47 found
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  1.  14
    On Difficulty, Elitism, and Friendship in Art.Christopher Perricone - 2018 - Journal of Aesthetic Education 52 (1):106.
    In order to judge artworks, that is, to understand and to appreciate artworks, David Hume states in his essay Of the Standard of Taste that a good critic needs a particular kind of art education, one summarized in his five criteria for establishing a standard of taste: 1. "delicacy of imagination"; 2. "practice in a particular art and the frequent survey or contemplation of a particular species of beauty"; 3. "form comparisons between several species and degrees of excellence, and estimating (...)
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  2. The Aspiration to the Condition of Touch.Christopher Perricone - 2006 - Philosophy and Literature 30 (1):229-237.
  3.  27
    The Body and Hume's Standard of Taste.Christopher Perricone - 1995 - Journal of Aesthetics and Art Criticism 53 (4):371-378.
  4.  8
    Aesthetic Judgment: It's All About How Much.Christopher Perricone - 2011 - Journal of Speculative Philosophy 25 (4):323-342.
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  5.  62
    Tragedy: A Lesson in Survival.Christopher Perricone - 2010 - Journal of Aesthetic Education 44 (1):pp. 70-83.
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  6. Book Review: The Last Puritan: A Memoir in the Form of a Novel. [REVIEW]Christopher Perricone - 1995 - Philosophy and Literature 19 (1):186-187.
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  7. Art Selection, or the Preservation of Artworks in the Struggle for Art.Christopher Perricone - 2004 - Journal of Aesthetic Education 38 (2):53.
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  8. George Santayana, "Interpretations of Poetry and Religion", Critical Edition, William G. Holzberger and Herman J. Saatkamp, Jr. [REVIEW]Christopher Perricone - 1991 - Transactions of the Charles S. Peirce Society 27 (1):129.
     
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  9. Human Interest in the Spirit and the Spiritual Life: An Examination of an Aspect of George Santayana's Philosophy.Christopher Perricone - 1979 - Dissertation, City University of New York
     
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  10. Ruins And The Sublime.Christopher Perricone - 1987 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 22 (50):39.
     
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  11. Shooting the Wounded: An Essay on Criticism.Christopher Perricone - 2000 - Journal of Aesthetic Education 34 (1):37.
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  12. The Body and Arsitotle's Idea of Moral Virtue.Christopher Perricone - 2000 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 35 (75):111-122.
     
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  13. The Work of Art as an Unfinished Whole.Christopher Perricone - 1986 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 21 (47):69.
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  14.  48
    Art and the Metamorphosis of Art Into History.Christopher Perricone - 1991 - British Journal of Aesthetics 31 (4):310-321.
  15.  53
    Artist and Audience.Christopher Perricone - 1990 - Journal of Value Inquiry 24 (3):199-212.
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  16.  26
    Does the Philosophy of Art Have a Mind/Body Problem?Christopher Perricone - 2004 - Philosophy Now 46:23-26.
  17.  41
    Art Selection, or the Preservation of Artworks in the Struggle for Art.Christopher Perricone - 2004 - Journal of Aesthetic Education 38 (2):53-66.
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  18.  36
    Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution by Swirski, Peter.Christopher Perricone - 2011 - Journal of Aesthetics and Art Criticism 69 (2):251-253.
  19.  31
    Tragic Pleasures: Aristotle on Plot and Emotion.Christopher Perricone - 1995 - International Studies in Philosophy 27 (4):103-104.
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  20.  3
    Book Review. [REVIEW]Christopher Perricone - 1997 - Journal of Value Inquiry 31 (1):127-130.
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  21.  36
    The Influence of Darwinism on John Dewey's Philosophy of Art.Christopher Perricone - 2006 - Journal of Speculative Philosophy 20 (1):20-41.
  22.  33
    The Place of Touch in the Arts.Christopher Perricone - 2007 - Journal of Aesthetic Education 41 (1):90-104.
  23.  18
    George Santayana’s View of the Place of Art in a Cultural World.Christopher Perricone - 1983 - Southern Journal of Philosophy 21 (4):547-563.
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  24.  27
    Bugged Out: A Reflection on Art Experience.Christopher Perricone - 2003 - Journal of Aesthetic Education 37 (2):19-30.
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  25.  16
    Leon Golden., Aristotle on Tragic and Comic Mimesis, American Classical Studies #29.Christopher Perricone - 1994 - International Studies in Philosophy 26 (4):132-133.
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  26.  20
    St. Augustine’s Idea of Aesthetic Interpretation.Christopher Perricone - 1989 - Ancient Philosophy 9 (1):95-107.
  27.  21
    George Santayana's Roots in Ancient Rome.Christopher Perricone - 2001 - Transactions of the Charles S. Peirce Society 37 (2):223 - 242.
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  28.  10
    Poetic Philosophy the Wittgenstein-Stevens Connection.Christopher Perricone - 2000 - Philosophy Today 44 (3):245.
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  29. John Passmore, Serious Art.Christopher Perricone - 1997 - Journal of Value Inquiry 31 (1):127-130.
  30.  23
    Christopher Gowans: Innocence Lost: An Examination of Inescapable Wrongdoing. [REVIEW]Christopher Perricone - 1998 - Journal of Value Inquiry 32 (1):127-132.
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  31.  11
    George Klein, Pietapieta.Christopher Perricone - 1997 - Journal of Value Inquiry 31 (3):425-428.
  32.  8
    St. Augustine’s Idea of Aesthetic Interpretation.Christopher Perricone - 1989 - Ancient Philosophy 9 (1):95-107.
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  33.  16
    The Powers of Art: Reflections on "The Dynamo and the Virgin".Christopher Perricone - 1991 - Journal of Speculative Philosophy 5 (4):256 - 275.
  34.  9
    Leon Golden., Aristotle on Tragic and Comic Mimesis, American Classical Studies #29.Christopher Perricone - 1994 - International Studies in Philosophy 26 (4):132-133.
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  35.  17
    The Layers of Artistic Illusion.Christopher Perricone - 1994 - Journal of Value Inquiry 28 (2):233-243.
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  36.  7
    George Santayana’s View of the Place of Art in a Cultural World.Christopher Perricone - 1983 - Southern Journal of Philosophy 21 (4):547-563.
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  37.  9
    Distraction and Santayana's Idea of Progress.Christopher Perricone - 1983 - Transactions of the Charles S. Peirce Society 19 (2):167 - 181.
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  38.  15
    The Artistic Point of View.Christopher Perricone - 1987 - Journal of Value Inquiry 21 (3):199-207.
  39.  9
    Santayana's Criticisms of Emersonian Idealism and the Grounds of Common Sense.Christopher Perricone - 1988 - Transactions of the Charles S. Peirce Society 24 (2):239 - 264.
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  40.  5
    Tragic Pleasures: Aristotle on Plot and Emotion. [REVIEW]Christopher Perricone - 1995 - International Studies in Philosophy 27 (4):103-104.
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  41.  12
    Theodulph of Orleans (760–821): "On the Seven Liberal Arts as Shown in a Certain Picture".Christopher Perricone - 2002 - Philosophical Forum 33 (3):220–227.
  42.  7
    Poetic Philosophy: The Bergson-Whitman Connection.Christopher Perricone - 1996 - Journal of Speculative Philosophy 10 (1):41 - 61.
  43.  4
    Art World: Grudger, Sucker, Cheat.Christopher Perricone - 2017 - Philosophy and Literature 41 (1):31-44.
    A picture lives by companionship.In Art as Experience, John Dewey is clear that art, like life, goes on in an environment—or, more emphatically, art, like life, goes on "not merely in it but because of it, through interaction with it.... The career and destiny of a living being are bound up with its interchange with its environment, not externally but in the most intimate way."2 Later, Dewey says: "The word 'esthetic' refers, as we have already noted, to experience as appreciative, (...)
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  44.  17
    Poetic Philosophy: The Santayana-Eliot Connection.Christopher Perricone - 1994 - Transactions of the Charles S. Peirce Society 30 (3):637 - 665.
  45.  2
    Poetic Philosophy: The Wittgenstein-Stevens Connection.Christopher Perricone - 2000 - Philosophy Today 44 (3):245-258.
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  46.  1
    Bugged Out: A Reflection on Art Experience.Christopher Perricone - 2003 - Journal of Aesthetic Education 37 (2):19.
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  47.  4
    Poetic Philosophy: The Heidegger-Williams Connection.Christopher Perricone - 1998 - Journal of Speculative Philosophy 12 (1):47 - 67.