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  17.  40
    Philip W. Jackson, John Dewey and the Lessons of Art.Casey Haskins - 1999 - Studies in Philosophy and Education 18 (4):287-297.
  18.  22
    Reinhold Niebuhr and John Dewey: An American Odyssey.Casey Haskins - 1995 - Review of Metaphysics 48 (3):678-679.
    This is a historical account of Niebuhr's and Dewey's relationship which spans the thirties, forties, and early fifties, when Dewey was philosophy professor emeritus at Columbia and Niebuhr was professor of Christian Ethics at Union Theological Seminary. The author advances two claims of interest to the general philosophical reader: first, that the two thinkers' ethical and political visions were much closer in substance and method than either they or their followers tended to acknowledge; and second, that Niebuhr was in his (...)
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  19.  26
    Review of Oxford Studies in Philosophy of Religion, Ed. Jonathan L. Kvanvig: Oxford, UK, 2008 ISBN: 978-0-19-954266-6, Pb, 254pp. [REVIEW]Casey Haskins - 2009 - Sophia 48 (4):505-507.
  20.  8
    The Aesthetics of Uncertainty by Wolff, Janet.Casey Haskins - 2009 - Journal of Aesthetics and Art Criticism 67 (4):427-429.
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  21.  95
    The Disunity of Aesthetics: A Response to J. G. A. Pocock.Casey Haskins - 2005 - Common Knowledge 11 (2):326-348.
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  22.  21
    The Kantian Sublime: From Morality to Art.Casey Haskins - 1992 - International Studies in Philosophy 24 (3):136-137.