Results for 'Classicism'

256 found
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  1.  19
    The Safe Haven of a New Classicism: The Quest for a New Aesthetics in Hungary 1904-1912.Éva Forgács - 2008 - Studies in East European Thought 60 (1/2):75 - 95.
    Seen through the quest for a new metaphysics, the visual arts were interpreted in the framework of the particular sense of progress that the generation of György Lukács developed in the first decade of the twentieth century. They saw Impressionism as the veritable symptom of the deficiencies of their age and dreamed of a great, solid, lasting new Hungarian culture which would transcend the fragmentariness, sociological interests, and ethereality of Impressionism. Although exhibitions of contemporary modernist art were organized in Budapest (...)
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  2.  18
    Friedrich Nietzsche and Weimar Classicism.Paul Bishop - 2005 - Camden House.
    Die Geburt der Tragödie and Weimar classicism -- The formative influence of Weimar classicism in the genesis of Zarathustra -- The aesthetic gospel of Nietzsche's Zarathustra -- From Leucippus to Cassirer : toward a genealogy of "sincere semblance".
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  3. Classicism Vs. Connectionism.Cynthia Macdonald - 1995 - In Cynthia Macdonald & Graham F. Macdonald (eds.), Connectionism: Debates on Psychological Explanation. Blackwell.
     
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  4.  18
    Tensor Products and Split-Level Architecture: Foundational Issues in the Classicism-Connectionism Debate.Marcello Guarini - 1996 - Philosophy of Science 63 (3):S239-S247.
    This paper responds to criticisms levelled by Fodor, Pylyshyn, and McLaughlin against connectionism. Specifically, I will rebut the charge that connectionists cannot account for representational systematicity without implementing a classical architecture. This will be accomplished by drawing on Paul Smolensky's Tensor Product model of representation and on his insights about split-level architectures.
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  5.  36
    Does Classicism Explain Universality?Stephen H. Phillips - 2002 - Minds and Machines 12 (3):423-434.
    One of the hallmarks of human cognition is the capacity to generalize over arbitrary constituents. Recently, Marcus (1998, 1998a, b; Cognition 66, p. 153; Cognitive Psychology 37, p. 243) argued that this capacity, called universal generalization (universality), is not supported by Connectionist models. Instead, universality is best explained by Classical symbol systems, with Connectionism as its implementation. Here it is argued that universality is also a problem for Classicism in that the syntax-sensitive rules that are supposed to provide causal (...)
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  6.  5
    Cultural Memory and the Great War: Medievalism and Classicism in British and German War Memorials.Stefan Goebel - 2012 - In Cultures of Commemoration: War Memorials, Ancient and Modern. pp. 135.
    This chapter investigates the overlaps between the ‘cultural memory’ of the distant past and the memory of the Great War in Britain and Germany between 1914 and 1939, looking in particular at the use of medieval images in war memorials. There was a certain tension between advocates of medievalism and supporters of classicist images, but often, they reached a compromise. The chapter combines a discussion of the concept of ‘cultural memory’ with case studies on the reception of antiquity and the (...)
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  7.  4
    The Safe Haven of a New Classicism: The Quest for a New Aesthetics in Hungary 1904–1912.Éva Forgács - 2008 - Studies in East European Thought 60 (1-2):75-95.
    Seen through the quest for a new metaphysics, the visual arts were interpreted in the framework of the particular sense of progress that the generation of György Lukács developed in the first decade of the twentieth century. They saw Impressionism as the veritable symptom of the deficiencies of their age and dreamed of a great, solid, lasting new Hungarian culture which would transcend the fragmentariness, sociological interests, and ethereality of Impressionism. Although exhibitions of contemporary modernist art were organized in Budapest (...)
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  8.  5
    Cultural Pluralism and the Limitations of the Classicist Conception of Culture.Paul St Amour - 2003 - Proceedings of the American Catholic Philosophical Association 77:259-271.
    Bernard Lonergan has attempted to clarify a major theoretical transition from a classicist conception of culture, which was operative for over two millennia,to a contemporary notion of culture which is empirical, historicist, and pluralist. I argue that this transition has significant implications for apprehending boththe difficulty and the possibility of intercultural understanding. While the need for intercultural understanding is timely and obvious, its actual achievement hasproven elusive. One major impediment, I argue, has been the effective persistence of classicist assumptions which (...)
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  9.  1
    Turner's Classicism and the Problem of Periodization in the History of Art.Philipp Fehl - 1976 - Critical Inquiry 3 (1):93-129.
    It was the general practice until not at all long ago to look at Turner as one of the moderns, if not as one of the founding fathers of modern art. He was a man straddling the fence between two periods, but he was looking forward. In a history of art that marches through time, forever endorsing what is about to be forgotten, wrapping up, as it were, one style to open eagerly the package of the next, such a position (...)
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  10. Classicism, Connectionism and the Concept of Level.Yu-Houng H. Houng - 1990 - Dissertation, Indiana University
    The debate between Classicism and Connectionism can be properly characterized as a debate concerning the appropriate levels of analysis for psychological theorizing. Classicists maintain that the level of analysis defined by the Classical architecture is the level of analysis at which psychological theorizing should reside. This level is called the symbolic level. On the other hand, Connectionists claim that the proper level of analysis for cognitive modeling is at the subsymbolic level which is considered a level lower than the (...)
     
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  11. Report on Lydie Salvayre's Subversive Classicism.Eric Mechoulan - 2004 - Substance 33 (2):46-58.
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  12.  66
    The Connectionism/Classicism Battle to Win Souls.Brian P. McLaughlin - 1993 - Philosophical Studies 71 (2):163-190.
  13. On Super- and Subvaluationism: A Classicist's Reply to Hyde.K. Akiba - 1999 - Mind 108 (432):727-732.
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  14.  31
    Helmholtz and Classicism: The Science of Aesthetics and the Aesthetics of Science.Gary Hatfield - 1993 - In David Cahan (ed.), Hermann von Helmholtz and the Foundations of Nineteenth-Century Science. University of California Press. pp. 522--58.
    This chapter examines the Helmholtz's changing conceptions of the relation between scientific cognition (the thought processes of the investigator) and artistic cognition. It begins with two case studies: Helmholtz's application of sensory physiology and psychology respectively to music and to painting. Consideration of these concrete cases leads to Helmholtz's account of the methodology of aesthetics, and specifically to his formulation of the distinction between the *Geisteswissenschaften* and *Naturwissenschaften*. It then examines the development of his comparative account of the thought processes (...)
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  15. Classicism as an Evangel.John Dewey - 1921 - Journal of Philosophy 18 (24):664-666.
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  16. Domenico Guidi and French Classicism.Rudolf Wittkower - 1938 - Journal of the Warburg Institute 2 (2):188-190.
  17.  66
    Book Review: Acts In Its Ancient Literary Context: A Classicist Looks at the Acts of the Apostles. [REVIEW]F. Scott Spencer - forthcoming - Interpretation 63 (1):95-95.
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  18. Romanticism and Classicism: Deep Structures in Social Science.A. W. Gouldner - 1973 - Diogenes 21 (82):88-107.
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  19.  2
    Hellenism and Empire. Language, Classicism, and Power in the Greek World, AD 50-250.Tim Whitmarsh & S. Swain - 1998 - Journal of Hellenic Studies 118:215.
  20.  28
    English Neo-Classicism.Victor M. Hamm - 1936 - Thought: A Journal of Philosophy 11 (3):378-391.
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  21.  22
    Nick Haverkamp. Intuitionism Vs. Classicism: A Mathematical Attack on Classical Logic. Studies in Theoretical Philosophy, Vol. 2. Frankfurt: Klostermann, 2015. ISBN 978-3-465-03906-8 . Pp. Xvi + 270. [REVIEW]Fred Richman - 2016 - Philosophia Mathematica 24 (2):278-278.
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  22.  28
    Pleading Classicism.D. Hyde - 1999 - Mind 108 (432):733-735.
  23.  6
    Never Say “Never”!: On the Communication Problem Between Intuitionism and Classicism.Geoffrey Hellman - 1989 - Philosophical Topics 17 (2):47-67.
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  24.  15
    Greek Classicism in Living Structure? Some Deductive Pathways in Animal Morphology.G. A. Zweers - 1985 - Acta Biotheoretica 34 (2-4):249-275.
    Classical temples in ancient Greece show two deterministic illusionistic principles of architecture, which govern their functional design: geometric proportionalism and a set of illusion-strengthening rules in the proportionalism's stochastic margin. Animal morphology, in its mechanistic-deductive revival, applies just one architectural principle, which is not always satisfactory. Whether a Greek Classical situation occurs in the architecture of living structure is to be investigated by extreme testing with deductive methods.Three deductive methods for explanation of living structure in animal morphology are proposed: the (...)
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  25.  39
    The Freedom of Shaftesbury's Classicism.Richard Woodfield - 1975 - British Journal of Aesthetics 15 (3):254-266.
  26.  12
    Nietzsche the Classicist. A.K. Jensen, H. Heit Nietzsche as a Scholar of Antiquity. Pp. XXII + 292, Ill. London and New York: Bloomsbury Academic, 2014. Cased, £65, Us$120. Isbn: 978-1-4725-1152-2. [REVIEW]Stephen Halliwell - 2015 - The Classical Review 65 (2):599-601.
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  27.  5
    Monstrous Imagination: Progeny as Art in French Classicism.Marie-Hélène Huet - 1991 - Critical Inquiry 17 (4):718-737.
    The monster and the woman thus find themselves on the same side, the side of dissimilarity. “The female is as it were a deformed male,” added Aristotle . As she belongs to the category of the different, the female can only contribute more figures of dissimilarities, if not creatures even more monstrous. But the female is a necessary departure from the norm, a useful monstrosity. The monster is gratuitous and useless for future generations. Aristotle’s seminal work on the generation of (...)
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  28.  9
    Some Observations on the Alleged Classicism of Socialist Realism.John Fizer - 1975 - Studies in Soviet Thought 15 (4):327-337.
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  29.  10
    Classicism at Rome.Roland Mayer - 1981 - The Classical Review 31 (02):222-.
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  30.  11
    Synchrony and Composition: Toward a Cognitive Architecture Between Classicism and Connectionism.Markus Werning - 2003 - In Benedikt Löwe, Thoralf Räsch & Wolfgang Malzkorn (eds.), Foundations of the Formal Sciences Ii. Kluwer Academic Publishers. pp. 261--278.
  31.  14
    Comedy and Classicism.Dirk Eitzen - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. pp. 394--411.
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  32.  35
    The Role of the Systematicity Argument in Classicism and Connectionism.Kenneth Aizawa - 1997 - In S. O'Nuallain (ed.), Two Sciences of Mind. John Benjamins.
  33.  4
    Lisa Wolverton,Cosmas of Prague: Narrative, Classicism, Politics. Washington, DC: Catholic University of America Press, 2015. Pp. 328; 3 Maps. $65. ISBN: 978-0-8132-2691-0. [REVIEW]Jan Klápště - 2016 - Speculum 91 (2):573-574.
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  34.  8
    Eighteenth-Century German Classicism (V.) Rosenberger (Ed.) Die Ideale der Alten. Antikerezeption Um 1800. (Friedenstein-Forschungen 3.) Pp. 199, Ills. Stuttgart: Franz Steiner Verlag, 2008. Cased, €44. ISBN: 978-3-515-09000-. [REVIEW]Katherine Harloe - 2010 - The Classical Review 60 (02):595-597.
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  35.  12
    Ward W. Briggs Jr, Hubert W. Benario(Edd.): Basil Lanneau Gilder Sleeve: An American Classicist. (AJP Monographs in Classical Philology.) Pp. Xii + 115; 1 Plate. Baltimore and London: The Johns Hopkins University Press, 1985. $12.95. [REVIEW]Hugh Lloyd-Jones - 1986 - The Classical Review 36 (02):357-358.
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  36.  11
    Welsh Classicism C. Davies: Welsh Literature and the Classical Tradition . Pp. Xiii + 195. Cardiff: University of Wales Press, 1995. £20. ISBN: 0-7083-1321-. [REVIEW]J. G. F. Powell - 1999 - The Classical Review 49 (01):242-.
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  37.  8
    National Character and Classicism in Italian Ethics.Luigi Ferri - 1895 - International Journal of Ethics 5 (3):340-360.
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  38.  10
    Classicism and Romanitas in Plutarch's De Alexandri Fortuna Aut Virtute.Sulochana Ruth Asirvatham - 2005 - American Journal of Philology 126 (1):107-125.
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  39.  10
    Late Greek Literature (S.F.) Johnson (Ed.) Greek Literature in Late Antiquity. Dynamism, Didacticism, Classicism. Pp. Xii + 215. Aldershot and Burlington, VT: Ashgate, 2006. Cased, £50, US$99.95. ISBN: 978-0-7546-5683-. [REVIEW]Claudia Rapp - 2010 - The Classical Review 60 (01):93-.
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  40. Neo-Neo-Classicism: The Artistic and Political Challenge of Ian Hamilton Finlay, Geometer.Brian E. Butler - 2009 - Geometer.
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  41.  9
    National Character and Classicism in Italian Philosophy.Luigi Ferri - 1894 - International Journal of Ethics 5 (1):63-79.
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  42.  20
    Some Observations on the Alleged Classicism of Socialist Realism.John Fizer - 1975 - Studies in East European Thought 15 (4):327-337.
  43.  18
    Aristocracy, Antiquity and History: Classicism in Political Thought. AM Kinneging.R. Osborne - 1998 - The Classical Review 48 (1):158-160.
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  44.  17
    The Later Greek Élite Simon Swain: Hellenism and Empire. Language, Classicism and Power in the Greek World AD 50–250. Pp. Xii + 499. Oxford: Clarendon Press, 1996. Cased, £50. ISBN: 0-19-814772-. [REVIEW]A. J. S. Spawforth - 1998 - The Classical Review 48 (01):107-109.
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  45.  19
    From Classicism to Modernism: Western Musical Culture and the Metaphysics of Order.Giles C. Hooper - 2003 - British Journal of Aesthetics 43 (3):326-329.
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  46.  14
    Classicism at Rome Hellmut Flashar (Ed.): Le Classicisme À Rome aux Lers Siècles Avant Et Aprés J.-C. (Entretiens Sur l'Antiquité Classique, 25.) Pp. Iv + 325; 13 Black and White Plates. Geneva: Fondation Hardt, 1979. 48 Sw.Frs. [REVIEW]Roland Mayer - 1981 - The Classical Review 31 (02):222-223.
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  47.  5
    A Classicist's Approach to Rhetoric in Plato.John T. Kirby - 1997 - Philosophy and Rhetoric 30 (2):190 - 202.
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  48.  14
    Things Old and New A. M. Kinneging: Aristocracy, Antiquity and History: Classicism in Political Thought. Pp. Xii + 348. New Brunswick, NJ and London: Transaction Publishers, 1996. $39.95. ISBN: 1-56000-222-. [REVIEW]Robin Osborne - 1998 - The Classical Review 48 (01):158-160.
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  49.  17
    A Poussin-Castiglione Problem: Classicism and the Picturesque in 17th Century Rome.Anthony Blunt - 1939 - Journal of the Warburg and Courtauld Institutes 3 (1/2):142-147.
  50.  5
    The Abbé de Cordemoy and the Graeco-Gothic Ideal: A Prelude to Romantic Classicism.R. D. Middleton - 1962 - Journal of the Warburg and Courtauld Institutes 25 (3/4):278-320.
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