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  1. Getting the Measure of Murdoch's Good.Clare Mac Cumhaill - 2020 - European Journal of Philosophy 28 (1):235-247.
    I offer a reading of Murdoch's conception of concrete universality as it appears in 'The Idea of Perfection', the first essay in the Sovereignty of Good. I show that it has British Idealist overtones that are inflected by Wittgenstein, a thought I try to illuminate by drawing an analogy with Wittgenstein's discussion of the metre stick in Paris in Philosophical Investigations §50. In the last part of the paper, I appeal to the work of Murdoch's erstwhile tutor Donald MacKinnon to (...)
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  2.  55
    Still Life, a Mirror: Phasic Memory and Re-Encounters with Artworks.Clare Mac Cumhaill - 2020 - Review of Philosophy and Psychology 11 (2):423-446.
    Re-encountering certain kinds of artworks in the present (re-listening to music, re- reading novels) can often occasion a kind of recollection akin to episodic recollection, but which may be better cast as ‘phasic’, at least insofar as one can be said to remember ‘what it was like’ to be oneself at some earlier stage or phase in one’s personal history. The kinds of works that prompt such recollection, I call ‘still lives’ - they are limited wholes whose formal properties are (...)
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  3.  85
    Perceiving Immaterial Paths.Clare Mac Cumhaill - 2015 - Philosophy and Phenomenological Research 90 (3):687-715.
    In what sense does empty space feature in visual experience? In the first part of this essay I sketch a view advanced by Soteriou and Richardson on which one's visual awareness of empty space is explained by appeal to ‘structural’ features of the phenomenology of visual experience, in particular the phenomenology of experiencing one's visual field as bounded. I suggest that although this ‘structuralist’ view is silent on whether empty space has a phenomenal appearance, the very appeal to structural features (...)
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  4.  93
    Specular Space.Clare Mac Cumhaill - 2011 - Proceedings of the Aristotelian Society 111 (3pt3):487-495.
    I argue that when empty space is seen in mirrors—that is, when perceptual specular experience is veridical—specular empty space is, like pictorial empty space, seen-in. I explain how the phenomenal expansiveness of specular reflections can nonetheless be reconciled with the see-through look of specular space.
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  5.  78
    Night Fight.Clare Mac Cumhaill - 2017 - In Hichem Naar & Fabrice Teroni (eds.), The Ontology of Emotions. Cambridge University Press. pp. 187-208.
    In this paper, I explore a noted empirical link between regret and insomnia. Drawing on Brian O’Shaughnessy analysis of wakeful consciousness, I sketch three candidate ways of excavating a conceptual connection. Regret involves a certain kind of temporal orientation that, for O’Shaughnessy, only the state of wakefulness makes possible. Regret involves mental activity – it is productive of and precipitates patterns of counterfactual thought and imagining. Further, picking up a cue from Bernard Williams’ celebrated conception of agent-regret in ‘Moral Luck’, (...)
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  6. Anton Marty and Contemporary Philosophy.Clare Mac Cumhaill - 2019 - Springer Verlag.
  7.  16
    Bivs, Space and ‘In’.Clare Mac Cumhaill - forthcoming - Erkenntnis:1-24.
    I present a novel anti-sceptical BIV argument by focusing on conditions on the production and use of the locative preposition ‘in’. I distinguish two uses of ‘in’—material and descriptive phenomenological—and I explain in what respect movement is central to the concept that our use of ‘in’ expresses. I go on to argue that a functionalist semantics of the intelligible use of ‘in’ demands a materialist philosophy of action in the spirit of G.E.M. Anscombe, but also why the structure of space (...)
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  8.  16
    Co-Seeing and Seeing Through: Reimagining Kant’s Subtraction Argument with Stumpf and Husserl.Clare Mac Cumhaill - forthcoming - Tandf: British Journal for the History of Philosophy:1-23.
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  9.  22
    Co-Seeing and Seeing Through: Reimagining Kant’s Subtraction Argument with Stumpf and Husserl.Clare Mac Cumhaill - 2020 - British Journal for the History of Philosophy 28 (6):1217-1239.
    I draw on Carl Stumpf’s essay “Psychologie und Erkenntnistheorie”, and his precocious On the Psychological Origin of the Idea of Space, to set out a charge he raises against Kant’s fo...
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  10.  8
    Correction to: Still Life, a Mirror: Phasic memory and re-encounters with artworks.Clare Mac Cumhaill - 2020 - Review of Philosophy and Psychology 11 (2):447-447.
    The initial online publication contained typesetting errors in section headings and running heads.
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  11.  76
    Depicting Human Form.Clare Mac Cumhaill - 2020 - Royal Institute of Philosophy Supplement 87:151-167.
    This paper involves constructive exegesis. I consider the contrast between morality and art as sketched in Philippa Foot's 1972 paper of the same name, ‘Morality and Art’. I then consider how her views might have shifted against the background of the conceptual landscape afforded by Natural Goodness, though the topic of the relation of art and morality is not explicitly explored in that work. The method is to set out some textual fragments from Natural Goodness that can be arranged for (...)
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  12. Nonsense and Visual Evanescence.Clare Mac Cumhaill - 2018 - In Clare Mac Cumhaill & Thomas Crowther (eds.), Perceptual Ephemera. Oxford, UK: pp. 289-311.
    I introduce a perceptual phenomenon so far overlooked in the philosophical literature: ‘visual evanescence’. ‘Evanescent’ objects are those that due to their structured visible appearances have a tendency to vanish or evanesce from sight at certain places and for certain ‘biologically apt’ perceivers. Paradigmatically evanescent objects are those associated with certain forms of animal camouflage. I show that reflection on visual evanescence helps create conceptual room for a treatment of looks statements not explicit in the contemporary literature, one which takes (...)
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  13. Raum and ‘Room’: Comments on Anton Marty on Space Perception.Clare Mac Cumhaill - 2019 - In Giuliano Bacigalupo & Hélène Leblanc (eds.), Anton Marty and Contemporary Philosophy. Palgrave. pp. 121-152.
    I consider the first part of Marty’s Raum und Zeit, which treats of both the nature of space and spatial perception. I begin by sketching two charges that Marty raises against Kantian and Brentanian conceptions of space (and spatial perception) respectively, before detailing what I take to be a characteristically Martyan picture of space perception, though set against the backdrop of contemporary philosophy of perception. Marty has it that spatial relations are non-real but existent, causally inert relations that are grounded (...)
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  14. Sensation and the Grammar of Life: Anscombe’s Procedure and Her Purpose.Clare Mac Cumhaill & Rachael Wiseman - forthcoming - In Heather Logue and Louise Richardson (ed.), Purpose and Procedure in Philosophy of Perception.
    Anscombe’s published writings, lectures and notes on sensation point toward a sophisticated critique of sense-data, representationalist and direct realist theories of perception (in both their historical and contemporary forms), and a novel analysis of the concept of sensation. Her philosophy of perception begins with the traditional question, ‘What are the objects of sensation?’, but the response is a grammatical rather than ontological enquiry. What, she asks, are the characteristics of the grammatical object of sensation verbs? Anscombe’s answer is: sensation verbs (...)
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  15. The Importance of Murdoch's Early Encounters with Anscombe and Marcel.Clare Mac Cumhaill & Rachael Wiseman - forthcoming - In Silvia Panizza & Mark Hopwood (eds.), The Murdochian Mind.
    After graduating with a first in Mods and Greats in 1942, Iris Murdoch left Oxford to spend the remainder of the war in London working in the Treasury. In 1945 she was sent to Austria where she worked in a UNRRA camp for displaced persons. She resigned from UNRRA in July 1946, hoping to take up a fellowship at Vassar College, New York. Her plans ran adrift however when her application for a US visa was turned down. She was forced (...)
     
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