1.  4
    The Third City: The Post Secular Space of the Dardenne Brothers' Seraing.Catherine Wheatley - 2019 - Film-Philosophy 23 (3):264-281.
    Set principally in or around Seraing, an industrial region in decline just outside of Liège, in Belgium, the films of Jean-Luc and Pierre Dardenne marry geographical and historical-social realism with a series of ethical inquiries into such topics as immigration, unemployment, black market trading and petty crime. To date, critical commentary on the films has tended mainly to read the work of the Dardennes along two lines. The dominant approach uses the work of Emmanuel Levinas as a philosophical touchpoint in (...)
    Direct download (4 more)  
    Export citation  
  2.  3
    ‘My Heart Inclines Wholly to Know Where is the True Good’: Mia Hansen-Løve's Postsecular Search for God.Catherine Wheatley - 2019 - Paragraph 42 (3):316-332.
    This article explores how Mia Hansen-Løve's cinema thinks about the experience of a life in which God is absent, and yet his ghost continues to haunt us. It suggests links between her films and pos...
    No categories
    Direct download (3 more)  
    Export citation  
  3.  14
    Contested Interactions: Watching Catherine Breillat’s Scenes of Sexual Violence.Catherine Wheatley - 2010 - Journal for Cultural Research 14 (1):27-41.