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Christopher S. van den Berg [5]Christopher Van Den Berg [4]
  1.  29
    The De Oratore - Wisse, Winterbottom, Fantham M. Tullius Cicero De Oratore Book III. Volume 5: A Commentary on Book III, 96–230. Pp. Xx + 438. Heidelberg: Universitätsverlag Winter, 2008. Cased, €68. ISBN: 978-3-8253-1588-7. [REVIEW]Christopher van den Berg - 2010 - The Classical Review 60 (1):114-116.
  2.  8
    Roman Oratory Rediscovered. Gray, Balbo, Marshall, Steel Reading Republican Oratory. Reconstructions, Contexts, Receptions. Pp. XIV + 366, Figs. Oxford: Oxford University Press, 2018. Cased, £80, Us$105. Isbn: 978-0-19-878820-1. [REVIEW]Christopher S. van den Berg - forthcoming - The Classical Review:1-3.
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  3.  23
    The Philippics (G.) Manuwald (Ed.) Cicero, Philippics 3–9. Volume 1: Introduction, Text and Translation. Volume 2: Commentary. (Texte Und Kommentare 30.1–2.) Pp. Xxiv + 1153, Maps. Berlin and New York: Walter de Gruyter, 2007. Cased, €168, US$198. ISBN: 978-3-11-019325-. [REVIEW]Christopher Van Den Berg - 2009 - The Classical Review 59 (1):126-.
  4.  11
    Theory and Water: A Co-Taught Undergraduate Course.Christopher Van Den Berg - 2015 - Classical World: A Quarterly Journal on Antiquity 108 (2):243-254.
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  5.  19
    Laird (A.) (Ed.) Oxford Readings in Classical Studies: Ancient Literary Criticism. Pp. Xii + 491. Oxford: Oxford University Press, 2006. Cased, £95, US$295 (Paper, £37, US$55). ISBN: 978-0-19-925865-9 (978-0-19-925866-6 Pbk.). [REVIEW]Christopher Van Den Berg - 2008 - The Classical Review 58 (1):48-50.
  6. Cintertextuality Introduction.Yelena Baraz & Christopher S. van den Berg - 2013 - American Journal of Philology 134 (1):1 - 8.
     
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  7. Omnis Malignitas Est Virtuti Contraria: Malignitas as a Term of Aesthetic Evaluation From Horace to Tacitus' Dialogus de Oratoribus.Christopher S. van den Berg - 2008 - In I. Sluiter & Ralph Mark Rosen (eds.), Kakos: Badness and Anti-Value in Classical Antiquity. Brill.
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  8.  18
    Introduction.Yelena Baraz & Christopher S. Van den Berg - 2013 - American Journal of Philology 134 (1):1-8.
    T his introduction cannot do justice to the long and complex history of intertextuality as practiced by classicists, but it is appropriate to outline some of the more influential developments since Conte 1 first reconceived Giorgio Pasquali’s arte allusiva in terms of Julia Kristeva’s intertextuality 2 and helped establish a dominant model for the study of Latin poetry. During the last century, literary scholars of virtually every critical persuasion explored the theoretical underpinnings of allusion and intertextuality. 3 Bakhtin, Barthes, and (...)
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