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Christopher Janaway
University of Southampton
  1. Nietzsche on Free Will, Autonomy and the Sovereign Individual.Ken Gemes & Christopher Janaway - 2006 - Proceedings of the Aristotelian Society, Supplementary Volumes( 80 (1):321-357.
    [Ken Gemes] In some texts Nietzsche vehemently denies the possibility of free will; in others he seems to positively countenance its existence. This paper distinguishes two different notions of free will. Agency free will is intrinsically tied to the question of agency, what constitutes an action as opposed to a mere doing. Deserts free will is intrinsically tied to the question of desert, of who does and does not merit punishment and reward. It is shown that we can render Nietzsche's (...)
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  2. Die Schönheit Ist Falsch, Die Wahrheit Hässlich: Nietzsche Über Die Kunst Und Das Leben.Christopher Janaway - unknown
    Against the claim that Nietzsche’s early and late views on confronting the truth about human existence differ widely, this article argues that in The Birth of Tragedy tragic art is affirmative of life and not limited to beautifying illusion, while later works still contain the idea that artistic production of beauty is a falsification necessary to make existence bearable for us. Nietzsche did not start with the view that art’s value lies in sheer illusion, nor end with the view that (...)
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  3. Nietzsche on Morality, Drives and Human Greatness.Christopher Janaway - unknown
    Authored item in a collection of original research papers, arising out of the University of Southampton's AHRC-funded research project 'Nietzsche and Modern Moral Philosophy'.
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  4. Guilt, Bad Conscience, and Self-Punishment in Nietzsche's Genealogy.Christopher Janaway - 2007 - In Brian Leiter & Neil Sinhababu (eds.), Nietzsche and Morality. Oxford University Press. pp. 138--54.
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  5. Beyond Selflessness: Reading Nietzsche's Genealogy.Christopher Janaway - 2005 - Oxford University Press.
    Nietzsche's aims and targets -- Reading Nietzsche's preface -- Naturalism and genealogy -- Selflessness : the struggle with Schopenhauer -- Nietzsche and Paul Rée on the origins of moral feelings -- Good and evil : affect, artistry, and revaluation -- Free will, autonomy, and the sovereign individual -- Guilt, bad conscience, and self-punishment -- Will to power in the Genealogy -- Nietzsche's illustration of the art of exegesis -- Disinterestedness and objectivity -- Perspectival knowing and the affects -- The ascetic (...)
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  6.  31
    The Cambridge Companion to Schopenhauer.Christopher Janaway (ed.) - 1999 - Cambridge University Press.
    Arthur Schopenhauer is something of a maverick figure in the history of philosophy. He produced a unique theory of the world and human existence based upon his notion of will. This collection analyses the related but distinct components of will from the point of view of epistemology, metaphysics, philosophy of mind, aesthetics, ethics, and the philosophy of psychoanalysis. This volume explores Schopenhauer's philosophy of death, his relationship to the philosophy of Kant, his use of ideas drawn from both Buddhism and (...)
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  7.  34
    Schopenhauer on the Aimlessness of the Will.Christopher Janaway - 2018 - British Journal for the History of Philosophy 26 (2):331-347.
    Schopenhauer asserts that ‘the will, which is objectified in human life as it is in every appearance, is a striving without aim and without end’. The article rejects some recent readings of this claim, and offers the following positive interpretation: however many specific aims of my specific desires I manage to attain, none is a final aim, in the sense that none terminates my ‘willing as a whole’, none turns me into a non-willing being. To understand Schopenhauer’s claim we must (...)
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  8. Self and World in Schopenhauer's Philosophy.Christopher Janaway - 1989 - Oxford University Press.
    Janaway provides a detailed and critical account of Schopenhauer's central philosophical achievement: his account of the self and its relation to the world of objects. The author's approach to this theme is historical, yet is designed to show the philosophical interest of such an approach. He explores in unusual depth Schopenhauer's often ambivalent relation to Kant, and highlights the influence of Schopenhauer's view of self and world on Wittgenstein and Nietzsche, as well as tracing the many points of contact between (...)
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  9. 5 Nietzsche, the Self, and Schopenhauer.Christopher Janaway - 1991 - In Keith Ansell-Pearson (ed.), Nietzsche and Modern German Thought. Routledge. pp. 119.
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  10. Tragedy: A Case of Pleasure in Pain.Christopher Janaway - unknown
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  11. Images of Excellence: Plato's Critique of the Arts.Christopher Janaway - 1995 - Oxford University Press.
    This original new book argues for a reassessment of Plato's challenge to the arts. Plato was the first great figure in Western philosophy to assess the value of the arts; he argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound. While this view has been widely rejected, Janaway argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates "good art" in (...)
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  12.  29
    Nietzsche, Naturalism & Normativity.Simon Robertson & Christopher Janaway (eds.) - 2012 - Oxford University Press.
    This volume comprises ten original essays on Nietzsche, one of the western canon's most controversial ethical thinkers. An international team of experts clarify Nietzsche's own views, both critical and positive, ethical and meta-ethical, and connect his philosophical concerns to contemporary debates in and about ethics, normativity, and value.
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  13.  97
    Beauty is False, Truth Ugly: Nietzsche on Art and Life.Christopher Janaway - unknown
    Against the claim that Nietzsche’s early and late views on confronting the truth about human existence differ widely, this article argues that in The Birth of Tragedy tragic art is affirmative of life and not limited to beautifying illusion, while later works still contain the idea that artistic production of beauty is a falsification necessary to make existence bearable for us. Nietzsche did not start with the view that art’s value lies in sheer illusion, nor end with the view that (...)
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  14.  11
    Autonomy, Affect, and the Self in Nietzsche's Project of Genealogy.Christopher Janaway - 2009 - In Ken Gemes & Simon May (eds.), Nietzsche on Freedom and Autonomy. Oxford University Press. pp. 51--68.
  15. Willing and Nothingness: Schopenhauer as Nietzsche's Educator.Christopher Janaway (ed.) - 1998 - Clarendon Press.
    This new collection enriches our understanding of Nietzsche's philosophy by examining his relationship with Schopenhauer. Eight leading scholars contribute specially written essays in which Nietzsche's changing conceptions of pessimism, tragedy, art, morality, truth, knowledge, religion, atheism, determinism, the will, and the self are revealed as responses to the work of the thinker he called his "great teacher.".
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  16. Craft and Fineness in Plato's Ion'.Christopher Janaway - 1992 - Oxford Studies in Ancient Philosophy 10:1-23.
     
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  17.  25
    Schopenhauer: A Very Short Introduction.Christopher Janaway - 2002 - Oxford University Press.
    Schopenhauer is considered to be the most readable of German philosophers. This book gives a succinct explanation of his metaphysical system, concentrating on the original aspects of his thought, which inspired many artists and thinkers including Nietzsche, Wagner, Freud, and Wittgenstein. Schopenhauer's central notion is that of the will--a blind, irrational force that he uses to interpret both the human mind and the whole of nature. Seeing human behavior as that of a natural organism governed by the will to life, (...)
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  18. Knowledge and Tranquility: Schopenhauer on the Value of Art.Christopher Janaway - 1996 - In Dale Jacquette (ed.), Schopenhauer, Philosophy, and the Arts. Cambridge University Press. pp. 39--61.
     
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  19.  21
    Christopher Janaway.Christopher Janaway - 2006 - Aristotelian Society Supplementary Volume 80 (1):339–357.
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  20.  27
    Attitudes to Suffering: Parfit and Nietzsche.Christopher Janaway - 2017 - Inquiry: An Interdisciplinary Journal of Philosophy 60 (1-2):66-95.
    In On What Matters, Derek Parfit argues that Nietzsche does not disagree with central normative beliefs that ‘we’ hold. Such disagreement would threaten Parfit’s claim that normative beliefs are known by intuition. However, Nietzsche defends a conception of well-being that challenges Parfit’s normative claim that suffering is bad in itself for the sufferer. Nietzsche recognizes the phenomenon of ‘growth through suffering’ as essential to well-being. Hence, removal of all suffering would lead to diminished well-being. Parfit claims that if Nietzsche understood (...)
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  21.  20
    Kant's Aesthetics and the `Empty Cognitive Stock'.Christopher Janaway - 1997 - Philosophical Quarterly 47 (189):459-476.
    It is sometimes assumed that Kant’s claim that a judgement of taste is grounded in a pleasure ‘without concepts’ leaves little room for any credible account of critical judgements of art. I argue that even Kant’s conception of free (as opposed to dependent) beauty can provide the framework for an analysis of aesthetic judgements about art works. It is a matter of understanding what roles for concepts Kant prohibits in his analysis of pure judgements of taste: conceptual cognition must be (...)
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  22.  4
    Nietzsche as a Scholar of Antiquity Ed. By Anthony K. Jensen and Helmut Heit, And: Plato and Nietzsche: Their Philosophical Art by Mark Anderson.Christopher Janaway - 2018 - Journal of Nietzsche Studies 49 (1):136-142.
    The editors of Nietzsche as a Scholar of Antiquity claim with some justification that few philosophers, and even fewer classicists, have "taken the time to understand [Nietzsche] on his own terms as a scholar of antiquity". "Our primary aim," Jensen and Heit say, "is to show not how Nietzsche's earlier works on antiquity help us to understand Nietzsche, but how they may improve our understanding of antiquity." I shall suggest that not every contribution to the collection succeeds in that primary (...)
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  23.  31
    Knowing About Surprises: A Supposed Antinomy Revisited.Christopher Janaway - 1989 - Mind 98 (391):391-409.
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  24.  58
    Arts and Crafts in Plato and Collingwood.Christopher Janaway - 1992 - Journal of Aesthetics and Art Criticism 50 (1):45-54.
  25.  27
    Nietzsche's Psychology as a Refinement of Plato's.Christopher Janaway - 2014 - Journal of Nietzsche Studies 45 (1):12.
    In their recent book The Soul of Nietzsche’s Beyond Good and Evil, Maudemarie Clark and David Dudrick claim that Nietzsche takes Plato’s theory of the soul to be ‘a hypothesis, which his own psychology is an attempt to refine’. This essay accepts that claim, but argues for a more streamlined account of the relation between Nietzsche and Plato than Clark and Dudrick give. There is no justification for their suggestion that Nietzsche diagnoses an ‘atomistic need’ as responsible for what he (...)
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  26.  22
    What's So Good About Negation of the Will?: Schopenhauer and the Problem of the Summum Bonum.Christopher Janaway - 2016 - Journal of the History of Philosophy 54 (4):649-669.
    the final part of schopenhauer’s argument in The World as Will and Representation concerns “affirmation and negation of the will”. He argues, with a fervor that borders on the religious, that “negation of the will” is a condition of unique value, the only state that enables “true salvation, redemption from life and from suffering”. Some commentators have asserted without qualification that this condition is his “highest good.” Thus Julian Young writes, “[T]he final goal of ‘salvation’… which Schopenhauer describes as the (...)
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  27.  52
    Necessity, Responsibility and Character: Schopenhauer on Freedom of the Will.Christopher Janaway - 2012 - Kantian Review 17 (3):431-457.
    This paper gives an account of the argument of Schopenhauer's essay On the Freedom of the Human Will, drawing also on his other works. Schopenhauer argues that all human actions are causally necessitated, as are all other events in empirical nature, hence there is no freedom in the sense of liberum arbitrium indifferentiae. However, our sense of responsibility or agency (being the ) is nonetheless unshakeable. To account for this Schopenhauer invokes the Kantian distinction between empirical and intelligible characters. The (...)
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  28.  60
    Borges and Danto: A Reply to Michael Wreen.Christopher Janaway - 1992 - British Journal of Aesthetics 32 (1):72-76.
  29. The Cambridge Companion to Schopenhauer.Christopher Janaway - 2002 - Journal of Nietzsche Studies 23:96-97.
     
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  30. Schopenhauer as Nietzsche's Educator.Christopher Janaway - 1998 - In Willing and Nothingness: Schopenhauer as Nietzsche's Educator. Clarendon Press.
     
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  31.  56
    Two Kinds of Artistic Duplication.Christopher Janaway - 1997 - British Journal of Aesthetics 37 (1):1-14.
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  32. Ancient Greek Philosophy I: The Pre-Socratics and Plato.Christopher Janaway - 1995 - In A. C. Grayling (ed.), Philosophy: A Guide Through the Subject. Oxford University Press. pp. 336--397.
     
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  33.  4
    II—Christopher Janaway.Christopher Janaway - 2006 - Aristotelian Society Supplementary Volume 80 (1):339-357.
  34.  40
    What a Musical Forgery Isn't.Christopher Janaway - 1999 - British Journal of Aesthetics 39 (1):62-71.
  35.  56
    Nietzsche on Morality by Brian Leiter. [REVIEW]Christopher Janaway - 2005 - Philosophy and Phenomenological Research 71 (3):729-740.
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  36. Schopenhauer.Christopher Janaway - 1997 - In Roger Scruton (ed.), Journal of Nietzsche Studies. Oxford University Press. pp. 189-191.
     
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  37.  2
    Nietzsche on Free Will, Autonomy and the Sovereign Individual.Ken Gemes & Christopher Janaway - 2006 - Proceedings of the Aristotelian Society 106 (1):339-357.
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  38.  74
    Naturalism and Value in Nietzsche. [REVIEW]Ken Gemes & Christopher Janaway - 2005 - Philosophy and Phenomenological Research 71 (3):729–740.
  39.  34
    Schopenhauer's Pessimism.Christopher Janaway - 1999 - Royal Institute of Philosophy Supplement 44:47-63.
    This series of lectures was originally scheduled to include a talk on Schopenhauer by Patrick Gardiner. Sadly, Patrick died during the summer, and I was asked to stand in. Patrick must, I am sure, have been glad to see this series of talks on German Philosophy being put on by the Royal Institute, and he, probably more than anyone on the list, deserves to have been a part of it. Patrick Gardiner taught and wrote with unfailing integrity and quiet refinement (...)
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  40.  31
    The Gay Science.Christopher Janaway - forthcoming - Notre Dame Philosophical Reviews.
    An article in a Handbook on Nietzsche. Gives an overview of the main philosophical themes and questions of interpretation in Nietzsche's book The Gay Science.
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  41.  5
    Borges and Danto: A Reply to Michael Wreen.Christopher Janaway - 1991 - British Journal of Aesthetics 31 (4):72-76.
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  42. History of Aesthetics. Plato.Christopher Janaway - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
  43.  26
    Nietzsche on Free Will, Autonomy and the Sovereign Individual.Christopher Janaway - 2006 - Aristotelian Society Supplementary Volume 80 (1):339-357.
    [Ken Gemes] In some texts Nietzsche vehemently denies the possibility of free will; in others he seems to positively countenance its existence. This paper distinguishes two different notions of free will. Agency free will is intrinsically tied to the question of agency, what constitutes an action as opposed to a mere doing. Deserts free will is intrinsically tied to the question of desert, of who does and does not merit punishment and reward. It is shown that we can render Nietzsche's (...)
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  44.  42
    Plato's Analogy Between Painter and Poet.Christopher Janaway - 1991 - British Journal of Aesthetics 31 (1):1-12.
  45. Images of Excellence. Plato's Critique of the Arts.Christopher Janaway - 1999 - Revue Philosophique de la France Et de l'Etranger 189 (4):509-510.
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  46.  18
    Nietzsche and Plato on the Structure of the Soul.Christopher Janaway - unknown
  47.  17
    The Real Essence of Human Beings: Schopenhauer on the Unconscious Will.Christopher Janaway - unknown
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  48. Two Kinds Of Artistic Duplication.Christopher Janaway - 1997 - British Journal of Aesthetics 37 (1):1-14.
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  49.  15
    3. Schopenhauer on Cognition.Christopher Janaway - 2014 - In Matthias Koßler & Oliver Hallich (eds.), Arthur Schopenhauer: Die Welt Als Wille Und Vorstellung. Oldenbourg Wissenschaftsverlag. pp. 35-50.
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  50.  18
    Beyond Selflessness in Ethics and Inquiry.Christopher Janaway - 2008 - Journal of Nietzsche Studies 35 (1):124-140.
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