CHRIS MATTHEW SCIABARRA discusses the major historical significance of his discovery and investigation of Ayn Rand's transcript from the University of St. Petersburg. The document provides evidence of Rand's study with some of the finest Russian scholars of the period, and helps to resolve certain paradoxes concerning Rand's relationship to the philosopher, N. O. Lossky. It also contributes to our understanding of those methods and ideas that may have influenced Rand's intellectual development.
Develops a critique of utopianism through a comparison of the works of Karl Marx and F. A. Hayek, challenging conventional views of both Marxian and Hayekian thought.
In an examination of recently recovered materials from Russian archival sources, Sciabarra expands on his earlier studies of Rand's secondary and university education in Silver Age Russia (see the Fall 1999 Journal of Ayn Rand Studies essay, "The Rand Transcript"). He uncovers new details that are consistent with his historical theses, first presented in the 1995 book, Ayn Rand: The Russian Radical. He reexamines the case for a connection between Rand and N. O. Lossky, and proposes a possible parallel between (...) Lossky and a character Rand called "Professor Leskov" in an early draft of the novel, We the Living. (shrink)
Chris Matthew Sciabarra surveys discussions of Ayn Rand in the literature on Progressive rock music. He examines critically Edward Macan's Rocking the Classics: English Progressive Rock and the Counterculture, Paul Stump's The Music s All That Matters: A History of Progressive Rock, Carol Selby Price and Robert M. Price's Mystic Rhythms: The Philosophical Vision of Rush, Bill Martin's Listening to the Future: The Time of Progressive Rock, 1968-1978 (1998), and Durrell S. Bowman's essay on the rock band Rush in Kevin (...) Holm-Hudson's Progressive Rock Reconsidered. He argues that the authors show varying degrees of understanding of Rand's brand of "redemptive politics.". (shrink)
Abstract In his critique of Ayn Rand: The Russian Radical, David MacGregor argues that my book trivializes dialectical method. He fails to notice the many nondialectical assumptions that pervade contemporary social theory and practice. Dialectics, as a context?sensitive methodological orientation, can provide tools for a better grasp of systems and processes in the real world?the goal, as I understand it, of the ?post?libertarian? approach Jeffrey Friedman advocates.
This article surveys the exponential increase in Rand references in scholarly and popular sources to illustrate her cultural ascendancy as an iconic figure. Special attention is paid to Rand's impact on popular literature, television, cartoons, and illustrated media, including comics. Rand's own involvement in illustrated presentations of her ideas is explored, as is her influence on such comic artists as Steve Ditko, Frank Miller, and others. Nathaniel Branden's insights on the role of comics in projecting heroic values are also addressed.
This article surveys Rand's relationship to key thinkers in the Austrian school of economics, including Ludwig von Mises, Murray N. Rothbard, and F. A. Hayek. Austrian theory informs the writings of Rand and her early associates (e.g., Nathaniel Branden, Alan Greenspan, and George Reisman) on topics ranging from monopoly to business cycles. Some post-Randian thinkers (e.g., Richard Salsman), however, have repudiated many of these insights, thus constituting a movement away from the historically close relationship between Objectivism and Austrianism. This symposium (...) explores the distinction between these approaches and the possibilities for a shared vision. (shrink)
Author of _The Fountainhead_ and _Atlas Shrugged_, Ayn Rand is one of the most widely read philosophers of the twentieth century. Yet, despite the sale of over thirty million copies of her works, there have been few serious scholarly examinations of her thought. _Ayn Rand: The Russian Radical_ provides a comprehensive analysis of the intellectual roots and philosophy of this controversial thinker. It has been nearly twenty years since the original publication of Chris Sciabarra’s _Ayn Rand: The Russian Radical_. Those (...) years have witnessed an explosive increase in Rand sightings across the social landscape: in books on philosophy, politics, and culture; in film and literature; and in contemporary American politics, from the rise of the Tea Party to recent presidential campaigns. During this time Sciabarra continued to work toward the reclamation of the dialectical method in the service of a radical libertarian politics, culminating in his book _Total Freedom: Toward a Dialectical Libertarianism_. This new edition of _Ayn Rand_ adds two chapters that provide in-depth analysis of the most complete transcripts to date documenting Rand’s education at Petrograd State University. It includes a new preface that places the book in the context of Sciabarra’s own research and the recent expansion of interest in Rand’s beliefs. And finally, this edition adds a postscript that answers a recent critic of Sciabarra’s historical work on Rand. Shoshana Milgram, Rand’s biographer, has tried to cast doubt on Rand’s own recollections of having studied with the famous Russian philosopher N. O. Lossky. Sciabarra shows that Milgram’s analysis fails to cast doubt on Rand’s recollections—or on Sciabarra’s historical thesis. (shrink)
Chris Matthew Sciabarra responds to Roderick Long's review (Journal of Ayn Rand Studies, Spring 2001) of his Total Freedom: Toward a Dialectical Ubertarianism. Sciabarra argues that the dialectical stress upon context-keeping encompasses both analytic and synthetic activities. He defends his interpretations of Aristotle, Marx, Rothbard, and internal relations, and presents a radical dialectical libertarian alternative— a conception of freedom that is not merely political or economic but also psycho-epistemological, ethical, and cultural.
Sciabarra replies to the seven respondents to his Fall 2002 essay on Rand, Rush, and progressive rock music. He defends the view that Rand's dialectical orientation underlies a fundamentally radical perspective. Rand shared with the counterculture—especially its libertarian progressive rock representatives—a repudiation of authoritarianism, while embracing the "unknown ideal" of capitalism. Her ability to trace the interrelationships among personal, cultural, and structural factors in social analysis and her repudiation of false alternatives is at the heart of that ideal vision, which (...) transcends left and right. (shrink)
This thesis develops a radical critique of utopian thinking by examining the dialectical and dualistic methodological elements in Hayekian, Rothbardian, and Marxian theory. Utopianism is defined as an abstract, dualistic, ahistorical form of social thought. Its central failure is its inability to resolve the polarity between its progressive intentions and the emergent, unintended consequences of human interaction. It grants to men an illusory degree of cognitive efficacy in its construction of a new society. Radicalism, however, recognizes socio-historical conditions in any (...) attempt to dialectically transform them. The Hayekian, Rothbardian and Marxian projects are appraised in their capacity to transcend the methodological pitfalls of utopianism. ;The comparison between Hayek, Rothbard and Marx is unusual precisely because each is a major figure in a distinctly different tradition of social analysis. Hayek exemplifies the "evolutionist" perspective which synthesizes insights from Burke, Popper, Polanyi and Scottish liberalism. Despite its inadequate analysis of the state and classes, and its dualistic distinction between "spontaneous" and "designed " order, Hayek's framework constitutes a highly dialectical critique of utopianism which has provocative parallels with the Marxian critique. ;Though Hayek and Rothbard share a belief in free market processes, Rothbard embraces a libertarian perspective which synthesizes the insights of Austrian economics, New Left historical revisionism, and the natural rights philosophies of John Locke and Ayn Rand. Rothbard shares many of the progressive goals of Marx, but his anarchist utopia is an outgrowth of an ahistorical, abstract, dualistic methodology. Rothbard's analysis is far more radical when it uncovers important dialectical relationships between the "coercive" state and the "voluntarist" market. ;Marx's dialectic offers a profoundly radical mode of inquiry. In contrast to both Hayek and Rothbard, Marx views the duality between state and market as historically specific to capitalism. Taking full cognizance of the evolutionist perspective, Marx proposes the immanent emergence of a communism that consists in the triumph of conscious human agency. Yet, Marx's project grants to man a cognitive efficacy which may be beyond his capacity. ;The thesis attempts to transcend the utopian limitations of Hayekian, Rothbardian, and Marxian theories through the development of a truly radical methodology. (shrink)
In his short review of The Political Philosophy of Herbert Spencer , Timothy Virkkala (May 1999) praises Tim S. Gray's discussion of the great classical liberal's methodology as a synthesis of "individualist" and "holist" approaches to social theory. But Virkkala remarks This method -I'm tempted to call it "dialectical," but Spencer's prose and position seem so far from Hegel's that the term is almost indecent -confuses many readers. But it is surely his strength. Gray is one of the few Spencer (...) scholars to see this method as fundamental, and to present sophisticated analyses of Spencer's syntheses. It is unfortunate that Virkkala refuses to give into his temptation, because crucially significant aspects of Herbert Spencer's work are, indeed, dialectical. (shrink)
