The idea that our epistemic practices can be wrongful has been the core observation driving the growing literature on epistemic injustice, doxastic wronging, and moral encroachment. But, one element of our epistemic practice has been starkly absent from this discussion of epistemic morality: attention. The goal of this article is to show that attention is a worthwhile focus for epistemology, especially for the field of epistemic morality. After presenting a new dilemma for proponents of doxastic wronging, I show how focusing (...) on attention not only allows us to defuse that dilemma, but also helps to substantiate accounts of what goes wrong in cases of doxastic wronging. (shrink)

Our evidential environments are reflections of our social contexts. This is important because the evidence we encounter influences the beliefs we form. But, traditional epistemologists have paid little attention to the generation of this evidential environment, assuming that it is irrelevant to epistemic normativity. This assumption, I argue, is dangerous. Idealizing away the evidential environment obscures the ways that our social contexts distort its contents. Such social distortion can lead to evidential oppression, an epistemic injustice arising from the ubiquity of (...) ideologically-inflected portrayals of oppressed social groups. In some cases, this distortion can be so pervasive as to create a skeptical pothole in agents' epistemic environments---a limited region in which a skeptical scenario obtains. The skeptical challenge of social distortion is important because it suggests that prejudice and irrationality alone may not be enough to explain many harmful beliefs. Where justified belief is merely a matter of responding well to one's evidence, the ubiquity of ideologically-inflected evidence may impel a matching doxastic state, even for exemplary epistemic agents. Nevertheless, there is an asymmetry in blameworthiness between the Cartesian victim and someone laboring under evidential oppression. This asymmetry reveals the need for distinctively non-ideal epistemic norms. I offer a characterization of one such norm: the internalist practice of self-stewardship. (shrink)

Root, branch, and blossom, attention is intertwined with epistemology. It is essential to our capacity to learn and decisive of the evidence we obtain, it influences the intellectual connections we forge and those we remember, and it is the cognitive tool whereby we enact decisions about inquiry. Moreover, because it is both an epistemic practice and a site of agency, attention is a natural locus for questions about epistemic morality. This article surveys the emerging epistemology of attention, reviewing the existing (...) literature and sketching avenues for future investigation. It also argues for a reorientation of epistemology itself. This argument is the focus of Section 1. Section 2 briefly reviews philosophical accounts of attention, Section 3 focuses on issues in traditional, individualistic epistemology, and Section 4 turns to social epistemology. (shrink)

‘Feminist logic’ may sound like an impossible, incoherent, or irrelevant project, but it is none of these. We begin by delineating three categories into which projects in feminist logic might fall: philosophical logic, philosophy of logic, and pedagogy. We then defuse two distinct objections to the very idea of feminist logic: the irrelevance argument and the independence argument. Having done so, we turn to a particular kind of project in feminist philosophy of logic: Valerie Plumwood's feminist argument for a relevance (...) logic. Plumwood's work serves as our primary case study as we turn to the project of considering three different ways we might understand her argument and revisionist arguments like it: as a priori theorizing, as ameliorative conceptual engineering, or as instances of anti-exceptionalist approaches to logic. After arguing that the anti-exceptionalist approach seems to provide the most promising means of understanding the kind of project undertaken in a feminist challenge to classical logic, we briefly address the consequences that this might have for logic instruction. Here, we argue for the perhaps unexpected conclusion that feminist programs ought to offer more, not less, instruction in logic for those who take interest. (shrink)

Virtue signaling—using public moral discourse to enhance one’s moral reputation—is a familiar concept. But, what about profile pictures framed by “Vaccines work!”? Or memes posted to anti-vaccine groups echoing the group’s view that “Only sheep believe Big Pharma!”? These actions don’t express moral views—both claims are empirical (if imprecise). Nevertheless, they serve a similar purpose: to influence the judgments of their audience. But, where rainbow profiles guide their audience to view the agent as morally good, these acts guide their audience (...) to view the agent as epistemically good. They are instances of epistemic virtue signaling. The first goal of this paper is to offer an account of epistemic virtue signaling. I argue that epistemic virtue signaling occurs through both behavioral and propositional signals, and serves purposes similar to those of moral virtue signaling across a wide variety of discourses. The second is to show that there is much work for this concept to do. In particular, this concept illuminates a double bind faced by those who suffer from and seek to overcome testimonial injustice. I close by demonstrating how this double bind arises in the dissolution of medical autonomy, focusing on the care gap faced by pregnant women of color in the United States today, as compared with their white counterparts. (shrink)

How does being a woman affect one’s epistemic life? What about being Black? Or queer? Standpoint theorists argue that such social positions can give rise to otherwise unavailable epistemic privilege. “Epistemic privilege” is a murky concept, however. Critics of standpoint theory argue that the view is offered without a clear explanation of how standpoints confer their benefits, what those benefits are, or why social positions are particularly apt to produce them. For this reason, many regard standpoint theory as being out (...) of step with epistemology more broadly. But this need not be so. This article articulates a minimal version of standpoint epistemology that avoids these criticisms and supports the normative goals of its feminist forerunners. This account serves as the foundation for developing a formal model in which to explore standpoint epistemology using neighborhood semantics for modal logic. (shrink)

Idealization is a necessity. Stripping away levels of complexity makes questions tractable, focuses our attention, and lets us develop comprehensible, testable models. Applying such models, however, requires care and attention to how the idealizations incorporated into their development affect their predictions. In epistemology, we tend to focus on idealizations concerning individual agents' capacities, such as memory, mathematical ability, and so on, when addressing this concern. By contrast, this dissertation focuses on social idealizations, particularly those pertaining to salient social categories like (...) race, sex, and gender. In Chapter II, Privilege and Superiority, we begin with standpoint epistemology, one of the earliest efforts to grapple with the ways that social structures affect our epistemic lives. I argue that, if we interpret standpoint epistemologists' claims as hypotheses about the ways that our social positions affect access to evidence, we can fruitfully employ recent developments in evidence logic to study the consequences. I lay the groundwork for this project, developing a model based on neighborhood semantics for modal logic. Adapting this framework to standpoint epistemology helps to clarify the meaning of terms like "epistemic privilege" and "superior knowledge" and to elucidate the differences between various accounts of standpoint epistemology. I also address a longstanding criticism of these views: Longino's (1990) bias paradox, which suggests that there is no objective position from which to judge the goodness of a particular standpoint. Chapter III, Evidence in a Non-Ideal World, turns to the broader social context, looking at how ideology affects the availability of evidence. Throughout the chapter, I take the formation, justification, and maintenance of racist, sexist, and otherwise oppressive beliefs as a central case. I argue that these beliefs are, at least sometimes, formed as a result of evidential distortion, a structural feature of our epistemic contexts that skews readily available evidence in favor of dominant ideologies. Because they are formed this way, such beliefs will appear justified on prominent accounts of justification, both internalist and externalist. As a result, epistemic norms that fail to account for such non-ideal conditions will deliver verdicts that are not only counter-intuitive, but also morally unpalatable. This, I argue, reveals a kind of structural epistemic injustice, especially where oppressive ideology is involved and suggests the need for epistemic norms that are sensitive to agents' social contexts. Much of the discussion in Chapters II and III depends on social categories like race and gender, arguing that they have a distinctive influence on our epistemic lives. In Chapter IV, I Know You Are, But What Am I?, my co-author and I focus on social categories themselves, distinguishing between self-identity, social identity, and social role. We self-identify as gay or straight, men or women, couch-potatoes or gym rats. Sometimes, these identities affect our social roles---the way we are perceived and treated by others---and sometimes they do not. This relationship between our internal identities and our preferred public perceptions begs for explanation. On our account, this relationship is captured by what we refer to as 'social identity'---roughly, internal identities made available to others. We argue that this account of social identity plays an illuminating role in structural explanation of discrimination and individual behavior, dissolves puzzles surrounding the phenomenon of 'passing', and explains certain moral and political obligations toward individuals. (shrink)

Since it was presented in 1963, Chisholm’s paradox has attracted constant attention in the deontic logic literature, but without the emergence of any definitive solution. We claim this is due to its having no single solution. The paradox actually presents many challenges to the formalization of deontic statements, including (1) context sensitivity of unconditional oughts, (2) formalizing conditional oughts, and (3) distinguishing generic from nongeneric oughts. Using the practical interpretation of ‘ought’ as a guideline, we propose a linguistically motivated logical (...) solution to each of these problems, and explain the relation of the solution to the problem of contrary-to-duty obligations. (shrink)

Protest is often theorized in terms of the relationship between the protest and its audience—lawmakers, the public, and the media. Refreshingly, José Medina’s The Epistemology of Protest balances this standard approach with consideration of the internal life of protest. Analyzing the complexity within what is often seen as a monolithic spectacle, Medina demonstrates that this internal perspective is important not only for understanding the experience, nature, and power of protest, but also for understanding how protests are—and ought to be—taken up (...) by society. After reviewing Medina’s analysis, I offer three comments. The first concerns the verbal-content-independence thesis, which is a crucial link in Medina’s analysis of the communicative complexity of protest. The second concerns uncivil protest and attention—while uncivil protest may be an efficient way to gather the “raw materials” for epistemic activism, the work of waking people from their epistemic and political slumber, as Medina puts it, requires far more careful engineering of attention. I conclude with considerations concerning the internal structure of protest. (shrink)

The tragedy of heterosexuality is this: modern straightness dooms once-hopeful, loving couples to share dull, frustrating, and lonely lives together. After all, men are from Mars, women are from Venus, and what’s a heterosexual to do about it? Against this dismal state of affairs, Jane Ward’s The Tragedy of Heterosexuality offers a scholarly, empathetic intervention from the perspective of queer culture. Ward’s book reveals that the titular tragedy is rooted in the misogynistic ideology permeating straight culture, according to which women (...) are at once objects of desire and derision. In a culture animated by this antimony, women and men are very different creatures and, by the same token, they are bound to struggle... (shrink)

What’s important about ‘coming out’? Why do we wear business suits or Star Trek pins? Part of the answer, we think, has to do with what we call agential identity. Social metaphysics has given us tools for understanding what it is to be socially positioned as a member of a particular group and what it means to self-identify with a group. But there is little exploration of the general relationship between self-identity and social position. We take up this exploration, developing (...) an account of agential identity—the self-identities we make available to others. Agential identities are the bridge between what we take ourselves to be and what others take us to be. Understanding agential identity not only fills an important gap in the literature, but also helps us explain politically important phenomena concerning discrimination, malicious identities, passing, and code-switching. These phenomena, we argue, cannot be understood solely in terms of self-identity or social position. (shrink)

A partir de l'idée de “ folie ” chez S. Paul , Fr. Le Gal explore le thème de “ la folie sainte de Dieu ” qui n'est autre que la révélation de son amour fou pour l'homme. Examinant tout d'abord la polysémie du terme, sa réflexion porte en première partie sur Jésus-Christ comme “ homme de la dérision et Dieu à la folie ”, examinant au passage la parabole comme lieu de l' “ ironie christique ”. Dans la seconde (...) partie, c'est Paul qui révèle le contenu à la fois christologique, théologique et spirituel de la folie dans la tension entre la scandale de la croix et le risque pour l'apôtre et le croyant de n'être pas reçus. C'est pourtant là que se manifestera la “ folie sainte ”.Beginning with the idea of 'folly " in St. Paul , Fr Le Gal explores the theme of "the holy folly of God " that is nothing other than the revelation of his mad love for man. Examining first of all the polysemy of the term, his reflection in the first part is on Jesus Christ as "man of derision and God of folly ", examining in passing the parable as the area of "christic irony ". In the second part, it is Paul who reveals, at the same time, the christological, theological, and spiritual content of folly in the tension between the scandal of the cross and the risk for the apostle and the believer not to be accepted. It is there, nevertheless, that the "holy folly " manifests itself. (shrink)

Robert Hurley | : Éphésiens 2 décrit l’offre de salut aux nations comme ayant été rendue possible « par le sang de Christ » et « par la croix du Christ ». La recherche actuelle tient pour acquis que le salut des nations dépend d’une troisième condition, à savoir leur incorporation dans la cité d’Israël. Une étude des lecteurs implicites et de l’auteur implicite de la lettre mène à une conclusion différente. Ce que Dieu accomplit dans le Christ a (...) été ordonné avant la fondation du monde et a préséance sur toute revendication juive au privilège découlant des « alliances de la promesse ». Dans le Christ, Dieu abolit la Loi et fonde une nouvelle communauté de justice et de vérité. Les saints d’Éphèse y rejoignent les saints d’ailleurs dans le monde pour s’opposer à l’esprit à l’oeuvre dans l’Empire romain et aux fils de la désobéissance qui sont ses fidèles soutiens et alliés. | : Ephesians 2 describes the offer of salvation to the nations as having been made possible “by the blood of Christ” and “through the cross of Christ”. In current research, a third condition for the salvation of the nations is believed to be present. Researchers have taken for granted that pagans must first be incorporated into the commonwealth of Israel before they can be saved. A study of the implied readers and implied author of the letter points to other conclusions. What God is doing in Christ was ordained before the foundations of the world and thus supersedes any Jewish claims of privilege flowing from the historical “covenants of promise”. In Christ, God abolishes the Law and founds a new commonwealth of justice and truth, in which the saints at Ephesus join the saints everywhere in their opposition to the spirit at work in the Roman Empire and its supporters. (shrink)

Résumé Témoignage d’une collaboration au sein des musées et réflexion sur l’exposition à partir de « extraits » présentée au musée Sainte-Croix de Poitiers en 1989, d’après les saisons de nicolas poussin au musée des Beaux-Arts de Nancy en 2003 et 2004, et la peinture de claude rutault expose celle de Jean Gorin au musée des Beaux-Arts de Nantes en 2008.

Une des caractéristiques de l'architecture de la Grèce du Sud aux IXe-XIIe s. est l'utilisation d'appareils où les blocs ont une place prépondérante. Ces appareils peuvent être classés selon des critères morphologiques. C'est ainsi que sont décrits neuf types comprenant le grand appareil rectangulaire, caractéristique du XIIe s., l'appareil cloisonné à croix, surtout représenté au XIe s., et leurs dérivés (appareil rectangulaire irrégulier, appareil à moellons quadrangulaires, appareil mixte, grand appareil hétérogène, grand appareil rectangulaire cloisonné, appareil cloisonné à mégalithes, (...) appareil à montants et remplissage et appareil à moellons quadrangulaires à croix), ainsi que l'appareil cyclopéen qui est particulier au Magne et date de la fin du Xe- début du XIe s. Cette classification a par ailleurs permis d'émettre de nouvelles hypothèses sur la datation de certains édifices tels que le catholicon d'Ossios Loukas, Saint-Nicolas-aux-Champs, la Dormition de la Vierge de Merbaka ou certaines églises du Magne. (shrink)

If patriotism can thus be seen as an incentive or as an instigation even in such a recondite science as epistemology, how much more readily can it be seen to perform such functions in other studies more immediately or inextricably bound up with communal human life? I pass over instances that occur to me—for instance, the Victorian Jesuit, Father Hopkins, declaring that every good poem written by an Englishman was a blow struck for England--and profit instead, if I may, by (...) the presence among us of Edward Said. I do not know, and it is none of my business to know, what passport Said presents at the international frontier. But it is surely common knowledge among us that he has deep and feelingful and intimate allegiances to the state of Lebanon. Who of us has failed to connect this with his books Orientalism and The Question of Palestine? The point is that, having made this connection, none of us thinks the worse of Said. On the contrary, we recognize that he has a special stake in such topics and therefore speaks on them with a special authority. Unless I am mistaken, that stake and that authority are, in a perhaps extended sense, patriotic. And whatever our speculative objections to the idea and the principle of patriotism, in practice we recognize it and we honour it.What I am questioning, it will now be plain, is the principle of "disinterest." "The disinterested pursuit of knowledge"—it is what in our distinct disciplines all of us have paid lip-service to, and perhaps more than lip-service. But when we come right down to it, is it what we believe? The honest patriot declares an interest; and if we are wise, we take note of the declaration, making allowances and reserving doubts accordingly. But what are we to make of the scholar who declares no interest, who claims implicitly to be truly disinterested. Can we believe him? And if we cannot, what guidance do we have as to what reservations to make, what doubts to entertain? I am of one mind with my Marxist colleagues who, from a political position very far from mine, warn us to be especially suspicious of the scholar who claims to have no axe to grind. We, all of us, have axes to grind; the crucial distinction is between those who know this about themselves and those who don't.Let me make myself clear. When I urge that the terms "patriotism" and "patriotic" be reinstated in our discourse, and particularly in those forms of our discourse that may be called "interpretation," I do not imply that patriotism is a nobler, a more elevated instigation than sundry others, mostly ideological, of which we are more aware. The point is precisely that of these others we are aware because we share a vocabulary which acknowledges them, whereas "patriotic" has been banished from our vocabulary, and so the reality which the word represents is left out of our calculations. Let me admit for the sake of argument what I do not in fact believe-- that patriotism is a concept and a sentiment so besmirched by the unholy uses made of it that, if mankind is to survive, patriotism will have to be eradicated. Even if that were the case, it remains true that patriotic interest and incitement are very far from having been eradicated from the world that we in fact inhabit, and try to interpret, here and now; and if we try to work within a vocabulary that pretends otherwise, we condemn ourselves to producing interpretations that are drastically partial and perhaps disastrously misleading. The point is not whether patriotism is a good thing or a bad thing but simply that it is; it exists, as powerful factor which we all in our hearts acknowledge even as our vocabulary refuses to. And when we speak in this context of "the world," we certainly include in that world ourselves, who offer to interpret it. Every one of our interpretations is coloured by the fact that we, the several interpreters, are British or American, French or Italian or Russian or whatever. If we think otherwise, we deceive ourselves; and yet where, in any of our currently acceptable vocabularies, determined as all of them are by the glib rationalism of the Enlightenment, do we find that momentous fact about ourselves acknowledged? Where is it acknowledged, for instance, in the vocabulary of feminism that "woman," as conceived by an American writing about Italians, cannot help but be significantly different from "woman" as conceived by an Italian looking at Americans? Or again, an Italian woman may well, we must suppose, be an Italian patriot; but where, in the current vocabulary of feminists, is that dimension of her "woman-ness" allowed for? Let it be acknowledged only so as to be deplored; but let it in any event be acknowledged. At the moment, it isn't.Donald A. Davie, the distinguished poet, is Andrew W. Mellon Professor of the Humanities at Vanderbilt University and honorary fellow of Saint Catharine's College, Cambridge and of Trinity College, Dublin. He has edited The New Oxford Book of Christian Verse, and his Collected Poems 1950-1970 appeared in 1972. His latest publications are Dissentient Voice and These the Companions; Recollections. (shrink)

Niccolò et Domenico Sandro, imprimeurs à Venise de 1505 à 1542, utilisèrent deux marques portant, l’une le monogramme trilittérale de Jésus, l’autre une figure représentant deux triangles appointés et sommée d’une croix. La première s’inspire des tablettes de saint Bernardin de Sienne, reprises par les Jésuates, pour lesquels les Sandro travaillèrent. La seconde, plus énigmatique, est susceptible de recevoir plusieurs interprétations : variation sur le chrisme, union des deux natures en Jésus, rencontre du cœur humain et de celui (...) de Jésus. (shrink)

La date de l'installation des croix dans les colonnes et les murs de l'Eglise Sainte-Sophie est difficile à connaître. D'après leurs formes, il s'agirait d'un phénomène post-iconoclaste, qui se situerait entre le 10e et le 12e siècles. Ces croix étaient très certainement des reliques témoignant d'un phénomène de piété populaire dans l'Eglise centrale de l'Empire byzantin. Un appendice donne une description de ces croix, un plan de l'Eglise Sainte-Sophie ainsi que la reproduction de onze photographies.

À la mémoire de Michel Haar (1937-2003) Et de Dominique Janicaud (1937-2002) Alors que pendant des siècles, on s’est interrogé sur le mystère de la croix, de la résurrection et du jugement dernier, force est de reconnaître que ces questions, de nos jours, n’occupent plus guère les esprits. On en viendrait presque à se demander comment des chrétiens ont bien pu par le passé s’entretuer. Le Sacré-Cœur, La Sainte-Chapelle, Notre-Dame de Paris sont désormais des monuments historiques – « les (...) cave... (shrink)

Past, present, and future are reversed in the reader's encounter with the illustrations selected by Gertrude Stein for her Autobiography of Alice B. Toklas.1 After the table of contents there is a table of illustrations that encourages everyone to look at the pictures before they begin reading. During that initial examination, the illustrations forecast what is to be discovered in the text. Expectations are aroused by photographs showing Gertrude Stein in front of the atelier door, rooms hung with paintings, Gertrude (...) and Alice in front of Saint Mark's Cathedral, and both with a car in front of Joffre's birthplace. It is natural—although, as it turns out, not altogether correct—to assume that the accumulation of paintings will be explained, that the life lived within the rooms will be fully depicted, and that conventional narrative explanation will be provided to account for the presence of Gertrude and Alice together in such disparate settings as Venice and the French marshal's home. · 1. For useful comments on several pictures as well as evidence that "even the book's sixteen photographs were carefully placed in the first edition," see Richard Bridgman, Gertrude Stein in Pieces , p. 219. Paul K. Alkon, professor of English at the University of Minnesota, is author of Samuel Johnson and Moral Discipline. Among his recent articles are "Boswellian Time" and "The Historical Development of the Concept of Time." He is writing a book about time in Defoe's fiction. See also: "The Mind, The Body, and Gertrude Stein" by Catharine R. Stimpson in Vol. 3, No. 3; "Gertrude Stein, the Cone Sisters, and the Puzzle of Female Friendship" by Carolyn Burke in Vol. 8, No. 3. (shrink)

Présentation d'un sceau de pain eucharistique trouvé en 1987, dans une couche de la 2e moitié du Ve s. ou des premières décennies du VIe s. ap. J.-C. Le sceau est circulaire (diam. 7,6 cm) et porte en son centre une croix de Malte, inscrite dans un cercle comportant une couronne de vingt-deux cavités. L'étude iconologique du sceau conduit à penser que cet objet, malgré son aspect modeste et de peu de prix, constitue en fait un important témoignage sur (...) les préférences et les choix de l'église d'Argos en ce qui concerne les pains offerts par les fidèles pour la célébration de la Sainte Liturgie. Les cavités de la couronne périphérique représentent probablement une forme annonciatrice des «parcelles» telles que nous les connaissons par la période byzantine postérieure et la pratique liturgique orthodoxe actuelle. Parallèlement, on procède à un examen des données concernant la topographie monumentale chrétienne, tant de la ville que de ses alentours immédiats, et l'on avance avec prudence l'hypothèse de l'existence d'une église paléochrétienne encore inconnue dans la zone de l'agora. (shrink)

There are two quite common views which appear to be embraced by a large number of aestheticians as well as a large number of nonaestheticians. It is quite commonly believed by many of both groups that God is omniscient with respect to the future, that is, that God knows everything that will ever occur. I refer to this belief as the doctrine of divine omniprescience. It is also quite common to many of both groups to believe that literary authorship is (...) creative in the sense that by means of his composing activity an author is an agent who brings about the existence of some thing which did not exist prior to the composing activity of that agent and which would not exist without the composing activity of that agent or some similar agent. I shall call this belief the doctrine of literary creativity. What does not appear to be recognized is that these two doctrines cannot both be consistently endorsed. I argue that the two doctrines jointly entail a contradiction and I will point out some of the logical consequences of trying to avoid that contradiction. (shrink)

Depiction is the form of representation distinctive of figurative paintings, drawings, and photographs. Accounts of depiction attempt to specify the relation something must bear to an object in order to depict it. Resemblance accounts hold that the notion of resemblance is necessary to the specification of this relation. Several difficulties with such analyses have led many philosophers to reject the possibility of an adequate resemblance account of depiction. This essay outlines these difficulties and argues that current resemblance accounts succumb to (...) them. It then develops an alternative resemblance account, drawing on Grice's account of nonnatural meaning and its role in determining sentence meaning to argue that something depicts an object if it bears intention-based resemblances to the object that jointly capture its overall appearance. In addition to solving the metaphysical problem of what it is for something to depict an object, this account also sheds significant light on the epistemological issue of how we are able to work out that something depicts an object. This essay argues that our ability to work out that something depicts an object results from both our more general ability to identify intentions from the products of communicative behavior and our knowledge of stylistic conventions. This account avoids the difficulties that face rival attempts to analyze depiction in terms of resemblance. It also clarifies and explains the features that distinguish depictive from nondepictive representation. (shrink)

An important thinker who contributed to eighteenth-century debates in epistemology, metaphysics, and ethics, Catharine Trotter Cockburn pursued the life of a dramatist and essayist, despite the prevailing social, cultural, and moral prescriptions of her day. Cockburn’s philosophical writings were polemical pieces in defence of such philosophers as John Locke and Samuel Clarke, in which she grappled with the moral and theological questions that concerned them and produced her own unique answers to those questions. Her works are interesting both for (...) their approach to philosophical issues that continue to be debated today and for the way that they inform our understanding of the early-modern period. (shrink)

It is generally recognised that an adequate resemblance-based account of depiction must specify some standard of correctness which explains how a picture’s content differs from the content we would attribute to it purely on the basis of resemblance. For example, an adequate standard should explain why stick figure drawings do not depict emaciated beings with gargantuan heads. Most attempts to specify a standard of correctness appeal to the intentions of the picture’s maker. However, I argue that the most detailed such (...) attempt to date is incomplete. I argue that an adequate standard can be given only if one construes a picture’s content as being pictorially implicated, in a way analogous to that in which Grice explains an utterance’s meaning as being conversationally implicated. I propose a theory of pictorial implicature and use it as the basis for an intention-based standard of correctness. I show how this standard is able to explain both the ways in which the content of pictures differs from the content we would attribute to them solely on the basis of resemblance, and how we are able to apply an intention-based standard of correctness even though we lack any independent knowledge of the intentions of pictures’ makers. (shrink)

I propose a number of criteria for the adequacy of an account of pictorial realism. Such an account must: explain the epistemic significance of realistic pictures; explain why accuracy and detail are salient to realism; be consistent with an accurate account of depiction; and explain the features of pictorial realism. I identify six features of pictorial realism. I then propose an account of realism as a measure of the information pictures provide about how their objects would look, were one to (...) see them. This account meets the criteria I have identified and is superior to alternative accounts of realism. (shrink)

In this essay I will try to show that there are what would appear to be some unnoticed consequences of the doctrine of divine foreknowledge. For the purposes of this discussion I will simply assume that future events are possible objects of knowledge and, hence, that foreknowledge is possible. Accordingly, I will not be concerned with discussing such questions as the status of truth-values for future contingent propositions or whether knowledge is justified true belief. Furthermore, I will not be concerned (...) with the issues involved in the claim that the doctrine of divine foreknowledge conflicts with doctrines concerning the properties of created beings, e.g., the doctrine of voluntary human action. (shrink)

With very few exceptions philosophers believe that no account of the doctrine of divine omnipotence is adequate if it entails that God can do what is logically impossible. Descartes is credited with believing otherwise. In his article ‘Descartes on the Creation of the Eternal Truths’ Harry Frankfurt attributes to Descartes the belief that God is ‘a being for whom the logically impossible is possible’. In addition, Frankfurt claims that because of this belief Descartes’ account of God's omnipotence is open to (...) the charge of being incoherent. I will argue that it is wrong to attribute this belief to Descartes and that if his account of divine omnipotence is incoherent, it is incoherent for reasons other than that it entails the possibility of what is logically impossible. (shrink)

In the Summa Theologia I, beginning at question 2, article 3, and in the Summa Contra Gentiles I, beginning at chapter 13, Aquinas provides five proofs for the existence of God. These proofs are intended to demonstrate that God exists and to provide the foundation for a larger program to demonstrate many other doctrines which are held by faith. However, the program which Aquinas sets up for himself in the two great Summae is trivial and unnecessary if the existence of (...) God is self-evident in such a way that God's existence needs no demonstration. So, as a preamble to the five ways, Aquinas argues that the existence of God is not self-evident in any way that would hinder his program of rational theology.In STI the argument occurs in question 2, article 1, and in CGI it occurs in chapters 10 and 11. Aquinas also argues the same point in Commentum in Primum Librum Sententiarum distinction 3, question 1, article 2, and in Quaestiones Disputate De Veritate question 10, article 12. (shrink)

In this paper, I develop a unified account of cinematic representation as primary depiction. On this account, cinematic representation is a distinctive form of depiction, unique in its capacity to depict temporal properties. I then explore the consequences of this account for the much-contested question of whether cinema is an independent representational art form. I show that it is, and that Scruton’s argument to the contrary relies on an erroneous conception of cinematic representation. CiteULike Connotea Del.icio.us What's this?

Many forms of printmaking involve drawing or painting onto a plate to produce a matrix and then producing prints from that matrix by mechanical processes. One might be skeptical about the artistic significance of such prints, on the basis that only the process of drawing or painting the matrix enables printmakers to exercise intentional control over the features of the resultant prints. This might lead one to think that such forms of printmaking lack artistic significance independent of drawing and painting. (...) I examine whether or not such skepticism is warranted and argue that it is not. Nevertheless, I identify limitations on the independent artistic significance of another form of printmaking, namely that which involves producing prints from multiple matrices. (shrink)