6 found
Order:
  1. As Aporias do Realismo Clássico.Claudio Ferreira Costa - 1994 - Princípios 1 (1):39-46.
    Translate
     
     
    Export citation  
     
    Bookmark  
  2. A Conjectura Filosófica.Claudio Ferreira Costa - 1995 - Princípios 2 (2):20-45.
    No categories
    Translate
     
     
    Export citation  
     
    Bookmark  
  3. A Definição Tradicional de Conhecimento.Claudio Ferreira Costa - 1997 - Princípios 4 (5):63-102.
    In this paper the relevance of so-called "propositional knowledge" is at first compared witho ther forms of knowledge. Secondly,the traditional and standard definition of propositional knowledge as justified true belief is discussed and defended against its most relevant objections. The third and main focus of this paper is a discussion of Gettier's objection to the tradicional definition and some answers to it,with the purpose of developing a more elaborate version of the traditional definition, one which makes it immune to counter-examples, (...)
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. Filosofia, Ciência e História.Cláudio Ferreira Costa - 1998 - Princípios 5 (6):55-88.
    Esse ensaio tematiza a absorcçáo do dominio da imaginacáo filosófica pelo da investigaçáo cientifica, considerando duas maneiras de ver contrastantes: a concepçáo de A. Comte, segundo a qual a metafisica faz parte de um estágio intermediario da evoluçáo do saber situado entre religiáo e ciencia, e a opiniáo de A. Kenny de que ao menos em seus temas centrais a filosofia ha de permanecer para sempre irredutivel a ciencia. Em minha conclusáo favorereço Comte contra Kenny. De um lado, esse ultimo (...)
    Translate
     
     
    Export citation  
     
    Bookmark  
  5. Processo Primário e Emoção Estética.Claudio Ferreira Costa - 1996 - Princípios 3 (4):86-102.
    Normal 0 21 false false false PT-BR X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-fareast-language:EN-US;} Freud explains not only the neurotic symptoms and dreams as products of the primary process; works of art are also products of it. Althought being the product of a primary process can’t be a sufficient condition for the identification of an (...)
    No categories
    Translate
     
     
    Export citation  
     
    Bookmark  
  6. Revendo a Distinção Constatativo/Perfomativo.Claudio Ferreira Costa - 1995 - Princípios 2 (3):32-46.
    In this paper is developed a reconstructive analysis of the conditions for both utterances constative and performative. These conditions were not presented by Austin (in that way), but we must deal with them, if we want that the distinction works. Under the light of this analysis is shown -against Austin -no compelling ground for the rejection of the distinction.
    No categories
    Translate
     
     
    Export citation  
     
    Bookmark