- Poétique et Études littéraires – GALERIE – Nouvel article.

This book considers the aesthetic, cultural, and philosophical facets of a temporal paradox in the works of French novelist Claude Simon, and its broader implications for the study of narrative, and for cultural and post-modern theory.

This study relies on environmental stewardship, a stakeholder-enlarged view of stewardship theory, and institutional theory to analyze the relationship between CEO compensation and firms’ environmental commitment in a worldwide sample of 520 large listed firms. Our findings show that environment friendly firms pay their CEOs less total compensation and rely less on incentive-based compensation than environment careless firms. This negative relationship is stronger in institutional contexts where national environmental regulations are weaker. Our findings have important theoretical meaning and practical implications. (...) Results show that CEOs do not necessarily act opportunistically; rather some of them may be willing to act as stewards of the natural environment and accept a lower, less incentive-based compensation from environment friendly firms. This study also provides evidence of the important influence of the institutional context in setting-up CEO compensation as the relationship is stronger when national environmental regulations are weaker. Our findings question the universal validity of agency theory in explaining CEO compensation. Compensation based on pecuniary incentives might be less indicated to motivate CEOs who feel rewarded by playing a stewardship role for environment friendly firms. When designing compensation for CEOs, compensation committees and external compensation advisors should consider psychological and institutional factors that might affect CEO motivation. (shrink)

Contents: "Analysis of Claude Bernard's Introduction to the Study of Experimental Medicine," "Two Unpublished Chapters from She Came to Stay," "Pyrrhus and Cineas," "A Review of The Phenomenology of Perception by Maurice Merleau-Ponty," "Moral Idealism and Political Realism," "Existentialism and Popular Wisdom," "Jean-Paul Sartre," "An Eye for an Eye," "Literature and Metaphysics," "Introduction to an Ethics of Ambiguity," "An Existentialist Looks at Americans," and "What is Existentialism?".

In December 1924 when Simone de Beauvoir almost certainly wrote her essay analyzing Claude Bernard's "Introduction to the Study of Experimental Medicine," a classic text in the philosophy of science, she was a 16 yr old student in a senior-level philosophy class at a private Catholic girls' school. Given the popular conception of existentialism as anti science, Beauvoir's early interest in science, reflected in her baccalaureate successes as well as her paper on Bernard, may be surprising. But her enthusiasm (...) for Bernard is unmistakable. We have identified three themes in Beauvoir's essay that reappear in her later work, including the valuing of philosophical doubt. (shrink)

For centuries the common and scholarly visions of the interior of the human body were dominated by humoral and anatomical representations. At the end of the nineteenth century two innovations modified these representations: Röntgen's X-rays (1895) and Claude Bernard's theory of the internal environment (milieu intérieur, 1867). This latter model became a central paradigm for thinking about the living body at the beginning of the twentieth century. This paper shows how Bernard's theory provided a new scientific, microscopic, physiological, aquatic (...) and homeostatic vision of the interior of the body. The paper then discusses the well known film Fantastic Voyage (1966) by Richard Fleisher, arguing that it marks a similar watershed in popular representations of the human body. Combining scientific transposition and various effects of mise-en-scène that mobilize classic forms of the imaginary, Fleisher's film (and the books and TV series that followed), contributed to changing the vision of the interior of the body. This image was no longer that of the cadaver cut into pieces on the dissection table. The vision was of living processes, embodied in warm functioning flesh, permitting a physiological vision of the integral body to emerge alongside the classic anatomical one. (shrink)

This volume, including sixteen contributions, analyses ancient and medieval theories of intentionality in various contexts: perception, imagination, and intellectual thinking. It sheds new light on classical theories and examines neglected sources, both Greek and Latin.

The notion of moral attention allows the recognition of fundamental aspects of ethical life ignored or neglected by mainstream ethical theories. It is central to the theories of several notable female ethicists and many of them identify the French philosopher Simone Weil as the source of the contemporary use of this concept which invites questioning of crucial categories in the domain of ethics and moral education, such as the importance of the will as well as the definition of the moral (...) sphere itself. The meanings given to the notion of moral attention are examined in the work of three ethicists: Iris Murdoch, Nel Noddings and Joan Tronto with the object of bringing out points of agreement and disagreement between their respective conceptions of this subject. The way they have addressed the complex problem of educating for moral attention is analyzed and important implications for moral education are discussed. (shrink)

In this paper, I focus on the term ‘immanence’ in Simone de Beauvoir's The Second Sex and show how it relates to her historical account of sexual oppression. I argue that Beauvoir's use of Hegel's master−slave dialectic and of Claude Lévi-Strauss's reflection on the prohibition of incest lead her to claim that in all societies “woman” is constructed as “absolutely other.” I show that there is an ambiguous logic of abjection at work in Beauvoir's account that explains why men (...) are the only examples of transcendence in history, whereas women lack it. Finally, I discuss the way in which the relation between immanence and abjection helps to explain the intellectual relation between Georges Bataille and Beauvoir. (shrink)

Jean-Paul Grandjean – devenu de Fouchy en 1743, lorsqu’il est nommé secrétaire perpétuel de l’Académie des sciences – s’est formé à l’astronomie auprès de J.-N. Delisle, avant le départ de ce dernier pour la Russie. Fouchy installe bientôt chez lui un observatoire qu’il équipe d’instruments du constructeur Claude Langlois, et où il mène différentes observations. Le domaine d’intérêt principal de Fouchy concerne les «machines»; il s’agit entre autres d’appareils venant équiper les quarts-de-cercle pour en faciliter l’emploi. Comme secrétaire perpétuel, (...) il demeure en fonction jusqu’en 1776 et, à ce titre, il prononce de nombreux éloges dont une dizaine sont relatifs à des astronomes. (shrink)

A partire dalla seconda metà del Novecento la questione della mostruosità è stata oggetto – insieme a quella del prodigio, da cui si differenzia soltanto parzialmente – di un crescente interesse accademico. Gli studi riguardanti la funzione antropologica, cosmologica, estetica e naturalistica dei mostri, sono oramai tanto numerosi e tanto vari nell'approccio da renderne ardua anche solo una parziale enumerazione. Difficilmente potremmo esimerci dal menzionare un autore come Jurgis Baltrušaitis, che così acutamente ha posto il tema della funzione estetica del (...) mostruoso e del deforme, e allo stesso modo non potremmo dimenticare gli ormai classici studi storici e interpretativi di Claude-Claire Kappler, Jean Céard, Jacques Le Goff, Leslie Fiedler o David Williams, la cui scelta di prender parte alla nostra rassegna ci ha sinceramente onorati. Così facendo, tuttavia, trascureremmo lavori davvero pregevoli, come (solo per dirne alcuni) il poderoso tomo prodotto da Lorraine J. Daston e Katharine Park, il prezioso volumetto di José Gil, la ricca raccolta a cura di Charles T. Wolfe, la voluminosa storia della teratologia di Olivier Roux e le profonde riflessioni di Richard Kearney. Sarebbe possibile proseguire con un elenco di molte pagine, che includerebbe senz'altro i molti e altrettanto degni di nota lavori di alcuni degli autori di questa raccolta, che, con gli altri, ringraziamo: Albrecht Classen, Peter G. Platt, Maddalena Mazzocut-Mis, David Gilmore... (shrink)

Présentation d'une pensée qui synthétise les savoirs des Lumières et prépare les idéologies contemporaines, du socialisme au libéralisme industriel, et des disciplines comme la sociologie, le management ou la science politique. Claude Henri de Saint-Simon, surtout, peut être considéré comme le fondateur de la religion scientifique, industrielle et technologique contemporaine.

Mireille Calle-Gruber is not only a university professor and a writer, but also a leading scholar and critic of French literature and contemporary Francophone literature. Her works on Michel Butor, Claude Simon, Assia Djebar, Derrida and other contemporary writers fill gaps in the contemporary literary history of the twentieth century. Her books not only scrutinize and analyze the writing of Claude Simon; they also shed new light on the analysis of the novel and autobiography in contemporary (...) literature, through the memory of experience and perception. (shrink)

Plusieurs générations de chercheurs internationaux interrogent l’esthétique de Merleau-Ponty suivant deux axes : d’une part, le dialogue constant et passionné avec des arts (peinture, littérature, cinéma) et ses protagonistes (Cézanne, Proust, Claude Simon) qui est à l’origine de l’esthétique de Merleau-Ponty, et dans d’autre part, l’impact de la pensée merleau-pontienne sur les arts, depuis le Minimal Art américain en passant par le Body Art et la danse contemporaine. Tandis que certaines contributions s’intéressent, en s’appuyant sur les inédits, au (...) rapport jusqu’ici moins étudié que Merleau-Ponty entretenait avec la musique, mais aussi avec la photographie, d’autres contributions jaugent l’héritage merleau-pontien dans des arts sur lesquels il n’a pas lui-même écrit (la sculpture, la danse ou le théâtre). Ce volume propose donc une première synthèse générale du rapport de Merleau-Ponty aux arts, tout en en indiquant les lignes de fuite et les horizons qui en font aujourd’hui, cinquante ans après sa mort, toute l’actualité. -/- Contributions d’Emmanuel Alloa, Ronald Bonan, Fabrice Bourlez, Mauro Carbone, Lambert Dousson, Eliane Escoubas, Barbara Formis, Paule Gioffredi, Adnen Jdey, Stefan Kristensen, Rosamaria Salvatore, Jenny Slatman, Bernhard Waldenfels, Benedetta Zaccarello. (shrink)

The point shared by phenomenology and the French Nouveau Roman is that they both confer great importance to description. But is it philosophically interesting to compare the works of authors like Nathalie Sarraute, Alain Robbe-Grillet or Claude Simon (which relate to details in the material world) with the works of Husserl (whose object is the eidos)? In this article, we first study in what way the method suggested by Husserl was innovative and in what way it influenced his (...) examples and style in the Ideen. We then examine how the fact that this operation no longer relates to beings could be construed as progress in relation to Heidegger. Finally, we study the reasons why this mode of speech was favoured in the novels of the 1960s. Our assumption, as the later writings of Maurice Merleau-Ponty show, is that this literary move­ment tried to achieve in the field of fiction the same breakthrough and to give description a scientific quality. (shrink)

In praise of cruelty : Bataille, Kafka, and Ling-Chi -- Fragmentary description of a disaster : Claude Simon -- The resistance to pathos and the pathos of resistance : Peter Weiss -- Medeamachine : the "fallout" of violence in Heiner Müller -- Epilogue : Francis Bacon, or, The brutality of fact.

Questo testo si propone di prendere in considerazione il ruolo del linguaggio nella filosofia di Merleau-Ponty. In particolare le nostre analisi si soffermeranno prima su La prose du monde e poi sugli appunti relativi ai romanzi di Claude Simon. In tal modo tenteremo di inquadrare la natura specifica di tale linguaggio indagandone le fonti, esplorandone i limiti e vagliandone in dettaglio le potenzialità.Le propos de ce texte est de prendre en examen le rôle du langage dans la philosophie (...) de Merleau-Ponty. En particulier, nos analyses se concentreront en premier lieu sur La prose du monde et, ensuite, sur les notes au sujet des romans de Claude Simon. Ainsi, nous essaierons de cerner la nature spécifique d’un tel langage en analysant ses sources, en explorant ses limites et en examinant dans le détail ses potentialités.The purpose of this paper is to study the role of language in the philosophy of Merleau-Ponty. In particular, our analysis will concentrate mainly on The Prose of the World and, following that, on the notes about the novels of Claude Simon. Thus, we will attempt to discern the specific nature of such language, analyzing its sources, exploring its limits, and examining in detail its potentialities. (shrink)

Vers une stylistique des imaginaires langagiers Si la description du matériau langagier mis en jeu dans tel ou tel corpus se situe à la base de toute analyse stylistique, la visée ultime de l’opération est d’approcher un style, catégorie littéraire éminemment polysémique. L’analyse stylistique, en effet, peut avoir pour finalité de dégager les habitudes langagières de tel auteur ; elle peut aussi vouloir évaluer cette pratique en l’historicisant – ne serait-ce que parce que depuis le milieu du xixe siècle, la (...) langue littéraire présente des formes particulières, et que la conception du style, dès lors, s’en trouve modifiée. C’est là le postulat méthodologique dont on partira. Le corollaire d’une telle perspective est qu’une œuvre, quelle qu’elle soit, reflète un imaginaire langagier inscrit dans tel ou tel « moment » de l’histoire littéraire. La démarche ne peut être que comparative ; elle suppose donc la constitution d’un corpus pluriel dont la pertinence est définie par une proximité d’effets, qui reposent eux-mêmes sur la récurrence de « patrons » stylistiques. Mais afin de ne pas fausser le jeu, il faut nécessairement solliciter des corpus périphériques (et on se demandera comment les définir), permettant de mettre en évidence des ressemblances et des filiations aussi bien que des divergences : ce n’est qu’ainsi que l’on rendra compte de la complexité mais aussi de l’organisation du champ littéraire à un moment donné. C’est cette méthode d’analyse stylistique que l’on essaie de mettre en œuvre à partir des romans de Samuel Beckett, Robert Pinget et Claude Simon parus dans les années 1950. (shrink)

Simone Weil (1909-1943) was a defining figure of the twentieth century; a philosopher, Christian, resistance fighter, anarchist, feminist, labor activist and teacher. She was described by T. S. Eliot as "a woman of genius, of a kind of genius akin to that of the saints," and by Albert Camus as "the only great spirit of our time." Originally published posthumously in two volumes, these newly reissued notebooks, are among the very few unedited personal writings of Weil's that still survive today. (...) Containing her thoughts on art, love, science, God and the meaning of life, they give context and meaning to Weil's famous works, revealing a unique philosophy in development and offering a rare private glimpse of her singular personality. (shrink)

The years immediately after the final downfall of Napoleon Bonaparte could easily have been years of anti-climax in French science. In 1815, after two decades of undoubted greatness, the time, I feel, was ripe for decline. And decline might well have occurred if the traditions and the style of science as practised in France in the period of Napoleon's rule had been carried on unchanged by the disciples of the two great men who had dominated work in the physical sciences (...) for so many years. These men, of course, were the chemist Claude Louis Berthollet and the mathematician and physicist Pierre Simon Laplace. (shrink)