7 found
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  1. Pitch Perception in the First Year of Life, a Comparison of Lexical Tones and Musical Pitch.Ao Chen, Catherine J. Stevens & René Kager - 2017 - Frontiers in Psychology 8.
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    Music Perception and Cognition: A Review of Recent Cross‐Cultural Research. [REVIEW]Catherine J. Stevens - 2012 - Topics in Cognitive Science 4 (4):653-667.
    Experimental investigations of cross-cultural music perception and cognition reported during the past decade are described. As globalization and Western music homogenize the world musical environment, it is imperative that diverse music and musical contexts are documented. Processes of music perception include grouping and segmentation, statistical learning and sensitivity to tonal and temporal hierarchies, and the development of tonal and temporal expectations. The interplay of auditory, visual, and motor modalities is discussed in light of synchronization and the way music moves via (...)
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  3. Naïve Learners Show Cross-Domain Transfer After Distributional Learning: The Case of Lexical and Musical Pitch.Jia Hoong Ong, Denis Burnham, Catherine J. Stevens & Paola Escudero - 2016 - Frontiers in Psychology 7.
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    Auditory Warnings, Signal-Referent Relations, and Natural Indicators: Re-Thinking Theory and Application.Agnes Petocz, Peter E. Keller & Catherine J. Stevens - 2008 - Journal of Experimental Psychology: Applied 14 (2):165-178.
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    Mental Imagery for Musical Changes in Loudness.Freya Bailes, Laura Bishop, Catherine J. Stevens & Roger T. Dean - 2012 - Frontiers in Psychology 3.
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  6.  13
    Immediate Feedback Improves Career Decision Self-Efficacy and Aspirational Alignment.Nathan Berger, Jose Hanham, Catherine J. Stevens & Kathryn Holmes - 2019 - Frontiers in Psychology 10.
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    Time Course of Creativity in Dance.David Kirsh, Catherine J. Stevens & Daniel W. Piepers - 2020 - Frontiers in Psychology 11.
    Time-motion studies revolutionized the design and efficiency of repetitive work last century. Would time-idea studies revolutionize the rules of intellectual/creative work this century? Collaborating with seven professional dancers, we set out to discover if there were any significant temporal patterns to be found in a timeline coded to show when dancers come up with ideas and when they modify or reject them. On each of 3 days, the dancers were given a choreographic problem to help them generate a novel, high (...)
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