Results for 'Chinatsu McGeary'

12 found
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  1.  11
    Negative Cognitive Response to a Sad Mood Induction: Associations with Polymorphisms of the Serotonin Transporter (5-HTTLPR) Gene.Christopher G. Beevers, Walter D. Scott, Chinatsu McGeary & John E. McGeary - 2009 - Cognition and Emotion 23 (4):726-738.
  2.  7
    Toward an Integration of Cognitive and Genetic Models of Risk for Depression.Brandon E. Gibb, Christopher G. Beevers & John E. McGeary - 2013 - Cognition and Emotion 27 (2):193-216.
  3.  7
    Children's5-HTTLPRgenotype Moderates the Link Between Maternal Criticism and Attentional Biases Specifically for Facial Displays of Anger.Brandon E. Gibb, Ashley L. Johnson, Jessica S. Benas, Dorothy J. Uhrlass, Valerie S. Knopik & John E. McGeary - 2011 - Cognition and Emotion 25 (6):1104-1120.
  4.  36
    Therapygenetics: Moving Towards Personalized Psychotherapy Treatment.C. G. Beevers & J. E. McGeary - 2012 - Trends in Cognitive Sciences 16 (1):11-12.
  5.  1
    Sensitivity in Detecting Facial Displays of Emotion: Impact of Maternal Depression and Oxytocin Receptor Genotype.Katie L. Burkhouse, Mary L. Woody, Max Owens, John E. McGeary, Valerie S. Knopik & Brandon E. Gibb - 2016 - Cognition and Emotion 30 (2):275-287.
  6. Influence of Maternal Depression on Children's Brooding Rumination: Moderation byCRHR1TAT Haplotype.Mary L. Woody, Anastacia Y. Kudinova, John E. McGeary, Valerie S. Knopik, Rohan H. C. Palmer & Brandon E. Gibb - 2016 - Cognition and Emotion 30 (2):302-314.
  7. On the Unity of Collingwood's Philosophy: From Process to Self-Creation.Chinatsu Kobayashi & Mathieu Marion - 2006 - Collingwood and British Idealism Studies 12 (2):125-157.
     
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  8.  25
    British Idealist Aesthetics, Collingwood, Wollheim, And The Origins Of Analytic Aesthetics.Chinatsu Kobayashi - 2009 - The Baltic International Yearbook of Cognition, Logic and Communication 4 (1):12.
    In particular, as we shall see, Collingwood is often dismissed as having held an indefensible, outmoded ‘ideal’ theory, according to which the work of art is primarily ‘mental’, while his potential role in current debates is simply ignored. I will argue that this view is largely mistaken.
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  9.  8
    Gadamer and Collingwood on Temporal Distance and Understanding.Chinatsu Kobayashi & Mathieu Marion - 2011 - History and Theory 50 (4):81-103.
  10.  5
    Review Article: How Good an Historian Shall I Be?Chinatsu Kobayashi - 2005 - Collingwood and British Idealism Studies 11 (2):115-136.
    The title of Marnie Hughes-Warrington's study, 'How Good an Historian Shall I Be?', is taken from a 1930 pam-phlet by Collingwood, in which, assuming that 'there are as many historians as there are human beings', he inferred that 'the question is not 'Shall I be an historian or not?' but How good an historian shall I be?'' . Hughes-Warrington takes this to be 'probably the most important question we can ask' . Indeed, she believes that 'historical education' is 'a duty (...)
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  11.  2
    Bosanquet, Collingwood et l'esthétique idéaliste britannique.Chinatsu Kobayashi - 2009 - Philosophiques 36 (1):149-182.
    Après un bref survol de l’esthétique britannique au xxe siècle, les objections de Wollheim à la théorie « idéelle » de l’art, qu’il attribue à Croce et à Collingwood, sont présentées. Dans une deuxième partie, les critiques de Bosanquet à l’endroit de la théorie de Croce sont examinées, pour en conclure qu’on ne peut pas lui attribuer la théorie « idéelle ». Il en va de même pour Collingwood, dont les grandes lignes de son esthétique sont présentées dans la troisième (...)
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  12.  1
    British Idealist Aesthetics, Collingwood, Wollheim, And The Origins Of Analytic Aesthetics.Chinatsu Kobayashi - 2008 - Baltic International Yearbook of Cognition, Logic and Communication 4 (1).
    Although Great Britain is the country of some of the earliest contributors to aesthetics as an independent philosophical discipline the subject attracted little interest in philosophical circles towards the turn of the twentieth century. In this paper, I shall focus on Bosanquet and Collingwood. In particular, as we shall see, Collingwood is often dismissed as having held an indefensible, outmoded ‘ideal’ theory, according to which the work of art is primarily ‘mental’, while his potential role in current debates is simply (...)
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