36 found
Order:
Disambiguations
Charles Altieri [35]Charles F. Altieri [1]
  1.  1
    Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value.Charles Altieri - 2013 - Cornell University Press.
    Stevens and the phenomenology of value : philosophical poetry and the demands of modernity -- Harmonium as a modernist text -- Ghostlier demarcations, keener sounds : the parts negation plays in developing a new poetic -- How Stevens uses the grammar of as -- Aspectual thinking -- Stevens' tragic mode : why the angel must disappear in Angel surrounded by paysans -- Aspect-seeing and its implications in The rock.
    Direct download  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  49
    The Particulars of Rapture: An Aesthetics of the Affects.Charles Altieri - 2003 - Cornell University Press.
    " "The Particulars of Rapture proposes treating affects in adverbial rather than in adjectival terms, emphasizing the way in which text and paintings shape ...
    Direct download  
     
    Export citation  
     
    Bookmark   4 citations  
  3.  6
    4 Toward a Hermeneutics Responsive to Rhetorical Theory.Charles Altieri - 2017 - In Jerrold E. Levy & Stephen J. Kunitz (eds.), Rhetoric and Hermeneutics in Our Time. Yale University Press. pp. 90-107.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  4.  24
    Subjective Agency: A Theory of First-Person Expressivity and its Social Implications.Charles Altieri - 1994 - Blackwell.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  5. Exemplification and Expression.Charles Altieri - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
    Export citation  
     
    Bookmark   1 citation  
  6.  11
    Art and Embodiment: From Aesthetics to Self-Consciousness.Charles Altieri - 1995 - Journal of Aesthetics and Art Criticism 53 (1):87-89.
  7.  16
    Canons and Consequences: Reflections on the Ethical Force of Imaginative IdealsPainterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism.David H. Fisher & Charles Altieri - 1992 - Journal of Aesthetics and Art Criticism 50 (2):165.
  8.  51
    Style as the Man: What Wittgenstein Offers for Speculating on Expressive Activity.Charles Altieri - 1987 - Journal of Aesthetics and Art Criticism 46:177-192.
  9. Culler, J. 222.N. Abel, Richard P. Adelstein, Theodor Adorno, Bina Agarwal, George Akerlof, M. Allais, R. G. D. Allen, Charles Altieri, S. R. Anleu & Frederique Apfel-Marglin - 2001 - In Stephen Cullenberg, Jack Amariglio & David F. Ruccio (eds.), Postmodernism, Economics and Knowledge. Routledge.
    No categories
    Translate
     
     
    Export citation  
     
    Bookmark  
  10. Appreciating Appreciation.Charles F. Altieri - 2013 - Substance 42 (2):80-98.
    As time passed, I discovered with surprise that the important role I assigned to literature was not recognized by everyone.iThis essay constitutes one aspect of an overall project to spell out the implications for the literary arts of Wittgenstein's systematic distinction between acts of description that carry truth values and acts of expression that display states of mind and feeling but do not describe them. My full case will require a book. That is good news for me but bad news (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  11.  15
    An Idea and an Ideal of a Literary Canon.Charles Altieri - 1983 - Critical Inquiry 10 (1):37-60.
    It is unfortunately a lot easier to raise an arch eyebrow than it is to describe critical terms that might account for the values in idealization while preserving a pluralistic sense of possible canons and their uses. Instead of facing the challenge directly, I shall rely on what I call a contrastive strategy. Were I simply to assert a traditional psychology with its attendant values, I would expose myself to a host of suspicious charges about my pieties and delusions. So (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  12. Alan Montefiore, Ed., Philosophy in France Today Reviewed By.Charles Altieri - 1985 - Philosophy in Review 5 (2):69-71.
    No categories
     
    Export citation  
     
    Bookmark  
  13. Alan Montefiore, Ed., Philosophy in France Today. [REVIEW]Charles Altieri - 1985 - Philosophy in Review 5:69-71.
    No categories
     
    Export citation  
     
    Bookmark  
  14. Act & Quality a Theory of Literary Meaning and Humanistic Understanding /Charles Altieri. --. --.Charles Altieri - 1981 - University of Massachusetts Press, C1981.
  15.  8
    Are We Being Materialist Yet?Charles Altieri - 2016 - Symploke 24 (1-2):241.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  16.  13
    Culture and Skepticism: A Response to Michael Fischer.Charles Altieri - 1979 - Critical Inquiry 6 (2):346-354.
    I have so far argued in terms of general principles. But they are not worth very much unless they help explain how a cultural account of values can preserve a public sphere of judgments that is not subject to Fischer's charges of arbitrariness, relativism, or confusing value and fact. I assume that I will have gone a long way toward answering Fischer if I can provide an adequate response to his question, "where [does] Williams' poem get its presumably public ideas (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  17.  2
    Doubt and Display: A Foundation for a Wittgensteinian Approach to the Arts.Charles Altieri - 2016 - In Sebastian Sunday Grève & Jakub Mácha (eds.), Wittgenstein and the Creativity of Language. Palgrave Macmillan. pp. 177-197.
    I want to make the case that Wittgenstein’s limiting of knowledge claims to what we can doubt makes a significant contribution to aesthetics. We have known since Aristotle that works of art do not correlate very well with concerns for truth. Wittgenstein helps explain that fact without any idealist machinery with which to praise the distinctive value of the arts. In his framework, the arts matter simply because they focus on situations in which there need not be epistemic doubt. The (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  18.  8
    Double Vision: Moral Philosophy and Shakespearean Drama: Book Reviews. [REVIEW]Charles Altieri - 2008 - British Journal of Aesthetics 48 (1):101-103.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  19.  39
    IIAffect, Intentionality, and Cognition: A Response to Ruth Leys.Charles Altieri - 2012 - Critical Inquiry 38 (4):878-881.
    One does not have to share William Connolly's vitalist affiliations in order to have serious reservations about Ruth Leys's essay and response.1 Simple phenomenological concerns will do to make one suspicious of her core claim:From my perspective, intentionality involves concept-possession; the term intentionality carries with it the idea that thoughts and feelings are directed to conceptually and cognitively appraised and meaningful objects in the world. The general aim of my paper is to propose that affective neuroscientists and the new affect (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  20.  10
    John Ashbery and the Challenge of Postmodernism in the Visual Arts.Charles Altieri - 1988 - Critical Inquiry 14 (4):805-830.
    It is an irony perhaps worthy of John Ashbery that the critics who made his reputation as our premier contemporary poet have virtually ignored the innovations which in fact make his work distinctively of our time. The received terms show us how Ashbery revitalizes the old wisdom of Keats or the virile fantasies of Emersonian strength but they do so at the cost of almost everything about the work deeply responsive to irreducibly contemporary demands on the psyche. Such omissions not (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  21.  30
    Life After Difference: The Positions of the Interpreter and the Positionings of the Interpreted.Charles Altieri - 1990 - The Monist 73 (2):269-295.
    While aesthetic theory has managed for the most part to turn away from questions about beauty, it seems oddly bound to questions of truth. We find this most pronouncedly in the central place it gives to concerns for validity and defeasibility in the interpretation of art works. I propose our taking another tack—not because such questions are unimportant, and not because we in fact agree on any one specific version of how to judge or account for validity in interpretation. However, (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  22.  31
    Modernist Poetry's Encounter with Epistemic Models of Value.Charles Altieri - 2013 - Common Knowledge 19 (2):334-350.
    This article elaborates on the dilemma faced by modernist poets in seeking to define values in an intellectual context that was post-Romantic and post-epistemic. Pound and Stevens, for example, reacted strongly against the ways that Romantic writers had tried to tie the rhetorical elaboration of values to precise descriptions, as if description could still support values. Victorian writing tended to experience the effort to ground value in fact as a source of constant irony, given that the desired values refused to (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  23.  13
    Presence and Reference in a Literary Text: The Example of Williams' "This Is Just to Say".Charles Altieri - 1979 - Critical Inquiry 5 (3):489-510.
    If Milton is the grand expositor of human culture as a middle realm, Williams can be seen as in many respects his secular heir, an heir careful to work out how the poetic imagination serves to make man's expulsion from Edenic origins bearable and even invigorating. Williams' poetics begins, as Riddel makes clear, in the awareness that there is no inherent or even recoverable correspondence between words and facts in the world, but Williams then devotes most of his energies to (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  24. Possiamo essere storici?: Per un modello dialettico dell'autocoscienza storica.Charles Altieri - 1996 - Studi di Estetica 13:123-140.
    No categories
    Translate
     
     
    Export citation  
     
    Bookmark  
  25.  4
    Postmodernisms Now: Essays on Contemporaneity in the Arts.Charles Altieri - 1998 - Pennsylvania State University Press.
    Postmodernism today is driven by a set of theoretical stances that grow increasingly problematic. But as the theoretical contradictions emerge, it becomes possible to contrast this theoretical discourse to the ambitions that initially led writers and artists to pursue their version of postmodern perspectives. So this book explores what remains viable and valuable in some representative versions of what these writers and artists created. Altieri begins with an essay defining five basic contradictions in postmodern theory and outlining specific artistic strategies (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  26.  22
    Representation, Representativeness, and Non-Representational Art.Charles Altieri - 2001 - In Ananta Charana Sukla (ed.), Art and Representation: Contributions to Contemporary Aesthetics. Praeger. pp. 243.
  27.  3
    Reach Without a Grasp. [REVIEW]Charles Altieri - 1984 - Diacritics 14 (4):58.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  28. Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience.Charles Altieri - 2015 - Cornell University Press.
    Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of “surface reading.” While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  29. Style.Charles Altieri - 2009 - In Richard Eldridge (ed.), The Oxford Handbook of Philosophy and Literature. Oup Usa.
     
    Export citation  
     
    Bookmark  
  30.  10
    The Critical Turn: Studies in Kant, Herder, Wittgenstein, and Contemporary Theory.Charles Altieri - 1999 - International Studies in Philosophy 31 (4):119-121.
  31.  4
    The Critical Turn: Studies in Kant, Herder, Wittgenstein, and Contemporary Theory. [REVIEW]Charles Altieri - 1999 - International Studies in Philosophy 31 (4):119-121.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  32.  12
    Tractatus Logico‐Poeticus.Charles Altieri - 2007 - Critical Inquiry 33 (3):527-542.
  33.  1
    Tractatus Logico‐Poeticus.Charles Altieri - 2007 - Critical Inquiry 33 (3):527.
    Direct download (4 more)  
    Translate
     
     
    Export citation  
     
    Bookmark  
  34.  26
    What Is Living and What Is Dead in American Postmodernism: Establishing the Contemporaneity of Some American Poetry.Charles Altieri - 1996 - Critical Inquiry 22 (4):764-789.
  35.  16
    Wordsworth: Language as Counter-Spirit (Review).Charles Altieri - 1978 - Philosophy and Literature 2 (1):131-133.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  36.  5
    After the New Criticism (Review).Charles Altieri - 1982 - Philosophy and Literature 6 (1-2):210-211.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark