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  1.  67
    Withdrawal of Artificial Nutrition and Hydration for Patients in a Permanent Vegetative State: Changing Tack.Catherine Constable - 2012 - Bioethics 26 (3):157-163.
    In the United States, the decision of whether to withdraw or continue to provide artificial nutrition and hydration (ANH) for patients in a permanent vegetative state (PVS) is placed largely in the hands of surrogate decision-makers, such as spouses and immediate family members. This practice would seem to be consistent with a strong national emphasis on autonomy and patient-centered healthcare. When there is ambiguity as to the patient's advanced wishes, the presumption has been that decisions should weigh in favor of (...)
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  2.  19
    Postmodernism and Film.Catherine Constable - 2004 - In Steven Connor (ed.), The Cambridge Companion to Postmodernism. Cambridge University Press. pp. 43--61.
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  3.  4
    Adapting Philosophy: Jean Baudrillard and "the Matrix Trilogy".Catherine Constable - 2009 - Manchester University Press.
    This book looks at the ways in which The Matrix Trilogy adapts Jean Baudrillard’s Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple ‘beginner’s guide’ to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness (...)
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  4.  17
    Surfaces of Science Fiction: Enacting Gender and “Humanness” in Ex Machina.Catherine Constable - 2018 - Film-Philosophy 22 (2):281-301.
    This article explores two different conceptions of the postmodern surface and their take up in relation to mainstream science fiction cinema. Each offers a rather different genealogy for considering the surfaces of the science fiction film. The first traces Frederic Jameson's conception of postmodern superficiality and its dual role as a mode of reading texts and an aesthetic paradigm. The second traces Judith Butler's conception of gender performativity, its application to technology, and the expansion of performativity as a key mechanism (...)
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  5.  11
    Introduction: The Surfaces of Film-Philosophy.Catherine Constable, Matt Denny & Timotheus Vermeulen - 2018 - Film-Philosophy 22 (2):143-147.
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  6.  21
    Provocations.Catherine Constable - 2000 - Hypatia 15 (2):94-99.
  7. Beyond Theory in Crisis.Catherine Constable - 2000 - Women’s Philosophy Review 26:28-56.
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  8.  3
    Sexing the Self: Gendered Positions in Cultural Studies. [REVIEW]Catherine Constable - 1994 - Women’s Philosophy Review 12:31-31.
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  9.  2
    Contesting Tears: The Hollywood Melodrama of the Unknown Woman. [REVIEW]Catherine Constable - 1999 - Women’s Philosophy Review 21:96-98.
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